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Pier Paolo Pasolini - Blog Posts

True poetic cinema

"In 'Salo' (1976), sex is nothing but an allegory of the commodification of bodies at the hands of power. I think that consumerism manipulates & violates bodies as much as Nazism did. My film represents this sinister coincidence between Nazism & consumerism."

Pier Paolo Pasolini (via DepressedBergman)


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