To Ragh; Or, On Fatness

Someone Worte that he could not stand to see the Palestine flag anymore.

Sorry, but not sorry

Reblog daily

Free Palestine

I am not done yet

Only way to stop seeing this flag is when the oppression is over.

So you are tiered of this? you can end it, stop supporting Zionism!

This is something I need to get more into. During college and now after my mind is always thinking that any and all stories I read need to be in the mindset of possibly being published but sometimes you just need to write the mountain of the most plotless but chaotic amazingness that builds up.

i feel like all writers just need like....an oc story. and i dont mean like a story just with original characters. i mean like a piece of writing that simply makes your brain go wheeeeeeeeeee and its at the level of something your 13 year old self would write and post to deviantart. its liberating. its freeing. its comforting. my ocs are all gay and overpowered as fuck and there's really no plot to this but by god I'm having fun.

it's funny how Adaine might have been the perfect Bad Kid for Porter to corrupt yet he didn't even know her name. She was the younger unfavorite daughter in her family, prone to panic attacks and lashing out. She wanted to punch people in the face the first day of school, she's the first one of the Bad Kids who killed a person instead of a monster and she did it with a melee weapon.

Even after she is in a healthier environment she is actually more vicious than fearful like she was in freshman year. She lashes out against authority figures and injustice, she is proud of killing her father by punching off his head. everytime someone wrongs her she response twice as hard in a fury that even the rest of the party doesn't match.

And to make things worse, the Wizard teacher is a condescending bitch who talks down to her students. It would have been so easy for him to take Adaine under his wing. She's literally everything he pretended Fig was and now she's turning her anger on him. The guy is not only a bad teacher, an all around dick, but he's also as bad at proselytizing as Kristen is.

Frankly all of the bad kids were kind of perfect for him and his plans, if a bit too headstrong and willful, but he was never clever enough as he thinks. That's why he's being mocked by a bunch of teenagers when he tries to get them to debate him/ engage with his philosophy

*Edit*

I actually liked this idea so much I started an au if you're interested

Part 1 Part 2

listen. aging into your thirties rocks. yes your joints get a little creaky. yes you can’t sleep in a pretzel on the floor anymore after a concert or a convention. and you lose some friends. but the thing is that you sort out who your real friends are and you sort out who you really are. and you get to see your friends settling into careers they like, and adopt new dogs and cats, and you find a job you can stand, and get really good at arts and crafts, and maybe that book you loved as a kid gets a movie deal and it doesn’t suck, and you learn to like new food and bake your own bread, and you realize that the great portfolio of self harm scars you all used to curate are going white with age and not updated, and half your friends are a different gender now and so much happier and maybe you are too, and you know who you are, and that it’s a journey and not a revelation. it’s a direction you’re headed, and you’re enjoying the trip.

reaching your 30′s rocks. and i’m hearing good things about what comes next, too.

Fantasy High: Sophomore Year

I finally watched and finished the second season of Fantasy High. I had watched the first season on youtube before I gotten the dropout subscription. So, I was quite excited to start it up early last week. I finished it up just the other day and my heart.

From the very start, I could not have guessed that the story was going to the places and ways that it ended up going. This image of the Unnamed Goddess being reborn into deity-hood. It was so moving and it really tied everything beautifully.

The various NPCs added or expanded upon were such wonderful bits of the story to be all added in. Adya became a fast favorite of mine. She was an amazing addition and I love how fast she was able to bond with Adaine and Fig.

All of the characters had such amazing moments throughout this entire campaign. Everyone got such cool and moving moments that delved into and developed their own individual backstories. I literally can't choose a favorite moment from this entire season.

Side note: I love that all of the fanmade Fig and the Cig Figs songs were uploaded on Spotify. They were made so well and really capture the feelings of the campaign.

He's been here the whole time!

It's wild how many people took Kristen's line of questioning as her saying Tracker isn't taking her religion seriously instead of what I heard her asking which was:

How many of these people would be here if it wasn't religious Coachella?

This is a good thing to bring up. For example, where I live (Southern State plus a small town with less than 1000 for the population) we lost our tiny (volunteer) local library due to water damage of the building and it never recovered. I would have to go to one of the next towns over, which is at least a 20 minute drive, for which I don't have the means of going to as I am unable to drive. So, please be aware as much public libraries are nessacery and need support from the community more than ever- not everyone can get to a library unfortunately.

as a fellow Public Library Enthusiast i am begging people to consider the fact that not everywhere has an accessible public library or indeed public libraries at all. just saying “get a library card” at strangers when you have no idea about their background or their life isn’t very helpful. let them pirate in peace

Had some thoughts about the themes emerging in Neverafter so far in another post’s notes that I may as else clarify in my own.

(BBEG is Capitalism truthers beware ig, there’s a lot of me talking about why I don’t like that theory and find it reductive.)

Ok. So. I guess I’d like to start saying that I get why people enjoy a good “haha bad guy is capitalism” joke, because everyone who plays dnd hates capitalism—especially right now, considering current controversies. BUT, I find the common posts of “OMG Neverafter’s bad guy has GOT to be capitalism/Disney” very irritating because it feels less like people picking up on the clues the narrative is putting down and more hammering their own biases of what they want the series to be about into the narrative.

Like, some people keep saying the moral is that Disney sanitizing everything is bad but like… literally nothing about the setting (aside from some fairy tales Disney used appearing) suggests that. The stories are getting worse, darker, closer to their older versions. And the characters don’t want that! Non-Disney versions of the stories aren’t framed as better like you’d think a “Disney Bad” narrative would—in fact, several characters would much prefer to be in their Disney versions right now, whether or not they should be. That kinder versions of the story—which would include the Disney movies—are vanishing due to the carelessness of a select few is presented as a bad thing.

If the theme of the story was that sanitation of fairy tales is bad, don’t you think we’d start off in more “Disney” style versions of the stories? You could easily make a horror story about the dread of being trapped in a “perfect” world. But that’s not what’s happening.

One of the horrors of the Neverafter, courtesy of Cinderella’s visit, is that bad things keep happening no matter what you do. Cinderella’s mother always dies. She always becomes a servant to her Stepmother. Over and over again. Why? What is making this so?

It’s the horror of predestination, of bad things happening to you because someone has decided they should no matter what you want. It’s a much bigger and baser concept than Historic Versions vs Disney Versions, or even Characters vs Disney.

As the conversation with the Librarians and Mother Goose’s encounter with the Inkwell seem to suggest, the conflict is moreso Characters vs Authors.

The question Brennan seems to be posing through Neverafter’s world and story isn’t “Isn’t Disney So Awful?”, it’s “In a reality where storybook characters are real people, is it moral or ethical to make those characters suffer for a good story?”

Or, removed from the trappings of the setting, the question is: “Is it moral or ethical to make real people suffer to make a good thing?”

Good children, good spouses, good futures, good ideals, good communities—and, in a Capitalist society, good profits. But what is good enough to sacrifice people for? And what is “Good” at all?