Natalie Dormer As Anne Boleyn In The Tudors (2007-2010)

I have today off so like for a starter? pls specify the muse you want it from too ❤️

There was not a lot in this world Charmion couldn't have if she so pleased. With her parents and social status she was primed for spoils, clothes, jewels, suitors. The world was practically hers for the taking. But none of that mattered if she couldn't have the one thing she truly desired. The one thing she wasn't free to obtain, who she could only ever have in the privacy of this room and could never show off to the world just how much she adored her. She was not cross at Hazelle, she was furious at the world. Though ever the ambitious mind, she was already making plans to try and bend the world to her will. To be able to have her cake and eat it too.

Which is why her lovers words catch her off guard. It is an option she has only ever dreamt of but never spoken aloud, one she has not let herself. It came with too much risk, there was too much to lose. Wide blues catch the others with a deep sadness, giving her hand a gentle squeeze. "My love...you know I want nothing more...." Sucking in a sharp breath, Charmion sits up, cupping her other hand over Hazelle's. "Do not despair. I have a plan, you see. I am to be betrothed to Lord Harwood and he has pull in the Kings court. I shall get him to convince the King to abolish such places and let you come live with us. Harwood shall be away on business a lot and I will need a lady to keep me company." It is a compromise she isn't sure the other will want to hear so she attempts to deliver it with a soft smile, reaching to caress her love's cheek.

open to: women or fem presenting plot: based on this idea, set before Hazelle gets turned into a vampire bc I need a dark sapphic plot thnx - hmu to plot more if you’d like! connection: childhood friend & lover/sweetheart.

“Are you cross with me?” Hazelle asked in a soft and concerned tone, leaning against the bedpost of the others bed before she huffed a breath and plopped down on the soft mattress next to her friend, taking hold of their hands in her own, thumbs brushing against their soft skin soothingly. “You must know I do not wish to leave you, it is my family’s doing, this trip is their last effort to fix me…” Hazelle explained, her pretty brow creasing as she dipped her head a little in order to catch the other’s gaze, her own apologetic and sincere. Hazelle didn’t want it to be this way, no one had meant as much to her as this beautiful person next to her and she was certain no one else would ever come close to meaning half as much.

Her family had tormented her ceaselessly throughout her entire life, doing horrible things to cleanse Hazelle of her demons but none of it had worked and Hazelle was convinced it was because nothing was wrong with her and it was them that were wrong. All the doctors and specialists, all the priests and nuns. They were all wrong and Hazelle could exist in this world with the person she loved the most. The person who sat beside her. Hazelle’s heart picked up in pace and seemed to thunder loudly in her ears, cheeks flush she offered a small smile with a look that almost resembled a puppy. “Why don’t you and I run away? Hmm?” She meant it more than she let on but the words were said in an attempt to lighten the mood.

Adelaide Kane as MARY STUART REIGN (2013 — 2017)

Also off topic sorta but I just finished “The Casting of Frank Stone” (the new DBD adventure/story based tie in game) the other day and have spent all day today finishing an “everyone lives” playthrough and I’m sort of tempted to make a multi with some characters from that…hmm….

FOR THE “YOU CAN KILL ME BUT DON’T YOU DARE TOUCH THEM” DYNAMICS 

❝  i only want you.  ❞

❝  i don’t need anyone else.  i just…you.  you’re all i need.  ❞

❝  listen,  i’ve lost a lot of people in my life.  i learned how to deal with it but…you’re different.  i can’t take it if it’s you.  ❞

❝  i think about anything happening to you and i— i just.  i fucking lose it.  ❞

❝  you don’t understand.  i need you safe.  not because i don’t think you can handle yourself but because i can’t focus on anything else if there’s even the smallest possibility you’re in danger.  ❞

❝  no one is ever gonna get near you again,  you hear me?  ❞

❝  i won’t let you get hurt.  i promise.  and i don’t make empty promises.  ❞

❝  turn around.  you don’t need to see this part.  ❞

❝  just give the word and i’ll kill every one of them.  ❞

❝  you can’t get all worked up every time something happens to me.  that’s just life.  you’re not always gonna be able to protect me from it.  ❞

❝  no one else understands me.  but you do.  you always do.  ❞

❝  i don’t think i’m the best person for you,  i don’t.  but i do know i’m the one that can keep you safe  ❞

❝  hey—  look at me.  it’s over.  it’s done.  we’re okay.  ❞

❝  who the fuck made you cry i’ll fucking rip their head off.  ❞ 

❝  i know you’ve always got my back.  ❞

❝  please,  let me take care of you this time.  you’re always protecting me but it tears me up inside every time you get hurt because of it.  ❞

❝  can you make everyone else just go away?  i know they mean well but i just want to be alone—  alone with you i mean.  ❞

❝  i know when you’re here,  the real monsters can’t touch me.  ❞

❝   oh,  i am one of the monsters.  but that just means i can keep all the other monsters from ever hurting you again. ❞ 

❝  if you’re gonna keep risking your life for me than you’re also gonna let me patch you up without a single complaint.  ❞

❝  we keep each other safe.  it’s my turn to protect you.  ❞

❝  i killed them for you.  i know you could’ve done it yourself,  but you shouldn’t have to.  ❞

❝   i love you because i know how capable you are.  and i show that love by making sure you don’t have to be the one to always do the hard things.  ❞

❝   i’m gonna make them regret ever even thinking about laying a hand on you.  ❞

❝  tell me what you want me to do.  i’ll do it.  whatever you want.  ❞

❝  i love you just like this.  i love you when you touch me gently like no one else ever has.  and i love you when your hands are bloody and your knuckles are bruised. ❞

❝  please,  just let me protect you.  ❞

❝  are you hurt?  did they hurt you?  ❞

❝  wait,  stop you’re bleeding.  ❞

❝  did you just wince?  where are you hurt?  ❞

❝  i need you in my life.  i’m not used to that—  needing people.  but i do need you.  ❞

❝  you make me feel things i’m not used to feeling.  ❞

❝  why do you let me close when you’re always driving everyone else away?  ❞

❝   you’re mine.  and i protect what’s mine.  ❞

❝  thank you for always being here for me.  ❞

❝  you see things in me that i didn’t even know where there.  ❞

❝  that’s enough.  let’s go home.  ❞

❝  i’m okay now.  i’m safe.  you don’t have to be angry anymore.  ❞

❝  please stop—  this is scaring me. ❞

❝  you don’t have to do this for me.  ❞

❝   hey stop— stop!  look at me.  they’re dead now.  you can stop.  ❞

❝  i have to make an example outta them so no one else tries to hurt you again.  ❞

❝  killing for you is easy.  it’s right.  it feels natural.  ❞

❝  let me do this for you.  ❞

SCENARIOS

[ ONE ]  for sender to take a bullet for receiver. 

[ TWO ]  for receiver to take a bullet for sender. 

[ THREE ]  for sender to protect receiver and then carry them to safety. 

[ FOUR ]  for receiver to protect sender and then carry them to safety. 

[ FIVE ]  for sender to witness receiver get hurt which sends them into a violent rage.

[ SIX ]  for receiver to witness sender get hurt which sends them into a violent rage. 

[ SEVEN ]  for sender to be hurt trying to protect receiver which makes them bloodthirsty for revenge.

[ EIGHT ]   for receiver to be hurt trying to protect sender which makes them bloodthirsty for revenge.

[ NINE ]  for sender to have violently protected receiver,  so receiver kisses them to calm them down. 

[ TEN ]  for receiver to have violently protected sender,  so sender kisses them to calm them down. 

[ ELEVEN ]  for sender to carefully approach receiver in the aftermath,  gently touching them to try and bring them back to themselves. 

[ TWELVE ]  for receiver to carefully approach sender in the aftermath,  gently touching them to try and bring them back to themselves. 

[ THIRTEEN ]  sender was kidnapped,  receiver shows up to save them.  

[ FOURTEEN ]  receiver was kidnapped,  sender shows up to save them.  

[ FIFTEEN ]  sender executes a third party in front of receiver because that person hurt them. 

[ SIXTEEN ]  receiver executes a third party in front of sender because that person hurt them. 

[ SEVENTEEN ]  sender thinks they’re alone but receiver comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ EIGHTEEN ]   receiver thinks they’re alone but sender comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ NINETEEN ]  sender has been devastated by something.  receiver holds them until they calm down so they don’t do anything drastic. 

[ TWENTY ]  receiver has been devastated by something.  sender holds them until they calm down so they don’t do anything drastic. 

[ TWENTY-ONE ]  sender thought receiver died so they set out to get revenge.  receiver shows up in time to stand in front of them before they go too far.  

[ TWENTY-TWO ]  receiver thought sender died so they set out to get revenge.  sender shows up in time to stand in front of them before they go too far. 

[ TWENTY-THREE ]  sender is in a vengeful rage because of something that happened to receiver.  receiver gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FOUR ]  receiver is in a vengeful rage because of something that happened to sender.  sender gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FIVE ]  for sender to have receiver stand by somewhere safe where they can watch sender kill on their behalf. 

[ TWENTY-SIX ]  for receiver to have sender stand by somewhere safe where they can watch receiver kill on their behalf. 

ANSWERED ASK - MARIA

@devilsanddarlings asked "didn't think I'd see you again" (from jasper) (x)

Crimson lips curl in an almost devilish smirk knowing she had the element of surprise on her side. It always caught another off guard. And there was no one whose guard she wanted down more than Jasper Whitlock - not only so she could sink her tendrils under his skin as she so enjoyed, but because she'd seen what fearsome opposition he could become when challenged. "But you hoped you would si, mi amor?" Her sparkling browns, almost catlike, narrow as she slinks closer like a predator closing in on their prey. Such had always been their game "Haven't you missed me?"

📷 Victoria Pedretti by Mack Breeden

tag drop 2

thinking a lot about vera’s relationship with her maker, evelyn and how there is so much love there. she would never be rose ( that kind of love for vera is hard to replace. rose was her first love and she never got to experience actually acting on her feelings so there is a pining there for what could have been ) but it’s not like when she was married to leo and everything he did secretly gave vera the ick because it just wasn’t right, because she knew deep down they weren’t right because she didn’t feel for him in the way a married couple should.

with evelyn though it’s a really deep love, she is her partner in life. she is the first woman vera was able to be her true self with and she not only freed her from that repression but eventually freed her from the constraints of her human life too. they are unbelievably bonded.

that said, if rose confessed feelings to vera after all this time it would put vera in a very difficult situation because no matter what, even after all this time, rosalie hale still owns her heart too

Being 13 years apart, Didyme and Aro had never really experienced needing to share much with each other. Because of their difference in age, they very much held idealised views of the other sibling; Didyme saw him as somewhat of a stand in parent and he fostered his younger sibling, feeling more protective of her because she was a girl when the rest were brothers.

This changed when they became vampires. When Aro returned he still saw Didyme as the young girl he'd left behind, the one who'd idolised him, not the woman she was becoming. They were in fact quite different people, and may not have remained close had their human lives remained as such.

As vampires they began to frequently bicker as siblings closer in age would, Aro jealous of her closeness to Marcus ( whether that was because Aro coveted him for himself is undetermined, though Didyme suspected as much ) and that Didyme seemed to have a natural way with people that he did not. Aro controlled people with force, Didyme could persuade people with grace. By all regards, Didyme was more of a natural born leader than her brother, and part of her knew it and liked it.