It's Wild How Many People Took Kristen's Line Of Questioning As Her Saying Tracker Isn't Taking Her Religion

a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

Staff have done their best to hide this post, OP's blog has been deleted to hide it. Spread this post as much as you can (ideally through screenshots to avoid it being nuked)

To Ragh; or, On Fatness

Hi! Below is an actual play mini-essay. These are written as part of a personal writing practice of thinking critically about actual play. I hope you find this reading engaging and know that all I write reflects my own interpretations rather than as an official representation/canonization of these shows.

Ragh Barkrock may be one of the most beloved NPCs in Dimension20. It would be easy for Ragh, a bloodrush player good enough to potentially play professionally, to be presented as hypermasculine. In fact, the freshmen year art for Ragh, when he was antagonist rather than beloved ally, showed him in a muscular, inverted Dorito shaped body typical of a jock.

He's, obviously, built, and his cut jaw and cheekbones only bolster that image. As Ragh comes to terms with being gay at the end of Fantasy High, his countenance changes. When we see him again, the new art reflects a chubbier, happier Ragh.

The show aligning weight gain with acceptance and happiness already works against prevailing stereotypes that use weight loss as a quick metaphor for improving yourself and being the "real you." Moreover, connecting Ragh's acceptance of his sexuality with what seems like a larger comfort in his own body is a strong indictment of hypermasculine gay culture. As Gabriel Arana writes, gay men "must reconcile their sense of masculinity with their failure to conform to its heterosexuality." Not doing so has negative mental health outcomes, as Arana points out, and contributes to a culture that devalues fat queer people (see the popular "no fats, no femmes, no Asians" that often is touted in masculine gay subculture).

All of this, I think, is why Ragh's art for Junior Year was particularly impactful for me as a fat queer person. If being a gay man (or half-Orc, in Ragh's case) means having to situate your life in relationship to failing compulsory masculinity, then it seems there is an inherent queer aspect to embracing, celebrating, and showcasing a beloved NPC in an explicitly fat and happy body.

Ragh is still strong and he is still fat. His body radiates a commitment to the power of fat bodies to exist in spaces they are often violently unwelcome in, such as gyms. Existing in gyms and sports spaces as fat people means dealing the "impossible standard that rejects nearly all of us" and upholds a diet culture rooted in impossible, Eurocentric and colonial body standards. In TTRPGS or actual plays, there is a unique opportunity to think about how bodies might exist in worlds different from ours, to imagine bodyminds as otherwise. However, as queer critics like Paul Preciado have noted, sci-fi and fantasy representations of cyborgs and other transformative bodies often lean into "fixing" disabled people or moving gender nonconforming bodies more easily towards technologies upholding a normative standard rather than questioning the standard all together.

Spyre is a world that deals with similar issues to ours, even without direct one-to-one correlations, so it, too, is a place where the narrative and artistic choices should be examined in how it helps us interpolate the world the audience resides in. From the Applebees cultish adherence to a deity-based nationalism to the various representations of parental neglect and abuse and every side story in-between, Dimension20's flagship show does not shy away from difficult realities even when recasting them through fantasy. Ragh, as a half-orc gay son of a disabled single mother, then, I see the arc his fat body goes through as meaningful and intertwined with his self-acceptance and queerness. He moves away from the toxic masculinity engineered into his blood rush team to instead pursue coalition comraderie with his friends to the point that he and his mother end up joining a communal living situation with those friends and their parents. Ragh's body expands as his family does, as his ties to community do, and to me, the gift of his fatness is the invitation to expansion that it holds out to us as viewers.

lofi study nights at Seacaster manor

Moodboard

stupid leftists and their belief in *checks notes* the intrinsic value of human life

"If I'm Not Good" | Worlds Beyond Number Animation

SPOILERS FOR EPISODE 22 of @worldsbeyondpod's "The Wizard The Witch and the Wild One"

I noticed another parallel to the Children's Adventure in the latest WBN episode, and I decided to put far too much effort into making it everybody else's problem.

A Court of Fey and Flowers

I finished watching ACOFAF a couple of weeks ago and I wanted to just write about my experience watching it.

First of all, I had never really watched anything regency before. I have read Jane Austin before so there were themes I was able to recognize. However, I quickly fell in love with this campaign. It was the first campaign I've watched for D20 that Brennan wasn't the DM for. All of the different campaign mechanics were so cool and caused such fun little stirs in the stories. From the rumors and secret lives of all the characters were so fun to watch unfold. Binx very quickly became my favorite character and this idea of her court being of craft and lost things really tugged at some heartstrings of mine.

I was also practically crying over Rue and Hob. I was cheering for them from the moment between them in the hunt. I've seen all of the different fanart across the tag and they all just make my little heart sing.

Aabria's DMing was so fun and she really set up this beautiful world full of wonder and whimsy. Along with how she had the other players also bring in their voices into the story, it gave such a wonderful feeling of trust and further developed these stories.

It quickly became one of my favorite campaigns thus far. I can't wait to watch the others.

riz and adaine are the brain: obviously. but also because they have both at some point been ruled by their neuroses, they live in their heads, have been told their entire lives that the thing they are good for is their intelligence. it is what they can give to other people.

fabian and fig are the body: in completely different ways. fabian thought he knew his body when he was just fighting with it but it failed him. he had to learn to trust it again - to trust his instincts as well as what he’d been told his entire life. his instincts told him to dance, and he weaved that in with his fighting skills for both more complete control over his body and trust in it when he isn’t in control. this leads us into fig - instincts. she’s never completely felt fused to her own body the way most people do. it’s hers to with what she wants, including making it other people completely. those other people are still her though. she never sits with one thing, but moves fluidly wherever her instincts tell her to whether it makes sense or not. one of the coolest things a body can do is called the flexor / withdrawal reflex. when you touch a hot stove and pull back your hand before you’ve even registered the pain. the only time (that i know of) that your sensory receptors tell your muscles to move instead of relaying information to the brain and letting it decide. you literally have no choice whether or not you pull your hand back. your body decides for you. this is fig’s entire life. people often think the strongest, healthiest bodies are the biggest, sturdiest ones. yet often it’s the annoying bitches that do the most yoga, strength in flexibility. something fig (and now also) fabian have in spades.

kristen is the soul: seemingly inconsistent and ever changing, the only way kristen changes is cosmetically. she struggles so hard to find a god that makes sense for her because she’s not just finding her god. she’s finding a god for all the bad kids. because at the core of her, she is trying to do what is right, what is kind, what is best for everyone else. she wants to help people, save people. even if she doesn’t go about it the right way (ie immediately trying to convert everyone to helio on her first day) she is just trying to help. no matter what god she has, or who she’s faced with - that’s never changed. the soul is forever, and despite all aesthetics, so is kristen.

gorgug is the heart. because of course he is. “it’s gorgug keep going.” bum bum “it’s gorgug. keep. going.” he keeps them there, all together, all in sync when their differences threaten to overrule their similarities. he pulls them back in with the gravity axe he made for love of his parents and the culture that raised him. with the courage he had to stand up and declare he would in fact do the impossible. bum bum.

“it’s gorgug keep going.”

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