Hello

YES IT HELPS A LOT THANK YOU

Hi there

so in the book i'm writing the main character, Talli, gets stabbed and hits her head on a rock or smthing which damages her memory a bit

the book opens with her waking up in the hostpital, so I was how she might be treated for a stab wound or how long they would keep her in the hospital, etc etc

would you know anything about that kind of thing? I don't need it to be INSANELY specific, it's fiction, but I would like something that's pretty close to real life

tyyyy!!!

Hello hello, I hope this helps and good luck on your book!!

Alrighty! So, the treatment for the knife wound would entirely depend on where she was stabbed and how deep the stab wound was. If you wanna keep it safe and simple, I'd go with the arms, legs, or shoulders. You could also go for the abdomen, but it would have to be an incredibly shallow stab. Don't go for the chest area or back, that makes thing super complicated. If you wanna make it in any of those other areas, feel free to ask about them! In an emergency situation, we'd try to control the bleeding by applying direct pressure, packing the wound (if it's on an extremity), or applying a tourniquet (also of it's in an extremity). With extremities, there is always the possibility, if enough force and a big enough knife is used, that bones can fracture. I'm not too sure what they'd do in a hospital setting, but based on what I've learned, unless there are some weird underlying stuff going on, they'd stitch the wound and monitor for internal bleeding. Something both EMS and the hospital will be super worried about, especially if the bleeding at the stab wound has been controlled, is the head trauma. With head trauma there is always the possibility that there is some sort of brain bleed, which is life threatening and needs surgery to fix. They'd keep her in the hospital for a long time until they've ruled the head trauma okay enough to leave, though I'm not sure how long that would be. Also, just for funsies, the part of the brain that is in charge of memories is called your hippocampus, which is located in the temporal lobes of the brain, so she'd probably have hit the side of her head! :)

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help what-

Not even the gods can help you with that, brother

More! Jurdan! Headcanons!

Because they are my babiesss

-Jude always exclusively wears Cardan's shirts to bed. Specifically the silky one.

-Cardan keeps trying to convince her to sleep naked, like him. (Also have we collectively forgotten that he canonically does that)

-Jude is an early riser and a morning person.

-Cardan refuses to get up until midnight. (Remember that the fae are nocturnal.)

-Jude has to genuinely drag him out of bed whenever something important happens.

-Whereas Cardan always tries to keep her in bed with him (he usually succeeds)

-Jude takes up baking in her spare time because Cardan made her get a hobby that doesn't involve stabbing people.

-They like to have little playfights.

-E.g Cardan will pin her down to do her makeup.

-Or Jude will come up behind him and put him in a headlock.

-Cardan never sneaks up behind her though.

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-"Hey, remember that one time you tried to drown me?"

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How to Write a Character Who Feels Like Throwing Up

When fear, dread, or guilt gets sickening—literally—your character is consumed with a gut-clenching feeling that something is very, very wrong. Here's how to write that emotion using more than the classic "bile rose to the back of their throat".

Start with the Stomach

This isn’t just about discomfort. It’s about a complete rebellion happening inside their body.

Their stomach twists like a knot that keeps pulling tighter

A cold sweat beads on their neck, their palms, their spine

Their insides feel sludgy, like everything they’ve eaten is suddenly unwelcome

They double over, not from pain, but because sitting still feels impossible

Add Sensory Overload

Vomiting isn’t just a stomach reaction—it’s the whole body.

Their mouth goes dry, and then too wet

Their jaw tightens, trying to contain it

A sudden heat blooms in their chest and face, overwhelming

The back of their throat burns—not bile, but the threat of it

Breathing becomes a conscious effort: in, out, shallow, sharp

Emotional Triggers

Nausea doesn’t always need a physical cause. Tie it to emotion for more impact:

Fear: The kind that’s silent and wide-eyed. They’re frozen, too sick to speak.

Guilt: Their hands are cold, but their face is flushed. Every memory plays like a film reel behind their eyes.

Shock: Something just snapped inside. Their body registered it before their brain did.

Ground It in Action

Don’t just describe the nausea—show them reacting to it.

They press a fist to their mouth, pretending it’s a cough

Their knees weaken, and they lean on a wall, pretending it’s just fatigue

They excuse themselves quietly, then collapse in a bathroom stall

They swallow, again and again, like that’ll keep everything down

Let the Consequences Linger

Even if they don’t actually throw up, the aftermath sticks.

A sour taste that won’t leave their mouth.

A pulsing headache

A body that feels hollowed out, shaky, untrustworthy

The shame of nearly losing control in front of someone else

Let Them Be Human

A character feeling like vomiting is vulnerable. It's real. It’s raw. It means they’re overwhelmed in a way they can’t hide. And that makes them relatable. You don’t need melodrama—you need truth. Capture that moment where the world spins, and they don’t know if it’s panic or flu or fear, but all they want is to get out of their own body for a second.

Don't just write the bile. Write the breakdown.

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