Hello Neil.
Me and my family have already watched all of good omens but we’re rewatching it one episode at a time. Will this be detrimental to the completion statistics for it?
As long as you finish watching it in the first 28 days it should be fine.
Not me doing the math to find out if Jack and Ennis would theoretically be able to get married within their lifetimes.
They would be 70 years old by the time Wyoming Legalizes Gay Marraige.
I don’t know if I’m thankful or disappointed.
HERE IT IS. MY AA7 SALES PITCH. WHO’S READY. (Spoilers for AA6 ‼️)
In which Athena takes centre stage, dealing with self doubt over her ability to stand on her own as a lawyer and fill Apollo’s shoes in his absence. But her life is about to be shaken up majorly by the return of Franziska von Karma - along with her niece and nephew, who will each play a big role in Athena’s journey, as her rival prosecutor and assistant respectively
More comics and doodles under the cut, for the sake of saving your poor dashboards ↓ ↓ ↓ ↓
Keep reading
Franziska: daddy daddy look my name is siska and im a poet, i speak german just to show it, and i, just turned nine, u can write- wait daddy no, dont walk away, DAD WHAT
You know how musicals have reoccuring riffs for different moods and themes within a show that form connections between characters within a story?
I want someone to write a song where Deidamia sings about being Achilles’s wife and what it really means to be a woman in Ancient Greece. She’s used as a pawn, a tool for Thetis to tear her son away from Patroclus. And the driving point is that she’ll love her son even if her husband is loving someone else. He is her husband only by title and it somehow, even with the promise of fame, makes her feel small because she knows shes just a footnote in his history. Patroclus is wonderful and thats why she hates him, because she understands why Achilles could run to the ends of the earth for him.
These are common themes within the book and I want someone to take the music from Deidamia’s song and adapt it for Briseis. Now here we have two women confusingly in love with men who have forced them to practically marry them despite already having a exclusive relationship together. Briseis sings about having a family with the two of them, Achilles included, and having that calm family dream she has had as a child except she knows she’ll never get what she wants.
There would be a reprise for Briseis after Achilles dies where she mourns the two men, she was a stepping stone to them and nothing more, and yet still she mourns and is obligated to love them. Almost like a slave.
Her song melts into the finale when she and Deidamia sing together the part of the chorus they share and the song melts further into a full ensemble.
The end.
writing fanfiction for brokeback mountain is like Jack lassoing you legs together and asking you to find a way back onto the horse. These two do NOT have the vocaulary or brain cells for the scenes I wanna write.
Like hey, here’s 1/10 th of the english language, write a fleshed out love story GO.
things that i noticed and are gnawing at me because i’m a theater major:
-The new studio set of aziraphales bookshop drained the daylight out of all outdoor scenes
-color grading was dim just always DIM
- they really just leaned heavily into ‘letting the actors inuition guide the characters’ WHICH IS WHAT ALL HOLLYWOOD DIRECTORS AND WRITERS SHOULD BE DOING. i just admire neil gaiman because as a novelist he STILL understands this and lets the actors BUILD on his work, not follow it verbatim
- David tennant chooses when he wants to be scottish, and the only way a writer or director can make nudge him do the accent is by SENDING HIS CHARACTER TO SCOTLAND
-Micheal sheen can convey so much in ten seconds nonverbally, and that, that was just 10/10 acting
- This script is just so brilliant. It’s so witty and clever and fucking creative and original. Its the polar opposite to hallmark scripting. They handle exposition dialogue so well. They find ways to outsmart their audience to make sure their jokes ALWAYS land.
-Muriel can i play you? i just want to be the lovely actor who gets to be you.
- Nina and Maggie HAD SO MUCH CHEMISTRY FROM THE GET GO
Not me here, cheering on the ship I know has sailed and boy does it feel good to be rooting for something cannon for once.
More from my recent Kim Possible rewatch. This is when they start to get the feels for each other. Ron has to sit at the kid’s table for a cousin’s wedding, so Kim suggests he bring a date, so he can sit at a different table. Spoiler she does end up going as his date.
Episode is “Bad Boy,” and it’s in season 3. Wrote the dialogue from memory because I love this show so much.