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Stable Diffusion - Blog Posts
In 2035,
Great United States of America is ruled by AI.
You can't pay a fine to a machine or something.
Freedom warriors begin to rebel.
I created a simple image with stable diffusion and then composited it in Photoshop. It was a fun job.
original ai image
It was a fun to make these images. For Kenzo, getting a similar feel wasn't easy.
He was strange whether he was portrayed as old or young. Now he is younger than in my imaginary image, but he looks closer to his actual age in his actual work. I don't know if it reproduces Naoki Urasawa's realistic yet unique drawing style well.
In Johan's case, I thought his lips were too red and it was important that his hairstyle was very symmetrical, but I stopped adjusting here.
I also tried to depict their characters, situations, and symbols in the background of the poster.
Monster The Movie : Kenzo Tenma
I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.
I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about. Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.
Kenzo was portrayed as a good-natured person, and I thought he represented the general public. Peaceful times, the masses who usually live a normal life just trying to look good for their boss, but when they find out someone is plotting an evil plan, they go out of their way to smash it.
Kenzo enlists the help of other populace around him, and he works to crush the great evil he is unable to counter. He is supported by the public like himself, and at the same time chased by the public like himself. All the while, Absolute Evil controls them all and quietly grows in power. Actually, I'm not sure if I understood it well. :D...;
Monster The Movie : Johan Liebert
I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.
I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.
Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.
Johan was a very unique character. I felt creepy and pity for his actions at the same time. Is evil made or is it born? It's easy to blame those who create evil. But if someone is born as evil, who is to blame for it? he was a character that made us ask these questions.
Doom : Rip and Tear The Live Action Movie Poster
I made a live-action movie poster for DOOM.
It was thought that the process of coordinating the description between the symbolic form of the original DoomGuy in the game and the details suitable for realistic movies would be quite difficult. But I was able to finish this work easily, because I found a good LoRA that someone had made.
The image resource of DoomGuy in the game seems to have quite short arms, which continued to apply to the results. I tried to offset this with a few prompts, but when I lowered the weight, I had a problem moving away from DoomGuy shape. I just decided to supplement this in Photoshop.
FAUAP : KR2-UFOLRG73
This photo, taken in Seoul in 1973, offers a view of the city's bustling downtown and residential complexes. Hovering in the sky is a UAP, appearing to be in motion and captured from a close distance, presumably from a hill. The photographer's identity remains unknown.
What makes the photo stand out is the enigmatic green light seen on a distant ridge. This light, often reported at locations separate from the UAP sightings, is notably present in this picture as well. Whether this light results from the UAP's interaction with the ground or from some form of detection remains speculative.
Captured around midday, the UAP displays a distinct disc shape. The upper part is visibly solid, while the lower part shows a grooved design along the disc. Within the grooves, an element that appears to emit something can be seen. At the base, landing gear, potentially used for touchdown, is visible.
From the motion blur in the photograph, it can be inferred that the photographer had to move the camera to keep the UAP within the frame. This detail, along with the unique characteristics of the UAP and the mysterious green light, add layers of intrigue to this piece of historical photographic evidence.
FAUAP : PH7-MUFO9F97
The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation. Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design. The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance. Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.
FAUAP : KZ1-UFOM8B88
The photograph, captured in the early evening over a small town in Kazakhstan, features a massive unidentified aerial phenomenon (UAP) suspended in the sky. The UAP, nearly the size of a mother ship and shaped like a flat rugby ball, has an enigmatic strip of detail, which the photographer described as an opening from which smaller objects emerged. This UAP, according to the leaked reports, was completely invisible from beneath, leading to questions about potential advanced cloaking technology. The timing of the UAP's appearance, considering Kazakhstan's historical role as a nuclear power, instigates further speculation about its origins and purpose. The photographer, known as Borat, was a chef at a local hotel situated amidst the high mountains. His hobby of capturing sunset scenes from high altitudes led to this unusual snapshot. However, instead of releasing this extraordinary photograph, Borat chose a different path. With the promise of a significant monetary compensation, he agreed not to leak the photograph. The agreement included a clause that required Borat and his family to immigrate to Turkmenistan, another Turkic-speaking country. This move, while providing a significant lifestyle change for Borat and his family, also ensured the photograph remained classified for many years. It was only when the related report leaked recently that the existence of this unique photograph came to light. This revelation stirred public interest, further adding layers of intrigue and speculation around this UAP and its untold narrative.
FAUAP : AV4-DFUFO6G95
The image, captured by an aviator at a significant altitude, features a UAP bearing a characteristic flat disk shape. The most notable elements are the two light sources below the UAP, creating an impressive glow against the vast sky. Above the UAP, a spatial distortion manifests as a haze, adding an extra layer of intrigue to the scene. Under the sunlight's illumination, the UAP exhibits a reflective quality, making it appear as if composed of smooth metal. This feature, along with the overall design, becomes strikingly clear in the high-quality picture, implying the possible existence of advanced technology. This photograph remained hidden from public view until the data from the promptyper was leaked. The image, originally preserved as film, was printed for digital archiving by the promptyper, before being digitally scanned. The later leak of this data introduced this intriguing photograph into public knowledge, sparking speculation and excitement around its origins and implications.
FARAS : Other Possibilities
I've been trying to create several interesting images of Roswell aliens for a while. I'm going to reveal a few images here.
Aliens are usually depicted naked. But if they're intelligent, they'll wear clothes. In that sense, I also tried to dress them in clothes that reflect their own culture.
If aliens are physical beings, they may also be powerless individuals like us after being isolated from their advanced technology. What if the aliens that crashed into Roswell in 1974 were some kind of bored millionaires who were traveling in space, and the UAPs that are coming now are search teams to find them?
How does it feel when you meet aliens? We don't know what they're going to do after landing or crashing, but it's going to be a very strange feeling when you first encounter them.
If aliens were within Area 51, they would have wandered there in their own way. Are there any lucky people who would have witnessed such a sight?
Aliens may look like us, or they may be very different. Could they breathe in the Earth's atmosphere? In many parts of the outer world, will each intelligent creature reach a similar form through some sort of convergent evolution? Or did it evolve into something completely different in a completely different environment?
I want to move on to a different topic for a while after this work. I think many people were surprised by the recent disclosure of the hearing that alien bodies are being kept in the United States. I'm really curious about what the truth is.
FARAS-1947 :
Interaction with Extraterrestrial Lifeforms from the Roswell Incident
Date: August 7, 1947
This report details the surprising interaction with the extraterrestrial beings who survived the FARAS-1947 crash. Remarkably, these beings showed not only an ability to understand and speak English but also demonstrated an array of behaviors similar to human characteristics.
Upon discovery, these beings were compliant and cooperative. Their capability to communicate in English came via small micro-speakers embedded on the surface of their biological spacesuits. The sophistication of these micro-speakers led some scientists to initially suspect the use of telepathy. The beings wore what appeared to be biological spacesuits but without helmets. They said they abandoned their helmets to comply with their security protocols. But at the same time they added that if we wanted to find the helmet, we could. Despite not wearing helmets, they showed no signs of respiratory distress. However, unlike humans, they did not appear to respire through a mouth or nose, but rather through an enclosed system provided by the suit, located beneath their necks. Their eyes appeared to be largely black, akin to sunglasses. Upon closer observation, it was found that beneath this black exterior, they possessed eyes similar in form to human eyes. They described this aspect of their appearance as part of a biological containment system. When scientists illuminated their eyes, they could see tiny lights floating under their outer black eyes.
While generally expressionless, these beings occasionally displayed human-like emotions, such as sadness, light-hearted laughter, and smiles. Their ability to converse in English led to a degree of skepticism among some observers, who questioned whether this could be an elaborate prank.
They explained that they had deliberately crashed to bypass certain protocols of importance to them. Despite some suffering severe injuries during the process, they indicated they had foreknowledge of the outcomes before the incident occurred. The beings suggested that their survival was limited to the lifespan permitted by their biological spacesuits. They proceeded to share specific pieces of information they wished to impart before their anticipated demise. However, due to the sensitive nature of these discussions, they cannot be disclosed in this document.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
Kuririn is known as the strongest Earthman. Nevertheless, I remember that it was painted as a human symbol of trying and overcoming despite clear limitations.
I think Kuririn is the main character who preached the importance of effort to children. There are many natural geniuses like alien, Goku in the world, but they have shown that even with ordinary skills like Kuririn, they can stand shoulder to shoulder.
above all else. He won the heart of Android 18, and married her. What does this say? Having a good wife, more than anything else, means a true winner in life.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
I think Bulma has shown a versatile and capable woman image in Dragon Ball series. The technologies she uses, such as miniature capsules (Hoi Poi Capsules) and Dragon Ball Tracker, were extraordinary, and it was a great pleasure to see them work in animation.
And Bulma was one of the first characters to introduce me to the concept of "pretty woman" at the time. Let's stop discussing whether this is okay. We'll find out about this one day anyway and find it ourselves. Animation just moved it up a few months to a year. Ha Ha.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
When I was a child, the concept of being an artificial person itself felt strange, and it felt very scary to have numbers on their names.
I actually barely remember the process of her pairing up with Curirin. I was attending an academy at the time, so I couldn't remember the contents in between. I think I'll have to watch it again someday. In the process of turning us humans into humans, I think reading comics and manga well also plays a pretty important role. Much of our childhood memories are cartoons, manga, and animations.
I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.
This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.
For us in our childhood, Vegeta was a terrible villain at first, but it became more and more like a symbol of 'Tsundere'. It was quite an impressive memory for me as a child.
I thought that Saiyan's hairstyle would be very strange when imagined as a live action movie. But once I've tried it, it's within the bounds of recognizing it as an existential hairstyle.
*To mention the meme It's over 9000, '8,000' is the official figure. (in japanese version.)
Ornithologist, Edward S. Gray (1935 ~ ?)
Ornithologist Edward S. Gray, is known for his landmark discovery of the Solo Giant Feather Bird, known as "Monoptilornis Gigantipluma".
His finding sent ripples through the world of ornithology; however, due to no subsequent sightings of this bird, his claim remains a subject of intrigue and skepticism within the scientific community.
a bird he claims to have discovered and studied ;
Monoptilornis Gigantipluma
