scenestlr:
grace’s lines were circling in her mind throughout most of the day. she knows her role well enough, has studied in her free time ever since learning who she’d play, and really, prince escalus wasn’t a difficult role. what she didn’t prepare for was that terrible feeling of returning to alderidge and being around everyone once again. she feels stares everywhere she goes, and she knows that after she goes on, it’ll only increase.
she can’t think about how she feels like the stares were becoming less and less about her and chandler. so she ignores the looks and heads outside. away from the police and everyone else in the refectory, the music fading into the background. she appreciates the night chill as it settles into her bones, her footsteps light upon the cobblestone. she lets out a small breath, and for a moment feels at peace. right until she hears his voice, reciting a soft line from the play. and of course, nate palmer had to be out here at the one spot away from the rest of the tiny bubble that was alderidge. she considers poking fun at his running of lines but lets the comment die in her throat. (does she say anything? does she keep walking past him like she didn’t see him? what do you say to someone who found a dead body?)
she moves towards the backdoors again, careful in her steps, but stops when she realizes the detectives have patrolled to their side of the room now. great. she wasn’t guilty, she knew that, but she didn’t want any interaction with them and whatever they wanted to find out. she turns back around, striding quickly towards the outside and where nate was smoking. she couldn’t handle the detectives and stares, but she knows she can handle nate palmer. “wow,” she intones as she leans against the outer wall, now concealed from the doors. “i didn’t mean to, uh, interrupt your serious rehearsal time. apologies.”
there are just some people in the world who don’t want to see others happy, and at this point, nate is convinced that grace ishihara is one of those people. he knew it was practically impossible for them to not see each other again ─ with such a small class size and the loom of orson’s death hanging over the department like a nimbus cloud, there was a high probability that he would have to talk to grace again before they graduated. which, honestly, couldn’t come any sooner.
nate laughs, because he always does, but this one is short and dry. “no worries. i’m just taking a page out of your book, y’know? trying to be a serious actor who cares about his craft for once. but, i gotta admit,” nate turns to face her and flicks his lighter open, “it’s as boring as it sounds.” the end of the joint burns, and nate looks back at grace with his best poker face.
there are plenty of things he could say right now that would probably be unnecessarily harsh, so he keeps his mouth shut for once. he has some sense of self-control, after all. instead, he takes a quick puff and asks, “those detectives are here for you, right?”
bxstvrd:
Jonah sometimes wished he’d just… left Nate there. It was a cruel thought, an intrusive one, and he could never manage to take himself to the end of that thought exercise, always snapping himself back to the reality where he’d sat with his classmate, cup of water in hand, staying the night until he was sure, sure that Nate would be okay. To this day, he had no idea why he’d done that. No idea where that kindness had come from within him. In the time since, he had decided, with a bitter sort of finality, it must have been a fluke. There was nothing else he could point to concretely that proved otherwise.
“Then let me ask a different question,” he said, finally meeting Nate’s gaze and leveling him with a sharp stare. “What’s in this for you?”
He took a deep breath, flicking his eyes back down, and he began picking at the threads of his duvet as he spoke. “People don’t just… do nice things. Not in my experience anyways. I helped you because I didn’t want to have to contend with the guilt of what could have happened if I didn’t. Not because I care. Not because I’m a good person. Probably because I’m a categorically bad person who cannot handle yet more evidence of that thrown back into my face. So, on top of being an ass, I guess I’m also a coward.”
And then, if only to make sure that Nate wasn’t going to have him committed, he added, “This happens before every audition. It’s normal. I promise.” Or at least, as normal as the crushing weight of his own depression, sitting on his chest like a ten ton gorilla, could be.
His stomach grumbled. Reluctantly, he took the banana, peeling it from the butt end and breaking off a chunk before popping it into his mouth.
nate thinks for a moment, because jonah asks him a good question, and he just doesn’t know if what immediately comes to mind is the right answer. he wants to go back and forth with jonah about how there are people in the world who just want to help. how some people actually accept their faults head-on and put in the work to become better versions of themselves. how some people are just good. end of story. but the more nate sits here and listens to jonah, the more he thinks none of that would matter. especially coming from him. so nate finishes his waffle and reaches for the bottle of OJ.
“y’know, i don’t think anybody’s a good person. i feel like most people are just trying their best not to fuck things up on a daily basis. and depending on the day, hour to hour, we’re lucky to get by.” nate shrugs.
“and i used to feel like you do. all the time. and spoiler alert, no amount of party drugs or vodka could help chase those thoughts away; in fact, they might’ve induced an episode or two. or three,” nate sits in the memories for a second, although they’re uncomfortable to him now; they feel a lifetime away. “but i let the people who were in my corner fight for me. take care of me. ...they saved my life.” nate takes a deep breath, because it’s hard to think about the person he used to be. the person he still is. the person he wants to be.
and now, looking at jonah, nate can’t help but wonder if there’s some alternate universe where they’ve switched places. because if nate didn’t have his parents or even jason, he’s sure he would be in a similiar position to jonah. and it scares him to think he wouldn’t be strong enough to last this long. but then he imagines a silly, happy jonah and it’s weird enough that he chooses to focus on that instead. nate grins.
“but you’re right. we’re not close. not even friends yet. .......and we won’t ever be, if you keep eating bananas like that. it’s a phallic fruit, but we’re not in the seventh grade, jonah. embrace the phallus and eat it like a fuckin’ normal person, or i’m never eating breakfast with you again.”
hey all you cool cats & kittens, i hope you enjoy getting an abridged version of this lil’ shit. xoxo, gossip girl. (sorry, i re-watched the season finale the other night.)
STATS
name: nathaniel “nat(e)” palmer as the comic.
gender & pronouns: genderqueer & he/him.
age & date of birth: 22 & dec 2nd. (sagittarius, babyyyyy)
sexuality: pansexual
hometown: in ur heart
nate, a vine collection: yup, this one, uh huh, also this & one more!
character parallels: phillip gallagher (shameless), donkey (shrek), jughead jones (exclusively archie comics), nathan young (misfits)
ABOUT
full app. | pinterest.
alllllright, so nate was born with some hearing loss & just when the doctors thought he was going to live a life of rapid hearing loss, his adopted parents swooped in & turned all that shit around for him. in those early days especially, he was so obsessed with being all of what they could hope for and more, that he undoubtedly absorbed so much of their love & support in comparison to his brother.
but anywho, he had surgery for two cochlear implants before age 6, and it’s worked out for him, especially because he was (and still is) a quick study. kid’s got a knack for learning/adapting like nobody’s business. but hey, he’s a human - he’s bound to make mistakes and the expectations got so high that he got frustrated with himself and decided enough was ENOUGH. the golden shine he had was starting to wear off.
so, then’s there the Age of Ethan Crabgrass - which yes, is someone from nate’s past that caused a lot of trouble for him - but honestly, the name is more of a representation for all the discrimination and bullshit nate had to fight against. and fight, he did. in a small literal way, but mostly in a social way. humor is his best and sharpest weapon, and he’s had lots of practice wielding it.
found theatre in one of those moments ya see on the movies where the character is walking by the auditorium and the magic of the stage just pulls them in (like glee omg). it’s also where he started drinking alcohol, smoking mary & juan, and exploring his gender/how he wants to present himself to the world. the love he felt there led him straight to alderidge.
so yes, he kinda blackmailed orson after he found out - through his connects in the art department - about the extent of orson’s drug habits & took this spicy info. straight to the source. i imagine their conversation left nate feeling like he was going to Soar in this dept. troil & cress gave him a little more to work with, but he was still hungry to do something different. but then orson dies, and nate has...lots of feelings.
speaking of which, he has a therapist he’s seen since first year, dr. june, but for the last month or two, he hasn’t spoken to her. he’s too busy doing more drugs, having lots of sex, and being a Shit. to sit down and unpack that entire night and what it means is something he is putting off until...? he’s not sure, tbh. orson’s death has him Shook.
aldy (as he fondly calls alderidge) has been some of the best years of nate’s life. which is probably why he’s trying his hardest to soak up every single moment while he still can. he knows he and the rest of his classmates might not be bffs after this is all said and done, but he wants to create some lasting memories (read: be more Annoying than usual this semester).
HEADCANONS
so i did this thing here that’s my interpretation of potential connections for nate to all of his peers. from the chameleon to the villian, nate’s thoughts about everyone is there! feel free to read & if you dig what he had to say, let me know! if you hate what he had to say, let me know! (if i don’t reach out first!)
fluent in ASL (let him teach you, it’s his favorite thing) & knows lots of bad words in different languages
gives “cute” nicknames to lots of things, because hey, words are hard and sometimes his mind runs faster than his mouth. there’s probably a dictionary of these words collected over the past few years. (e.g., supe effin awk, ors ho, cae sal, mary & juan)
wants the chance to be a Serious Actor, for once in his academic career. with orson dead, maybe that has a better chance to happen. and...if nate’s honest, he’s not as sad as he should be.
especially since he still has jason’s watch, nate’s spidey senses have been tinglin’. like, i imagine he’s gonna be nosy and want to figure out what the hell went down that night. not to snitch, but to protect whoever he can. if he can.
where: courtyard between FAB & alderidge hall; when: tuesday afternoon, before the read-through; who: @joseqhine.
as usual for someone who has an unhealthy dependence on drugs to get through each day, nate is outside smoking before the cast’s call time — just something to take the edge off. he places his copy of macbeth down to stub out the cigarette when he looks up and sees a familiar face. he bursts into laughter when he sees her. josie’s the kind of person that nate didn’t ever get along with; and looking at her, it still blows his mind that she and mads were ever close. he thinks she’ll probably walk by and ignore him, but nate just can’t let this opportunity pass him up. “what’s up, lady ‘duff? memorize that scene yet?"
pvlmer:
as much as jason hates to admit it, he needs this. he doesn’t want to admit that he was freaked out by the events at the masque. because that would be admitting that he has a reason to be scared. and he can’t let that happen. he can’t let people know that he had anything to do with orson’s death. least of all nate. nate was one of the only people he felt like actually believed in him and he didn’t want his brother to believe the horrible truth about him, that he was an accomplice to murder.
jason nods as his brother relays his stressful evening. he can definitely sympathize, considering they were all accused of murdering orson. but jason knew that nate wasn’t involved in the murder, he was the perfect one. and besides, he couldn’t picture his bright and shining brother hurting anyone intentionally. jason used to think he wouldn’t hurt others intentionally either, until that night. at the mention of happy pills, jason can’t help but instinctively put his hand on nate’s shoulder. he’s not really sure what he’s trying to convey. maybe that he’s there, even if it sometimes feels like he isn’t. jason feels another pang of guilt when he realizes how scared nate must’ve been not getting an answer from him. “right, sorry about that, i put my phone on silent so i could think,” jason replies with a grimace and an ‘ i’m your brother and you love me so forgive me ’ face.
“did someone say grilled cheese?” jason asked, with a slight smile. despite the terrible events of the night and the sheer amount of food he had eaten to avoid talking to people, jason would kill for a grilled cheese right now. “that sounds like the perfect meal to take the edge off what happened tonight. wanna postmates and hang in here?”
before jason can finish his question about nate hanging out with him, he’s already ducked past him and entered the room. nate hates feeling like this — when even he can’t laugh the pain away, but he finds some sort of peace when he’s with jason. sure, their relationship wasn’t the best, and nate hated that they were obviously keeping secrets from each other — but they were brothers. and for every bad memory, there were two good ones in its place. at least, that’s how nate saw it.
“well i was hoping you’d offer to go with me to the kitchen and whip up some homemade cheezies, but honestly, spending too much money on postmates sounds like a much better idea. i can send you the money, just get me anything greasy and with a stupid amount of calories on top. i trust you.” nate takes off his jacket and throws it over the back of a chair while taking in the suite jason and mathias share. he doesn’t visit often, he realizes. nate finds a seat to plop down in and spread out, the ache in his ankle dull enough to ignore. even though he tries to keep things somewhat light, nate knows he can’t bullshit with jason for much longer. he runs through a gamut of emotions — sadness, anger, confusion — and none of it seems to ever make sense of what he discovered that day with the person standing in front of him. the only brother he’s ever known. his first best friend. his first confidant. it’s heartbreaking to think jason could ever be responsible for —
“so. you said you needed time to think, right? ....what about? i mean, if it’s about ice caps melting in the Artic, i’m right there with you, buddy.”
harryzhangs:
harry snorts, trying to keep her attitude about it light and unaffected. a good sport, that’s what she has to be. it’s what she’s always been. no one needs to know just how fucking exhausting it’s become. “don’t wear it out, i’m not sure how they even fit the whole thing in one line on the cast list,” she catches up to nate with a grin. “you excited for the read-through? i’m considering starting a betting pool on the fights that’ll probably break out over the course of this whole process.”
nate’s eyes grow wide with mischief, “oh, you know i want in on this. i’ve got ten bucks and a bottle of cheap tequila that says josie will throw a temper tantrum and get herself kicked out of the play before hell week.” nate laughs and slows his pace towards the building, because honestly class is dumb and they’ll be out of here before they know it, as he considers the circumstances. as much as he was excited to dig into macbeth, he just couldn’t shake a thought. “heidi really just said ‘fuck it’ and gave this group of accused conspirators of real murder the chance to act in a play about murder, huh? i think it’s kinda badass, not gonna lie.”
ofhelens:
Matching his smile with one of her own, Helen laughs gently. “Hell, for sure. I have a feeling that Abigail Williams would have fit snugly in one of Shakespeare’s plays.” Probably played by Zahra. If Orson had his way. If Heidi was casting - who knew? The uncertainty of Alderidge, which had always been such a constant, made her anxious. Nudging gently into him, she nodded in thanks. “I don’t deserve you.” She wasn’t sure any of them deserved Nate. Had she followed that thought through to its completion, she might have felt guilt that they were the one forced to witness her witchcraft…but as it was, she dropped it; distracted by the mention of Jonah. “No?” Puzzled, she knotted her eyebrows. “Did he…did he do something?”
it was one thing to banter with helen about heidi or the play, but then just like that, nate decides to switch up the conversation on her - a part of him wondered if it was the right time. but when would this opportunity come up again? he raises an eyebrow for a moment at helen’s response - did jonah do something? well, damn. it’s not like it’s any of his business, but in nate’s experience, that kind of question only came from someone who, even in the slightest way, had already assumed he was guilty. it was a nicer way of saying ‘what did you do?’ and - shit, now he’s definitely reading too much into it. nate shakes his head, “nah, he didn’t do anything. it’s just the week of auditions he had a really...rough morning, and i might’ve cried and tried stuffing his face with waffles, and i was just curious if you had heard from him. that’s all.” nate shrugs and then tries to offer helen another smile to diffuse any of her worries. “even though we live together, i feel like we’ve been like two ships passing in the night.”
everybody says "clown around" but no one ever asks "around, clown?" :(
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