ofmadsle:
It seems like Nate and her had the same idea, though she didn’t expect to find anyone outside yet. She needed a moment, a breather to herself. So much happened before the break, with Orson’s verbal take down against her to his damned death, who knows what happened in between? She wasn’t sure how she could show her face, when she was sure every anxiety she felt was written all over it. Mads supposes she should be grateful that the ball was a masquerade after all.
Still, she’s glad to find Nate, though she supposes she’s caught him in a private moment. There’s an urge to make a joke- is that the original Augustus Waters monologue?- but she holds her wit in for once. Instead, she makes her step a bit louder, hoping he’d hear her so she wasn’t catching him completely off guard. She racks her brain, wondering what comes next, but all she could remember was Romeo’s next line. Clearly, she wasn’t the Friar. “Good morrow, father.” She smiles softly, grateful for a friendly face.
seeing mads always lifts nate’s spirits, so it’s easy for him to smile back at her and respond so easily, “benedicite.” to be honest, he probably could’ve done that whole scene by heart — there was something about ro & jules that just got to him. nate welcomes her company with open arms, because in situations like these, two was always better than one. it’s hard to be left alone with his thoughts for long periods of time. with mads there, nate manages to forget about the detectives, orson, and the long night ahead of them, if only temporarily.
— ✶
“come on mads, you know we’re basically two-thirds of the weird sisters in the living flesh. think about it: we strut onstage with our sexy beards, our couplet rhyming, and our — arguably — wicked ways, and then vanish before the real tragic shit goes down. it’s a no-brainer.” it’s a few days later after all the events from the masque ball and heidi’s announcement of their final play, and nate is, for lack of a better phrase, fucking thrilled. on this particular afternoon he has made plans to hang out with mads, and unfortunately for her, he hasn’t shut up yet.
“so, what do you think — do you love it? do you hate it? are you gonna kick my ass right now?”
ofmadsle:
— ✶
Mads couldn’t help her laughter even if she tried, and he’s right. It paints a pretty picture. She could see Julian going in with it, and the small chaos the three of them could make together. “Imagine how cursed the play actually would be with us. Should we create a conspiracy theory?” She grins, though she was sure there was plenty of that going on. She was just as excited as him. But, she knew she should at least be honest. A witch wouldn’t be a bad role, she enjoyed them as well. Alas, the heart knew what it want, so she may have to break Nate’s just a bit.
“You know, while I can save the ass kicking for a different time, I was actually thinking of Lady Macbeth. Can you picture it? Sexy murder queen in all her 5′3 glory?” She laughs, because of course she has to make light of it to ease her anxiety surrounding such a decision. “Though, I think we should be the witches anyways. Halloween’s passed but it would be fun. Do you think I could grow a beard in time? I bet mine would be magnificent.”
“ugh, well you know how i feel about lady ‘beth. and as one of your closest BFFs, while i’m selfishly thinking about all the trouble we’d be blamed for...i’m also super happy for you and will be your biggest cheerleader in going after, arguably, one of willy’s most complex female characters. which isn’t saying much, but y’know.” nate couldn’t help but grin at her, proud of mads going for the gold. what did she have to lose? what did any of them have to lose anymore? “mads le as lady macbeth. sounds about right. i mean, i can totally believe you’d conspire to kill a man.” that joke kinda hits different, since a man has actually died, but nate decides not to dwell on it. but he looks up, and they’re just outside the refectory, near where they were a few nights ago. he glances in mads’ direction.
“but you know what? let’s fuckin’ do it. i’m always down to dress up like a witch on any given day for absolutely no reason at all.” nate smiles, and makes a mental note to go snooping through the costume & makeup dept. later to see if he could get his hands on some beards. “not that i don’t already have an idea, but what made you go for lady m? i feel like a lot of people — gender be damned — might be gunning for that part. hell, the third years might try to show us up. it is the last show,” and the moment nate says it, something clicks. it’s their last production together as a cohort. and without orson. something about it feels super ominous, especially in the wake of the events from the masque ball, but he hopes it’s just his nerves.
jason: thanks bro.
jason: i mean, he's not as bad as josephine or hudson and he seemed pretty upset about it the other day.
jason: but yeah you're right.
jason: what does getting spooky entail? but it's not like i have anything else planned so sure.
nate: not as /bad/? i love u, but clearly i've left you with matty for way too long. WAIT. ....ya'll aren't...? yknow....👀
nate: i mean no judgment, i just think u can do better
nate: & not much, just having have a good ol' family friendly night of potion making, ritual casting, and maybe a séance if i'm feelin frisky? idk, i just wanna go full on method acting with this shit
when: immediately after the released police statement; where: the lake; who: @pvlmer.
nate was sure he was about to lose it. sure, when he had gotten pulled away for a moment to chat with the detectives some time ago, he had convinced himself that everything would be fine. but now, sitting at the edge of the lake, nate did not feel the same way. like suddenly with that statement, everything was that much more real and it scared him. but not just for his sake. jason. nate had called him earlier and told him they needed to meet, but didn’t say for what. he just knew it was about time they talked. about everything. with thoughts burning a hole in his head, nate glances back when he hears footsteps approaching. he throws another stone across the lake. it goes right in. “i swear i’m better at this. at least, i used to be.”
jason: for once i'm actually feeling kind of okay about my casting
jason: what about you? are you excited to play a witch?
nate: whew, i'm glad u feel that way!
nate: i was def ready to raise hell if you weren't cool w/ it. it's our last show, y'know? we should get what we DESERVE. but then again, i look at ppl like mathias & josie and i'm like .....yikes
nate: um HELL YEAH i am!! a crone who casts spells & cackles at people's misfortunes is in my top 5 other lives i'd like to live. you know this
ofhelens:
Matching his smile with one of her own, Helen laughs gently. “Hell, for sure. I have a feeling that Abigail Williams would have fit snugly in one of Shakespeare’s plays.” Probably played by Zahra. If Orson had his way. If Heidi was casting - who knew? The uncertainty of Alderidge, which had always been such a constant, made her anxious. Nudging gently into him, she nodded in thanks. “I don’t deserve you.” She wasn’t sure any of them deserved Nate. Had she followed that thought through to its completion, she might have felt guilt that they were the one forced to witness her witchcraft…but as it was, she dropped it; distracted by the mention of Jonah. “No?” Puzzled, she knotted her eyebrows. “Did he…did he do something?”
it was one thing to banter with helen about heidi or the play, but then just like that, nate decides to switch up the conversation on her - a part of him wondered if it was the right time. but when would this opportunity come up again? he raises an eyebrow for a moment at helen’s response - did jonah do something? well, damn. it’s not like it’s any of his business, but in nate’s experience, that kind of question only came from someone who, even in the slightest way, had already assumed he was guilty. it was a nicer way of saying ‘what did you do?’ and - shit, now he’s definitely reading too much into it. nate shakes his head, “nah, he didn’t do anything. it’s just the week of auditions he had a really...rough morning, and i might’ve cried and tried stuffing his face with waffles, and i was just curious if you had heard from him. that’s all.” nate shrugs and then tries to offer helen another smile to diffuse any of her worries. “even though we live together, i feel like we’ve been like two ships passing in the night.”
pvlmer:
the entire debacle that happened during the masque had jason a little shaken. of course, he knew he wasn’t a murderer. he didn’t actually kill orson and he didn’t even know who did. but he did know that what the mysterious person said had some truth to it. jason could’ve saved orson and he didn’t. whether that was the right or wrong decision was something that jason was still trying to figure out. of course, it was morally wrong to deny someone help when they’re begging for their life. but is it morally wrong if that person is a dick? the jury (jason) was still out on that one.
it was a question that kept jason up at night. and specifically, it was the question that was keeping him up tonight. after the events, he fled to his room, wanting to be as far away from the refectory as possible. it was like the person screaming murderer was his own conscience, which just freaked him out a little too much. he was in his own world once he got back into his room, despite his roommate being there. it was like he was alone because everything just faded and he was left with just his thoughts. his mind started to wander and worry. not just about the night where he left orson for dead, but the other members of the program. as much as he felt like he didn’t belong with them, he couldn’t help but feel some sort of anxiety over whether they were okay or not. the anxiety was the worst when it came to his brother. as much as people talked about how theater kids became family, nate was his family.
just as he was thinking about nate, he heard a knocking on his door. he yawned. it was some ungodly hour in the morning, but god knows that jason didn’t sleep at all so it wasn’t like he was getting woken up. he stumbled towards the door, his movements slow and jagged as he was starting to have a migraine from the lack of sleep. he opened up the door to see nate and without thinking, jason pulls his brother in for a hug. “hey, are you okay?” he asks when he lets go of the embrace.
the door opens, and nate drops his phone in the process of hugging jason, because his brother is okay and that is enough to extinguish any fear in nate’s mind. when they hug, nate suddenly feels very stupid, because of course nothing bad has happened (yet), but he also realizes it’s kinda fucked up how triggered he was by the events from the ball. but the hug helps. the hug is warm and familiar and it’s exactly what nate needs right now. as they separate, nate starts to feel a little dejected, but jason asks him a question and he pulls himself out of it so quickly, it’s hardly noticeable.
“am i okay? uh, i don’t know jason, let’s see: pretty sure i sprained my ankle during the fight scene earlier, was accused of murdering our old director, went back to my room and realized i’m almost of happy pills which also stressed me out because my dealer says they won’t be back until next week, then i tried calling and texting you fifty million times; speaking of which, where the fuck is my—”, nate looks down and picks his phone off the floor, shoving it in his pocket. there’s another crack in the screen’s spider web and the battery life is at 3%, but what’s life without a lil’ danger? nate takes a breath. he can feel himself getting worked up and it’s too late (or early, technically) to take any more drugs. he sticks to a strict schedule.
“the point is, sweet brother o’ mine, i’m not doin’ so hot, but we gotta talk. like, now.” nate’s stomach grumbles, and he huffs. “also, i could really use a grilled cheese.”
everybody says "clown around" but no one ever asks "around, clown?" :(
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