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was too busy and tired this weekend (and i still feel a bit dead) but here are some recent jovier sketches cuz i don't have the energy to do anything else rn ;--;

modern AU Javier?? Idrk i had no plan for this drawing

Winter fun for bored outlaws ❄

Ehajhsajz I love him so much

I don't like coloring my drawings but i tried

I think Javier has religious trauma.

I don't know if this counts as a fan theory, but I've been thinking about Javier, especially his relationship with the people in his life and authority.

It's quite clear that Javier resents how much power the church had over his village, and especially how much his mother still bought into their doctrine despite the murder of her brother (Javier's uncle).

Javier is, as far as I'm aware, the only openly religious person in camp; I'm not counting Swanson as 'openly religious' as we never see him actually praying in camp, and uses his Bible to hide morphine, though I still personally consider him semi-religious.

There's also an event where Sean teases Javier ('Vanity is a sin, Mr. Escuella'), and in my opinion, Sean isn't religious--or at least doesn't come across that way--and so I've always viewed this as Sean making a dig at Javier's faith, especially Javier's response ('So is judging others, my little friend').

I understand that Sean is Fenian, but he doesn't show any apparent references to being religious other than being slightly superstitious (the scene with Jack and the white rabbit comes to mind). Again, the only character in the gang shown as directly religious is Javier.

Catholicism is very much a dominant presence in Mexico today, and certainly was back in the late 1800s, so it wouldn't be much of a surprise that Javier is catholic... except it contradicts his character.

Sort of. It's complicated.

I understand that people can be religious and resent religious institutions. With Javier, though, this seems very specific.

He despises landowners and the government to the point of becoming a rebel and eventually an outlaw; he fled his home country, leaving his family behind (which greatly pains him), all for the cause.

And yet, after all the talks around the campfire where he complains about the church (getting very passionate whilst doing so), he's still religious...or is he?

I think Javier doesn't believe in the Bible willingly; I think he suffers from Catholic guilt (because of his trauma with the church), especially whilst living this lifestyle of sin, so he prays to rid himself of it; Javier, in my opinion, is absolutely TERRIFIED of Hell.

There's a scene with Javier praying, and Swanson comes stumbling in, and states, '...it's not too late to repent,' and again, there's this running theme of sin and confession relating to Javier and his faith. Javier responds (like with Sean) with a deflection: 'Oh, in that case, I'm sure there's priests who will happily take your confession.'

It even goes beyond Javier himself; Boaz is a Hebrew name meaning 'strength' or 'in him (is) strength' [thanks for pointing that out, @javierduffy] that appears in the Bible. I just thought this was worth mentioning as it goes to show religion seems to control every aspect of Javier's life, even after attempting to leave it all behind.

The thing that made me come to this conclusion, of all things, was his Saint Denis robbery outfit. Even before I started analysing the game and its characters, I always found it sort of odd that he wore...that mask.

Why a nun? Why not his bandana?

I believe that the masks worn by the gang (particularly Javier, Micah, Bill & Charles) have some deeper meaning, and I think Javier's represents the conflict within him and the lingering trauma of his faith.

A nun robbing a bank; an outlaw who fears God and Hell.

TL;DR Javier both resents his religion and what it represents, but subconsciously still fears it and thus holds God in high regard; however, he hates the fact it has this hold on him and does all in his power to defy it (by committing sin such as vanity, murder, etc.) but all this results in is Catholic guilt and tries to pray to rid himself of it, and so the cycle repeats over and over again.

Since you were interested, @scarfacemarston.

MIV’s (mentally-ill-vaquero)s latest post on how javier has religious trauma has got me thinking …. with javier’s internalized dynamic of saviorship and worship and God and Man … there’s actually some parallels between his (history with) religion and the way he deifies and glorifies dutch and is so entrapped in dutch’s indoctrination. he’s already susceptible to manipulation because of the cultural differences and the way that dutch has intentionally positioned himself to force javier to rely on him for his literal survival, but i think his history with religion further bolsters his susceptibility to indoctrination and manipulation, and his fear of god bleeds over into his fear of dutch, who seems to have a similar hold on javier’s mortal soul. and the way that javier feels that he CANNOT leave the gang, and the way that he CANNOT doubt dutch (and when he does, he repents, by “proving” his loyalty, unquestioningly. he fears dutch’s wrath, and so he falls in line when he is confronted with it, even just a little bit.), it’s just like how many (and even dare i say javier himself) fear leaving their religion, and fear doubting god, for the intimidation of losing His mercy, and what that means for them. his relationship with religion, and with the way religion itself (especially catholicism and christianity) FORCES most people to stay out of the sheer fear of going to hell and experiencing the suffering of eternal damnation, i believe, influences his dynamic with the entire world, ESPECIALLY images of power, like dutch. god scares javier into confusion and anger and resentment, but most of all into submission and repentance, and, just the same, dutch does too.

but also, both of javier’s gods contradict each other. dutch asks him to kill, and god asks he repent for his killing. javier escuella, poor man, cannot escape a life of maddening confusion. no wonder he ends up as an angry, empty, hateful husk of a man in the end.

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