Josh Hutcherson as Peeta Mellark The Hunger Games (2012)
with his mouth in a tight line, arthur's head turns away to look straight ahead. hers is not an unfamiliar sentiment - one that's been mostly BEATEN out of arthur some time ago, but still there somewhere. still huddled inside the shell of a killer & a thief.
❝ ain't no shame in lookin' for the GOOD in the world. ❞
his words are low, as if arthur were sharing a secret. the next moment, he's waving his hand up & shouting for the attention of the barkeep. ❝ lemme buy you somethin', ❞ he says, giving maeve a sideways glance. ❝ seems like you need something to get your mind off things. what'll you have ? ❞
reputations are everything, maeve isn't blind to that. she hides behind whichever one suits her best - those who label her as just a gentle, sweet woman. those who notice cleverness, that underestimate it all the same. everyone seems to be painted by so many artists... it's almost hard to keep track of which whispers come from where.
like seeing in the dark, it's often a matter of gut && experience.
her time with bobby was far from kind, far from gentle. but that doesn't mean she wants to let herself become used to the bad over the good.
"I just worry once I let myself always expect the bad, I'm setting myself up for that being how I see the world forever." and at that point, it becomes only surviving, not living. maeve can't help the part of her that is sure it's risk the danger to herself to simply... try to keep seeing at least some good. "I learn my lessons, I just don't want to forget there's a world outside of those bad moments. which probably sounds silly."
@strcys asked: "I hope you like spicy food!" for will !!! hi !!!
" just how spicy are we talking? "
the question is followed by a teasing smirk & a tilt of his head. will riker was no stranger to PUSHING his own limits - the question was less genuine & more of an invitation.
QUASTARI ― ❝ i struggled for a LONG TIME with surviving. and no matter what, you keep finding something to f i g h t for. ❞ ― INDIE & PRIVATE multimuse featuring joel miller from the last of us. game-based with show influences.
❝ i always fail. i always fail, dude. ❞
❝ another one, bartender. ❞
❝ i will cause desolation on a fundamental level. ❞
❝ i’m an adult. a working adult. ❞
❝ respectfully, you got boofed. ❞
❝ *throws stick* you seem to be in a sticky situation. ❞
❝ *throws bone* i have a bone to pick with you. ❞
❝ i have the power, that’s all i’m gonna say. ❞
❝ is that a crying laughing emoji? ❞
❝ i am attempting to enjoy myself, and apparently, that is the antithesis of all your values. ❞
❝ my laptop is broken. it does not work. there is, uh, burn marks all over it. ❞
❝ i love you, too….WAIT WAIT WAIT, i didn’t want to make that commitment. uh, i like you a lot, as a friend. ❞
❝ there’s two things you can do here: watch baseball or watch the corn. ❞
❝ ms. frizzle has hot lesbian sex. ❞
❝ i’ve just written a song about tortillas. ❞
❝ i’m just gonna say it once: i think you’re full of shit. ❞
❝ why do you expect me to be able to do all these things? ❞
❝ you can’t just keep saying “you know me” and expect me to know you better. ❞
❝ can you calm down? you’re creating a ruckus. ❞
❝ you like dick and balls? ❞
❝ are you planning on burning down another treehouse? ‘cause i wanna be there when it happens. ❞
❝ you think this is a fucking joke? you think this is a game? ❞
❝ dude, fuck old people, man. ❞
❝ i’m gonna come clean with you: there’s a price on your head. ❞
❝ never have i ever turned down the opportunity to suck the shit out of a dick. ❞
❝ are you gay? ARE YOU GAY? ❞
❝ silence the weak, that’s what i say. ❞
❝ what kind of follower of jesus christ are you? ❞
❝ that’s communism! you’re a tyrant! ❞
❝ today has been SO upsetting. ❞
❝ you’re a paranoid little baby. ❞
❝ who is obama? i am obama. ❞
Susan Sontag, from a diary entry featured in Reborn: Journals & Notebooks, 1947 - 1963
for years now, shooting a gun has been as simple as breathing. like his weapons were apart of him - taking them away akin to amputation. his reflexive response of ' just shoot ' DIES on his tongue when arthur glances sideways to hope. notes how her eyes, turning almost purple under the setting sun, stay glued on the weapon she's holding. barely daring to breathe for fear of doing it wrong.
arthur's hand releases the barrel of the revolver, a fingertip tapping the sights just above the hammer. ❝ line these up with your target, ❞ he instructs. ❝ both ends. at this distance, you don't gotta worry about the bullet goin' low. just make sure you're shootin' straight. ❞
a few silent heartbeats stretch as he allows hope to make adjustments. he doesn't chime in. doesn't attempt to CORRECT her. knows she won't learn unless she makes a mistake & understands why. but it's damn tempting - especially since his hand still covers her. the hard line of his chest pressing against her shoulder. feeling like he needs an excuse to stay so close to her.
he doesn't have one, so he pulls away.
❝ & always fire on empty lungs, ❞ arthur finishes, his voice deep & only slightly above a whisper. not wanting to speak louder & break her focus. brows pulled together, muscles taut as he waits for the loud clap of hope pulling the trigger.
while arthur did pull away, he keeps a hand hovering over the spot between her shoulder blades. ready to connect & keep her from stumbling if need be. firing a shot during the HEAT of the moment was very different from a calm, quiet moment in the forest. arthur has to make sure to keep his focus on the lesson, however - the heat he feels radiating from her spine is almost enough to break it.
hands drop to her sides in anxious preparation , ready to follow his instruction - they open & close a few times , simply because it feels like something one ought to do before handling such a weapon . she is so focused on being appropriately 𝐑𝐄𝐕𝐄𝐑𝐄𝐍𝐓 , that she doesn't really consider how arthur intends to go about teaching her until she feels his warm calloused touch .
as much as hope tries to hide it , she stiffens in response , like a prey animal deciding whether it is safer to bolt or remain frozen in place . she holds her breath , listening diligently , delicate fingers closing carefully around the handle & adjusting to his instruction . despite her nerves & the 𝒉𝒆𝒂𝒕 rising to her cheeks due to their proximity , she can't help but feel a bit more at ease with his rumbling low voice at her back & the even-keeled steadiness of his movements .
then he mentions killing & her heart picks up its pace once more . while the idea of taking another's life is instinctively abhorrent to her , she also realizes that it is a 𝑷𝑹𝑰𝑽𝑰𝑳𝑬𝑮𝑬 she's never had to cross that threshold of irreversible moral compromise .
she still knows very little about mr. morgan , but has picked up enough about him to know he entered the life of an outlaw at an extremely formative age . from what she understands , it's all he's ever known . she has no room to judge him for doing what is necessary to 𝒔𝒖𝒓𝒗𝒊𝒗𝒆 , so she doesn't .
his grasp completely encompassing her own , she is similarly struck by their difference in size . he truly towers over her , her slight frame fitting against his broad one in a way that makes her weak in the knees . grappling with herself to 𝑭𝑶𝑪𝑼𝑺 on the task at hand , the squeeze he gives recaptures her attention & she copies the gesture attentively .
❝ woah , ❞ brows rise into her fringe as he demonstrates how secure her grip has become , a small 𝒔𝒂𝒕𝒊𝒔𝒇𝒊𝒆𝒅 smile tugging at the corner of her lips . it makes her feel . . . strong . ❝ okay , i think i got it . what next ? ❞