bisexual teen writer, loves reading & music, extroverted theatre kid <3
57 posts
Theres this possum that comes into my backyard sometimes but I haven't seen him in ages and then magically he came back last night and jumpscared the bejeezus out of me
AND TONIGHT HE CAME BACK, BUT SO DID THIS RANDOM CAT?!?!??
And as I am typing this, said cat is currently up a tree with said possum, fighting most likely, and I can't do anything about it other than throw rocks at the fence to make a noise and scare them off. My poor rabbit Braveheart is trying to get back to his hutch next to the tree the cat and possum are stuck in, and because of those animals he won't go anywhere near it so now I have a rabbit, a possum and a cat loose in my backyard
animal chaos guys
THIS IS SO PRETTY WHAT
My life has one mission, create the greatest warrior
Odysseus and Athena.
@faeriesandfables @rayne143 @iloveyoumostt @andy-the-crazy
Trying to prove a point to my divorce lawyer.
help what-
Not even the gods can help you with that, brother
that-little-bitch
Reading
writing
podcast
making or listening to music
my moots <3
@snowfromfallenclouds @faeriesandfables @andy-the-crazy @munamarvel13
You can now list five things that make you happy, as well as send an ask into the inbox of the last ten people who reblogged from you, asking them to do the same!!!
ooo
my adopted online moots/tumblr chilred
mcr
fall out boy
reading/writing fanfiction
my platonic husband!! he is veru skibbiddi
um im lazy so im just gonna tag 10 mutuals
@ashishere0w0 @pinkponyboyxo @demolition-widow @stubbby @fawn-fur @radiowave-slushie @scarecrowwannabe @as-intimidating-as-a-butterfly @queerjarreadyforwar @bugsummoning
Hey!! Um so I was wondering what the book you're writing is about? From the line in the reblog game, I think it's a murder mystery? Am I right??
HI
Yep it sure is
even tho I’m an Aussie it’s set in America, and it’s about a teenage girl called Tallula (Talli) Lavine, and it opens with her waking up in hospital with amnesia and a stab wound, being told that her sister Bailey was killed and then she tries to solve the murder :)
hi. I heard you liked Gorillaz…. And I was wondering what your favorite album was. Cheers. Hope you have a great day.
AHHHH HI I LOVE PEOPLE WHO ASK ME THINGS
okay so I'm a fairly new fan (but I am a crazy one, wearing a blur shirt and a gorrilaz hoodie over the top right now) so don't judge if it sounds basic or anything idk
but I rlly like demon days (obvi) but I also like the album Gorrilaz
I mean some songs from Plastic Beach are fire but it's not my fav
anyway hope you found that acceptable lol :D
Just come to my ask box and tell me stuff about yourself. Your pets. Your favorite music. What you had for breakfast this morning. Literally anything you want, I love making new friends
i like a lot of music. you could say i’m. polyjammerous. mayhaps even. genrefluid
one of your fav colours is red
you love a bunch of different types of clothes - vintage, grunge, maybe even like y2k style or somethin
you love wearing lip liner/glosses and you wear highlighter
you take good care of your hair and uhhhh you have at least one sibling
you like horror movies and you like books
there you go i'm probably completely wrong but oh well I tried
@munamarvel13 @faeriesandfables @snowfromfallenclouds @rayne143 @iloveyoumostt @andy-the-crazy @purple-dinosaur17
IM SORRY WHAT
im literally a woman and I didn't pick up half of these mannerisms n things omg
well new writing guide is here guys
➤ Who’s Tired of Being Talked Over
You ever watch someone hold in a scream behind their teeth? That’s her, constantly.
✧ She starts choosing her words like landmines. Each one is sharp, controlled, and timed like a threat. She’s learned that being polite won’t get her listened to, but sounding like you might flip a table will. ✧ She’s mastered the art of the silence that feels loud. Doesn’t fill awkward gaps. Just lets the discomfort sit in the air like smoke. ✧ She explains things with forced calm, the kind that sounds like a teacher asking a second-grade class why the hamster is missing. ✧ She notices interruptions like bruises. She doesn’t react to them anymore, not out loud. But you can bet she counts them. ✧ She repeats herself less. Not because they understood her the first time. Because they never listened anyway. ✧ She’s learned how to weaponize eye contact. Not in a sexy way. In a “I will set this boardroom on fire with my mind” way. ✧ Her voice only shakes when she’s deciding if it’s worth the explosion.
➤ Who’s Been Called ‘Too Much’ Her Whole Life
She isn’t too much. She’s just tired of shrinking for people who were never going to make room anyway.
✧ She says the thing you’re not supposed to say. Then stares at you to see what you’ll do with it. ✧ She’s loud with her laugh, loud with her grief, loud with her love, because if she’s going to be punished for being “extra,” she might as well be honest about it. ✧ She over-explains. Over-apologizes. Then catches herself and stops halfway through the sentence. ✧ She tries to “tone it down” and ends up sounding like a censored version of herself, bland, miserable, unfinished. ✧ She edits her texts four times, deletes the paragraph, sends “haha ok :)” instead. ✧ She keeps her hands busy because otherwise they’d be doing something reckless. ✧ She overcompensates with sarcasm and then goes home and wonders if everyone hates her. ✧ She’s loved fiercely. Regretted it more fiercely. ✧ She walks into a room like she owns it, and then spends the entire time wondering if she should have stayed home.
➤ Who Wants to Be Soft but Doesn’t Feel Safe
She's gentle, but that gentleness lives under twenty layers of armor. And most people never even get past the first. ✧ She’s careful with her compliments, she knows how people weaponize kindness. ✧ She keeps her vulnerability behind locked doors and guards them with jokes, sarcasm, and “I’m just tired.” ✧ She’ll comfort others like she was born to do it, but flinch if someone offers her the same. ✧ She avoids mirrors on bad days. Eye contact on good ones. ✧ She cries where no one can see. Car bathrooms. Locked bedrooms. Grocery store parking lots at night. ✧ She doesn’t ask for help. Not because she doesn’t need it, but because the last time she did, it came with a price. ✧ She’s soft with animals, with children, with strangers, but not herself. Never herself. ✧ She daydreams about being taken care of, then immediately gets mad at herself for wanting something so “weak.” ✧ She wants love, but she’s terrified of being known. Because if someone really saw her? What if they didn’t stay?
And if you’re sitting there reading all of that thinking, “God, I don’t even know how to write women like this…” Please know: you’re not alone. Like, really not alone.
Writing female characters in a way that feels true, nuanced, and unapologetically real isn’t just about avoiding clichés. It’s about unlearning everything you were taught about what women are “supposed” to be on the page. It’s about getting underneath the polish. Past the performative strength. Past the “she’s not like other girls” and the “strong but broken” tropes. Past the idea that softness is weakness and rage is unlikable.
So many people struggle with this, not because they don’t care, but because no one ever really taught them how to see women as people first.
A lot of us grew up reading female characters written through a lens that flattened us. Made us background noise, love interests, plot devices, or emotionally bulletproof when we weren’t emotionally unstable. It’s no wonder we’re all trying to figure out how to do better now. I write a Book about How to Write Women that feel Alive... For you.
In the chapters ahead, we’re going to unravel that mess, together (Promise). We’ll talk about...
❥ Tropes — the ones worth reclaiming, and the ones you can toss into the fire. ❥ The psychology of a woman — how conditioning, survival, identity, and inner conflict shape her from the inside out. ❥ Female vs. male conflict — not in a “boys suck” way, but in a “our emotional battlegrounds are different and that matters” way. ❥ Expectations — society’s, her own, and how characters shrink or shatter under them. ❥ Emotions as strength — especially the ones she was taught to hide: fear, grief, longing, joy, rage. ❥ Female anger — what happens when she finally stops holding it in. ❥ Archetypes — and how to subvert them without erasing the truths they come from. ❥ Female friendships — no more cardboard “bestie” side characters. ❥ Romantic relationships — what it means when she’s finally seen. Chosen. Or rejected. ❥Mothers, daughters, and sisters — because female relationships deserve more than being backstory. ❥ Dialogue — how she speaks when she’s safe vs. when she’s scared. ❥ Inner conflict and development — her arc isn’t about fixing her. It’s about letting her evolve. ❥ Writing exercises — to help you get past the noise and write from a place that feels real. ❥ A full checklist for writing female OCs — layered, powerful, contradictory, alive.
📖 Get your Paperback now! (Here On Amazon!)
This isn’t a rulebook. It’s a guide. A toolbox. A comfort blanket. A callout. A reminder that writing women doesn’t have to feel impossible, you just have to be willing to look a little deeper.
So if you’ve ever felt stuck writing a female character… If you’ve defaulted to tropes because you didn’t know how else to make her “interesting”… If you’ve erased her emotions to make her “strong”… Or if you’ve stared at the page wondering why she still doesn’t feel real...This book is for you.
And I promise, by the time you reach the last chapter? You’ll not only know how to write her. You’ll understand her. And maybe even see a little of yourself in the process.
Love u All!!🖤
LISTEN UP AGAIN KIDS STOP REBLOGGING THIS FUCKING GARBAGE POST. IT IS 100% FUCKING BULLSHIT AND CAN AND MOST DEFINITELY WILL LITERALLY KILL. DO YOU NOT SEE WARNING LABELS THAT SAY “DO NOT INDUCE VOMITING”? THEY AREN’T FUCKING AROUND. YOU CAN FUCKING BURN THEIR ESOPHAGUS BY CAUSING VOMITING, CAUSE CHOKING, DROWNING, OR MAKE IT WORSE! AGAIN DO NOT FORCE ANYTHING DOWN ANYONE’S THROAT. THEY. CAN. DROWN. IF SOMEONE IS LOSING CONCIOUSNESS ALL THE CHIT CHAT IN THE WORLD WILL NOT PREVENT IT AT THAT POINT THEY ARE IN SERIOUS DANGER. “Buuut i don’t wanna take them to the hospital!!!” WELL SUNSHINE GLAD YOU’D RATHER HAVE A DEAD FRIEND THAN A LIVING ONE BUT YOU’RE IN LUCK CALL FUCKING POISON CONTROL. THEY ARE NOT THE COPS. THEY WILL HELP YOU. AND IF THEY SAY GO TO THE FUCKING HOSPITAL YOU GO TO THE FUCKING HOSPITAL. NO EXCUSES. 0. NONE. I have seen this shit cross my dash SO MANY TIMES so PLEASE fucking reblog this and prevent some well meaning idiot from accidentally killing someone they love!
@munamarvel13 @snowfromfallenclouds @purple-dinosaur17 @andy-the-crazy
new alignment chart just dropped
oh i definitely write >:)
"It was me, in the driveway, with the knife."
@munamarvel13 @faeriesandfables @andy-the-crazy @snowfromfallenclouds @shessofineliterallyhitmewithacar @writersblock4eternity @rayne143 @iloveyoumostt @nestaflame
it was a struggle finding nine people to tag
Thanks for the tag @bradleysass
Share your last line and tag as many people as there are words:
"I'm gonna fucking kill you!"
Np tags: @thebibutterflyao3 @snarky-magpie @lulublack90 @calamitoustide @regulus-cannot-swim
...
if jude went to the mortal world and came back with a gun the series would be a standalone
Currently reading The Vanishing Stair, second book in the Truly Devious series
I'm also reading Wuthering Heights but that's for my english class so it kinda doesn't count
@faeriesandfables @shessofineliterallyhitmewithacar
If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
literally all of them
(I'm bi not lesbian ✌️)
Edit: I'm not an antelope
- you’re gay - can read - support gay people - want to hold a match between your fingers as you wander the halls of an ancient castle because it’s your only source of light amidst the ghosts of people long past - are an antelope - or want a chocolate bar.
No one will know which applies.
•A compliment
•A story
•Why you follow me
•A cute message
•One thing you want to tell me
•One thing you want to know about me
Let’s talk romance—specifically the kind that makes readers scream into pillows, clutch their chests, and whisper “just kiss already” at the page. Whether you're a seasoned romance author or just dipping your toes into the love pool, there's one golden truth to remember: good romance is about *tension*. And tension lives in the delicious space between lust and love.
Lust is that electric charge between characters. It’s the stolen glances, the way one of them notices the other's hands or voice or the way they lean in a little too close when they talk. Lust is immediate. It’s instinctual. And let’s be honest, it’s fun as hell to write.
But if you stop there—if all your characters do is pine and make out and pine some more—you risk making it all surface-level. Lust is the spark, but it’s not the whole fire.
Love, real love, is slower. It’s about trust, vulnerability, and seeing the other person fully—flaws, baggage, weird hobbies and all—and still leaning in. It happens in the quiet moments: making tea for someone who's had a bad day, remembering how they take their coffee, watching them geek out about something they care about. That’s where readers fall with your characters.
The magic is in the shift—when your characters go from “I want to kiss you until my brain falls out” to “I’d burn the world down if it meant keeping you safe.” It doesn’t happen all at once. And that’s where the slow burn comes in.
Slow burn romance is a masterclass in delayed gratification. It's all about restraint. You’re letting readers live in the tension—the almost-touches, the lingering stares, the confessions that never quite happen. And every time the characters get this close to admitting their feelings or acting on them and then don’t? Readers get more hooked.
But here’s the key: something has to be progressing. Slow burn doesn’t mean nothing happens. It means everything matters.
Every moment builds the foundation. Every emotional beat gets us one step closer to that glorious payoff.
Think of it like cooking over a low flame. You’re letting the flavors deepen. So when the first kiss finally lands? It’s earned. It’s fireworks. It matters.
- Give them obstacles. Emotional baggage, clashing goals, external threats—give your characters legit reasons not to jump into bed right away.
- Let them see each other. Intimacy isn’t just physical. Let your characters learn each other’s fears, dreams, scars.
- Build micro-tension. Hands grazing. One of them patching the other up after a fight. A joke that turns into a confession. Let every small moment do work.
- Make the payoff worth it. When they finally get together—make it satisfying. Let it feel like the culmination of everything they’ve been through.
It’s easy to write about two people who are attracted to each other. What’s harder—and infinitely more rewarding—is writing two people who choose each other. Who grow, change, fight, make up, and fall deeper the whole time.
So go ahead. Light the match. Let them burn slowly. And when your readers are begging for that kiss? That’s how you know you’ve done it right.
when i realize i have to write the scenes in order to get to the scenes i want to write
Because they are my babiesss
-Jude always exclusively wears Cardan's shirts to bed. Specifically the silky one.
-Cardan keeps trying to convince her to sleep naked, like him. (Also have we collectively forgotten that he canonically does that)
-Jude is an early riser and a morning person.
-Cardan refuses to get up until midnight. (Remember that the fae are nocturnal.)
-Jude has to genuinely drag him out of bed whenever something important happens.
-Whereas Cardan always tries to keep her in bed with him (he usually succeeds)
-Jude takes up baking in her spare time because Cardan made her get a hobby that doesn't involve stabbing people.
-They like to have little playfights.
-E.g Cardan will pin her down to do her makeup.
-Or Jude will come up behind him and put him in a headlock.
-Cardan never sneaks up behind her though.
-He also knows where she keeps all of her weapons on her person.
-If he needs a weapon and he didn't bring one he just casually grabs one from like her pockets or the folds of her dress or something like that.
-Cardan is a biter. And I don't just mean in bed.
-Just like in general. He nibbles her ears or just like casually bites her shoulder.
-They go riding together through the milkwood.
-And take long walks through the gardens together.
-Jude teases Cardan about all the things he did to her at school.
-"Hey, remember that one time you tried to drown me?"
-He feels incredibly bad.
I have SOOOOO many artist friends but I gotta shout out to Anna Smith (again) for doing my podcast cover arttttt
it's called 'Bookshelved.'
go listen :P
When writing relationships between characters, one of the best things you can do as a writer is master the art of platonic relationships. Not every relationship has to turn romantic—and when done right, platonic bonds can hit harder than love stories.
But writing them well? That takes a lot of intentionally-written cues and dialogue. Here are just a few tips:
Platonic doesn’t mean distant. Let them see each other. Let one character be the first person the other calls when things go wrong. Show moments of vulnerability, casual care, and trust without flirty undertones. Let them have traditions, inside jokes, or quiet routines together.
If you’re going for a purely platonic vibe, don’t toss in romantic tension as bait. It cheapens the relationship. Let them have chemistry that’s based in compatibility, not attraction. Not every deep bond needs a romantic subplot. Avoid unnecessary lingering glances or “almost touch” moments unless it’s 100% platonic context (e.g., comforting after a trauma).
Platonic duos feel real when we see how they’ve been through things together. Maybe they survived something. Maybe they just grew up side by side. What matters is that their connection isn’t shallow. Flashbacks, casual references to “remember when,” or unspoken teamwork go a long way.
One character leaning on the other’s shoulder. Braiding hair. Holding hands in a high-stress moment. All of this can be platonic when framed right. Normalize physical affection without romantic framing. You could show how each character interprets the touch. If it’s comfort or instinct—not attraction—it’s platonic.
Have others in the story acknowledge the bond without assuming it’s romantic. It helps the reader accept it as non-romantic, too. Maybe someone can say, “You two are like siblings” or “You always have each other’s back.” Reinforce the type of love.
Don’t make it perfect. Platonic love, like any bond, includes disagreement. But when they still come through for each other, that’s what makes it powerful. Maybe one apologizes without ego. The other forgives without resentment. That’s platonic strength.
---
Platonic relationships aren’t the backup to romance—they’re their own kind of energy. They don’t need to be slow-burn romances in disguise. Let them be bold, soft, loud, or quiet—but most of all, real. Because at the end of the day, platonic love deserves to be written with the same depth, stakes, and tenderness as any love story.
I love this so much-
PRECIOUS :P