You Know How Musicals Have Reoccuring Riffs For Different Moods And Themes Within A Show That Form Connections
You know how musicals have reoccuring riffs for different moods and themes within a show that form connections between characters within a story?
I want someone to write a song where Deidamia sings about being Achilles’s wife and what it really means to be a woman in Ancient Greece. She’s used as a pawn, a tool for Thetis to tear her son away from Patroclus. And the driving point is that she’ll love her son even if her husband is loving someone else. He is her husband only by title and it somehow, even with the promise of fame, makes her feel small because she knows shes just a footnote in his history. Patroclus is wonderful and thats why she hates him, because she understands why Achilles could run to the ends of the earth for him.
These are common themes within the book and I want someone to take the music from Deidamia’s song and adapt it for Briseis. Now here we have two women confusingly in love with men who have forced them to practically marry them despite already having a exclusive relationship together. Briseis sings about having a family with the two of them, Achilles included, and having that calm family dream she has had as a child except she knows she’ll never get what she wants.
There would be a reprise for Briseis after Achilles dies where she mourns the two men, she was a stepping stone to them and nothing more, and yet still she mourns and is obligated to love them. Almost like a slave.
Her song melts into the finale when she and Deidamia sing together the part of the chorus they share and the song melts further into a full ensemble.
The end.
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the girls are skatingggg
me when aziraphale did the thing:
Capcom, we know you have Athena in the basement.
*glares at café art*
Let her out.
Top: My recreation of a frame from @art-solu’s Legally Blonde AU animatic
Bottom: Here’s the link to the original https://www.youtube.com/watch?v=wY3sY5AgX-k
HADES (2020) | HADES II (TBA)
i think ive been the victim of queerbaiting to the point were the couples i care about never kiss so its never been like…a thing i check off on the ship bingo card if that makes sense
kissing has never been expected out of any of my ships and now AZIRAPHALE AND CROWLEY WALTZ IN LIKE OOOO IMMA BOUT TO END THIS GIRLS CAREER (and bingo card)
writing fanfiction for brokeback mountain is like Jack lassoing you legs together and asking you to find a way back onto the horse. These two do NOT have the vocaulary or brain cells for the scenes I wanna write.
Like hey, here’s 1/10 th of the english language, write a fleshed out love story GO.
HERE IT IS. MY AA7 SALES PITCH. WHO’S READY. (Spoilers for AA6 ‼️)
In which Athena takes centre stage, dealing with self doubt over her ability to stand on her own as a lawyer and fill Apollo’s shoes in his absence. But her life is about to be shaken up majorly by the return of Franziska von Karma - along with her niece and nephew, who will each play a big role in Athena’s journey, as her rival prosecutor and assistant respectively
More comics and doodles under the cut, for the sake of saving your poor dashboards ↓ ↓ ↓ ↓
Keep reading
Writing Prompt #1:
Protagonist is a young, established professional. They graduated college just the year prior and is now thriving at their job in their chosen field. One day the protagonist finds themself in a fantasy world where they are the chosen one.
They spend the rest of the story lamenting that they left their office job behind and learns that life is more than the box you are put in.
bonus: protag makes jokes about mythical creatures looking anatomically ridiculous and assigns creatures around them college majors
Capcom: *posts chibi art*
Me, who has only met Athena a single case ago: YOU FORGOT MY HOMEGIRL, OH I HAVE SOME WORDS WITH YO-
HELP THE REPLIES ON THE NEW CAFE ART HAVE ME 💀💀💀
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