Types Of People, Which Make The World A Better Place

We're f-f-flying in a CAR Ron, Owl, Harry and his SCAR Pass the mic right over to THE WHOMPING WILLOW

Hi, Sleuth! I've been rereading LS' 13 suspicious incidents, and in Sub file B, there seems to be a side B to every incident. I wonder what do you make of them? Do you think the various reptile mentions are references to the overlying plot that concerns the Bombinating Beast? Or do you think it could have something to do with Monty's reptiles? And what do you think the last, nine-lettered word would be? Thank you so much for your time, keep up the amazing work!

Hi, @illiteraven! So sorry to keep you waiting. My Ebook version of “File Under: 13 Suspicious Incidents” doesn’t feature the “Side B solutions”, so I had to leave your question on the backburner for months. Now that I’ve got a copy in my hands, I’ll elaborate.

At first glance these “solutions” which don’t connect to any mysteries seem to be one of Daniel Handler’s literary experimentations. We are skipping to the endings of stories with no proper context. “All The Wrong Questions” is a series of mystery novels, so this could be a commentary on the temptation to skip ahead to the end in order to read the solution.

Then again, some of the Side-B snippets do seem to connect to the mystery of the Bombinating Beast somehow, and there are recurrent characters and themes from one snippet to the other. So maybe they’re remnants of subplots Daniel Handler considered for “All The Wrong Questions” even though they didn’t make it to the final draft.

Deep Mine:Dagwood is most likely a reference to Dagwood Bumstead, a character from famous comic-strip Blondie (Link), who gave his name to the Dagwood sandwich. As a gourmet, Handler would know that. Dagwood is also a pun on a character from its Side-A story Dagmar. The buzzing sound is reminiscent of the Bombinating Beast, as well as the ondulations of the Great Unknown. The Museum could also be a reference to the Museum of Objects.

Backseat:Please refer to my commentary on “Missing pets”.

Quiet Street:The V.F.D. reference is a reminder of the organization’s interest in Stain’d-by-the-Sea, as evidenced later by Lois Dressing’s observation of Lemony’s progress.

Beneath The Street:Secret underground passageways are a specialty of V.F.D. The mention of buzzing sounds also ties with the “Deep Mine” Side-B story.

Small Courtyard:Another mention of Violetta and Dagwood. Apparently their father feared Stain’d-by-the-Sea ‘s stone buildings would eventually get destroyed by “violent animal life”. It seems like he knew the Bombinating Beast was coming. According to Hangfire in the last ATWQ book, a lot of adults actually knew what he was dying but fled out in terror or were assassinated.

Missing Pets:These tanks were probably the same ones Hangfire used to raise/grow his experiments. It’s possible the reptiles were also used as genetic material to manufacture an imitation of the legendary Bombinating Beast. Mrs Flammarion is likely a member of Inhumane Society, just like her husband, and could have been tasked with providing the fish tanks and reptiles.

Large Meal:The salted meat recalls Qwerty’s and Hangfire’s interest in caviar, which also requires a great deal of salt. The local reptilian delicacies could have been a convenient way to explain the disappearance of reptiles in the area, in order to dispose of their bodies after Hangifre’s experiments.

Other Name:The initials are likely “I.S.” or “A.F.” as Inhumane Society and Armstrong Feint are known to steal honeydew melons from Partial Foods.

Sand And Shore:Apparently the abandonned boats in the empty sea are still good for something. Perhaps Cleo Knight could look into that to save her city from economic disaster.

Poor joke:Pretty much what it says on the tin.

Message recorded:Members of V.F.D. seem to carry evidence in their hats, which ties in with a shady adoption deal Arthur Poe is later guilty of in “A Series Of Unfortunate Events”.

Nervous Wreck:“Mother of Icarus” seems to be a parody of “Icarus’s Mother” by Sam Sherpard (1965). The play concerns two men trying to send a secret message during a picnic so their friends don’t realize they intend to crash a plane. So the fact that Lemony is pressing us not to look for a secret message is ironic.

Last Word:The word uttered by the mysterious figure in “Shouted Word” is commonly theorized to be “Ellington”, which has nine letters, so it would fit. Hangfire was probably looking for his daughter in the city, trying to convince her to follow his orders again in exchange for “sparing” her father’s life.

For more information and to support the WGA please:

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Chapter 6: Lullaby in Frogland

Let’s look back. Way back. Back before the dawn of animation, before the dawn of film, well before Ruby or Spears or Disney or Iwerks or either Fleischer Brother. Back to 1835, in a town named Florida in a state named Missouri when a boy named Samuel was born.

Like Ub Iwerks, Sam was raised in Missouri. And like Max Fleischer, Sam’s family took a financial hit when his father’s work stopped (this time due to a premature death rather than the decline of tailory), giving Sam a practical approach to work. He left school at age eleven to become a printer’s apprentice, then moved to his older brother’s newspaper as a typesetter and occasional columnist, writing humorous articles and drawing cartoons. But unlike Beatrix Potter or the animators we’ve covered, visual art wasn’t in the cards for Sam.

He moved to the East Coast to work for other papers, bouncing between cities before returning to the midwest to embark on a career he’d dreamed of since he was old enough to dream: piloting a steamboat. He thrived on the water, and kept writing about his work along the river, but everything stopped when the Civil War closed off the Mississippi. So Sam headed west to work for the same brother who once ran the newspaper, now a politician in Nevada (I’d be remiss if I didn’t point out that this brother was for some reason named Orion). Sam tried mining, and it didn’t take, but he’d gotten pretty good at writing and set off for San Francisco to get back into his jocular brand of journalism. 

It was here that he had his first success, a short story published in his paper called Jim Smiley and His Jumping Frog. But, like a certain frog we’ve covered in this series, Sam wasn’t huge on permanent names. Within a month, the story was reprinted as The Celebrated Jumping Frog of Calaveras County, and Jim Smiley’s name was changed to Jim Greeley. Until the book version came out, when it was changed back to Jim Smiley. And this whole time, within the story, it’s a mystery whether Jim’s real name is actually Leonidas (it turns out that it isn’t, but it might be). None of this should come as a surprise for Samuel Clemens, who wrote under the names of Josh, Thomas Jefferson Snodgrass, and most famously, Mark Twain.

“I knew you were special.”

Over the Garden Wall is, among other things, a story about the importance of solid communication. After five episodes spent building up our heroes as a group of friends, all it takes is one episode of terrible communication to throw it all away. The specific issues vary, despite leading to a similar result of not verbalizing their thoughts very well: Greg’s youth stops him from articulating his rapidly changing ideas, Wirt’s anxiety leaves him too timid to speak up or too rambling to be clear, Beatrice’s true intentions make her obfuscate the truth, and Jason Funderburker straight-up can’t talk. Or so we think.

This time he’s named for American statesmen George Washington and Benjamin Franklin, which fits the continuing vintage Americana vibe of the series—while I figure it’s a coincidence, it should be noted that Mark Twain’s Jumping Frog was named after American statesman Daniel Webster. Surrounded by other frogs that walk around and wear fancy garb, our frog is more anthropomorphic than ever, standing on his hind legs and dancing along with Greg. But it’s still a shock to hear him open his mouth and sing, a shock that soon cedes to the realization that the frog playing the piano at the beginning of the series is singing the Jack Jones song in the montage that follows.

Lullaby in Frogland is Jason Funderburker’s episode through and through, so much so that it’s the first time we hear of his namesake, Jason Funderberker. This is an episode where Wirt rejects Greg’s assertion that their frog is “our frog,” a plot point that’s paid off in their last conversation in the series. This is an episode where Greg wonders aloud if he can be a hero, sees the frog set off on a diverging path immediately afterwards, and accepts it, because he’s willing to sacrifice his happiness for the good of others. And it’s an episode where the frog returns after a harrowing betrayal, showing that even when all seems lost, there’s still room for hope. Over the Garden Wall (the song) might not sound like a traditional lullaby, but it soothes us into a cold night as the sun sets on the first half of Over the Garden Wall (the show).

Adelaide’s true nature is foreshadowed by Beatrice’s sudden hesitance to bring the brothers to the pasture after several episodes of nagging, but the twist is made tragic by Wirt finally letting his guard down enough to be happy. He sings a completed Adelaide Parade with Greg and joins the dance before collapsing into the most earnest laughter I’ve ever heard in a cartoon. He’s a good enough friend to notice when Beatrice is “uncharacteristically wistful,” and takes a risk by playing the bassoon instead of just giving up. He’s still got growing to do—it’s one thing to blame Greg for getting them in trouble by throwing away the ferry fare and forcing them to sneak aboard, but another thing to literally shout “Take him, not me!” when confronted by the frog fuzz—so it’s clear that his journey isn’t over yet, but he doesn’t even get a full episode of peace before everything blows up.

The whole steamboat sequence flows between simple delights, like saluting the captain mid-chase, the revelation that the frogs love music more than they hate trespassers, and the repeated gags of three gentlemen frogs snatching up flying flies and a frog mother dropping her tadpoles. Everything just feels calm, even when antics are afoot. Wirt gets to save the day with his bassooning, Greg gets to feel rewarded in his knowledge that his frog is special, Jason gets to sing a song after being silent throughout the series, and Beatrice seems, for now, to come to a sort of peace about things after several clear attempts to sidetrack the boys. This is the only episode to feature two major stories instead of one, but the steamer segment is rich enough to feel like a full episode. If only we could’ve stopped here.

All roads lead to Twain when it comes to depictions of steamboats as a go-to American icon, which is why he preceded this discussion of Lullaby in Frogland: I’m not claiming Mickey Mouse wouldn’t have been successful if his first cartoon was about something else, but I’m certainly claiming that we wouldn’t have gotten Steamboat Willie as it was if Ub Iwerks hadn’t grown up in a Missouri whose lore was shaped by Twain’s tales of the river. But while the author’s at the root of the episode’s many influences, I think the most fascinating branch that we borrow from is The Princess and the Frog. 

2009 was a great year for animation, seeing the release of Coraline, Fantastic Mr. Fox, The Secret of Kells, the surprisingly great Cloudy With a Chance of Meatballs, and the first ten minutes of Up (also the rest of Up, if I’m feeling generous). The first two on that list are my favorite of the year, twin stop-motion masterpieces that I’m always in the mood to watch, but The Princess and the Frog is a brilliant last gasp from Disney’s 2D animation studio. It isn’t the final traditionally animated film they made (that would be 2011′s Winnie the Pooh), nor the final fully sincere princess movie they made (that would be 2010′s Tangled), but it marks the beginning of the end for both trends: for better and worse, the modern Disney animation feels the need to loudly subvert old tropes and wouldn’t be caught dead in two dimensions.

Lullaby in Frogland’s connection to The Princess and the Frog is certainly visible on the surface level: both feature a long sequence starring frogs on a steamboat where a lead character must pretend to be another animal and play a woodwind instrument to get out of a jam, and both involve our heroes seeking help from a wise woman far from civilization (even if only one of these women is actually helpful). But it’s the somber nostalgia factor that binds these stories closer than anything, the knowledge that this is the end of the road for this type of tale. The ferry’s gotta land somewhere, and the cold is setting in as the frogs begin hibernating for the winter, but there’s still more story to tell.

The second story of Lullaby in Frogland is scored throughout by a haunting string and piano rendition of Adelaide Parade, and Adelaide herself is immediately captivating. John Cleese returns for the second episode in a row, but as both of these episodes aired the same night, it feels like a consistent through-line: in the first half, he’s an eccentric who might be a deranged maniac but is actually harmless, and now he’s a witch who might be harmless but is actually a deranged maniac.

Adelaide gets a compelling amount of detail for someone who’s barely in the show. We don’t get any explanation about her fatal weakness to…fresh air? Coldness in general? Either way, like the Wicked Witch of the West’s lethal reaction to water, it’s absurd that someone like her has managed to live this long. She never says what she needs a child servant for, why she has scissors that seem custom-made for this specific curse, or what her spider-like deal with yarn and wool is (she has a black widow hourglass on her back, but also reminds me of the Greek Fates with her emphasis on thread). We never find out how she’s connected to the Beast, whose theme bleeds into her music as she proclaims, without much prompting, that she follows his commands; her goal of using children as zombie slaves seems counter to his goal of turning them into trees to fuel his soul lantern. But this blend of unexplained characteristics and seemingly inconsistent motives only makes her more enthralling to me, because she feels like an actual major villain of another story who we only see a glimpse of. 

What makes Adelaide even more compelling on rewatch is that her scissors, despite their gruesome method for curing the curse, actually end up working. Which means she really did mean to help Beatrice out as part of the deal. At no point does Adelaide lie, and given Beatrice knows she’s bad news as she lures the brothers in, it becomes clear that for all her villainy, Adelaide is an honest witch. I’m always down for baddies that tell the truth, but it’s of particular interest when we compare her to the Beast, whose whole deal is lying. 

The only liar in this episode is Beatrice, even if she wanted to set things straight without hurting anyone; she values her friendship with the boys so much now that she’d rather make herself a servant to Adelaide than just tell them she’s dangerous and reveal that she lied. By the time she’s willing to tell the truth, it’s too late, and not even saving Greg and Wirt by killing Adelaide is enough for Wirt to forgive her. Considering he knows in The Unknown that the scissors he uses to escape the yarn can save her family, he was also listening in on the end of the conversation before entering the house, which means he must have heard that she was willing to sacrifice herself, but that doesn’t matter either. Beatrice gave the boys hope, and no matter how badly she tried to stop it, the encounter with Adelaide transforms Wirt. Where he was once nervous and unsure, and was then briefly optimistic, he’s now sullen and untrusting.

But again, in comes Jason Funderburker, croaking and hopping on all fours once more to bring some light to the darkening series. He doesn’t do much for Wirt, but allows Greg to quickly get over whatever trauma he had about getting webbed up in yarn; he’s remarkably quiet about it, but it’s important to remember that he was betrayed, too. Whether he doesn’t understand exactly what happened or is just quicker to forgive, Greg is fine with Beatrice, allowing us to focus harder on Wirt’s reaction from now on.

It’s all rain and winter for Wirt until the end of his adventure. But the show’s not content to leave him even slightly forlorn: when it gets too dark, he has a frog to swallow a lantern to light the way, and when it gets too cold, he has a brother to cover him in leaves, and when he falls, he has Beatrice to help pull him back up. Even the Woodsman tries to save him in his own way (talk about folks who are bad at communication). Bad things happen, and people make mistakes, but the bigger mistake is allowing that to close you off to others, or to never forgive friends that are genuinely sorry. Our heroes have taken the ferry to the other side, and now the story can shift to one about the folly of abandoning all hope.

Where have we come, and where shall we end?

On top of Jason Funderberker, who’s set up as a major rival to make his eventual reveal one of the show’s best jokes, Wirt gives Beatrice a general summary of Into the Unknown three episodes before we see it play out.

Journals, articles, books & texts, on folklore, mythology, occult, and related -to- general anthropology, history, archaeology. 

Some good and/or interesting (or hokey) ‘examples’ included for most resources. tryin to organize & share stuff that was floating around onenote.

Journals (open access) – Folklore, Occult, etc

Culutural Analysis - folklore, popular culture, anthropology – The Mythical Ghoul in Arabic Culture

Folklore - folklore, anthropology, archaeology – The Making of a Bewitchment Narrative, Grecian Riddle Jokes

Incantatio - journal on charms, charmers, and charming – Verbal Charms from a 17th Century Manuscript

Oral Tradition – Jewish Folk Literature, Noises of Battle in Old English Poetry

Journal of Ethnology and Folkloristics – Nani Fairtyales about the Cruel Bride, Energy as the Mediator between Natural and Supernatural Realms

International Journal of Intangible Heritage 

Studia Mythologica Slavica (many articles not English) – Dragon and Hero, Fertility Rites in the Raining Cave, The Grateful Wolf and Venetic Horses in Strabo’s Geography

Folklorica - Slavic & Eastern European folklore association – Ritual: The Role of Plant Characteristics in Slavic Folk Medicine, Animal Magic

Esoterica - The Journal of Esoteric Studies – The Curious Case of Hermetic Graffiti in Valladolid Cathedral 

The Esoteric Quarterly

Mythological Studies Journal

Luvah - Journal of the Creative Imagination – A More Poetical Character Than Satan

Transpersonal Studies – Shamanic Cosmology as an Evolutionary Neurocognitive Epistemology, Dreamscapes

Beyond Borderlands  – tumblr

Paranthropology

GOLEM - Journal of Religion and Monsters – The Religious Functions of Pokemon, Anti-Semitism and Vampires in British Popular Culture 1875-1914

Correspondences - Online Journal for the Academic Study of Western Esotericism – Kriegsmann’s Philological Quest for Ancient Wisdom 

– History, Archaeology

Adoranten - pre-historic rock art

Chitrolekha - India art & design history – Gomira Dance Mask

Silk Road – Centaurs on the Silk Road: Hellenistic Textiles in Western China

Sino-Platonic - East Asian languages and civilizations – Discursive Weaving Women in Chinese and Greek Traditions

MELA Notes - Middle East Librarians Association

Didaskalia - Journal for Ancient Performance

Ancient Narrative - Greek, Roman, Jewish novelistic traditions – The Construction of the Real and the Ideal in the Ancient Novel

Akroterion - Greek, Roman – The Deer Hunter: A Portrait of Aeneas

Greek, Roman and Byzantine Studies  – Erotic and Separation Spells, The Ancients’ One-Horned Ass

Roman Legal Tradition - medieval civil law – Between Slavery and Freedom 

Phronimon - South African society for Greek Philosophy and the Humanities – Special Issue vol. 13 #2, Greek philosophy in dialogue with African+ philosophy

The Heroic Age - Early medieval Northwestern Europe – Icelandic Sword in the Stone

Peregrinations - Medieval Art and Architecture – Special Issue vol. 4 #1, Mappings 

Tiresas - Medieval and Classical – Sexuality in the Natural and Demonic Magic of the Middle Ages

Essays in Medieval Studies  – The Female Spell-caster in Middle English Romances, The Sweet Song of Satan

Hortulus - Medieval studies – Courtliness & the Deployment of Sodomy in 12th-Century Histories of Britain, Monsters & Monstrosities issue, Magic & Witchcraft issue

Annual of Medieval Studies at CEU

Medieval Archaeology – Divided and Galleried Hall-Houses, The Hall of the Knights Templar at Temple Balsall

Medieval Feminist Forum  – multiculturalism issue; Gender, Skin Color and the Power of Place … Romance of Moriaen, Writing Novels About Medieval Women for Modern Readers, Amazons & Guerilleres

Quidditas - medieval and renaissance 

Medieval Warfare

The Viking Society - ridiculous amount of articles from 1895-2011

Journals (limited free/sub/institution access)

Al-Masaq - Journal of the Medieval Mediterranean – Piracy as Statecraft: The Policies of Taifa of Denia, free issue

Mythical Creatures of Europe - article + map

Folklore - limited free access – Volume 122 #3, On the Ambiguity of Elves

Digital Philology -  a journal of medieval cultures – Saracens & Race in Roman de la Rose Iconography

Pomegranate - International Journal for Pagan Studies

Transcultural Psychiatry

European Journal of English Studies  – Myths East of Venice issue, Esotericism issue

Books, Texts, Images etc. – Folklore, Occult etc.

Magical Gem Database - Greek/Egyptian gems & talismans [x] [x]

Biblioteca Aracana - (mostly) Greek pagan history, rituals, poetry etc. – Greater Tool Consecration, The Yew-Demon

Curse Tablets from Roman Britain - [x]

The Gnostic Society Library – The Corpus Hermeticum, Hymn of the Robe of Glory

Grimoar - vast occult text library – Grimoires, Greek & Roman Necromancy, Queer Theology, Ancient Christian Magic

Internet Sacred Text Archive - religion, occult, folklore, etc. ancient texts

Verse and Transmutation - A Corpus of Middle English Alchemical Poetry

– History

The Internet Classics Archive - mainly Greco-Roman, some Persian & Chinese translated texts

Bodleian Oriental Manuscript Collection - [x] [x] [x]

Virtual Magic Bowl Archive - Jewish-Aramaic incantation bowl text and images [x] [x] 

Vindolanda Tablets - images and translations of tablets from 1st & 2nd c. [x]

Corsair - online catalog of the Piedmont Morgan library (manuscripts) [x] [x]

Beinecke rare book & manuscripts  – Wagstaff miscellany, al-Qur'ān–1813

LUNA - tonnes from Byzantine manuscripts to Arabic cartography

Maps on the web - Oxford Library [x] [x] [x]

Bodleian Library manuscripts - photographs of 11th-17th c. manuscripts – Treatises on Heraldry, The Worcester Fragments (polyphonic music), 12 c. misc medical and herbal texts

Early Manuscripts at Oxford U - very high quality photographs – (view through bottom left) Military texts by Athenaeus Mechanicus 16th c. [x] [x], MS Douce 195 Roman de la Rose [x] [x]

Trinity College digital manuscript library  – Mathematica Medica, 15th c.

eTOME - primary sources about Celtic peoples

Websites, Blogs – Folklore, Occult etc.

Demonthings - Ancient Egyptian Demonology Project 

Invocatio - (mostly) western esotericism

Heterodoxology - history, esotericism, science – Religion in the Age of Cyborgs

The Recipes Project - food, magic, science, medicine – The Medieval Invisible Man (invisibility recipes)

Morbid Anatomy - museum/library in Brooklyn

– History 

Islamic Philosophy Online - tonnes of texts, articles, links, utilities, this belongs in every section; mostly English

Medicina Antiqua - Graeco-Roman medicine

History of the Ancient World - news and resources – The So-called Galatae, Gauls, Celts in Early Hellenistic Balkans; Maidens, Matrons Magicians: Women & Personal Ritual Power in Late Antique Egypt

Διοτίμα - Women & Gender in Antiquity

Bodleian Library Exhibitions Online – Khusraw & Shirin, Hebrew Manuscripts as a Meeting-Place of Cultures

Medievalists – folk studies, witchcraft, mythology, science tags

Atlas Obscura – Bats and Vampiric Lore of Pére Lachaise Cemetery 

Things I need more of in my life: Midwestern gothic/horror stories.

Barns with no doors that almost seem to breathe, their walls bending inward and outward every few seconds.

That one diner at the edge of town where the people you see through the windows on the outside are not the same as the ones inside.

That late night train that travels slowly across the tracks, steam leaking out of the closed doors of the cars. If you listen closely you can hear skittering inside them.

In the park there is a circle of dead grass right behind the swings and if you get close enough you can hear it whispering.

Fields of corn that rustle in the wind and anyone foolish enough to wander into them are never heard from again. Sometimes the farmers will find their shoes during the harvest.

Back roads that don’t make geographical sense. Sometimes you just get stuck in a curve for an hour only to find yourself a mile away from the nearest town afterwards.

Passing the same farm house five times in a row.

Never listen to the crows. Their secrets will alter you in terrible ways.

The scarecrows are always wearing new clothes whenever you see them, even when you take your eyes off them for only a moment.

Don’t ever mention the man who waves to you on your way to work every morning. Don’t mention that he’s been dead for ten years.

Never buy flowers from the flower shop on Main Street. You know the one: the doors are always open, even in winter, and you can smell the sweet scent of roses mixed with something rotting.

If she's your girl then why am I named as the sole heir in her will?

A Series of Unfortunate Events is a Passover Story

So I’ll be honest, I’m not the best Jew to be writing this post. I first saw Fiddler on the Roof at age 19, and the first words out of my mouth were, “Wow! This is really Jewish!” (Meanwhile, my mom was commenting on the Yiddish anachronisms of this play about Russian Jews, because she’s a good Jew who actually Knows Jewish Things) But I hadn’t really heard or seen much about just how incredibly Jewish A Series of Unfortunate Events is, which is a shame because Lemony Snicket/Daniel Handler is himself Jewish. So Jewish, in fact, that he helped write the New American Haggadah (including a part about how, just as there are Four [types of] Children who ought to be accommodated during Passover, there are Four Parents who really ought to be ignored.) But seeing as I can’t find anyone better to write about all the cool Jewish culture and symbolism in A Series of Unfortunate Events, I’ll take over until someone else comes along and does a better job.

Spoiler warning, of course. There’s a lot of deep lore that gains new meaning when looked at through a Jewish lens, including the symbolism behind horseradish and the sugar bowl.

Keep reading

video essays about horror, fear and dread

Films That Feel Like Bad Dreams

The Nightmare Artist

Fear of Big Things Underwater

Control, Anatomy, and the Legacy of the Haunted House

House of Leaves: The Horror Of Fiction

Monsters in the Closet: A History of LGBT Representation in Horror Cinema

The History of Insane Asylums and Horror Movies

The Saddest Horror Movie You’ve Never Seen

Fear of Forgetting

Slender Man: Misunderstanding Ten Years Of The Internet

The Real Reason The Thing (1982) is Better than The Thing (2011)

The Bizarre Clown Painting No One Fully Understands

The Little Book of Cosmic Horrors

The Disturbing Art of A.I.

Fear of Depths

Goya’s Witches

David Lynch: The Treachery of Language

The True History That Created Folk Horror

The Existential Horror of David Cronenberg’s Camera

a few more and the youtube playlist are below the cut. as always feel free to share your recs as well!

Keep reading