with his mouth in a tight line, arthur's head turns away to look straight ahead. hers is not an unfamiliar sentiment - one that's been mostly BEATEN out of arthur some time ago, but still there somewhere. still huddled inside the shell of a killer & a thief.
❝ ain't no shame in lookin' for the GOOD in the world. ❞
his words are low, as if arthur were sharing a secret. the next moment, he's waving his hand up & shouting for the attention of the barkeep. ❝ lemme buy you somethin', ❞ he says, giving maeve a sideways glance. ❝ seems like you need something to get your mind off things. what'll you have ? ❞
reputations are everything, maeve isn't blind to that. she hides behind whichever one suits her best - those who label her as just a gentle, sweet woman. those who notice cleverness, that underestimate it all the same. everyone seems to be painted by so many artists... it's almost hard to keep track of which whispers come from where.
like seeing in the dark, it's often a matter of gut && experience.
her time with bobby was far from kind, far from gentle. but that doesn't mean she wants to let herself become used to the bad over the good.
"I just worry once I let myself always expect the bad, I'm setting myself up for that being how I see the world forever." and at that point, it becomes only surviving, not living. maeve can't help the part of her that is sure it's risk the danger to herself to simply... try to keep seeing at least some good. "I learn my lessons, I just don't want to forget there's a world outside of those bad moments. which probably sounds silly."
with his head down, hat sat low to cover his eyes, arthur doesn't catch the searching look in her eyes. it was purposeful - he could see her face in his head. forcing a smile but it doesn't reach wide, FRIGHTENED eyes. he'd seen them on mary once, when they were out on the town & a couple guys recognized arthur & it turned into a shootout. it was one of the last times he saw her.
he did not CARE to see that look again.
" it wasn't your fault, arthur. "
carefully, like a wounded dog, arthur lifts his head. the brim of his hat reveals slender shoulders, a long, PALE neck, a pink bottom lip hanging separate from the other & tinged with a frown. hope's eyes are genuine - even after days of travel, it surprises him to see. because now he knows her sympathy is real.
❝ i, erm - don't... huh. ❞
hosea always told him not to babble when he's speechless. it only makes him look simple ( which arthur isn't convinced he's not, to hosea's displeasure ) & he should just keep his mouth shut. but in that moment, he felt almost DESPERATE to respond.
❝ i had an idea. uh.... a thought. might come in handy down the line, but we don't gotta if you'd prefer to turn in. ❞
arthur steps back, his hand falling down to his gunbelt to rest on the cool iron of his revolver. a creature of habit - leaning into guns & violence & preparing for the worst because it's as easy as breathing. mary was right.
he won't ever change.
from her position , hope is more or less eye-level with his injured knuckles . the darkening crimson draws her gaze as he speaks , but she does her best not to linger there for too long. it looks like it hurts . the twinge of sympathy upon her gentle features is plain as her gaze rises to meet his once again , also noting the state of his eye . if only he would just let her help . . . the thought makes something in her heart 𝑨𝑪𝑯𝑬 .
❝ y'don't have anythin' to be sorry for . ❞ she tries to meet his gaze , anyway - but she finds that it is all over the place . not much time needs to be spent theorizing in order to deduce the 𝒐𝒃𝒗𝒊𝒐𝒖𝒔 , rosy lips falling open in stunned realization ❝ you're . . . not blaming yourself for what happened , are you ? ❞
he definitely is , she would bet money on it if she had any of her own . hope is deeply familiar with that look , that feeling - taking on all the weight of the world for everyone else , leaving oneself behind in the process . looking up at him now , she might as well be looking in a 𝑴𝑰𝑹𝑹𝑶𝑹 .
❝ it wasn't your fault , arthur . ❞ she takes the opportunity to stand , needing to emphasize that fact with a firmness remaining crouched would 𝒔𝒊𝒎𝒑𝒍𝒚 not communicate properly . the man had saved her skin too many times to count already , she'll be damned if he discounts all of that as if it were nothing .
❝ please don't do that to yourself , not on my account - okay ? ❞
arthur's never . . . well, talking to women has never been a strong point of his. nor speaking in general, apart from little jabs that only serve to raise hackles & start brawls. a STRANGE shortcoming from a man raised by dutch van der linde & hosea matthews - two men whom arthur swears are hiding silver tongues behind smirking lips.
his head lowers as hope moves past him, now addressing her pretty little mare in an echoed tease of his own words. a snort comes from him, head wobbling in DISBELIEF, before turning to follow her to where their horses are hitched.
❝ if we keep good time, should be there in just a couple weeks, ❞ arthur says as he starts rummaging through a saddlebag. ❝ ridin' all day, stayin' in small towns where no bounty hunters might not think to look. might even have to ROUGH it some nights. ❞
a lantern is pulled from the leather pouch, which arthur flicks on to push away the nighttime blackness. the firelight, kept low & soft, dances across arthur's face to show his DEEP scowl. brows pulled tight together above a sharp, scrutinizing blue gaze. jaw clenched beneath a thick cover of facial hair that arthur didn't bother to clean up before taking this job.
❝ that okay with you, princess ? ❞
her approach is slow , reluctant - but not for the reasons he may think . what arthur perceives as the expectant steps of an eager bride might as well be a death march to miss baxter - & yet , she still does her best to offer him a friendly smile at the conclusion of her approach . this is usually what is expected of her , of course , to be nothing but docile & demure . a mask she's grown comfortable hiding behind , one that she 𝒉𝒐𝒑𝒆𝒔 will make a good first impression . they will be traveling together for a long while , after all - she would like to set a positive tone for the journey ahead .
those desires are quickly dashed . her lips & heart both drop as he takes that warning step forward , sky blue eyes widening & chin lifting while attempting to approximate where to meet his gaze draped in shadow . despite his 𝑰𝑵𝑻𝑰𝑴𝑰𝑫𝑨𝑻𝑰𝑵𝑮 frame & no-nonsense attitude , she does not wilt in response , choosing to hold her ground in spite of the way her heart picks up its tempo as his words sink in .
she knows all of this already , her father may not have afforded her all of the details - but she has been informed of the 𝒊𝒎𝒑𝒐𝒓𝒕𝒂𝒏𝒕 things . he had been reluctant to send her off with someone with mr . morgan's infamous reputation , but they had been left with little choice & no time to be all that picky about it . anyway , a ruthless protector is exactly what she needs in the face of those who wish to harm her .
arthur doesn't surprise hope at all in his initial assessment of who she might be , it's what she's used to & she makes no attempt to argue - 𝑯𝑶𝑾𝑬𝑽𝑬𝑹 , there is a small displeased furrow to her dark brows before she responds .
❝ he told me enough , ❞ her voice is light & distant , switching up tactics placing a wall of aloofness between them . to his conditions , she gives a small dutiful nod , features 𝒉𝒂𝒓𝒅𝒆𝒏𝒊𝒏𝒈 with a curt , ❝ fine . ❞ she moves past his imposing form , choosing to focus on unhitching her horse's reins & offering some gentle affection to the animal before they take off . as if addressing her trusted mare rather than arthur , she continues with a new & lightly indignant edge to her tone ❝ - we'll be sure to keep the frolicking to a minimum , won't we girl ? ❞
the glow of his cigarette is the only real way to tell that arthur morgan was there at all. he leans against the thick trunk of an oak tree, which shields him from the moonlight that's bathed miss baxter during her goodbye. it makes her dress nearly as PALE as her skin - almost white, in fact. as if she were already in her fancy wedding gown. the careful steps to meet him like the walk down the aisle.
he forces that thought from his mind as she approaches him. pulls on his cigarette again, making the end glow like a tiny wildfire. ❝ alright, then, ❞ arthur says, pushing off the tree with a sigh.
but he doesn't approach the horses. not yet.
with a thumb hanging from his gun belt, arthur instead steps closer to hope baxter. eyes utterly UNSEEN under the darkness of his hat. nothing but a dark silhouette as he takes a moment to properly size her up. arthur's met her kind before - polite & put together on the surface. maybe even kind. but utterly innocent & ignorant.
❝ i dunno what your daddy told you 'bout me, but lets get a few things straight - you do everything i tell you. no questions. no backchat. i ain't a couch driver, ma'am ... i KILL people. an' your daddy hired me to kill anyone who might wanna take you. so please, do bear that in mind whenever you wanna go frolicking or whatever it is you like to do. ❞
𝒄𝒍𝒐𝒔𝒆𝒅 𝒔𝒕𝒂𝒓𝒕𝒆𝒓 𝒇𝒐𝒓 @quastari !
it was decided they should head out before the crack of dawn , utilizing the cover of 𝒅𝒂𝒓𝒌𝒏𝒆𝒔𝒔 to slip out of town unnoticed . there had been a brief introduction to her hired guide , arthur morgan , but her father had done most of the talking then . she'd offered a polite smile & nod , but not much else , unsure what the social norms in this situation are - if anything about this could be considered 'normal' .
❝ please be careful , ❞ is the last request damien baxter makes of his beloved daughter before she departs , his hands squeezing both of hers tightly - 𝑹𝑬𝑳𝑼𝑪𝑻𝑨𝑵𝑻 to let her go . they had scarcely been apart since her mother's death , & even less so since her sister had run off - all they have left is each other . it shows in the way they embrace , holding tight for a good long moment . he presses a kiss to the crown of her head before sending her off .
❝ i'll be okay , promise , ❞ her smile is 𝒃𝒓𝒂𝒗𝒆 , but her eyes are sad .
with goodbyes concluded , there is nothing left to do but mount her horse - whom she's staunchly refused to part with for even these few short weeks . she's only packed the bare minimum for the journey , or as close as she is able to get . had hope been another woman of her stature she might have dreaded , even 𝑳𝑶𝑨𝑻𝑯𝑬𝑫 the prospect of roughing it like this - but she finds herself actually looking forward to the simplicity of it all . despite going to these great lengths in the interest of her safety , she is actually quite happy to have some time away from the pressures & constraints of her typical life . the whole affair feels like a breath of fresh air , the last one it seems she'll ever breathe . hope intends to savor it .
after a final wave & one last look toward 𝒉𝒐𝒎𝒆 , she turns toward arthur . ❝ i'm ready . ❞
QUASTARI ― ❝ i struggled for a LONG TIME with surviving. and no matter what, you keep finding something to f i g h t for. ❞ ― INDIE & PRIVATE multimuse featuring joel miller from the last of us. game-based with show influences.
(Assorted original sentences. Adjust phrasing where needed)
"See? That wasn't so difficult!"
"Go to your room!"
"What will you be wearing tonight?"
"It's been a long time. Too long."
"Did someone put you up to this?"
"How am I going to do this without you?"
"Is your job always like this?"
"I hope I made you proud."
"I told you we'd meet again."
"You've been hiding from me, haven't you?"
"Are you thinking what I'm thinking?"
"Don't even think about telling me to calm down!"
"I have said I'm sorry!"
"Do you have a family?"
"Do I have to join in?"
"That must have cost a fortune!"
"Can I sleep in your bed tonight?"
"You can't run forever."
"If I wanted your opinion, I would have asked for it."
"When I want your advice, I'll ask for it!"
"Which side of the bed would you prefer?"
"Please don't touch that!"
"Why do you have to control everything?"
"You can't stay away from me, can you?"
"Why don't you come back to my place for a cup of tea?"
"Wouldn't you like to play with the other children?"
"Innocent men don't resist arrest."
"We have nothing to say to each other!"
"I'm right, of course. I always am."
"This time you've really disappointed me."
"Are you sick or something?"
"Would you like some breakfast?"
"Put that away before you break something!"
"I hope you like spicy food!"
"I don't know what I would do without you."
"That cat's out of the bag now."
"Do you just make these things up?"
"You're a very suspicious person."
"I'm feeling a little attacked right now."
"I suppose you have good reason for making me look like a liar?"
"I want tonight to be one of those moments that will stay with you for a long time."
♡ this post if you want to plot with any of my muses.
not sure where to start ? check out my wishlist for an idea. i'm open to anything on there, as well as any ideas you or i might have.
most active muses - arthur morgan - joel miller
muses i'd like to develop - stanley pines - kaidan alenko - will riker