it's been about three months since I sleep with bedsheet on because my room is not fully clean yet and in my head it just goes ' can't put on clean sheet incase the time when I start cleaning again happen, then I must change sheet again because of the dust flying in my room. everything must be perfect. no sheet until room clean '
like that train of thought is fucking wack but man don't i agree with it
ADHD be like: I need to do do this task before I go to bed. therefore I’ll stay up all night on my phone because I have no motivation to do the thing but I can’t go to bed unless I do it.
So you have information you want to plant into your story, and you would like to do that through dialogue. Naturally, you'd want to make the dialogue look natural, so that it doesn't scream -> This Piece Of Information <- Will Be Relevant To The Plot Later!!! I never saw any writing advice about this subject, so I thought I’d write up a post about it.
Say, for example, you want to plant the information that Barney is afraid of fridges. Fridges? Jup. That's weird. Jup. Which makes it all the more difficult to bring up in a scene. And what makes it even more difficult, you decided you want this dialogue to take place before the Thing With The Fridge Happens later on, so you're in a pickle. How do you bring up a fear of fridges, when there are no fridges around?
First, I'm going to show you how shoehorning the information in a dialogue would look like.
Don't do this:
Annie and Barney are in a scene that has nothing to do with fridges.
Annie: "By the way," she asked casually, "have I ever asked you what your worst fear is? Since we’re on this quest together, we should know these things about each other."
Barney: "Fridges. They scare the bejeebers out of me."
Annie: "Fridges?" She laughed incredulously. "How come?"
Barney: "Well, one time my brother locked me into a fridge, and I've been afraid ever since."
Annie: “That makes sense, Barney. I’m sorry you had to go through that.”
Try to avoid using things like “by the way” or “suddenly” in this part of the dialogue, because that’s a shoehorn red flag.
Instead, you want the conversation to flow from something inconspicuous to the information you want to plant and then into at least one other topic.
Do this:
Annie and Barney are in a scene that has nothing to do with fridges, for example they are thrown into a snake pit during their quest.
Barney deals with venomous snakes without a second thought.
Annie, in the corner, trying to get a hold of herself: "I can't believe you're not afraid of those snakes."
Barney: "You just got to know how to handle them."
Annie, in awe: "You're fearless."
Barney, laughs: "Trust me, I'm not. You should see me around fridges."
Annie: "Fridges...?"
Barney: "My brother locked me into one when we were little. I almost suffocated. Never trusted them ever since. Nor my brother, obviously."
The conversation continues about his relationship with his brother, making it seem like that's the important bit. You sneaked the information about Barney's fear for fridges into the dialogue about snakes and his brother.
Let’s break that down, shall we?
This conversation has three topics: snakes, fridges, and Barney’s brother. The snakes and Barney’s brother don’t really matter. They could just as well be completely different topics. (I'll show you later.) Their only function is to ease into the conversation about Barney’s fridge fear and ease out of it without drawing the reader’s attention to its importance.
Topic 1: Something present in this scene that has a thing in common with topic 2
Discussing the snakes feels organic and natural, because they are kind of hard to ignore in this scene. Make the first topic something related to what the characters see, feel, experience in that particular scene… Write a piece of dialogue about topic one.
Topic 2: The information you want to plant
Then transition into the topic switch. How? The topic of fridges and the topic of snakes have one thing in common: fear. Specifically, Annie is afraid of snakes and Barney isn’t, but he is afraid of fridges. Bringing this interesting bit into the conversation changes the topic again, because how can you not go into a sentence like this?
Topic 3: Anything related to topic 2 you can latch onto
The topic is changed yet again after the information you planned to plant. Just let this part of the dialogue run its course. It doesn’t matter much what you do with it, as long as you don’t stop the dialogue right after the moment you delivered the line you needed to deliver. The trick is to make the conversation flow to and from your chosen topic.
Let’s look at another example, something more realistic. You still want to convey the fact that Barney is afraid of fridges, but this time, Annie and Barney are not on a quest, they are in a romance novel.
Barney and Annie are looking out over the ocean. She brought a bottle of wine, a light breeze cools their skin, in the distance, a cargo boat slowly glides along the horizon. It seems like a perfect moment.
Barney raises his glass and compliments Annie: “You pick great wine.” (topic 1)
Annie: “Thanks. I did a wine course last year in my local community center, a series in which we learned all about the different kinds of wine and what to pair it with.”
Barney: “Sounds like fun. You should teach me sometime. Did you get to taste everything?”
Annie: “Yeah, of course. That was the main reason I joined. What about you? Which wine do you prefer?”
Barney: “Oh, I’m not a connaisseur. I like anything but white wines.” (change of topic)
Annie: “Why not?”
Barney, embarrassed: “Red wines are usually kept at room temperature, and white wines go in the fridge.”
Annie, after a second: “I can’t see the problem there.”
Barney, embarrassed: “Ah. Well. I don’t like fridges. Like, not at all. My brother once locked me into one, and – well, let’s say it was a hugely traumatic experience.” (boom, there it is: topic 2)
Annie, confused: “But – How do you keep your food fresh?” (change of topic) (doesn't necessarily have to happen so soon after The Line)
Barney, still embarrassed: “I go to the supermarket every other day.” (topic 3)
The conversation continues about going to the supermarket every other day and foods that Barney can't eat because they spoil too fast outside of the fridge. Annie is surprised to hear how many things can be kept at room temperature for a day or two. (topic 3,5)
That's it, folks :)
I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing! This post was inspired by a question from @therska.
Follow me for more writing advice, or check out my other writing tips here. New topics to write advice about are also always appreciated.
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he is shitty and a danger to society but i love him so pls don't be mean to him he is just babygirl you gotta trust me you don't know him like i do he is baby i promise
Just saw a post that said, “young does not mean pain free. young does not mean abled.” Yes, absolutely. And equally: autistic does not mean a child. Learning disabilities do not mean a child. Developmental disabilities do not mean a child. Both in the sense that we do grow up, actually, and in the sense that, when we grow up, we are true adults. Needing help with certain things does not negate this.
-m.m
Crochet lacy Sleeves by AamraGul
Free Crochet Pattern Here
WHAT THE FUCCAA
not being able to stand certain textures of clothes and complaining when i was forced to wear them
being a “picky eater” (and then getting punished for it)
struggling to understand gender norms (like being told long hair is for girls, short hair is for boys, certain colors decide your genitals apparently, etc)
reading the same short story books over and over again
getting sensory overload constantly and thinking that im just too sensitive and it must be a character flaw i have to fix
bringing certain objects or belongings with me everywhere for comfort
spending way too long making up my own fantasy worlds or stories
fellow ND people please feel free to add on (neurotypicals welcome to reblog but dont clown)
Anime: Blade runner black out 2022 (2017)
Anime: Ergo proxy (2006)
Anime: Ghost in the shell (1995)
" yoUr exCuse is That YoU foRgOT- EVERYTTIME- YOU ALWAYS SAID THAT yOU ForgOt "
LIKE BITCH YOU THINK I CONTROL IT?!-
DUMB BITCH
psa: do not tell your children that you’re disappointed in them for sleeping a lot. please. your child can easily be anxious, depressed, insomniac, etc. sleeping into the afternoon should not cause disappointment, it should cause worry. i cannot stress this enough. your children need your love and support, not high expectactions.