OHHHHHHH OKAY

THIS IS TOO ACCURATE HAHAHHA

guysss

Theres this possum that comes into my backyard sometimes but I haven't seen him in ages and then magically he came back last night and jumpscared the bejeezus out of me

AND TONIGHT HE CAME BACK, BUT SO DID THIS RANDOM CAT?!?!??

And as I am typing this, said cat is currently up a tree with said possum, fighting most likely, and I can't do anything about it other than throw rocks at the fence to make a noise and scare them off. My poor rabbit Braveheart is trying to get back to his hutch next to the tree the cat and possum are stuck in, and because of those animals he won't go anywhere near it so now I have a rabbit, a possum and a cat loose in my backyard

animal chaos guys

More! Jurdan! Headcanons!

Because they are my babiesss

-Jude always exclusively wears Cardan's shirts to bed. Specifically the silky one.

-Cardan keeps trying to convince her to sleep naked, like him. (Also have we collectively forgotten that he canonically does that)

-Jude is an early riser and a morning person.

-Cardan refuses to get up until midnight. (Remember that the fae are nocturnal.)

-Jude has to genuinely drag him out of bed whenever something important happens.

-Whereas Cardan always tries to keep her in bed with him (he usually succeeds)

-Jude takes up baking in her spare time because Cardan made her get a hobby that doesn't involve stabbing people.

-They like to have little playfights.

-E.g Cardan will pin her down to do her makeup.

-Or Jude will come up behind him and put him in a headlock.

-Cardan never sneaks up behind her though.

-He also knows where she keeps all of her weapons on her person.

-If he needs a weapon and he didn't bring one he just casually grabs one from like her pockets or the folds of her dress or something like that.

-Cardan is a biter. And I don't just mean in bed.

-Just like in general. He nibbles her ears or just like casually bites her shoulder.

-They go riding together through the milkwood.

-And take long walks through the gardens together.

-Jude teases Cardan about all the things he did to her at school.

-"Hey, remember that one time you tried to drown me?"

-He feels incredibly bad.

IM SORRY WHAT

im literally a woman and I didn't pick up half of these mannerisms n things omg

well new writing guide is here guys

Ways I Write a Woman...

➤ Who’s Tired of Being Talked Over

You ever watch someone hold in a scream behind their teeth? That’s her, constantly.

✧ She starts choosing her words like landmines. Each one is sharp, controlled, and timed like a threat. She’s learned that being polite won’t get her listened to, but sounding like you might flip a table will. ✧ She’s mastered the art of the silence that feels loud. Doesn’t fill awkward gaps. Just lets the discomfort sit in the air like smoke. ✧ She explains things with forced calm, the kind that sounds like a teacher asking a second-grade class why the hamster is missing. ✧  She notices interruptions like bruises. She doesn’t react to them anymore, not out loud. But you can bet she counts them. ✧ She repeats herself less. Not because they understood her the first time. Because they never listened anyway. ✧ She’s learned how to weaponize eye contact. Not in a sexy way. In a “I will set this boardroom on fire with my mind” way. ✧ Her voice only shakes when she’s deciding if it’s worth the explosion.

➤ Who’s Been Called ‘Too Much’ Her Whole Life

She isn’t too much. She’s just tired of shrinking for people who were never going to make room anyway.

✧ She says the thing you’re not supposed to say. Then stares at you to see what you’ll do with it. ✧ She’s loud with her laugh, loud with her grief, loud with her love, because if she’s going to be punished for being “extra,” she might as well be honest about it. ✧ She over-explains. Over-apologizes. Then catches herself and stops halfway through the sentence. ✧  She tries to “tone it down” and ends up sounding like a censored version of herself, bland, miserable, unfinished. ✧ She edits her texts four times, deletes the paragraph, sends “haha ok :)” instead. ✧ She keeps her hands busy because otherwise they’d be doing something reckless. ✧  She overcompensates with sarcasm and then goes home and wonders if everyone hates her. ✧  She’s loved fiercely. Regretted it more fiercely. ✧  She walks into a room like she owns it, and then spends the entire time wondering if she should have stayed home.

➤ Who Wants to Be Soft but Doesn’t Feel Safe

She's gentle, but that gentleness lives under twenty layers of armor. And most people never even get past the first. ✧  She’s careful with her compliments, she knows how people weaponize kindness. ✧  She keeps her vulnerability behind locked doors and guards them with jokes, sarcasm, and “I’m just tired.” ✧ She’ll comfort others like she was born to do it, but flinch if someone offers her the same. ✧ She avoids mirrors on bad days. Eye contact on good ones. ✧ She cries where no one can see. Car bathrooms. Locked bedrooms. Grocery store parking lots at night. ✧ She doesn’t ask for help. Not because she doesn’t need it, but because the last time she did, it came with a price. ✧ She’s soft with animals, with children, with strangers, but not herself. Never herself. ✧ She daydreams about being taken care of, then immediately gets mad at herself for wanting something so “weak.” ✧ She wants love, but she’s terrified of being known. Because if someone really saw her? What if they didn’t stay?

And if you’re sitting there reading all of that thinking, “God, I don’t even know how to write women like this…” Please know: you’re not alone. Like, really not alone.

Writing female characters in a way that feels true, nuanced, and unapologetically real isn’t just about avoiding clichés. It’s about unlearning everything you were taught about what women are “supposed” to be on the page. It’s about getting underneath the polish. Past the performative strength. Past the “she’s not like other girls” and the “strong but broken” tropes. Past the idea that softness is weakness and rage is unlikable.

So many people struggle with this, not because they don’t care, but because no one ever really taught them how to see women as people first.

A lot of us grew up reading female characters written through a lens that flattened us. Made us background noise, love interests, plot devices, or emotionally bulletproof when we weren’t emotionally unstable. It’s no wonder we’re all trying to figure out how to do better now. I write a Book about How to Write Women that feel Alive... For you.

In the chapters ahead, we’re going to unravel that mess, together (Promise). We’ll talk about...

❥ Tropes — the ones worth reclaiming, and the ones you can toss into the fire. ❥ The psychology of a woman — how conditioning, survival, identity, and inner conflict shape her from the inside out. ❥ Female vs. male conflict — not in a “boys suck” way, but in a “our emotional battlegrounds are different and that matters” way. ❥ Expectations — society’s, her own, and how characters shrink or shatter under them. ❥ Emotions as strength — especially the ones she was taught to hide: fear, grief, longing, joy, rage. ❥ Female anger — what happens when she finally stops holding it in. ❥ Archetypes — and how to subvert them without erasing the truths they come from. ❥ Female friendships — no more cardboard “bestie” side characters. ❥ Romantic relationships — what it means when she’s finally seen. Chosen. Or rejected. ❥Mothers, daughters, and sisters — because female relationships deserve more than being backstory. ❥ Dialogue — how she speaks when she’s safe vs. when she’s scared. ❥ Inner conflict and development — her arc isn’t about fixing her. It’s about letting her evolve. ❥ Writing exercises — to help you get past the noise and write from a place that feels real. ❥ A full checklist for writing female OCs — layered, powerful, contradictory, alive.

📖 Get your Paperback now! (Here On Amazon!)

This isn’t a rulebook. It’s a guide. A toolbox. A comfort blanket. A callout. A reminder that writing women doesn’t have to feel impossible, you just have to be willing to look a little deeper.

So if you’ve ever felt stuck writing a female character… If you’ve defaulted to tropes because you didn’t know how else to make her “interesting”… If you’ve erased her emotions to make her “strong”… Or if you’ve stared at the page wondering why she still doesn’t feel real...This book is for you.

And I promise, by the time you reach the last chapter? You’ll not only know how to write her. You’ll understand her. And maybe even see a little of yourself in the process.

Love u All!!🖤

I love this so much-

PRECIOUS :P

hello <3

💋I'm Amelie, age 14 💋

she/her 💖💖

libra 😈

here's the link to my identity card on pronoun.page 😊

https://en.pronouns.page/@that_lil_lychee

I'm into music, reading, and talking for sure lol

uhh I play softball and I'm writing a book, and now I have a podcast sooo go listen if you like books

anyway byeeeeee

I just like putting Alastor in uncomfortable situations for him lolol

Happy Valentine’s Day Gwynriel lovers!!

Art by kri_stasss, commissioned by me

https://www.instagram.com/kri_stasss_?igsh=Y253bTdzOTJtYmwy

@sjmromanceweek