Just Finished Watching Season 2 Of Broadchurch. Tbh I Lost Interest About Halfway Through, But I Wanted

Salt of the Earth (1954), dir. Herbert J. Biberman

I've been trying to watch more movies with Swann Arlaud in it so I watched Perdrix last night without knowing anything about the storyline. Definitely one of the strangest movies I've seen and also surprisingly funny. I would say it's worth the watch!

Carmy vs Syd The Bear, Season 1-3

Can we stop acting like two people deeply loving each other has to mean they have something romantic or sexual going on? Can we stop talking as if platonic love just can't be that deep? Because that's not true. Platonic love can be just as deep, and sometimes even deeper, than romantic love. What I'm saying is, we need to stop putting romance on this pedestal and act like every other form of love is less important.

“What you eat represents your social status. It has nothing to do with love.” HUNGER (2023) dir. Sitisiri Mongkolsiri

okay but why are there such good roasts in crime and punishment? like oh my god, they're all so petty and the conversations are gold! it's so ridiculous but at the same time i'm so entertained. it's like watching a reality show in book form if that makes sense.

This is so good 💚

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Perfect Days (2023) dir. Wim Wenders

Ayo Edebiri is special to me because bluntly speaking, every time a young actress of colour blows up in Western media spotlight it's usually a light skinned woman or a biracial person with very Eurocentric features and beauty. It's almost like clockwork every time, and the standards of beauty are carefully upheld by colourism even while maintaining a guise of "diversity". But in Ayo's case, it's really great having a gorgeous and talented dark skinned actress be successful, beloved and hailed as a sapphic icon in a way that does not feel like audience paying lip service or being performative.

Like idk how to articulate but it's just so goddamn rare seeing an actual young dark skinned woc thrive in fandom spaces and in terms of commercial or critical success. I really hope people can learn to accept dark skinned young women in comedies, romances and mainstream show business more often because everywhere in movie and shows fandoms, from edits to fanart to fancasts to *actual* casts are BRIMMING with light complexioned actresses of colour. And dark skinned women are expected to grovel and be grateful for getting those crumbs of representation.

Robert Mapplethorpe Embrace 1982