literally all of them
(I'm bi not lesbian ✌️)
Edit: I'm not an antelope
- you’re gay - can read - support gay people - want to hold a match between your fingers as you wander the halls of an ancient castle because it’s your only source of light amidst the ghosts of people long past - are an antelope - or want a chocolate bar.
No one will know which applies.
hi. I heard you liked Gorillaz…. And I was wondering what your favorite album was. Cheers. Hope you have a great day.
AHHHH HI I LOVE PEOPLE WHO ASK ME THINGS
okay so I'm a fairly new fan (but I am a crazy one, wearing a blur shirt and a gorrilaz hoodie over the top right now) so don't judge if it sounds basic or anything idk
but I rlly like demon days (obvi) but I also like the album Gorrilaz
I mean some songs from Plastic Beach are fire but it's not my fav
anyway hope you found that acceptable lol :D
💋I'm Amelie, age 14 💋
she/her 💖💖
libra 😈
here's the link to my identity card on pronoun.page 😊
https://en.pronouns.page/@that_lil_lychee
I'm into music, reading, and talking for sure lol
uhh I play softball and I'm writing a book, and now I have a podcast sooo go listen if you like books
anyway byeeeeee
How to Write a Character with THAT *Sad Aura*
Have you ever stumbled upon a character, who, despite radiating wholesome, positive energy, also has a subtle undertone of sadness? It's kind of intriguing, isn't it? If you've ever wanted to write a perhaps more complex character or explore writing emotions, why not check this out?
Let's do a quick introduction as to what I mean. I've said this a couple times already, but to the reader, this character feels despondent even though they act nothing like it. This doesn't mean they have to act happy all the time (like my first example); they might act cold, or apathetic, but the point is they don't act visibly sad.
This faint melancholic mood provides a charming, or even nostalgic feel to the audience through ONE character! Isn't that kind of fun?
This character will not show sadness on their face--that contradicts the idea of "sad aura". But you know what they say, right? Eyes are the windows to the soul; they do not lie!
When trying to highlight some of this unhappiness, write about their eyes. Talk about how their eyes look oddly dim sometimes when they smile, or how they don't meet their friend's eyes when they laugh. These cues are simple but powerful.
You always have to be mindful of adverbs, but here especially, adverbs (and adjectives) unconsciously influence how your audience views the character.
For example, avoid saying too much of "smiled brightly" or "talked excitedly". If these are the adverbs you purposefully want to use to portray your character, then by all means! However, these adverbs add a happier connotation, which you must be aware of. If you want something more neutral (which I recommend for the most part), consider using lighter adverbs/adjectives, such as "smiled softly", or "offered lightly".
A reason is normally needed for almost everything. Here, you want genuine reasons to back up why your character doesn't ask for help, thus forcing them to work through their unhappiness alone.
This could be because they think other people can't solve the problem, they don't want to bother others, they don't think their issue is a big deal, or they simply believe there's no solution.
And if all this isn't enough, then drop some physical hints! Perhaps your character gets distracted often, tends to hesitate before speaking, deflects concerned comments with jokes, or has a hard time acknowledging reassurances, even when it's unrelated to their personal troubles. These habits suggest the idea your character has more than meets the eye.
When people are upset, their mood tends to fluctuate. For most of us, we're typically upset for a short period, so we cycle through emotions such as anger, sadness, and even joy during these moments.
However, if your character is consistently sad, not just for a day or two, their mood might shift on different days. Maybe they're really tired one day, hardly speaking. Maybe the next, they are more frustrated, snapping at people or ignoring them. Maybe the day after that, they are overly energetic, bouncing everywhere and talking all the time, providing a bit of whiplash.
Similar to having a reason for their reluctance of reaching out, you also want to ensure that they have a purpose for fighting. Why haven't they given up yet? This is especially crucial when considering the real world, where feeling upset leads to a lack of motivation.
So, what keeps them going, then? Do they want to fix their regrets? Do they want to change?
To be honest, I wouldn't consider a backstory an absolute necessity, but I highly suggest creating one. Why? Because you can accurately identify the reason for your character's guilt, regret, and sorrows from the past with an actual backstory.
The events of your character's past always influence their future actions.
For example, if they were a part of a severe car accident in the past, perhaps they only feel comfortable when they are the driver in the future because that means they can control the car.
This character is not especially different from any other character, besides the fact that they are neither obvious nor overly secretive of their genuine feelings.
With that being said, focus on embodying their eye expressions, be careful about which adverbs and adjectives you choose to use--I recommend choosing ones with more neutral connotations for a sense of melancholy, explain why your character keeps their sadness to themselves and why they keep fighting despite it, show mood fluctuations, drop physical hints, such as actions and/or specific personality traits, and make sure to connect their past to their present!
Happy writing~
3hks ^^
OHHHHHHH OKAY
so you're probably teal then
@snowfromfallenclouds @faeriesandfables @shessofineliterallyhitmewithacar
PURPLE: We near never speak, but I do enjoy your presence on my dashboard.
FUCHSIA: I wish I could become your best friend through the internet.
GREY: You leave me with jumbled words.
RED: I’m in love with you.
PINK: I have a crush on you.
TURQUOISE: You’re hot.
CHARTREUSE: I sincerely wish you would notice me.
TEAL: We have quite a lot in common.
BLUE: You are my Tumblr crush.
ORANGE: I dislike your page.
YELLOW: PLEASE FUCK ME.
WHITE: PLEASE MARRY ME.
GREEN: I find you cute.
BLACK: I would date you.
BROWN: I dislike you.
i like a lot of music. you could say i’m. polyjammerous. mayhaps even. genrefluid
When writing relationships between characters, one of the best things you can do as a writer is master the art of platonic relationships. Not every relationship has to turn romantic—and when done right, platonic bonds can hit harder than love stories.
But writing them well? That takes a lot of intentionally-written cues and dialogue. Here are just a few tips:
Platonic doesn’t mean distant. Let them see each other. Let one character be the first person the other calls when things go wrong. Show moments of vulnerability, casual care, and trust without flirty undertones. Let them have traditions, inside jokes, or quiet routines together.
If you’re going for a purely platonic vibe, don’t toss in romantic tension as bait. It cheapens the relationship. Let them have chemistry that’s based in compatibility, not attraction. Not every deep bond needs a romantic subplot. Avoid unnecessary lingering glances or “almost touch” moments unless it’s 100% platonic context (e.g., comforting after a trauma).
Platonic duos feel real when we see how they’ve been through things together. Maybe they survived something. Maybe they just grew up side by side. What matters is that their connection isn’t shallow. Flashbacks, casual references to “remember when,” or unspoken teamwork go a long way.
One character leaning on the other’s shoulder. Braiding hair. Holding hands in a high-stress moment. All of this can be platonic when framed right. Normalize physical affection without romantic framing. You could show how each character interprets the touch. If it’s comfort or instinct—not attraction—it’s platonic.
Have others in the story acknowledge the bond without assuming it’s romantic. It helps the reader accept it as non-romantic, too. Maybe someone can say, “You two are like siblings” or “You always have each other’s back.” Reinforce the type of love.
Don’t make it perfect. Platonic love, like any bond, includes disagreement. But when they still come through for each other, that’s what makes it powerful. Maybe one apologizes without ego. The other forgives without resentment. That’s platonic strength.
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Platonic relationships aren’t the backup to romance—they’re their own kind of energy. They don’t need to be slow-burn romances in disguise. Let them be bold, soft, loud, or quiet—but most of all, real. Because at the end of the day, platonic love deserves to be written with the same depth, stakes, and tenderness as any love story.
I just like putting Alastor in uncomfortable situations for him lolol
bisexual teen writer, loves reading & music, extroverted theatre kid <3
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