Two years?! I’m in!
you can't just show me an engine with such charm and such wisdom and tell me 'don't obsess over it' - WHAT MONSTER DOES THAT?
everytime he appears as a bg character or even has a speaking part - I'm definitely pointing at the screen with excitement.
(aka i bingewatched too many TTTE seasons and episodes and Edward has stood out each time, the only episode I won't watch with him is 'steady eddie' ITS THE CRAZY EYES OF SEASON 12 I HATE THEM-)
shorthands for dumbassery that i have grown to love deeply
"how dare you say we piss on the poor" in response to someone misinterpreting your post
"_ isnt gonna fuck you" for suck up behavior
"woah. should we tell everyone? should we throw a party?" for who the fuck cares
"and what if the world was made of pudding" for when would this ever matter.
"and sharks are smooth both ways" for a group of people heatedly arguing with 1 guy who is fucking with them all
".. but its about a witch in the alps finding her lost cat" for someone trying to sanitize something to the point of absurdity
Ice Water
right about now.......
Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism 👍🏾 you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.
a reminder that
• the Rev Awdry named Mavis after his neighbor
• Daisy and Mavis were the only diesels to have a redemption arc
• Daisy was the first diesel owned by the NWR, and the first diesel to not be prejudiced against steam engines (every female diesel would follow this trend)
• Chris Awdry chose a pair of female diesels to succeed Gordon
• despite both Daisy and Mavis undergoing similar character development, they are unique in personality. They are also friends and don't try to undercut one another
• Annie and Clarabel are written as more sensible than Thomas, the Skarloey coaches are written as unruly and mischievous to their engines, and Henrietta is written as Toby's equal (character diversity)
• the Rev Awdry's wife is the whole reason we have the books, and ergo, the TVS
The man never cared about gender. He cared about good characters.
Have an emotional support perpy for your troubles :D
I think my favorite scene in Hero of the Rails - the UK dub to be specific - is when Thomas first finds Hiro.
Michael Angelis takes this very soft tone as he talks about the old engine, almost like the narrator can’t believe what Thomas has found either. And since he’s speaking so softly, you almost forget that he’s there, and it lets the viewer take Hiro in for the wonder he is.
And I think something else that helps set the scene is that Hiro is - if I remember correctly - the first scrap engine we’ve seen since season five. For a lot of the kids watching when the movie first came out, this was the first time they had ever seen a Thomas character who isn’t in pristine running condition. And even for the ones who have seen Stepney, Oliver, or Trevor, Hiro is in way worse condition than any of them. They just needed some cleaning up. Hiro couldn’t even move under his own power at this point.
There’s also something to be said about Thomas himself here. He just finished running out of control and is currently lost in the woods when he finds Hiro. Unlike Edward, or Douglas, or Rusty, he’s scared when he sees this old, rusted, broken down engine. He doesn’t know whether to run, call for help, or smile back at the old engine. But Hiro is quiet, gentle, and even offers to tell his story to Thomas, and the little engine warms up to him quickly afterwards. It’s nice.
you read stuff on wattpad for shit and giggles where most of the fics there are reader-inserted ones written in 1st person pov where y/n is a barely legal white girl with blonde hair and blue “orbs” who’s so smol and fragile that she’s dependent entirely on this morally questionable guy who’s killing people for a living but for some reason happens to have a soft spot for her.
you read real actual literature on archive of our own where it’s two middle aged men, who are each other’s sworn enemies, with tragic past, trauma and strong homoerotic tension. and while they’ve made each other bleed, killed each other’s friends and loved ones out of jealousy / possessiveness, lied and betrayed and manipulated, the rawness, depth, complexity and slow burn will keep you up all night, haunt you during your day and possibly change your life forever. and also the sex isn’t just smut. the sex is poetry that puts Shakespeare to shame