Star Trek Tos 1x5 - Blog Posts

What if I was all wrong about the "SINNER REPENT" wall writing. What if it isn't a manifestation of the social attitudes of the 1960s (compulsory heterosexuality, gender binary, etc.). What if, like Spock's message of "LOVE MANKIND," Jim's message also speaks to a hidden fear? A fear that is not the breaking of a social taboo (be it a captain's duty and Starfleet regulations, an affair, non-heterosexual love, etc.), but a haunting thought from Jim's past: that he should not be alive, that his continued existence breaks the order of life itself by cheating a certain death. Hence, the use of the words "SINNER REPENT," a phrase that matches how Kodos moralized basic survival needs to justify his eugenics and massacre on Tarsus IV.

You know what else drives me crazy about The Naked Time? This exchange:

It isn't just because of Spock saying, "Jim, when I feel friendship for you, I am ashamed" or "Understand, Jim. I've spent a whole lifetime learning to hide my feelings." Although, that absolutely is part of it, the fact that Spock is locked into his regret over not telling his mother he loved her and his shame at realizing that, despite all his work to adhere to Vulcan principles, he still feels love. It's that gap between duty versus desire, between expectations versus wants, and what remains in spite of the pressure. (I realize his words parallel a love confession in any other context, between any heterosexual couple, and that fandom looks to his shame as a confirmation of internalized homophobia, but the biggest issue for Spock is that love, sorrow, shame--all powerful emotions--still exist for him. He is not a Vulcan if he feels these emotions and gives into them. He is only a half-Vulcan and half-Human, caught between worlds and the judgments and expectations of two very different societies.)

It's because Kirk changes his phrasing of "We've got to risk a full-power start!" to, "We've got to risk implosion!" Implosion, like many words, holds multiple meanings. The intended meaning is "a violent collapsing inwards," the opposite of explosion. But implosion can mean integration, a coming together towards a single center point. We've got to risk coming together. We've got to risk integration. And Spock responds, "It's never been done." They repeat these lines twice. Repetition is a device to call attention in writing. Why have Kirk say they have to risk a full-power start twice before only to change it to implosion and repeat it twice? The two phrases mean something different, but it's important enough to bear repeating. (One could argue it is sloppy writing, or perhaps a case of actors failing to remember their lines, but what are the odds it was either of those, especially with someone as thoughtful as Leonard Nimoy. Either a writer is a professional who understands the power of words, or everything is somehow coincidental, holds no actual meaning, and writers don't think carefully about word choice and meaning, especially in an era where nuance can make or break a story on the screen.)

In the 1960s, during the time of the Hays Code, of course, two men couldn't be together as a couple on TV or in film, not even in space, in a time set centuries beyond our present. But damn if the dialogue can not hint at it, dance around it in plain sight. Again, Kirk and Spock's relationship must exist in the margins, between the lines, encased in nuance and multiple meanings, because to use explicitly clear phrasing would mean it all gets cut.

Hence, this bit of dialogue. The slaps become Spock catching Kirk's hand and holding it steady--direct sustained contact, a coming together, implosion. Spock is torn between regret and shame and love, while Kirk shouts about the ship being destroyed and ending the lives of the crew, their shared duty to the ship. The dialogue is Spock's turmoil writ large--do what must be done, accept two separate halves becoming a whole (is it Spock's two halves or Kirk and Spock? I'll leave that up to you), or remain apart and give into despair. But Kirk tells him their only chance is to risk implosion, to come together, and they have to take that chance.

Rewatched the Naked Time for Spock in that inner black t-shirt looking hot as fuck Sulu going absolute bonkers fencing and looking pretty Riley being an Irish comedian & performer Spock getting frustrated and angry and raising his voice and continuing being hot LOVE MANKIND Uhura's "Sorry, neither" to Sulu's "I'll protect you fair maiden" Chapel's beautiful bittersweet confession to Spock Spock finally releasing his repressed gay emo self and crying prettily Kirk slapping Spock to get him out of it yet him basically confessing to Kirk and Kirk's whole sad as fuck and iconic monologue and Shatner's funny and amazing acting "loVE" Spock in fact getting out of it thanks to Kirk's slaps and maybe also heartbreak and them successfuly fucking around and finding out going back in time. Absolutely amazing tos experience

I am once again thinking about how in The Naked Time, Spock has an emotional breakdown after contracting the virus and cries about the regret he feels for not loving his human mother vs his shame he feels for his ongoing friendship with Kirk, but before he contracts the virus, Spock finds LOVE MANKIND written on the wall. And it's been written and discussed to death about what it means, I know this, but it's telling that Spock not only loves in spite of his Vulcan upbringing and continued adherence to their customs but that he holds regret and shame deep down inside because the love is still there, regardless.

Whereas Kirk likewise has his virus-induced breakdown over the opposite: his self-inflicted pressure to not love an individual, either due to fear of distraction from duty, losing his position as captain due to the ethical conundrum of "How can a captain date one of their crew?" (no, I do not know the details of how Starfleet manages crew relationships, but I'm assuming rank is an issue, especially where captains are concerned), or even the unspoken taboo of the show's production era, his sexual orientation, hence his focusing on the ship as the only safe and constant outlet for his love. But after this, Kirk finds SINNER REPENT written on the wall, as if to say his altruism isn't the full truth, as if what he desires is what he denies even with the virus lowering his inhibitions.

And like my god. What foils to each other! How damned telling the literal writing on the wall is for them! I am going to eat my fucking sweater!