So you have information you want to plant into your story, and you would like to do that through dialogue. Naturally, you'd want to make the dialogue look natural, so that it doesn't scream -> This Piece Of Information <- Will Be Relevant To The Plot Later!!! I never saw any writing advice about this subject, so I thought I’d write up a post about it.
Say, for example, you want to plant the information that Barney is afraid of fridges. Fridges? Jup. That's weird. Jup. Which makes it all the more difficult to bring up in a scene. And what makes it even more difficult, you decided you want this dialogue to take place before the Thing With The Fridge Happens later on, so you're in a pickle. How do you bring up a fear of fridges, when there are no fridges around?
First, I'm going to show you how shoehorning the information in a dialogue would look like.
Don't do this:
Annie and Barney are in a scene that has nothing to do with fridges.
Annie: "By the way," she asked casually, "have I ever asked you what your worst fear is? Since we’re on this quest together, we should know these things about each other."
Barney: "Fridges. They scare the bejeebers out of me."
Annie: "Fridges?" She laughed incredulously. "How come?"
Barney: "Well, one time my brother locked me into a fridge, and I've been afraid ever since."
Annie: “That makes sense, Barney. I’m sorry you had to go through that.”
Try to avoid using things like “by the way” or “suddenly” in this part of the dialogue, because that’s a shoehorn red flag.
Instead, you want the conversation to flow from something inconspicuous to the information you want to plant and then into at least one other topic.
Do this:
Annie and Barney are in a scene that has nothing to do with fridges, for example they are thrown into a snake pit during their quest.
Barney deals with venomous snakes without a second thought.
Annie, in the corner, trying to get a hold of herself: "I can't believe you're not afraid of those snakes."
Barney: "You just got to know how to handle them."
Annie, in awe: "You're fearless."
Barney, laughs: "Trust me, I'm not. You should see me around fridges."
Annie: "Fridges...?"
Barney: "My brother locked me into one when we were little. I almost suffocated. Never trusted them ever since. Nor my brother, obviously."
The conversation continues about his relationship with his brother, making it seem like that's the important bit. You sneaked the information about Barney's fear for fridges into the dialogue about snakes and his brother.
Let’s break that down, shall we?
This conversation has three topics: snakes, fridges, and Barney’s brother. The snakes and Barney’s brother don’t really matter. They could just as well be completely different topics. (I'll show you later.) Their only function is to ease into the conversation about Barney’s fridge fear and ease out of it without drawing the reader’s attention to its importance.
Topic 1: Something present in this scene that has a thing in common with topic 2
Discussing the snakes feels organic and natural, because they are kind of hard to ignore in this scene. Make the first topic something related to what the characters see, feel, experience in that particular scene… Write a piece of dialogue about topic one.
Topic 2: The information you want to plant
Then transition into the topic switch. How? The topic of fridges and the topic of snakes have one thing in common: fear. Specifically, Annie is afraid of snakes and Barney isn’t, but he is afraid of fridges. Bringing this interesting bit into the conversation changes the topic again, because how can you not go into a sentence like this?
Topic 3: Anything related to topic 2 you can latch onto
The topic is changed yet again after the information you planned to plant. Just let this part of the dialogue run its course. It doesn’t matter much what you do with it, as long as you don’t stop the dialogue right after the moment you delivered the line you needed to deliver. The trick is to make the conversation flow to and from your chosen topic.
Let’s look at another example, something more realistic. You still want to convey the fact that Barney is afraid of fridges, but this time, Annie and Barney are not on a quest, they are in a romance novel.
Barney and Annie are looking out over the ocean. She brought a bottle of wine, a light breeze cools their skin, in the distance, a cargo boat slowly glides along the horizon. It seems like a perfect moment.
Barney raises his glass and compliments Annie: “You pick great wine.” (topic 1)
Annie: “Thanks. I did a wine course last year in my local community center, a series in which we learned all about the different kinds of wine and what to pair it with.”
Barney: “Sounds like fun. You should teach me sometime. Did you get to taste everything?”
Annie: “Yeah, of course. That was the main reason I joined. What about you? Which wine do you prefer?”
Barney: “Oh, I’m not a connaisseur. I like anything but white wines.” (change of topic)
Annie: “Why not?”
Barney, embarrassed: “Red wines are usually kept at room temperature, and white wines go in the fridge.”
Annie, after a second: “I can’t see the problem there.”
Barney, embarrassed: “Ah. Well. I don’t like fridges. Like, not at all. My brother once locked me into one, and – well, let’s say it was a hugely traumatic experience.” (boom, there it is: topic 2)
Annie, confused: “But – How do you keep your food fresh?” (change of topic) (doesn't necessarily have to happen so soon after The Line)
Barney, still embarrassed: “I go to the supermarket every other day.” (topic 3)
The conversation continues about going to the supermarket every other day and foods that Barney can't eat because they spoil too fast outside of the fridge. Annie is surprised to hear how many things can be kept at room temperature for a day or two. (topic 3,5)
That's it, folks :)
I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing! This post was inspired by a question from @therska.
Follow me for more writing advice, or check out my other writing tips here. New topics to write advice about are also always appreciated.
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babe. be real with me. if i were a plain little rock on a beach would you pick me up and turn me over in your hand and marvel over how wonderfully ordinary i am. like really take the time to ponder how there isn't necessarily anything special about me but that the very deed of choosing me out of countless other rocks raises me to a precious, almost sacred level of irreplaceability that is only accessible through the act of being seen and loved?
No that's okay I wasn't using my heart for anything today.
Just so you know, a normal response to a child breaking something is to first check to see if they got hurt and then if they’re old enough make them help clean it up. And then afterwards explaining to them how to avoid doing that in the future. At no point is yelling necessary to make them understand why they shouldn’t do that.
The beautiful fantasy themed artworks of Lei Min - https://www.this-is-cool.co.uk/the-beautiful-fantasy-artworks-of-lei-min/
self-inserts are so good!! i love seeing them!! please don't be scared to post your self-insert art or story or just a conversation you had in your head with a certain character!! we're different people and it's great how we interact with our favorite characters in different ways!!
The “getting it done in an unconventional way” method.
The “it’s not cheating to do it the easy way” method.
The “fuck what you’re supposed to do” method.
The “get stuff done while you wait” method.
The “you don’t have to do everything at once” method.
The “it doesn’t have to be permanent to be helpful” method.
The “break the task into smaller steps” method.
The “treat yourself like a pet” method.
The “it doesn’t have to be all or nothing” method.
The “put on a persona” method.
The “act like you’re filming a tutorial” method.
The “you don’t have to do it perfectly” method.
The “wait for a trigger” method.
The “do it for your future self” method.
The “might as well” method.
The “when self discipline doesn’t cut it” method.
The “taking care of yourself to take care of your pet” method.
The “make it easy” method.
The “junebugging” method.
The “just show up” method.
The “accept when you need help” method.
The “make it into a game” method.
The “everything worth doing is worth doing poorly” method.
The “trick yourself” method.
The “break it into even smaller steps” method.
The “let go of should” method.
The “your body is an animal you have to take care of” method.
The “fork theory” method.
The “effectivity over aesthetics” method.
psa: do not tell your children that you’re disappointed in them for sleeping a lot. please. your child can easily be anxious, depressed, insomniac, etc. sleeping into the afternoon should not cause disappointment, it should cause worry. i cannot stress this enough. your children need your love and support, not high expectactions.
me: hey do you think i could do this work
adhd: hmmmm no :) you’re going to plan an entire novel in your head and think about nothing but how excited you are to write it :)
me: okay well i finally have some free time now, so do you think i could write the novel:
adhd: sorry i forgot to mention, you’ve just forgotten every thought you ever had :( also your motivation is dead now lol