"FRIEND, Greet At Silves Many A Pleasant Spot

"I would whisper to some shadow made of moonlight, "Am I beautiful? It is for you alone. Say that you love me, for without you I cannot live." It was true, at least, that youth cannot live without hope."

-- The Persian Boy, Mary Renault

Hello there, I would love to hear all your thoughts on 'The Last of the Wine'!

Hey, thanks for the ask! I really loved Last of the Wine! Alexias was a lovely character, and it was really interesting to watch his development and the development of his relationship with Lysis! He was so sweet in the beginning and then he became harder as the book went on; his father said that he once thought Alexias was 'too soft' to be a soldier, and I think he was right to feel that way at a certain point! His entire character progression was a trip to get through!

I absolutely loved the writing, which was beautiful as always, and there are some parts of the story I don't think I'm going to forget about anytime soon; the story of Phaedo (I cried), the moment Alexias exposes his brother and asks him 'bear no ill-will to me' (I cried), quotes like 'at Gurgos's once I lay awake considering how to kill him. But already it was too late,' 'I saw death reach out for you; and I had no philosophy,' 'if there be any god who concerns himself with the lives of men, the god himself must suffer with me,' etc. etc. It was just so good but very disturbing in some points...sometimes, you never stop to wonder why people do the things they do and only see that what has been done is evil. In a way, this is good; evil things ought to be derided as such no matter the circumstances, but in another way it is unfair and unhelpful. This is how I feel about a lot of the last third of the book: I understand why and how certain things happened, I just wish that they hadn't happened.

Something that made me laugh though and which I will think about forever are the few scenes where it's apparent Mary Renault is writing with a modern audience in mind, like the absolutely hilarious scene where Alexias is afraid of asking Xenophon if he only likes girls because he doesn't want to offend him 😭 or the scene where Alexias, assuring his dying father of vengeance, says: "Am I so base of soul as to forgive my enemies?" They're really cool scenes because they kind of play with the expectations of a modern audience and subvert common sentiments and understandings in modern culture and society; the opposite situation in the Xenophon scene would seem likelier to a modern person (especially at the time Mary Renault was writing) with Xenophon worrying about offending Alexias by asking him if he likes boys. And it's really a head-trip to read that question asked by Alexias because it's a direct contradiction to the common and widely known sentiment of forgiveness and loving your enemies within Christianity...this becomes 10x funnier 10 pages later when Alexias accidentally stumbles onto the whole point of Christianity 'God with us' 😭😭😭 I love the whole sequence of these scenes because they seem written specifically to challenge the reader; to get it through your mind that this was a foreign place and time, and these people are foreign to us; they have an understanding different from our own...but maybe not completely different at the same time.

Anyway, I don't know if this makes sense, my thoughts are kind of all over the place with this one but the tldr version of it is: I loved it! The writing was beautiful! It made me sad!

Adding ‘lol’ to the end of a sentence is the laugh track of the written word.

was the inquisitor corresponding with Tatiana lightwood? is that why he would want to burn a random letter and any other evidence he had that he had a vendetta against the lightwoods and herondales? 😭😭😭

instagram | muddyboots_floralblooms

Oh, I forgot about the stream! 😭 I wish I'd taken more notice when I was going back again and tried to compare all the descriptions of them 😭

After I read the scene where Laurie recognises a bit of Andrew in an old photograph of Ralph, I went back to re-read (again) the part where Laurie meets Andrew for the first time because I was absolutely convinced there must be something in how he's described that clues you into Laurie making an unconscious connection to Ralph...only thing I came away with is that Laurie really likes blonds 😭

Gideon: Sophie and I are having a baby.

Alastair: That's gre--

Gideon, slamming adoption papers on the table: It's you, sign here.

i agree the dave thing is so funny, especially when laurie gets distracted from Andrew’s story about his awful depressing childhood to be jealous about dave’s entire existence, and then has to spend a few mins convincing andrew he’s still interested in his story and it’s not boring 😭 that bit kills me, i don’t know why some people say Mary isn’t a funny writer! but my personal interpretation, mostly based on the end conversation with dave, is that he must give off ~vibes~, just based on when dave says “i think you’ve misunderstood things between andrew and I” and then couple that with him being in love with bertie. and we do know that laurie can pick up on vibes, because he’s actually pretty good at picking up on andrew.

I think Laurie is generally hilarious, at times intentionally, at others not! There are lots of scenes I remember laughing at as I want along 😭

I do think you're right about vibes and about them being important, and of course Laurie is good at picking them up, kind of because he has to be. Honestly, I think most characters in this book have to be vibe-masters 😭 that's what I feel like many of the conversations with meeting new characters is like: simply vibe-checks 😭 That being said, I did really like the explanation regarding some weird-misplaced idea of influence that Laurie puts on Andrew, because in the scene that makes me laugh and another before it, Andrew actually does establish that Dave influences him, the only problem is that Laurie assumes there must be something romantic behind it. Those are the vibes he was getting, and you're right, he could've just picked up on Dave and connected dots, but I think there's more to it than that. The next few scenes after this one (the hilarious Reg-seduction scene and also tea with Adrian) kind of offer some more interesting insight; in both scenes, the idea of influence is referred to and explored, with Andrew being the center of it in the former. It seems even Reg has an idea that Andrew ought to be 'positively influenced'

I don't know 😭 I have this theory developing in my head, but I don't know if it's wrong because I haven't finished the rest of the book. And this book specifically is so cool because every time you think you understand a part of it, something else happens and you have to go back and recontextualize everything 😭 regardless, thank you for sharing your interpretation with me! It really makes me think about everything I've already read, and try to see what I could've missed and need to think more about.

cordelia was basically anna in ‘do you wanna build a snowman’ that time alastair came home and wouldn’t talk to her lol

if Cordelia really did give Cortana to Alastair, that would solve the mystery of how the blade stays in the Carstairs family and reaches Emma. Cordelia might even be able to wield it later on (assuming she finds a way out of her situation) but I think she might just tell Alastair to keep it in the end, if not for himself then for their sibling.