Have Some Madeline Bc Yes

The convergence is a really good elden ring mod, but I have just one criticism: I think that design change to Rennala was a mistake, let her have her weird moon shaped hat, she already have weird alien proportions this insistance of making women all have the same conventionally attractive limits design so much, the point of Rennala's hat was to look like a moon shaped mitre (pope's hat) that showed how the carian family view the moon and glintstone magic as divine (differently than the golden order) and as a symbol of authority while also visually accentuating the slenderness, "verticality", and counterposing Rennala's weirder proportions.

Here how she is standing uptight and with her hat, there is nothing really off abt her at first glance speacially from this angle

But if you pay attention, she starts looking really odd at different angles:

look how broad her shoulders are, how long her neck and arms are relativetly to a regular person's proportions. Dont get me wrong I love her design and I think she looks really beatiful and find her lankyness interesting way to show is not a regular human and there is something outerwordly going on with her (the moon's influence and the glintstone). And here is how her hat makes her design all come together and make her visual shape more imposing authentic and less goofy:

(I edited on paint dont judge)See how without the long hat her silhouette weirder, like she is wearing some big shoulder pads? how she looks more like a big rectangle with some skinny arms popping out?

Thats why I get mad when they pussyout to gamer bros complaint about her hat making her look ugly and with end up with this:

completely ruined her shape language and removed the mitre part of her symbolism to a generic crown/tiara.

I don't think a game has ever made me feel as physically ill as elden ring did when I found out about how Miquella was using Mohg. 

I always had a sneaking suspicion that Mohg's obsession with Miquella had something to do with his charming ability, but never really had much more than a hunch to go off of.

Finding out that that hunch was not only correct, but also how much deeper the rabbit hole went made me feel genuinely sick. He didn’t just charm Mohg, he somehow used him to gain access to the land of shadow, abandoned him and then stole his still warm corpse to desecrate into an entirely different form to house the soul of the consort he actually wanted.

Mohg doesn’t even get a footnote in his little “thank you” speech at the gate of divinity. To him, we were more impactful in his plans coming to fruition for inadvertently delivering Radahn’s soul to him than the person who got him into the land of shadow in the first place. The person who died to become the vessel of his king consort.

I don't know why this part of the game specifically had me feeling so disgusted, it's not really something I can explain. There's just something about this character that was put on such a high pedestal by the world around him, and who has received unconditional love throughout his entire life, weaponizing that very same love against someone that probably struggled with it for most of his life and used it to manipulate, take advantage of and isolate him.

And then when one of his knights comes looking for justice, for the freedom of his master, Miquella just charms him too, burying his memories of his devotion to his lord and stealing him for his own followers.

He stripped Mohg of absolutely everything and used him for his own gain until the very end and beyond. For me, Miquella’s age of compassion died the moment he decided doing that was acceptable.

One of my favourite concepts I don’t think I’ve really seen before is characters trading/lending their weapons to each other. There’s just something I find really sweet about that act (especially if the weapon has sentimental value to the owner and letting someone else use it is a big deal.)

Something neat I just discovered while researching a different topic is that the icerind hatchet is known as the "freezing fog" and was crafted using a scale from a dragon. This dragon is almost certainly borealis, a boss who is found up in the mountain tops close to Castle Sol, and who also has the title of "Freezing fog"

It's a very small detail but I thought it was neat enough to talk about since I'd never read the axe's description before!

St. Trina's chosen

Thinking about how St. Trina only talks to the player tarnished despite Thiollier's undying loyalty to her.

Thinking about how before traveling with Melina, Torrent belonged to Miquella (and by extension, also Trina)

Thinking about how at some point Torrent was sent out in search of a new master

Thinking about how Ranni's doll body requires her to sleep

Thinking about how St. Trina can visit people in their dreams

Thinking about how “torrent’s former master” asked Ranni to deliver the spirit tuning bell to whoever he chose to serve next

-

Did St. Trina put everything in motion? Was she the one who set Torrent out on his search for a new master? Was she the one who asked Ranni to give us the spirit tuning bell? Could it have been one final, desperate plea to find anyone capable of stopping her other half before it was too late for him? Does St. Trina only commune with us because she knows that we're the one who Torrent chose as his new master? Is that why this character, that we never meet before now seemingly has full faith in requesting our aid? because her trusted steed was the one to bring us to her? From the very moment Torrent found us washed up in the lands between, were we destined to find our way to Miquella's/St. Trina's path?

Something I'd also like to add that didn't fit well into the initial post is that whatever it was that he discovered while looking into Marika, didn't just scare him beyond his breaking point. Whatever it was it also got him absolutely convinced that

a tarnished cannot become a lord

2. and a man cannot kill a god

which is rather odd, considering that no matter what ending we choose, we prove him wrong on both accounts.

There’s something so terrifying about Gideon’s downfall. At the end of his near-constant research he discovered something about Marika and her will that made him shudder in fear.

Gideon Ofnir. The man that ordered the full destruction of an entire village for a key fragment and then abandoned his adopted daughter for daring to question him. The man who’s henchmen died trying to take that very key from us, only to shrug it off like it was nothing.

The man who lives in a world of monsters and suffering eternal. The man who’s so dedicated to learning everything there is to know about The lands between’s blood soaked history that it’s literally part of his name. The man who probably knows of, witnessed or directly contributed to some of the most horrific atrocities in the lands between.

Gideon Ofnir, the all knowing. The man who took one look into Marika’s will and was rendered so terrified at his discovery that he almost immediately gave up on the goal he had worked so hard for, instead choosing to confront, and eventually fall to our tarnished character.

Gideon is one of the most unempathetic and uncaring characters I’ve seen in media. He’s largely unshaken by the state of the world around him, seems to lack any semblance of morals or values and his interactions with just about anything begin and end with trying to figure out how he can personally benefit. No matter what he'd have to do.

What could he have possibly figured out to make him of all people horrified to such an extent?

It's so unfair that they dropped Nightreign halfway through the game awards because there was no way I'd be able to pay attention to the rest of the show after that reveal 😭😭😭

From the moment the trailer dropped my memory of everything afterwards becomes more and more of a blur.

true, but there's nothing stopping the writers from making the rival/best friend a woman if that were an issue for them. Though I guess an even easier fix would be to do what you say. Just write fleshed out and dynamic female characters who aren't just there because the protagonist needs a partner at the end of the story.

Anime/Manga Writers: Why don’t the fans like the canon straight couple instead of the non-canon gay ships?

MC looking at their canon love interest: So pretty and fights good.

MC looking at their rival/best friend/partner: They’re like the sun, brilliantly blinding and all-consumingly powerful. There’s a deadly beauty and grace to every action they take. They’re the other half of me that I never thought could exist, the one person who pushes me to be my best self, and life without them would not be worth living. There’s nothing in this world that they could not accomplish and I am but a fool chasing after them in hopes of reaching their level. Even then, having them in front of me/by my side has pushed me to heights I never thought imaginable.

My personal undertale headcanon is that Flowey isn’t emotionless and incapable of connecting with others because he lacks a soul or is inherently “bad”, it’s because he was deeply traumatized from watching his best friend/sibling kill themselves in an incredibly painful way only to die violently himself hours later at like, the age of 11?

That would break anybody. To make things even worse, he woke up an undisclosed amount of time later in a body wholly alien to him, unable to move, completely alone until Asgore found him. If that wasn’t bad enough he then had to directly face the consequences of his and Chara’s plan, and the deep pain that it caused everyone in the underground. His father, the king? Broken. His mother? Missing. His people? Devastated and hopeless. Chara? Gone.

And to make things just that much worse, when the pain and grief of everything gets too much for him, and he deems himself broken beyond repair and decides to take his life he finds out that he has complete control over time itself.

He then spends an unimaginable amount of time experimenting with this power, constantly trying to do the right thing, constantly trying to help people and make the world better. But he’s never satisfied. He’s never happy. He does this, again and again and again. He grows older and older but never actually ages, he sinks deeper and deeper into his own tiny world, becoming even more distant and disconnected from the people around him as situations repeat themselves and peoples lives loop and loop without end. 

Eventually he becomes so unbearingly bored of the endless, unescapable cycle that he starts to experiment with more negative situations. Afterall, his actions no longer have consequences, right? Anything he does, he can and will undo eventually. Even the most horrific actions hold no weight in Flowey’s impermanent world. The only person who ever has to deal with the consequences of Flowey’s actions… Is Flowey himself.

So he does it. Slipping deeper and deeper into his delusions. Falling deeper and deeper into genuine insanity as the years repeat themselves onto eternity and Flowey disconnects completely from the world around him.

At this point, he feels that he’s experienced quite literally everything the world has to offer. He probably lived as Flowey far longer than he ever did as Asriel by now. He’s befriended everyone, he’s hurt everyone. He’s saved everyone, he’s killed everyone. He’s done everything. Even violence doesn’t interest him anymore. So what does he do? He stops.

I’ve always wondered how Frisk even had the chance to fall into Mt. Ebott and usurp Flowey of his powers if he was constantly resetting the timeline, but I think I finally get it.

Flowey probably just… Stopped completely at some point. He stopped resetting, stopped interacting with the world and sat himself at his best friend's grave and just… waited. Waited for something, anything new to happen. Eventually enough time passed for a new human to fall, a human who inherently overpowers Flowey’s control of the timeline and so, for the first time in what must have felt like eternity Flowey was finally free from his power.

-

After everything that Asriel experienced leading up to and during his death, he probably would have needed intense therapy to overcome the trauma. But that’s not what he got was it? He didn’t get therapy. He didn’t get the chance to heal. He got the powers of a god and the curse of his actions no longer having consequences. I don’t believe Flowey is incapable of connecting with others or feeling true happiness or love. I think that’s just a lie he told himself so his situation wouldn’t hurt as much.

-

But, even after all of that I believe Flowey still has a chance at happiness. We see his character shift dramatically after the Omega Flowey fight. After he is once again stripped of his power over time, he has an intense moment of vulnerability that shows what I believe to be his true colors, followed by him coaching Frisk on how to get a better ending for everyone.

Sure, this was likely a trap for Flowey to take everyone’s souls, but once again, after his defeat as Asriel and returning to Flowey’s form, he has yet another character shift.

He’s genuinely happy at this ending. He’s happy that everyone escaped the underground, happy that Frisk gets to live their life. He begs the player to just leave everyone to their lives and to move on themselves. He doesn’t want his power back, he doesn’t want the cycle to continue anymore.

For the first time in god knows how long, Flowey is satisfied.

And maybe if the alarm clock dialogue is anything to go by, given time Flowey can finally heal. Flowey can finally find happiness and love again.

It’s such a shame honestly. She’s travelling with us for the entirety of the game, across this massive world with so much to discover and talk about (barring farum azula and onward) and I’m pretty sure she has less unique dialogue (not counting Marika’s spoken echos as actual interactions with her as a character) than Ranni, who only really interacts with us within her specific questline.

Hell, Even Latenna has some pretty good travelling dialogue when we’re doing the Haligtree quest.

I felt more connected to both of these characters as travelling companions than I ever did with Melina, which is really sad because I also really like Melina but I just tend to forget she’s there most of the time. It feels like the biggest contribution she makes to the story is being a talking piece for other characters, explaining Torrent's motivations to us and being a scribe for Marika but like… I want to know about you Meli!

I am glad we’re of one mind that Melina is a character whose potential was sorely wasted in Elden Ring. I mean, it’s probably why I can’t get too invested in her.