𝚝𝚑𝚎 𝚌𝚘𝚖𝚒𝚌 & 𝚝𝚑𝚎 𝚜𝚝𝚞𝚗𝚝𝚖𝚊𝚗:
“tybalt, the reason that i have to love thee, doth much excuse the appertaining rage, to such a greeting: villain am i none; therefore farewell; i see thou know'st me not.”
teddy is having the time of his life playing the lead young lover, romeo. one of his favorites to play, ted has memorized the lines since he was sixteen. so he is trying to make the most of it, trying to enjoy it and forget the policemen in the audience or the heavy weight of orson’s absence. if he was still here, teddy knows he wouldn’t be playing romeo. so he is giving it his all. as a last fuck you to his mentor.
and so he plays the part of the lover trying to make amends with the in-laws.
“i do protest, i never injured thee, but love thee better than thou canst devise, till thou shalt know the reason of my love: and so, good capulet,—which name i tender, as dearly as my own,—be satisfied,” he finishes his line with the most charming smile he can muster. it’s not hard, trying to charm his way around julien. it’s almost playful, the way he looks at him, hoping tybalt would understand romeo’s attempts at peace.
but they all know it won’t be like that. and tragedy, much like in real life, is just about to ensue.
( @aldysfool )
nate had been buzzing for the past two weeks since he got the assignment to prepare for arguably the best character in the play. there hadn’t been a day when he rehearsed his lines, or gone over every single piece of stage combat sebastian taught them. mercutio was complex by design; flamboyant, yet provoking, cynical, yet insightful. nate happily stepped into this role.
“o calm dishonorable, vile submission,” nate moves to purposefully - but gently - push teddy behind him, rolling his eyes in the process. he faces his peer, and with a wink, “alla stoccata carries it away.” nate loosens the cape draped around his shoulder and calmly folds it over before handing it to romeo. this is the scene of r&j, and dammit, his goal was to die in style. nate reaches for the hilt of his weapon strapped to his side and he calls out for his dueling partner, “tybalt, you rat-catcher!” nate unsheathes his rapier and makes a swift turn to point at julian. nate tries not to imagine julian actually managing to kill him, so he flashes his best grin as he finishes the taunt: “will you walk?” giving nate a character with more motives than making the audience laugh? orson hobbs has left the chat. ...wait, he’s dead. fuck.
he breathes and he focuses back on good ol’ mercutio - who extends a cat metaphor while managing to look somewhat intimidating. “will you pluck your sword out of his pitcher by the ears?” nate tosses his weapon between his hands as he makes a wide circle around julian. nate goes to make eye contact, “make haste,” and taps the rapier twice against the ground, and it reminds him that it’s real metal which stresses him out - but nate clenches his jaw and gets into position anyway. “lest mine be about your ears ere it be out.”
/@juliansbennet
if you could trade places with any of the fourth years, who would it be?
“ugh, this is so hard, but lemme just say that i thought a lot about who’d i want to take my place because i could trade places with any of these theatre nerds and have a fuckin’ ball. but who would really benefit from having mine? and that’s how i landed on my pride and joy, jason palmer. is this cheating because he’s my brother? i don’t care. i would want him to just let loose if we traded places; i’ve already done an alphabet’s worth of drugs and broken some laws; like, there isn’t much he could do that would surprise me. i just feel like he’s holding back on me all the time, and...honestly, i feel guilty about that. a lot. especially because i know i wouldn’t be here without him.”
a pause.
“ha. but yeah, if we got caught up in some freaky friday shit, i would totally facebook stalk our old classmates and tell some people off, tell hudson and helen i’m in love with them both to (hopefully) start some drama, audition for the lead role in our last production just to prove a point, call up mom and pops to announce i’m cutting them off and moving to France after graduation, and then snoop in mathias’ room to find evidence that he definitely killed orson so that i wouldn’t have to worry about the watch anymore.”
@pvlmer
hey all you cool cats & kittens, i hope you enjoy getting an abridged version of this lil’ shit. xoxo, gossip girl. (sorry, i re-watched the season finale the other night.)
STATS
name: nathaniel “nat(e)” palmer as the comic.
gender & pronouns: genderqueer & he/him.
age & date of birth: 22 & dec 2nd. (sagittarius, babyyyyy)
sexuality: pansexual
hometown: in ur heart
nate, a vine collection: yup, this one, uh huh, also this & one more!
character parallels: phillip gallagher (shameless), donkey (shrek), jughead jones (exclusively archie comics), nathan young (misfits)
ABOUT
full app. | pinterest.
alllllright, so nate was born with some hearing loss & just when the doctors thought he was going to live a life of rapid hearing loss, his adopted parents swooped in & turned all that shit around for him. in those early days especially, he was so obsessed with being all of what they could hope for and more, that he undoubtedly absorbed so much of their love & support in comparison to his brother.
but anywho, he had surgery for two cochlear implants before age 6, and it’s worked out for him, especially because he was (and still is) a quick study. kid’s got a knack for learning/adapting like nobody’s business. but hey, he’s a human - he’s bound to make mistakes and the expectations got so high that he got frustrated with himself and decided enough was ENOUGH. the golden shine he had was starting to wear off.
so, then’s there the Age of Ethan Crabgrass - which yes, is someone from nate’s past that caused a lot of trouble for him - but honestly, the name is more of a representation for all the discrimination and bullshit nate had to fight against. and fight, he did. in a small literal way, but mostly in a social way. humor is his best and sharpest weapon, and he’s had lots of practice wielding it.
found theatre in one of those moments ya see on the movies where the character is walking by the auditorium and the magic of the stage just pulls them in (like glee omg). it’s also where he started drinking alcohol, smoking mary & juan, and exploring his gender/how he wants to present himself to the world. the love he felt there led him straight to alderidge.
so yes, he kinda blackmailed orson after he found out - through his connects in the art department - about the extent of orson’s drug habits & took this spicy info. straight to the source. i imagine their conversation left nate feeling like he was going to Soar in this dept. troil & cress gave him a little more to work with, but he was still hungry to do something different. but then orson dies, and nate has...lots of feelings.
speaking of which, he has a therapist he’s seen since first year, dr. june, but for the last month or two, he hasn’t spoken to her. he’s too busy doing more drugs, having lots of sex, and being a Shit. to sit down and unpack that entire night and what it means is something he is putting off until...? he’s not sure, tbh. orson’s death has him Shook.
aldy (as he fondly calls alderidge) has been some of the best years of nate’s life. which is probably why he’s trying his hardest to soak up every single moment while he still can. he knows he and the rest of his classmates might not be bffs after this is all said and done, but he wants to create some lasting memories (read: be more Annoying than usual this semester).
HEADCANONS
so i did this thing here that’s my interpretation of potential connections for nate to all of his peers. from the chameleon to the villian, nate’s thoughts about everyone is there! feel free to read & if you dig what he had to say, let me know! if you hate what he had to say, let me know! (if i don’t reach out first!)
fluent in ASL (let him teach you, it’s his favorite thing) & knows lots of bad words in different languages
gives “cute” nicknames to lots of things, because hey, words are hard and sometimes his mind runs faster than his mouth. there’s probably a dictionary of these words collected over the past few years. (e.g., supe effin awk, ors ho, cae sal, mary & juan)
wants the chance to be a Serious Actor, for once in his academic career. with orson dead, maybe that has a better chance to happen. and...if nate’s honest, he’s not as sad as he should be.
especially since he still has jason’s watch, nate’s spidey senses have been tinglin’. like, i imagine he’s gonna be nosy and want to figure out what the hell went down that night. not to snitch, but to protect whoever he can. if he can.
outside the refectory, early in the night, open starter.
in theory, masque balls are pretty badass. while nate never needed a good excuse to put on a costume and party, he did appreciate the way aldy really went up for the ball every winter. from the lighting fixtures to the material of the tablecloths - someone had their priorities straight when it came to using that 60k/yr tuition. when the ball began, nate had floated between the tables - laughter lingering behind after every encounter. this was his element. it’s too bad the detectives were watching, or he might’ve found a way to spike the drinks a while ago. well, the night’s still young. he spots the dance floor.
five consecutive songs later - because music is an experience that most take for granted - nate shoves an app or two (or three) in his mouth and makes through the back doors of the refectory. it had barely been two hours, but his anxiety was still rising and he was becoming agitated. this would need to be fixed before the performance tonight. the air is chilly and thin, perfect conditions for a visit from mary & juan. nate reaches into his shoe and pulls out a lil’ skinny joint and a lighter. but he hesitates to put it to his lips.
“within the infant rind of this small flower, poison hath residence and medicine power.” feeling pensive about friar lawrence’s words, nate huffs, not noticing that someone’s joined him.
chandlerrosen:
chandler walked into the refectory, copy of macbeth in tow, in search of a cup of coffee. their first read-through was coming up soon and she had to make positive she was prepared. eyes would be on her, and many of her peers could smell fear and insecurity, and wouldn’t hesitate to capitalize on it. grabbing her coffee, she headed for a table near the window to read in peace, when she noticed someone was trying to get her attention. “oh, hello,” she said coolly, smiling a bit when he called her ‘lady ‘beth,’ reminding her of her latest success, “congratulations, by the way, i can’t wait to see you as a witch. i’m sure you’ll make it your own!” looking around the refectory as if expecting heidi to come and scold her for not spending every waking moment poring over the play, she turned her attention back to nate, “sure, nate,” she said hesitantly, sitting across from him with her cup of coffee. chandler was preparing for the worst; though nate was mostly harmless, he had a tendency to say whatever was on his mind, regardless of how it would be received. which is quite admirable, in a sense, but often got on chandler’s nerves, especially in moments when she was particularly vulnerable and emotional. still, he had a good sense of humor, and chandler appreciated about seventy percent of the things that came out of his mouth. “what is it?”
to be honest, nate hadn’t had much personal interaction with chandler. he knew her well enough to understand that she had obviously been through some shit these past couple of months, probably tenfold since she actually still, uh, cared - or cares - about orson. nate had thought about reaching out, but he didn’t know if that would’ve just been weird or if chandler wanted to even be around him. but there she was, sitting down at the table. and now nate didn’t know if he’d have the nerve to say what had originally been on his mind. he stalls for half a moment, hopefully not long enough to notice. “...i just wanted to get your quick opinion on something, actually. take a listen.” he lets out his best cackle, trying to embody the crones and hags of generations before. it’s loud, but just when other students start to turn and look their way, nate stops. he grins, “not bad for an amateur try, huh? it’s all part of my plan to slowly submerge myself in the role until i’ve lost my mind and i don’t know who am i anymore. ugh, can’t wait.”
“you feeling good about lady m, right?
ofhelens:
Matching Nate’s light tone with her own japes (or at least, passable attempt at a joke - humour was never something that came easily), Helen’s expression wrinkled into an easy smile. “All those heretical dances in the woods? Or is that too The Crucible for Shakespeare?” She thought about telling him how the notion of running away felt appealing to her sometimes too - how dancing barefoot under moonlight felt like solace. Was it fear or bravery that kept her anchored? “Me…neither. I hope Heidi knows what she’s doing - I’m not sure she does…maybe I should offer to swap with someone? Like Jonah?”
.
nate laughs and makes a mental note about asking heidi her particular thoughts concerning the witches. suddenly, the idea of dancing barefoot onstage along with saffi and grace is hilarious, and he definitely wants it to happen. “oh please, i’m sure willy would’ve loved the crucible. fear, lies, hysteria, and witchcraft are the exact words i’d use to describe the scottish play, y’know? a match made in...purgatory? hell?” nate shakes his head at her response, “helen, it’s literally going to be fine. try not to worry so much about it. i’ll keep you entertained from the wings when you’re onstage, or whatever, until you’re comfortable. it’s our last show. we’ve gotta give it our best shot.” nate smiles at her, but hearing jonah’s name makes him a little anxious, so he backs up for as second.
“but uh, speaking of jonah....have you talked to him lately?”
.
hudscnwilliams:
hudson wished things weren’t weird between the two, but he couldn’t help it. it was his fault after all, not nate’s. hudson knew he really had no right to be distant considering he and zahra had pretty much the same sort of set up nate and teddy had, but…well, he was jealous, okay? he was, even if he would never admit it to anyone else. most days he wouldn’t even admit it to himself. and then there was the fact that hudson and jason hated one another; that certainly kept the two from being close. it was hudson’s fault that he and nate weren’t friends anymore, and as much as he wanted to fix that…he wasn’t sure he could.
laughing awkwardly, hudson set the rest of the books in his hands down. “thank you. and congrats to you, being a witch sounds awesome.” that would certainly be a fun role, and he had no doubt nate would crush it. that was the sort of role he was born for, honestly. “uh, sort of. julian and i went out to get drinks. that’s really it, though,” hudson said, leaning against the bookshelf. this was probably the longest conversation they’d had in months, and it was going…not terrible? that had to count for something, right?
.
.
holy shit, this was probably the longest conversation they’d had in months, and it wasn’t crashing and burning. nate didn’t know what to do with himself. a part of him wanted to skip over the small talk and get straight to the elephant in the room, but he also wasn’t entirely stupid and he knew that his recent hooking up with teddy definitely had something to do with it. did hudson think nate was taking advantage of his best friend, or something? either way, he didn’t feel like explaining himself. or didn’t seem a reason to explain anything, actually. but what if hudson felt weird because of jason? suddenly nate wondered if he should even be trying to salvage what bit of friendship they might’ve still had. he was definitely overthinking this, right?
“oh, nice - where to? the anchor? teddy and i were just there...!” truthfully, the words came out before he even knew what he was saying. nate’s gaze falls down to the table as he peels back the hard cover of a book that’s thick and smells like it hasn’t been opened in at least a decade. “so, uh...i’m doing some creepy dramaturgical work on witches and rituals. what brings you in here? shit, don’t tell me we have a text study paper due.”
harryzhangs:
as enjoyable as harry finds the winter masque every year, even she needs a moment away from the crowds every now and then. tonight, it’s reached beyond a simple need for some fresh air– the constant presence of the detectives, making her paranoid that they’re watching her every move, has caused a nervous stir within harry that makes it difficult for her to keep her usual composure. she should be worry-free and having a great time catching up with her friends, but instead she’s worried about suspicion and fractures among her peers and the can of red spray paint wrapped in a plastic shopping bag under her bed.
she exits the refectory and slips off her heels, stretching her toes against the wet grass (that’s the funny thing about washington– everything is always rain-soaked. harry’s californian sensibilities still aren’t used to it). it’s cold, but in a bracing, refreshing way that harry doesn’t really mind at the moment. she takes a small wander, eyes fixed on the stars above her (the ones she can actually see through the clouds, at least), hardly noticing she’s coming up on nate until she’s just a few feet away from his back.
“two such opposèd kings encamp them still. in man as well as herbs– grace and rude will. fuck, i skipped a line, didn’t i?” harry grins, folding her arms against the chill. “well, i guess that spoils that i won’t be playing friar laurence tonight.”
when he hears harry interjecting with more friar lines, nate lets out a breath of relief. while he hadn’t necessarily gone outside to be alone all night (just a quick sec to catch his breath), nate had a split second of worry that whoever joined him was going to kill his vibe before it even got started. harry wasn’t one of those people. with the friar’s weed soliloquy replaying in his head, nate considers that he’s done his best to stay away from the alcohol tonight - this performance was too important, given the circumstances - and he should be rewarded before he has to go change into costume. fuck it.
nate laughs and turns to face harry, “aww, that sucks. well, please know that i’d pay good money to watch you transform into the friar any day. monastic tunic and all.” when the lighter ignites, nate rolls the joint between his fingers until the flame bites into the paper. at the sight of the burn, nate slips his lighter into his back pocket and glances over harry. before he raises the joint to his lips, he motions to her bare feet, “your night must be going as well as mine if the heels have come off,” he takes a hit and then extends the joint to her. harry looks like she could probably use something to take the edge off. it could be a long night.
“you want it in? i don’t have cooties. pinky swear.”
pvlmer:
jason had been on edge recently. usually when he was on edge, it wouldn’t show. he had gotten pretty good at hiding his frustrations. but between the masque ball and the police interrogation, he thought the mask that he wore might be beginning to crack. and he never really felt comfortable showing anyone else what was beneath it. most people already thought so lowly of him or not at all, if they saw him without his mask, he couldn’t imagine what they would think. he got a little nervous when nate called him to talk, he was worried something had gone wrong. his brother’s tone was less jovial and humorous than usual, so he knew something had to be up. he walked towards the lake where he saw nate and gave him a nod as he watched him skip stones. “it’s all in the flick of the wrist,” jason said in a small voice. “so uh…what’s up? why did you want to meet? here of all places?”
.
nate only catches a piece of jason’s suggestion, but he picks up one more stone and throws it anyway. it skips a few times, and then submerges. nate turns to face jason, aware of how sketchy he’s being. hell, how sketchy he felt. thinking back, nate couldn’t remember too often that they fought or had any bad blow ups like other siblings he knew. and honestly, nate could never tell if that was a good thing or a bad thing. he looks around and shrugs, “i don’t know, i guess i came out here to think for a while, but then i realized you and i needed to talk about all of this...shit. honestly, that statement from the police has been freaking me out. i don’t know what you told them, but i basically ran off at the mouth about orson and what i knew about the drugs. and about chandler. whatever i knew to keep them from looking in my direction. ...in your direction.” nate looks at jason, and really can’t help but feel a little hurt that his own brother didn’t feel comfortable enough to share his mistakes. his trauma. his guilt. but somebody needed to make the first step.
“listen, it’s about time we talked about the night orson died.”
harryzhangs:
“badass is one word for it,” harry grins. she just can’t get used to the idea that half the school, maybe more, considers all of them to be murderers. as hilarious as it would be to watch josie throw a tantrum and get kicked out of the show, as nate suggested, everyone’s usual antics feel rather tainted by that fact. harry doesn’t know how nate does it, putting on a joking front like this when he was the one to find orson laying there, bled-out and lifeless. he’s got to be a far better actor than her, just for that. “hopefully she’s just really into the irony of it, and not playing some kind of sick joke on us. that would put a serious damper the inevitable rehearsal storm-outs from… josie, you said? my money’s on mathias first.”
nate laughs as he considers the idea that heidi would be capable of putting the fourth years through a psychological thriller like macbeth only to get them busted for actual murder when it was all said and done. “nah, heidi doesn’t seem like the type to put that much effort into a long, convoluted plan like that. ...oh shit, unless she was orson’s other lover and this is her revenge....! dun dun dun!” nate laughs and shakes his head, trying his best to keep a light disposition about the possibility of what any of them could be facing. was there any other choice? after a moment, nate’s mind drifts back to the whole ‘co-conspirators’ angle, and he looks over at harry. he wonders about how much she knows, but more importantly, how much she’s willing to share. “but hey, you’re easily one of the smartest people in this bunch. ...i wanna know what you really think.” nate looks around to make sure no one else might be around, “it’s still wild to even say out loud, but there can’t be an actual murderer among us, right?”
everybody says "clown around" but no one ever asks "around, clown?" :(
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