I CAN ONLY REBLOG GREAT ART SO FAST

Yessss but like Laurent is also STILL trapped in a cycle of misery when Damen first comes along. For the duration of the first book, Laurent has, by no means, escaped the Regent's grasp on him. Not only was he emotionally and sexually abused during the most vulnerable point in his life (losing both his father and his older brother who were these brilliant paragon kings in his eyes that he felt he could never live up to), but the Regent has been playing a careful game with Laurent all this time even after he gained some level of agency in his life.

Damen and Laurent are enemies-to-lovers of course, but Laurent has an extremely long way to go. Damen only goes to Laurent in the first place because he manages to discern that Laurent is the lesser of two evils - the Regent will betray him the moment he gets what he wants, but Laurent proves himself honorable enough to help Damen get some slaves to a better place even at the risk of his own reputation. The Regent is looking for every reason possible to strip Laurent of his rightful-heir position, and Damen ends up having to choose to risk himself even when he's in a delicate position as a slave when he decides to take Laurent's side.

It cannot be stressed enough: Every single person Laurent gets close to and begins to trust is either ruined, killed, or turns against him thanks to the Regent, and that changes when Damen comes along. At first, it seems like Damen is protecting Laurent so desperately because Laurent is the only chance he has at surviving and gaining some level of favor while he's in enemy territory - but Damen DOES make some escape attempts, he DOES talk back, be DOES do dangerous things. Damen was not necessarily a good person before he met Laurent either, having to be humbled by his position. The fact that Damen is also the man who killed his brother doesn't exactly make Laurent any happier about being forced to work with him.

However, Damen is useful. He's strong, he's smart (having the knowledge and training of a foreign prince that Laurent can use), and he's determined to keep Laurent alive. It's a good alliance, even if it's extremely risky - he figured out pretty quickly who Damen really was, and it's natural for him to expect Damen to betray him the moment he has an advantage and no longer needs Laurent to help him from his slave position. Everyone else has. He's stuck in this constant state of wondering just when every connection he lets into his heart will snap and break him ever further. That's why even when he and Damen share their first romantic scenes, Laurent is still tricky and borderline hurtful towards Damen; they're not instantly lovey-dovey the moment they share their feelings because Laurent can't shake off the pain of knowing he could lose Damen in so many ways - either from Damen getting hurt or taken by outside forces, or worse, Damen himself choosing to abandon him.

But the thing is, Damen proves him wrong over and over and over. Laurent admits later how terrifying it was for him to be falling in love with Damen, because Damen kept proving how he cared about Laurent genuinely and was strong enough to stand by him even against the odds. He goes out of his way to save Laurent's life, goes out of his way to choose him over the Regent, goes out of his way to make an alliance with him rather than turning on his enemy once he gets back to his own people.

The second book gives Laurent a breath of fresh air, as he's no longer in the Regent's domain where he constantly had to be on guard. He fights off a few assassinations, with Damen proving his loyalties over and over, even when Laurent occasionally abandons and even outright betrays him to put Damen at a distance. Damen stands by him anyway, Damen proves he's not only going to stand by Laurent when Laurent is important to him, but also staying with him even when he doesn't have to.

Laurent was terrified that once Damen's cuffs came off, once he was no longer a slave and was back into a prince - a king, even - Laurent would stand no chance. He's been dreaming all these years about being able to beat Damen and avenge his brother, but after the two of them have an ugly scuffle, Laurent admits painfully that he knows he'd never be able to beat Damen in a fight. Laurent is good, he's willing to fight dirty, what he lacks in physical might he makes up for with his tactics. He uses everything he learns from Damen to eventually become self-sufficient, trying to not need Damen anymore. Laurent is good at what he does, but he's never felt like he's enough - he's always on the defensive with his uncle, and here comes Damen also out-doing him even when he's stuck as a slave. Both of them were captive princes in their own way, but Laurent sees how Damen seems to be so much better than him at surviving in shackles.

However, then Damen is determined to treat Laurent as his equal. He gives one of his slave cuffs to Laurent as a sign of their equal status. Instead of shedding the memory of his slavery, he holds onto them and makes them a symbol of his connection and dedication with Laurent. It's him shackling himself to Laurent to say that he's not going to let Laurent get away. His time as a slave was an awful low point, but at the same time it's what brought him to Laurent, and now it binds them together.

Damen doesn't just SEE the true Laurent, he isn't just "the different one" who is just LIKE that, and he certainly doesn't begin as a paragon of goodness that Laurent needs to learn to be more like. Damen himself changes as he opens himself up to Laurent as well and begins to find something worth more than all he had known before. Damen proves himself over and over through his actions, tolerating even the worst parts of Laurent, wanting to see past the betrayals and his cold attitude and his sharp tongue and actually get to know Laurent as he is. He knows there's a kind, scared, broken man hidden behind so many walls that Laurent can NEVER truly drop; he can never REALLY open up and go back to the happy child he once was. And that's okay. He wants to eliminate all the threats that Laurent needs those walls for, and that means being strong enough for the both of them.

In the end, Damen ends up wanting to see Laurent free to choose how he lives his life and even CHOOSE to be happy about it. He wants Laurent to know he's worthy of it, that Damen can help him find it. He doesn't just want to do everything FOR Laurent; he wants Laurent to finally see that he's strong enough to win even if it means he needs help. Damen, meanwhile, learns about the nuances of people like Laurent and how to value the lives of those suffering, to find a way to use his power to make things better. Both of them are what the other needed to become the better versions of themselves, and isn't that just the best romance you can get?

I think Laurent is such an appealing character because he is so emblematic of those people who are broken but still want to be worthy of love. 

Laurent, to me, is a variation on a type of person I’m familiar with. The clever, gifted, introverted child who struggles socially, weighed down by a big brain and oddly adult preoccupations. The one who becomes fractured through trauma, ends up hiding behind a pointed, cold, even cruel, demeanour as self-protection. I bet most of us know that person (some of us might even be that person). It’s not a good persona to have felt forced to adopt. But beautiful, barbed-tongued Laurent makes it seem more palatable than it is.

Truth is, he’s in a bad place before Damen. Laurent is that person who holds everyone at arms length, mistrustful of being hurt and abandoned, but somehow still forges ahead on a path towards some goal they’re determined to win as it gives them purpose, even when they can’t even really envision a future for themselves (where will they be in ten years time? Who will they be? They have no answer). The one who finds romantic relationships so agonising, they often choose to absent themselves from them, because they come hand in hand with unbearable vulnerability, and who don’t know how to feel sexual desire without the past intruding, and without feeling like they’re giving something up or losing somehow, who suspect they might be permanently ruined.

Laurent’s mind is like a steel trap, and it makes it easy to look down on others (not something others find particularly likeable). Is the type who can separate out the deep moral integrity that forms the bedrock of who they are, from the more flimsy, politer, social kind of morality which they tossed out the window in the name of survival (hard to make friends when you do that). The kind of person who is haunted by shame and filled with secret self-loathing, who uses humour to cope, and feels stuck in a state of arrested development even though they had to grow up too fast. The sort who can lose their temper so badly they cross lines no-one else can, but will die for the people they love. Who can seem flippant and facetious yet exhausting in their intensity.

And then good, honourable, warm-hearted Damen comes along and sees him.

This Normal Boy (who is really an Exceptional Boy), clothed in the body of his enemy. This towering stereotype of attractive athleticism, this strong warrior prince, well-loved, well-liked, who should be stupid and selfish, a repellent, violent aggressor, but is instead an intellectual equal, honourable and caring and kind. Who makes sex an act of love, of giving and taking in equal measure, makes it slow and tender and meaningful and pleasurable, adjusting exactly to how Laurent likes it, makes it no longer something to fear. 

Damen who guides Laurent back to his own heart, is the light to his dark, and softens those lethal edges. Who laughs with him, matching bon mot for bon mot. Who loves Laurent, for all his faults, who sees him at his very, very worst, all that ugly, vicious darkness laid bare, and still gives him his heart, and will never abandon him. Who heals him.

The books are the ultimate broken person’s fantasy, honestly. That if we see a glimmer of ourselves in Laurent, then maybe a Damen is out there who could show us how it could be.

He wasn’t scared of falling. He had fallen many times over the years. But hitting the ground still hurt.

How wonderful it would be if there was someone there to catch him.

Adhd-autism dream couple

Fan coloring of beautiful original art by Marina Primalova

"But forever is not forever.

"I move and you react and both of us break the other. But broken is only a moment in time."

"You let me move and I slam the door, but that is not the end, and both of us must face our partner once again. The barbs twist deeper, but they do not have to."

"To change is to hold the potential to rise above. Would you limit yourself to what you are now, or would you like to see what you might become tomorrow?"

One of the ending monologues that stuck with me the most, the way the Witch and the Opportuntist are dancing around one another but stuck in place because they're more focused on being wary of the other instead of bettering themselves.

You actively have to go along with the dance in order to bring the Witch to Shifty, to play along and pretend, wary of each other but still going along with things until you can go out of your way to betray to one another. You have to trust in order to be betrayed, even if that trust is pretend. Attacking the Witch openly and directly, no lying or dragging it out, or even trying to abandon her and avoid the dance, smashes you into the Wild. Proving your sincerity even at the cost of your life brings you to the Thorn.

The Witch (like most Chapter II routes of course) is what happens when you don't learn from your mistakes and change the strategy. The Princess and the LQ decided that the endless revolving was what they wanted, nothing better, nothing worse.

And the way it all feeds back into the final confrontation where the Shifting Mound shows the Long Quiet the futility of revolving, because there are no victors if you choose to keep dancing in circles - the two of them absolutely CAN just keep spinning, but they'll always end up equally hurting one another and rejecting the paths of being straightforward or giving up. It's actively torturing themselves and choosing the self-destructive option to keep doing the dance, but I mean it's an option! All opinions are valid. It's just *chef's kiss*

What's ironic is that in all the ways you bring the Witch to Shifty, the two of you still have to face each other after the betrayal. Either you both broke your backs together on the stairs and have to stare each other down hoping the other is suffering just as much as you, or the LQ erases the cabin and the door she slammed in your face disappears too so oops this is awkward, no hard feelings right? :3 They always do face the consequences of being a prick even if they got the betrayal they wanted, "not sorry you did the bad thing, just sorry you got caught" style.

Witch and Opportuntist are such a funny duo, they're both such gremlins, they know what they're doing is selfish and sneaky and potentially the downfall of them both, and they're happy about it, they're vibing

"A trick behind your back, and a trick behind mine. We dance, revolving and revolving around each other, but forever stuck in place. We both move and yet we both don't, for each of us watches the other instead of ourselves."

---

Anyone order the Witch? I've got quite a few old drawings of her, she is such a silly :]

All I ask in return is to please ignore how I used to draw the Long Quiet (pictures 2 & 4), I could not figure out how I wanted to draw him, and I also was (still am) bad at drawing birds/beaks 😭That's why I eventually gave up and joined the no-beak-TLQ crowd lol

[Throwback | Scheduled post | Drawings finished : January 25th - 26th, 2024]

[Find my Slay the Princess art here] [Princess art] [TLQ art] [Voices art]

"Even if it was a lie. I wanted Qianqiu to remember that his benevolence toward Xianle was reciprocated. To believe that doing the right thing will open endless paths. Not like now, where he thinks everything I told him and everything he believed in was all false, lies, and deception. That everything was fucking nonsense! I just...I don't want to see anyone go through what I've already had enough of."

But in the end, who was killed was killed, who was murdered was murdered. However just the reason, however compelling the reason, the truth was that he'd killed, with his own hands, an honorable king who had truly wanted to eradicate discrimination, as well as the last blood descendant of his clan in this world.

xie lian's breakdown in all its fucking glory

[He wasn't scared of falling. He had fallen many times over the years. But hitting the ground still hurt. How wonderful it would be if there was someone there to catch him.]

Don't mind me just obsessing over this pair

these were a hit on twitter so figure i’d share on tumblr dot com. context = everyone was making fun of a book that was marketed with this same format. enjoy the capri versions

Don't worry, you'll be fine, I'm only 500 pages into a fanfic on my third read of the series and I'm completely and totally normal and fine, so you should be too

Just started Thousand Autumns, should I be concerned for my mental health?

And then they aren't finished and haven't been updated since 2011 and you feel the urge to write a fanfiction about that fanfiction but feel as though you can't live up to that legacy -

reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something

A Long Rant About Why Hope and Snow’s Arc is Brilliant

"You've changed, haven't you? Seems like you've toughened up."

"I'm a l'Cie. I had to."

"The only ones that ought to be fighting the army…are us dumb grown-ups."

"You think it's stupid to fight?"

"It is if you get killed. Anyway, just lay low. Let the dummies duke it out. The army's no match for NORA, right?"

"He was…he was smiling!"

Let's talk about this. LET US TALK ABOUT THIS!

In just one scene this game managed to make you believe that Hope and Snow are going to implode.

Right before this, when Hope was with Lightning, Hope was on the path to healing. He'd confessed what happened to his mother - for the first time since the incident, I might add, - and how much he hates Snow. The Gapra Whitewood alone is amazing but let's stay focused.

Lightning and Hope are brilliant together, with Lightning seeing what her influence as a role model is doing to an innocent kid. She's a maternal figure, both to her sister and eventually to Hope, but she's been running from her failure to save and believe in her sister as well as losing her entire home and identity. She finally realizes that the warpath she's on is unhealthy and the wrong path for her. Maybe she'd succeed in toppling the Sanctum, maybe she wouldn't have, but an enemy and a goal are things she can kill and accomplish.

The only problem is Hope. When she gives him the advice that she herself is following, to control her emotions, find an end goal and block out everything else, she starts to see how unhealthy her choices are both physically and mentally. She's sent Hope on a warpath, and when she finally announces that "I made a mistake!", Hope is still left angry, thinking there's nothing left if he doesn't have anyone to fight. Hope is shouting at her "Then what battles do we fight? And against who?!"

When she finally convinces Hope to calm down, he says "I'm sorry, I messed up" and you can feel his anger slowly fading as he regains his reason. At the end of that section, Hope's final words are, "Snow believed Serah, didn't he?" That one line demonstrates how Hope is willing to see past his first impressions of Snow and listen to who he is as a person, that maybe Snow really was just trying to save everyone. Both Lightning and Hope together are on the path to forgiving Snow and healing for their own sake.

Then, the next scene happens. They're reminded of how little hope they have of surviving, how they're on the run, how Rosch reminds the army that they aren't people, they're targets. Lightning immediately volunteers to sacrifice herself if it will give Hope a chance to live and find himself in whatever time he has left - "You survive."

Snow was a bonus, since she doesn't want Hope with her while she takes on the whole army and draws their fire so Hope can get away, but leaving him with Snow is safer than bringing her with him. She chucks him at Snow saying "Take care of him", knowing Hope will be uncomfortable but he'll be protected. She likely didn't account for Fang following her and hadn't intended Hope to be left alone with Snow.

Fun bonus is that when Hope is thrown off of Shiva and the soldiers converge on him, Hope rises to his feet and is already in a battle stance. When Snow last saw this kid, he cowered at nothing but the hopelessness of their situation, much less a soldier aiming their weapon at him, but now Hope was fully ready to kick those guys' butts if Snow hadn't intervened. And so began the slow descent as Hope started seeing everything he hated in Snow - Snow automatically assumed he couldn't defend himself, that Snow needed to save the day.

Hope had begun to forgive Snow, hearing Lightning coming to the realization that he believed Serah when no one else did and believed in her when she was ready to give up because of her fate. Then Snow is back in his arrogant glory, treating Hope like a kid because he hasn't seen all the growth Hope has gone through. Lightning treated him like a kid until Odin happened and she started properly supporting him to grow stronger rather than just "babysitting" him. She talked to Hope like he was an adult with a little less life experience - which is how you should be treating a kid as smart as Hope.

Then the scene comes up.

But Snow keeps calling him "partner" in their battle quotes and taking charge when Hope clearly already knows what he's doing now thanks to Lightning.

Hope is a bit confused at where Snow's been and what he's been up to with a branch of the army trying to kill them, but he's passive aggressive at best. Just because he doesn't want to kill Snow anymore doesn't mean he has to like him. Snow does not get the hint, still seeing Hope as just a kid and he has a right to teen angst considering all he's been through.

"The only ones that ought to be fighting the army…are us dumb grown-ups."

From Snow's perspective: he's telling Hope that kids shouldn't have to go through such a horrible thing, to have the whole army training their guns on you and calling you nothing but a target. Hope shouldn't have to be running for his life, taking on the military that's supposed to be protecting citizens and kids like him. Adults are just dumb like that, getting ourselves into trouble. Kids should be smarter than that - be smarter than that, Hope.

From Hope's perspective: Snow just called any adult who tries to fight the army a fool - including his mother when she volunteered to help fight their way out of the Purge. She fought because Snow asked for volunteers (he knows but often forgets that her main reason for joining was to keep Hope safe; Snow hadn't even thought of asking for volunteers until a bunch of people asked to help them). He just called Nora a fool for fighting to save Hope’s life at Snow’s behest.

"You think it's stupid to fight?"

"It is if you get killed."

Whew we're just gonna stop right there mid-sentence. In those two sentences we managed to create two sides of a conversation that perfectly encapsulate the miscommunication between Hope and Snow that’s driving a 14-year-old kid into a murderous rage even after he'd begun a path to healing.

Snow just called adults stupid for fighting the army, then he goes and pushes it further by saying that it’s only really stupid if you get killed. From Snow's perspective, this is a perfectly reasonable thing to say. It helps no one if you run into battle and get killed - no matter if it's just your life on the line or if you have others you're trying to protect. The people you're trying to protect don't necessarily benefit from your sacrificing yourself by throwing yourself at the enemy in a desperate kamikaze, and Hope himself shouldn't just give up on his life even when the army has them outnumbered and they have no plan - he'll find hope to go forward, he should never just give up and go out in a blaze of rageful spite.

From Hope's perspective, that idiot just insulted his mother! He just called Nora stupid for fighting the army even though she had multiple good reasons to have volunteered - Snow asking for volunteers and putting civilians into the line of fire (even though they were already and Nora joined for Hope and it was entirely her choice). Then he calls her especially stupid because she got herself killed.

In essence, Snow just voiced the thoughts of everyone who hates on Nora's character in general. “She was a MOTHER, what was she DOING volunteering to FIGHT, “Moms are tough”? psssh she DIED, what an idiot.”

I was angry for Hope in that moment, man. I was ready to stab Snow too.

"Anyway, just lay low. Let the dummies duke it out. The army's no match for NORA, right?"

Ooof, and then we have the final line where Snow uses the name NORA as his acronym for "No Obligations, Rules, or Authority." As Lightning had told Hope in the Gapra Whitewood, (let me quote the datalog entry for that moment): “They wish to live without restrictions, she explains, though some might argue that what they really wish is to live without responsibility.” This means that Snow just used NORA in the context of ignoring the responsibility of those who he himself brought into the battle under his leadership. He was in charge of those volunteers, including Nora, but now he acts as though he’s forgotten all of the weight of their deaths that were directly or indirectly his fault.

So in conclusion, Snow just insulted Nora Estheim in three different ways in the span of one short conversation. Nice going, bud.

To be clear, it’s made very obvious in the beginning that Snow is absolutely crushed by the guilt of everyone who died under his command. Nora in particular has traumatized him because he blames himself for letting her fall out of his grip (see this post for that rant). Snow isn't a children's cartoon character telegraphing his every thought and the lesson you need to learn from him; he's repressing his feelings and he's very good at hiding it. He is brilliant at acting like he's happy and fine and running away from the guilt because if he let it crush him, more people would get hurt because he was too distracted and didn't protect them.

His breakdown when Hope presses him explains the final puzzle piece: he didn’t know how to possibly atone - so he just kept avoiding it.

“There is nothing that can make something like that right again. When someone’s dead, when someone’s gone, words are useless…I know! It’s all my fault! But I don’t know how to fix it! Where do you start? What do you say?”

When Hope finally wakes up, Snow has finally come to terms with his guilt and confesses it outright. It was his fault Nora died, he shouldn’t have said a lot of what he said before about words being useless, how he could never make up for someone dying so he needed to keep going.

“I thought if I couldn’t make up for it, then all the apologies in the world wouldn’t mean thing. So I decided I had to find a way to pay for it first, before I’d even have the right to say sorry. But, it’s like you said. I was using that as an excuse, so I could run from my own guilt.”

Snow finally acknowledges that he’s been running, that Nora’s death is his fault, and notice that he hands Hope Lightning’s knife, telling him to dish out any punishment he wants. Hope could kill Snow right then and there, but instead, he just finally confesses, “She’s gone, Snow.”

Hope closes the knife. He lets go of his hate.

Let’s quote the datalog again, because no one likes reading except me, apparently, but the datalog has genuinely brilliant writing: “He didn’t survive this long to see revenge - he saw revenge as a means to survive.”

Palumpolum concludes three character arcs:

Lightning

She admits how she snapped from losing Serah and her life all at once and went down a dangerous warpath (dragging Hope along with her)

She finds a new goal in surviving to see Serah wake up

She apologizes to Snow!

Hope

He gathered the strength to pin the blame on Snow despite knowing it was the Sanctum’s fault for killing her, despite knowing killing him wouldn’t bring her back

He acknowledges that he went down the wrong path, even if he did it to survive

He accepts his mother’s death

He forgives Snow

Snow

He admits that Nora’s death is his fault and that he’s been running from the guilt of not only her but many who died because of him

He was too overwhelmed by the idea that he didn’t know how to atone for his actions, so he just kept avoiding his responsibility

He faces the consequences, apologizes even knowing that it won’t fix everything

Anyway, if you made it this far, here’s a picture of some chocobos and sheep just hanging out in order to form a barrier:

On the next edition of Final Fantasy XIII actually had really good character arcs: Sugar and Rainbows

It's That Time Friends LET'S TALK ABOUT SEPHIROTH!!!

Specifically, we're talking about OG Crisis Core Sephiroth because my hopes are high for this remake and though they made sure most of the OG lines are the same, why are the voice actors unable to raise their voices and shout into their mics like what?

Anyway, let's start with his friends because Genesis and Angeal deserve more attention for shaping Sephiroth into who he is.

We all know the fight scene, we all know how epic it was, but let's break it down because yes I've watched it practically frame by frame what do YOU do with your free time?

Did you notice Genesis does the sword prayer at the beginning of the fight, same as Angeal does with his Buster Sword? It could just be Genesis showing off his weapon for the audience, but he closes his eyes and specifically lowers his head a fraction. We have little of pre-Crisis Genesis to go off of and how friendly he truly was - I mean, his best friend's Prove-Your-Honor-to-Me Angeal and Sephiroth actually does seem to admire him for his genuine efforts to get stronger. Most people who face Sephiroth likely just give up knowing they'll never match him, but Genesis is insistent on becoming stronger even when he's beaten. He even makes headway against Sephiroth in this fight, something that no one else has probably EVER done, but we'll get to that later.

The music track my goodness it's so great! *Dramatic violins*

But to the actual fight, it makes you think about why Sephiroth's sword is so freakishly long and how anyone in Shinra possibly invented a metal strong enough to hold up to Sephiroth's strength. Angeal's Buster Sword is extremely thick, Genesis enhances his weapon through magic, but Sephiroth's just got an extremely long sword that can somehow hold its own no matter which way he's using it, which falls in line perfectly with his fighting style. With a blade that long, Sephi can basically block a hit from every angle just by twisting with little effort, which becomes relevant when he's fighting as a left-handed fighter against a predominantly right-handed society. In order to properly turn his blade at the right angle to parry, he would need to turn his blade at a sharper angle. Or he could just swing however he pleases and force his opponent to be the one turning their blade at an awkward angle.

Because he's basically the equivalent of hitting a brick wall, every time he parries an attack from Angeal or Genesis, he is never flinching or bouncing back from the blows no matter how terrible the angle should be. This is literally a scene showing how impossibly strong Sephiroth is, not just from a big-muscles standpoint, but from an illogical "how-are-you-not-moving?" standpoint, and it should be showing you how frustrating it is for Genesis to try and keep up.

We all know physics hopefully, and how length increases force the further down you go. That means that hitting further down the length of Sephiroth's blade should be increasing the force needed to block the hit, but because Sephiroth is so strong AND his weapon is good at holding up to that strength, even if you're hitting the tip of his blade and he's blocking at a very poor angle, he is STILL successful at being completely unmovable.

These two slam their blades into Sephiroth's, and then they press forward together and lean in, AND look at the downwards angel Sephi is holding his Masamune. It's cut off in the picture above, but Sephi's thumb is facing downwards towards the blade, meaning he's not using his palm to push as effectively as if his thumb were facing upwards. You can tell because right after this, he swings up to slice the pair's blades back in their respective directions.

And during this first clash, he NEVER uses his right hand as a leverage point to reinforce the other end of his sword. The only time he uses his right hand is when he and Angeal are bashing it out at the last clash, and it looks like he was doing that mostly for aesthetic purposes.

Motion blur is a bitch.

Anyway, when Genesis powers up his sword and smashes his blade down to put Sephiroth into a crater, you can tell that both of them are having so much fun. Like even Sephiroth smiles because now Gen is putting up a decent fight. But then Genesis's hits actually start driving Sephiroth back. He's hitting fast enough and hard enough that Sephiroth's parries are becoming detrimental to him. His blade is useful for long-distance hits, keeping his opponents outside of a bubble where he can parry from literally every angle, but Genesis is getting too close and he isn't letting up, meaning that every time Sephiroth parries, it's at an angle that prevents him from resetting for the next swing. It's become more of getting his sword in the way than it is actually meaning Gen blow-for-blow, and he has to actually jump back in order to put real distance between them.

Then, Sephiroth makes a small "tsk" noise. He's genuinely upset that Genesis is actually making headway. This is probably the first time he's been on the defensive for a single opponent in a sword fight, and while he's slightly upset, he's also excited. This is why the fight gets out of hand. Genesis is determined to come out the winner, even if it's just in the training room, but Sephiroth is eager to have a real fight that he can put his full strength into - or at least more strength than normal.

When he blocks, this time, he uses his right hand for leverage. It's gotten serious. He uses both of his hands to shove Genesis back, and it is epic. Also do y'all think that's why he wears those bracelets? Are they for this exact purpose, to act as a bracer for when you gotta use your other hand to hold your sword?

Anyway, you can tell that Sephi is turning the tide because he's completely reversed the situation. Genesis is barely managing to keep up with the speed of his strikes, and because this is Sephiroth, getting your blade in the way of his is actually less effective than just dodging. When Sephi is doing the striking rather than the parrying, it means you're at risk of your own sword bouncing back in your face from the force of his hit.

Genesis jumping up is a reasonable response, putting distance between them, but in the air he also has no footholds, making blocking strikes even harder for him. Ignoring the lack of gravity because fall-damage doesn't exist in Final Fantasy (except for 15 but 15 isn't real I'm sure of it), Genesis using magic to try and turn the tide is precisely what his strengths are. He manages to match Sephiroth when he infuses his blade with magic, and let's be honest I don't think anyone else is capable of using Fire Materia like he has. He's basically using a SHG technique from FF Type-0, firing little blasts from every finger, and THEN controlling them remotely to converge on Sephiroth to create a creaking mini-sun worthy of Ifrit. I don't think his final blast would have stopped Sephiroth if Angeal hadn't stopped him, but I think Sephi was enjoying being overwhelmed even for a second.

No one can beat Sephiroth in terms of his raw strength, and his long blade is suited for his casual style of blocking and poking (it's embarrassing how easy it is for him to take Cloud down in Advent Children when he stops smacking his Fusion sword and just bypasses it by using a thrusting motion), but then Sephiroth starts using magic just like Genesis and all bets are off the table. The energy blasts that come from his sword just casually slice through the Mako Canon, and the way he just casually falls out of sight only to tear his way straight towards Genesis as his theme starts is Sephiroth having so much fun.

You know he did that to be dramatic. You know he did that because Genesis is a dramatic theater nerd and he's respecting Genesis by matching him in using magic to enhance his blade. He knows the fight's basically won now because he's actually trying. He's being nice. And he's having a blast.

The fact that Sephiroth is no longer being careful of his surroundings is also telling of how much effort he's putting in. Sure, he's slicing up the Mako Canon probably just to show off, but he's also just swinging his sword like you naturally would in a fight. He's just ignoring its length and letting it cut through whatever gets in its way even when he misses; it's a casual warning to Genesis that he's going to slice through him without pausing if Genesis gets in the way of Masamune. The situation is completely reversed from earlier as Genesis grunts in frustration before powering up to match Sephiroth's hit.

I love how when Angeal gets between the pair, he uses his Buster Sword to block Sephiroth from behind knowing that he'll need the foothold if he's going to stop Sephi mid-attack, but he's actually pushed towards Genesis because Sephi is pushing down so hard even after he's been stopped.

Genesis breaking Angeal's small sword is actually really interestingly set up and executed. This is the wound that begins Genesis's degradation, setting off the plot of Crisis Core's story. Genesis is really good, don't get me wrong, but it's unlikely that he didn't get his fair share of cuts and scrapes while he was learning to fight; I don't think Genesis would have begun degrading if he'd taken a hit like that normally.

I think this scene is setting up that Genesis's wound was really an anomaly of anomalies and the worst of bad luck. He infused his sword to maximum strength while he was determined to hold his own against Sephiroth when he was actually trying, he was so determined to keep the fight going and get Angeal out of the way that he used two types of magic at once - the red fire as well as what I think is ice magic to potentially immobilize Angeal (or he could have been using the same blue magic that Sephi was using when he first created those giant energy waves to make that first cut against the Canon). Because his blast hit Angeal's sword, which was blocking his own enhanced one, the two magics mixed in an explosion so strong that not only did it break the sword, but it created a Mako magic nightmare that was then injected straight into Genesis's shoulder.

I mean after everything that Sephiroth and Genesis did while they were going at it, it was Genesis's blast that actually broke the simulator. Sephi isn't even celebrating his victory. Though he doesn't say anything, he's concerned about Genesis and guilty that he'd let the fight get out of hand. When Angeal got between the pair, Sephiroth actually seemed to come to his senses - the original has Sephi seemingly like he was warning Angeal to stay out of the fight, but the remake seems to imply that Sephiroth was realizing how serious it was when Angeal intervened to stop them. I got this from the way Sephi says the line "Angeal..." That's how subtle the difference in voice acting a line can be!

His narration after confirms that he was concerned that Genesis wasn't healing and quietly blaming himself for letting this happen.

He finds Angeal's lectures amusing, he's memorized LOVELESS from being around Genesis for so long. He cares deeply about his friends, he's heartbroken when he has to accept that they're turning against Shinra, that they're working with Hollander. Zack has a full-on breakdown when Angeal dies because he was the one that had to watch his downward spiral, his transformation into a monster, and kill him, but imagine what Sephiroth is going through. He's not an emotional person, but he's enraged when he learns that Angeal left in Wutai, he does his best to appease Genesis when they meet in the Mako Reactor and tries his best not to fight them. He goes so far as to go rogue and tell Zack that they're going to fail to eliminate the wanted fugitives - probably the first time Sephiroth has ever actively rebelled after being raised in Shinra under Hojo.

Crisis Core is the story about Zack but it's also a story about Sephiroth. He was a person born and raised in Shinra to be nothing but a soldier, and the first time he actually gets friends (from a small humble town rather than a big city) and gets a new perspective on life, finding out they were experiments and monsters absolutely breaks them. He watches his friends fall apart, drift away from the kind and fun people that had been his first and only friends and taught him what friendship was truly LIKE.

Zack is probably the only reason Sephi doesn't break from Shinra then and there; he has the power to leave, even if he doesn't know what he'd do with his life, but Zack becomes a cheerful 1st, as passionate in his beliefs as Genesis and as kind as Angeal after being mentored by him. Another friend who doesn't let Sephiroth's cold attitude hamper his ability to see the good in life, one who believed in Angeal enough to even try believing in Genesis for a moment too. Sephiroth still has hope.

That's why it takes Nibelheim to absolutely break him. Not only is he close to Jenova, but he has the knowledge that his friends were failed science experiments, the informtaion causing them to absolutely fall apart - he's seen it happen and has been forced to accept that his friends are gone. Learning about his own past as an experiment sends him down the exact same rabbit hole that his friends fell into, but he's a "perfect" monster, and even Genesis showing up at the reactor confirms it. He says to Genesis "you will rot" when he comes asking for help, which seems like a great moment where Sephi refuses to let Genesis's harsh words get to him. In actuality, it just proves that he's aggressively distanced himself from the pain of losing those he trusted, reminding him and reinforcing the idea that Sephi can't trust his fellow 1st class friends. How easy would it have been to convince him that Zack was going to turn on him too?

This is serious manipulation from Jenova, taking advantage of Sephiroth's upbringing being isolated in Shinra with Hojo, taking advantage of his trauma from finally finding friends who went mad and turned on him, and then taking advantage of the fact that their history was revealed to them to drive them mad to do the same to him. Quite honestly, why WOULDN'T Sephiroth hate a world that did this to him? He's been a loyal soldier all his life, he's angry at Shinra who made him, tired of the whole world being too weak to pose a challenge against him, and he learns he's a monster who can help Jenova if she helps him

Honestly, I'm on board with that fan theory that Remake is Sephiroth trying to break free of Jenova's control over him as well and break the chains of fate or whatever. Not so he can be a free good guy or anything (that theory is reserved for the fanfiction), but so that he can take all her world-ending power for himself. You go, dude. Be the greatest villain ever and force the world to get its shit together in order to stop you.

Anyway, Reunion just finished downloading so I'ma go play now. Byeeeee