Alastair: Happy father’s day, I guess.
Elias: You got me a present?
Alastair: Yup, it’s a list of all your accomplishments as a father.
Elias: this is a blank sheet of paper.
Alastair: Yep.
After I read the scene where Laurie recognises a bit of Andrew in an old photograph of Ralph, I went back to re-read (again) the part where Laurie meets Andrew for the first time because I was absolutely convinced there must be something in how he's described that clues you into Laurie making an unconscious connection to Ralph...only thing I came away with is that Laurie really likes blonds 😭
i have returned to the emptiness which inevitably follows reading a very very good book and having nothing to read afterwards because i can't think of anything that would be as good...(this is my not so subtle way of asking if anyone knows books similar to the charioteer and can recommend them 😭)
it goes against so much of what i stand for to share "palestinians are humans, they have hobbies, they have pets, they laugh and cry" kind of posts because i've spent so much of my life and career completely rejecting the notion that we should humanize ourselves, that we should ever be defensive, that we should entertain this racism at all
but it breaks my heart when i have to share them from people in gaza, who are using their five minutes of internet connection, their 25% of battery charge collected from a macguyvered car battery, emotionally exhausted, thirsty and hungry, sleeping in schools that have turned into refugee shelters and still making the time to say "please, i am human too, i am still alive, please fight for me" in english to appeal to the only people who have the power to help
i shared a tweet from a jjk artist in gaza i follow about a bts photocard being found in the middle of the rubble. even the love of anime and kpop and sports is no longer just a hobby, but an appeal to humanity. what was once a source of joy is now proof of life.
the worst part is that you won't find this content in arabic. palestinians don't post like this in arabic. but when they translate themselves, they recognize that they must humanize themselves first. it's an unspoken understanding of dehumanization, one that has dictated a whole region's understanding of the value of human life. in arabic they speak with dignity, with anger, with sorrow. in english, they appeal for their existence.
i share these posts not just because we have to reach everyone we can, because im being asked to and i will not refuse. but i also share them because they're evidence of how deep the racism has run. at what dehumanization leads to. of war crime after war crime. this too i will not forget.
nosferatu? non. VOSferatu. c'est pas mon problème
I hope you'll be able to post! I'd love to hear your thoughts!
Re the Alec line - - I'm taking it in the sense that Alec finally gets to do what Ralph never allowed him to do in their relationship: help him. And it's kind of sweet to see all the effort he had to go to in order to make sure Laurie straightens everything out.
A little random blurb but: I really liked Alec and Ralph's friendship. When I was reading, I got the impression they were somewhat similar in character and this was their issue before when they were together. But maybe I'm wrong here; Alec does say Ralph's capacity to shoulder responsibility is singular and he doesn't share it. I can't think of much beyond these small thoughts but seeing it all laid out made me wonder about it more.
At the end of The Charioteer, Laurie lies to Ralph but feels the lie as if it's true. There's something that must be done, and only he can do it. He accepts this, even if he lies in order to achieve it.
Before, Ralph told Laurie he hates to stand by watching while there's pain or the possibility of it, and do nothing. It's not the way he's made, he says. This is a direct contrast to Andrew, who we see literally standing, watching and doing nothing when caring for Charlot. This is not because Andrew is unkind, it is because there is right and wrong and nothing whatever in between. Ralph is not like this: people need someone, he takes on that responsibility, even if it isn't his to shoulder. He acts like God, they say. He's the opposite of Andrew in this regard. Maybe the point is that Laurie isn't like Andrew either, although he loves him. It's also not in his nature to stand and watch people suffer; this is why he felt something ought to be done in school when Ralph was being kicked out, and why he feels it at the end of the book when he realizes what Ralph is planning to do. It's why he feels the pressing demand to deceive Charlot even as he knows that, in his right mind, the man would never want it. I got the sense the first time I read the book and now the second, that Laurie is much more generally suited to Ralph, and this is why.
I don't know if this makes sense, I've not gotten much sleep. Any thoughts? Do you think this is right, wrong? Am I overthinking it?
I think we're too harsh on medieval painters because this is legitimately what some poodle mixes look like
“In the dream there had always been a pause in which he had looked up and said, “Next time you go away, I’m going with you”; and Ralph, who hadn’t had a first name in those days, had looked down all the same and answered, “Of course.””
I wondered about the cancelled party thing too! I thought it was plausible at least because Bunny does say something about Ralph keeping Laurie a little hidden and (I think, I don't really remember) seems annoyed by this. It's not a stretch to think he'd lie about being out for the night, only to show up when he knows Laurie is there.
That said, Laurie also thinks later that Bunny isn't so much a planner as he is someone who just takes chances when they come to him. Alec hints at this too. So, I don't really know if I'm right: the level of foresight/planning that my idea of Bunny would suggest doesn't line up with the common perception of him given by at least 2 characters...honestly, Bunny (and his relationship with Ralph) always seemed odd to me. I was half-convinced the first time I read the book that Laurie was simply misjudging the situation and they weren't as serious as he imagined. I mean, Ralph never shows any real affection for Bunny in any of their scenes together! And Bunny is very weird! Their whole relationship was so weird to me lol
Hi there @telltaleangelina I just wanted to think a bit more about the scene with Bunny and Laurie in the car scene on the back of your ask/answer.
I think you really got to the heart of it with that line ‘the practiced inflection’. Laurie uses his intuition a lot (sometimes without even being sure what he is picking up) and it’s just such a creepy line, indicating how Bunny seamlessly adopts that tone. Although I suppose there is an analogue with Ralph giving Bunny ‘the straight look’ for the first time back at the flat.
It suddenly occurred to me that cars are so symbolic of male power at that time, and it evokes that horrible trope of men taking women out and expecting some kind of ‘payment’. I wonder if Bunny is just so cynical that he assumes Laurie is paying Ralph back in kind for the lift, and decides he wants a piece of the action. Or he thinks Ralph is being ridiculously gentlemanly about Laurie and wants to bring him down to his level.
I realised the scene provides a contrast to the earlier car scene with Ralph. I know we love the little knee touch in the 1953 version when they are parked up at the scenic spot, but to me, she took that out for a reason in the 1959. It shows the high level of tension (not just sexual!) between them and the way both of them are being hyper-vigilant – Ralph trying very hard to judge the moment with Laurie, and Laurie trying very hard to be respectful of the fact that Ralph has a boyfriend. And also, Laurie sits in silence to avoid attracting Ralph’s anger when he hits the traffic. And he is so uncomfortable with being dependent on Ralph – the number of times he tries to leave the party to get the bus, and he tries it again at Bunny’s.
I also realised that it almost doesn’t matter whether Bunny would have followed through with his threat or not. It just conjures up the horrible thought that he is used to getting what he wants, and most of the time, people don’t stand up to him. So perhaps this is a neat way to show Laurie’s strength of character in a crisis.
The other thing that is quite disturbing, if not surprising, though, is that Laurie then plays it down with Ralph. Partly because he fears not being believed (a bit like Alec silently taking the blame for Bunny’s gossip for a quiet life), and partly to spare Ralph’s feelings. I realised he would be very influenced as well by the ‘no snitch’ rule in school, where telling on another boy would be considered worse than the original offence. But it is cowardly too. I wonder if his anger on the staircase is partly fueled by his frustration at being put in that situation, the suggestion that Ralph is so inured to that kind of behaviour that he doesn’t even notice any more. And in a way Ralph is responsible, because even if Bunny spiked his drink, he still chose alcohol over tea. But Laurie is also too passive. In the end Ralph ends it with Bunny without knowing for sure what he did. Unless he knows because Bunny has form. In which case why is he with someone like that? Either way, Laurie’s horrible accusations on the staircase have the ring of truth.
And finally I can’t go without mentioning that other linked car scene – Ralph kissing Laurie on the first night at the party (very heavy hint anyway) when he is dreaming about his mother kissing him!! And Ralph sitting there having a cigarette while he waits for Laurie to wake up is so sweet.
“reader, i married him” my sister in christ he locked his first wife in the attic
Just a blog for whatever I'm interested in at any given time. 23.
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