Hey!! Um so I was wondering what the book you're writing is about? From the line in the reblog game, I think it's a murder mystery? Am I right??
HI
Yep it sure is
even tho I’m an Aussie it’s set in America, and it’s about a teenage girl called Tallula (Talli) Lavine, and it opens with her waking up in hospital with amnesia and a stab wound, being told that her sister Bailey was killed and then she tries to solve the murder :)
that-little-bitch
I love this so much-
PRECIOUS :P
help what-
Not even the gods can help you with that, brother
oh i definitely write >:)
"It was me, in the driveway, with the knife."
@munamarvel13 @faeriesandfables @andy-the-crazy @snowfromfallenclouds @shessofineliterallyhitmewithacar @writersblock4eternity @rayne143 @iloveyoumostt @nestaflame
it was a struggle finding nine people to tag
Thanks for the tag @bradleysass
Share your last line and tag as many people as there are words:
"I'm gonna fucking kill you!"
Np tags: @thebibutterflyao3 @snarky-magpie @lulublack90 @calamitoustide @regulus-cannot-swim
I have SOOOOO many artist friends but I gotta shout out to Anna Smith (again) for doing my podcast cover arttttt
it's called 'Bookshelved.'
go listen :P
Theres this possum that comes into my backyard sometimes but I haven't seen him in ages and then magically he came back last night and jumpscared the bejeezus out of me
AND TONIGHT HE CAME BACK, BUT SO DID THIS RANDOM CAT?!?!??
And as I am typing this, said cat is currently up a tree with said possum, fighting most likely, and I can't do anything about it other than throw rocks at the fence to make a noise and scare them off. My poor rabbit Braveheart is trying to get back to his hutch next to the tree the cat and possum are stuck in, and because of those animals he won't go anywhere near it so now I have a rabbit, a possum and a cat loose in my backyard
animal chaos guys
Let’s talk romance—specifically the kind that makes readers scream into pillows, clutch their chests, and whisper “just kiss already” at the page. Whether you're a seasoned romance author or just dipping your toes into the love pool, there's one golden truth to remember: good romance is about *tension*. And tension lives in the delicious space between lust and love.
Lust is that electric charge between characters. It’s the stolen glances, the way one of them notices the other's hands or voice or the way they lean in a little too close when they talk. Lust is immediate. It’s instinctual. And let’s be honest, it’s fun as hell to write.
But if you stop there—if all your characters do is pine and make out and pine some more—you risk making it all surface-level. Lust is the spark, but it’s not the whole fire.
Love, real love, is slower. It’s about trust, vulnerability, and seeing the other person fully—flaws, baggage, weird hobbies and all—and still leaning in. It happens in the quiet moments: making tea for someone who's had a bad day, remembering how they take their coffee, watching them geek out about something they care about. That’s where readers fall with your characters.
The magic is in the shift—when your characters go from “I want to kiss you until my brain falls out” to “I’d burn the world down if it meant keeping you safe.” It doesn’t happen all at once. And that’s where the slow burn comes in.
Slow burn romance is a masterclass in delayed gratification. It's all about restraint. You’re letting readers live in the tension—the almost-touches, the lingering stares, the confessions that never quite happen. And every time the characters get this close to admitting their feelings or acting on them and then don’t? Readers get more hooked.
But here’s the key: something has to be progressing. Slow burn doesn’t mean nothing happens. It means everything matters.
Every moment builds the foundation. Every emotional beat gets us one step closer to that glorious payoff.
Think of it like cooking over a low flame. You’re letting the flavors deepen. So when the first kiss finally lands? It’s earned. It’s fireworks. It matters.
- Give them obstacles. Emotional baggage, clashing goals, external threats—give your characters legit reasons not to jump into bed right away.
- Let them see each other. Intimacy isn’t just physical. Let your characters learn each other’s fears, dreams, scars.
- Build micro-tension. Hands grazing. One of them patching the other up after a fight. A joke that turns into a confession. Let every small moment do work.
- Make the payoff worth it. When they finally get together—make it satisfying. Let it feel like the culmination of everything they’ve been through.
It’s easy to write about two people who are attracted to each other. What’s harder—and infinitely more rewarding—is writing two people who choose each other. Who grow, change, fight, make up, and fall deeper the whole time.
So go ahead. Light the match. Let them burn slowly. And when your readers are begging for that kiss? That’s how you know you’ve done it right.
let’s see how many transphobics we can weed out
this is actually tori and michael and you can't tell me any different
bisexual teen writer, loves reading & music, extroverted theatre kid <3
57 posts