Warnings: I will be talking a lot about how terrible Donnie's crush on April is, and since I'm not an Apriltello shipper this will make it sound like I am shitting on Apriltello 2012 as a concept, but I'm actually just shitting on "Apriltello" as it is presented in the show.
This rant is also not really well structured, read at your own risk.
Okay so ever since I got Paramount + — because I got tired of getting viruses from indian websites when trying to pirate this goddamn show— I have watched TMNT 2012 a total of 5+ times, which means not only do I have a lot to say in general about this show but there is something that bothers me deeply, ever since the first season aired.
April O'Neil.
I know a lot of people shit on April in the show for how she treated Donatello, me included— and I stand by it, Cannon April is horrible — but honestly? Had she been a tad bit better written, there was a lot of potential for her character! There were so many good ideas, and all of them were WASTED.
So this is my character analysis of April O'Neil or, as I'm like to call it;
When I was 10 years old, I absolutely despised April because, naturally, I hated the love interest of most protagonists from the shows I watched because usually I felt they were badly written and other times were because I had a fictional crush on the protagonist, so in my child logic that meant I had to hate their love interests.
April was a prime example of that.
But as I've gotten older, I've realized a couple of things about April;
Firstly. April is written by grown ass men whose interactions with teenage girls likely doesn't extend further than that one time they got rejected by their crush in high school or telling their teenage daughter to go to her room, basing it off the way ALL female characters in the show are written.
Secondly, she is written by grown men who likely grew up having a fictional crush in previous versions of April.
This is... a recipe for disaster.
Look— April O'Neil and the way she acts in the show is written exactly the way adult men who are trying to write a teenage girl write teenage girls.
These dudes? They don't actually like or understand teenage girls. They had crushes on teenage girls, they thought they were hot, they might still think of the "what could have been" aspect if they didn't get rejected on prom night, but they do not respect teenage girls, they don't respect their thoughts, their feelings or their interests, and this not only means that April is a poorly written teenage girl as a result, but it also bleeds into the writing of other characters, mainly Donatello and Casey.
If you don't respect your teenage female character as a person, you're not going to write the teenage male characters to respect them either.
The writers clearly love April O'Neil, the concept. They try to sell you the idea that April is so cool, so cute/hot, this kind and empathetic soul, even though she barely does anything extremely cool or kind in the show??
The show is always trying to tell you what to think of April O'Neil, but the writing never earns that. In fact, it often shows the opposite.
The first time she sees the turtles? She screams AND is incredibly scared of them, which, understandable, but doesn't scream open-minded, does it?
When April finds out that Karai might have a semblance of a heart inside of her when they're fighting, instead of trying to create a connection with her and see if she can possible turn Karai to their side, she throws Karai down the subway stairs.
When she meets Dr. Falco with Donnie, and they're unknowingly discussing Dr. Rockwell with him, April keeps referring to the possible mutant experiments as MONSTROSITIES.
DONNIE IS RIGHT THERE!! She literally only stops when DONNIE had to express not once, but TWICE how uncomfortable he is. It doesn't take a rocket scientist to figure out the giant mutant turtle is probably going to be uncomfortable hearing people call other mutants like him monsters.
Also— April is never really the one that tries to be kind of empathetic to mutants. She only stops the turtles from beating the shit out of Pidgeon Pete when he mentions her father. So much for someone with psychic powers. When Mutagen Man comes after her, she calls him DONNIE'S MONSTER.
Yes, I get she was pissed off with Donnie and the turtles still, but referring to a random kid who by no means deserved his fate as a monster is so fucked up, April?? How would she feel if Casey called her dad when he got mutated the first time a monster? She totally would've been angry at anybody who said that.
Also this raises so many questions. Did no one explain to April who Timothy was?? Did Donnie not tell her?!? Timothy just spent months stuck to Donnie's lab, watching everybody with his creepy ass eyes and organs and Donnie was making a voicebox for the poor guy and the information just never, reached April? That Timothy was this sorta weird sorta awkward teenage kid who got involved with things he shouldn't and got himself mutated?
I don't buy it. I get it not being mentioned in the show, but I feel like SOMEBODY would have mentioned it in passing to April at some point.
Moving on, a lot of people say the way April acts towards Donnie is annoying or shallow, which while totally 100% at certain points, I think a lot of people in the fandom, for one reason or another are incapable of fully empathizing with Cannon April, and while I genuinely think Cannon April is a BAD PERSON for several reasons, I feel that she doesn't deserve as much hate as she gets— especially not for the way she acts towards Donnie.
I mean, put yourself in her shoes for a nanosecond.
You've lost your mother in a mysterious accident or something 10 years ago. Your father likely doesn't talk a lot about it, and while that bothers you, you're just going through your normal teenage ages, worried about your grades. Worried about boys. Worried about high school popularity.
Then everything changed when the Kraang attacked. Suddenly, you find yourself being saved by four giant humanoid mutant turtles who do martial arts, and your dad is kidnapped by aliens in android bodies that wear suits, the mutants save you, but you have no idea if you'll ever see your father again. You might have just lost BOTH of your parents.
But before you are able to even start processing that you realize that one of those turtles has a massive, big, fat, and OBVIOUS crush on you. But does he confess? No, he just acts, really, really awkward and weird about it.
He lowkey treats you like his girlfriend even though he never asked you out, he calls you pet names like "my sweet chinchilla" and "my princess". He stalks you through buildings. He opens his arms expecting hugs when you're around. He pets your hair. He offers to let you feel his fucking bicep lmao.
And this isn't even half of the weird shit he does!!
Look, any teenage girl or actual woman would think this is fucking weird in real life, okay? Like, this guy is going to kill me and keep my teeth in a box levels of creepy. If we're treating April with actual respect, this would be lowkey terrifying from her POV, he saved her life and he likes her, what if she says she doesn't like him?
Donnie is taller, stronger, and much more skilled than April in every way possible— up until she gets superpowers— even though yes, he is a hero, and yes, his brothers would likely not let him do anything bad to her, how does she know?
If you're a regular teenage girl, how do you know this guy isn't going to lose his shit when you reject him? While I don’t think Cannon April is scared of Donnie hurting her for rejecting him, I still think she feels rejecting him would put her into such an awkward position that it could possible ruin the friendship they have.
Let's be honest, April is a cute/conventionally attractive girl, she definitely would have gone through the Nice Guy™ cannon event by the show's events at least once.
When you're able to look past the obvious bad writing or April hate what actually lies beneath is a girl who is in a horribly awkward situation. April's life has been turned upside down, her father keeps getting kidnapped or horribly mutated, she finds out she's not even FULLY human, aliens and ninjas are constantly trying to kidnap or murder her and on top of all of this?
One of the only people who can help her, help her father, save the entite world has a massive crush on her.
In her mind, it's much less risky to just pretend like she doesn't know he has a crush on her as long as he never confesses and she has to directly turn him down.
But then things get massively awkward when she meets this new kid and they have so much chemistry, she can actually share both aspects of her life with Casey. April gets to talk about how crazy her life is but also complain about normal stuff, and hey with this new kid coming around, this means that Donnie will naturally realize how they like each other and back off right???
Hahah...
No.
He gets JEALOUS. And is actively hostile to her friend!! And it is so blatantly obvious that it's because he is jealous of Casey, they're both generally so bad at hiding how they're both into April.
So now her predicament is that Donnie is actively hostile to Casey because he views him as a threat, and Casey who doesn't let that shit slide is responding in kin. They both act like she's their girlfriend or eventually going to end up with them, even though neither of them have asked her OUT.
This is majotarily an issue because of the bad writing. But if we ignore that for a second, what this looks like is a girl that's put into a situation where no matter what she does, she loses.
Now, I see some people suggesting that Donnie's crush on April is a two-sided problem, claiming that April is either very manipulative or that she lowkey enjoys that Donnie likes her which is odd to me— Like did we watch the same show?
While you can definitely see it like that since April's character is so badly written and so bland that you can fit almost any interpretation into her actions and her being outright manipulative would have been an interestingangle to explore, I completely disagree with this reading for the cannon because outside of a few very specific episodes, April never gives Donnie any indication that she likes him, outside of those situations she never "leads him on."
Like c'mon, the only episode I can think of where she does lead him on is foot too big, which I have a lot of problems with from a writing standpoint, but the episode itself feels so out of character and conflicting.
Ignoring how that episode affects Donatello for a second, it does something really gross to April's characterization. It has her very clearly reject Donnie's advances at the start of the episode, then she's not really present for a majority of the episode until Donnie essentially does some growing and tells her how he understands how she feels and he accepts her rejection, so she kisses him????
?????
Look, this feels like that point in any amateur writer's story where they need to continue the mutual pining, but the story came to a point where it has to directly address one of the character's interest in the other, so the writer pulls something convoluted out of their ass in order to keep the mutual pining going, without realizing that the way they're writing the character makes it feel like one of them HATES THE OTHER and by making them show interest out of a sudden, it destroys the previous characterization! It's not interesting, it's not even a character flaw, it's BAD WRITING!
This episode takes the cannon, if maybe unintentional characterization of April O'Neil as a girl who knows her friend is into her, but she feels uncomfortable directly addressing, and makes it seem like she's a manipulative bitch leading him on, which not only looks very stupid but is also very ~misogynistic~
It's also such a weird episode because nothing happens after this?
It's not Donnie's fault that he's a massive creep! It's not his Father's fault for not telling him he needs to cut it out because it's weirding April out— I also have a lot of problems with the way Splinter "addresses" this issue, which is to say, outside of a single episode, he doesn't—! It's not his brother's fault for never outright saying he needs to stop because of how much of a massive creep he is! It's not Casey's fault for not addressing it either and maybe trying to have a heart to heart with Donnie about both of their feelings toward April—
No, it's the girl's fault for leading him on. Even though everything she does screams "I am not interested, dude."
Also, this isn't me saying the other characters — with the exception of Splinter — should be heavily critized for their lack of emotional intelligence when approaching this situation. But if you are going to let the other teenager's poor actions slide because they're kids, you can't expect the only teenage girl to have the emotional intelligence to deal with that situation either without making it seem sexist, y'know.
The same issue is present with the way the writers start treating Casey btw, in season 2 when April was paired with Casey, she actually felt like a fully fledged character. It actually felt like she was going to start getting some actual character development and maybe develop a relationship with Casey, which made the most sense since at this point it felt like April had no intention of addressing the "I'm half human half kraang" situation. And she had chemistry with him!
And then out of nowhere she starts acting distant and cold towards Casey? Even CASEY points it out in the show lmao.
Honestly this feels like the writers trying to very poorly balance the love triangle, they needed to give Donnie a reason to believe he still had a chance with April, while knocking Casey down enough that he thought he shouldn't directly ask her out even after all of the pseudo dates they had in season 2.
And since I'm talking about April, I feel that maybe it's because my type of woman is women like Karai, which actually felt like an interesting person, even though she was also handled poorly, but April, outside of a few very specific episodes, just feels bland.
I mean, come on, can you tell me one concrete thing about her that comes from cannon that goes deeper than surface level?
What does she like? What doesn't she like? What her thoughts on the situations she finds herself in?
She never talks about her mother beyond missing her, even in the episode where the copy of her mom is present. It just happens, and then she never talks about it again??? At least not to any noticeable extent. She never processes what it means to be a half human half kraang mutant. It takes the show like 3 seasons to even start addressing her psychic powers?!
You're telling me you gave this version of April one of the coolest powers in the history of superpowers, and YOU WAIT TILL YOUR SHOW IS ALMOST OVER TO EVEN START ADDRESSING IT?
You cannot convince me Donnie and Casey wouldn't immediately want to talk about April's powers the moment they learned about it.
Donnie would immediately start running tests, not wait until the farmhouse to do it.
Casey would think, "It's totally dope. Yo" and would want to help April train her powers.
Cue a training montage with April learning how to levitate soda cans and how to use her psychic powers with both Donnie and Casey cheering her on.
Anyways, my conclusion to this post is just how all of the characters in this show were robbed, but especially April, she's not "April O'Neil" she is "Donnie's crush", she is "Casey's love interest", she’s "the center of the conspiracy".
She's never allowed to be a character. She's never allowed to feel like a real teenage girl. She's never even allowed to reject Donnie!! She is written as if she doesn't like him but every single time where he is getting over her suddenly something happens that makes him crawl back into that stupid obssession!! Even though she is clearly not interested. April O'neil is not a character, she is a weird plot device which the writers can use to move the plot forward and push their weird fucking ships onto the audience without actually developing anything to any extent.
I rest my case.
Oh my god, how do fanfic writers make GOOD titltes for their fanfics? I can write 4k words in a single mania driven single sitting, but trying to think of a good title is like fighting God with a toothpick
Some doodles I made of @teks-emporium 's Adventure Time + 2012 crossover (Which specifically revolves around the Elemental Miniseries-) ! 😌✨
with what you just said omfg. please. 🙏🙏🙏
HEAD CANONS FOR THE 12 BOYS DOING THE SPIDERMAN KISS WITH THEIR GIRL?! HEHEHEHE
2012!Turtles x reader
A/N: I’ve been binging too much TwoSet, so this took me four days to make. Why? Because violins, baby!😂 And YES, I just saw the title of their latest video, and NO I don’t have guts to watch it😭
Warning: None💚
The peaceful quietness of your bedroom was disturbed, when you heard light tapping against your window, making you look up from whatever you were doing. A soft smile spread across your face, already knowing who you would find outside your window.
With a happy skip in your step, you made your way to your window, opening it and letting the cold night air of New York City enter your room. And there you found him, hanging upside down from the fire escape over yours, smiling at you with that sweet boyish smile and pretty blue eyes.
“Leo”, you smiled, feeling giddy at the sight of your turtle boyfriend hanging outside your window. “What are you doing here?”, you asked, climbing out on the fire escape. “You haven’t told me you would come by”.
“I just thought I’ll come by to say hey before patrol”, he smiled, watching as you came closer to him. Even upside down, you made his heart skip a beat. “Can’t a guy just check in on his girlfriend?”
“Of course you can”, you smiled, standing right before him.
The two of you smiled at each other for a moment, before your hand came to rest on his cheek, your thumb stroking his jaw.
“Will you come over after patrol?”, you asked. “My parents won’t be home before tomorrow”.
“When you ask so nicely”, Leo chuckled. “Of course I will. Anything for my girl”.
You bite your lip, feeling butterflies fly through your stomach. Something that tended to happen when Leo decided to play up his charm. And so, you softly pressed your lips to his in a soft sweet kiss. When you pulled from the kiss, you found Leo smiling from ear to ear, looking at you with pure love in his eyes.
“I love you, Leo”, you smiled, pressing a kiss to his forehead. “See you after patrol”.
“I love you too, (Y/N)”, Leo hummed, savoring the feeling of your lips against his forehead. “See you later”.
You were talking down the street, returning home after a long night out. Even without your headphones, you probably wouldn’t have noticed the familiar figure coming down from above, hanging upside down in the streetlamp you were about to pass. So when you suddenly felt a tap on your shoulder, you turned with your fists up, ready to fight like your boyfriend had taught you. But when you then found your boyfriend, hanging upside down before you with a smirk plastered across his face, you let out a sigh of relief.
“God damn Raph, don’t do that”, you sighed. “You almost scared the shit out of me”.
“I was going for your pants, but I guess that was one way to do it”, Raph chuckled, his eyes lingering on your for a moment. “On your way home?”
“One were to think that you were the genius turtle with those detective skills”, you laughed, making Raph pull a playful grimes.
“Ha ha, very funny”, he said, reaching one hand out for you, perking his lips. “Now, come here. Gimme a kiss”.
“What if I don’t want to”, you asked, not putting any effort into hiding your smile, as you took a step backwards, getting just out of his reach. Raph gasped in an overly dramatic manner, making you giggle at his antics.
“It’s not nice to lie, (Y/N)”, Raph said, faking an angry expression. “Now, give me a kiss before I get mad”, he continued, pecking his lips once more.
You couldn’t help but giggle, giving in with a bright smile. Holding Raph’s head in your hands, you pressed your lips to his in a small peck that made him hum playfully when you pulled back.
“You look pleased”, you smiled, still holding his head in your hands.
“I am”, Raph smiled. “But I would be more pleased if you gave me another kiss”.
You let out a happy laugh, throwing your head back. Your, oh so charming teaseful boyfriend, always managed to sneak in comments like that.
“Okay, you whining baby”, you smiled, before pressing your lips to his again, feeling him pull you closer with his free hand. This kiss was longer and deeper than the first, yet still short and sweet, making both you and Raph feel tingles in your stomachs.
Raph pulled from the kiss with a very satisfied look on his face, giving you that smug smile once again. “See, that wasn’t so bad”.
“Dork”, you smiled, nudging him slightly on his shoulder.
“All me dork all you want, babe. But even I know you like it”, Raph smirked, before getting ready to climb back up the lamp pole. “And when I get back from patrol, you’ll get more”.
“Donnie?”, you called out, looking around Donnie’s garage lab. But with him being nowhere to see, you did a turn on the spot, taking in your surroundings once more. Where could he be? You had texted him several times, but he still hasn't answered you. And that was an hour ago! “Babe?”
“Up here!”
You looked up to the rafters of the garage, finding your turtle boyfriend on the beams above, fiddling with wirings and all sorts of strange things, that you still had no idea what their names were.
“What are you doing up there?”, you asked, crossing your arms as you smiled up at your boyfriend.
“What does it look like I’m doing?”, Donnie smiled. “I’m fixing the lights. And the electric wires… and the heat… pretty much everything”.
“Okay, but why?”
“Well…”, Donnie sighed, sitting back up on the beam, looking up as he thought. “First Leo came and asked me to fix the lights, because it wasn’t strong enough to let him read. Then Mikey came and told me he had problems with his outlets. And then Raph started yelling up about the heating in his room. And since the wires and all access points are up here, I just decided to get them all done”.
“I guess that makes sense”, you said, taking a seat in Donnie’s chair, watching as he continued to work. “Do you need any help up there?”
“No, no, I got it”, Donnie said, not taking his eyes from what he was working with.
“Okaaayyy….”, you said, not feeling fully sure about his answer. “But please be careful, babe”.
“I’m always careful, (Y/N)”, Donnie said with a smile and his eyes closed, making you uneasy straight away. “I know what I’m doing, so there’s no need to worRY!-”
And just like you had feared it would happen, Donnie fell off the beam and tumbled towards the ground beneath. But before you could even let out a sound, and before Donnie could reach the ground, he found himself tangled up the wires he had just been fiddling with, leaving him hanging upside down just before you, with a sheepish smile. "Whoops".
You stood from the chair, crossing your arms with a smug smile, as you walked towards your tangled up boyfriend. “Seems like you do”.
“This wasn’t part of the plan”, Donnie said, looking up as his lower half tangled up.
“It wasn’t?”, you asked in a teasing manner. “Well, at least I know where I can find you now”. And then, before Donnie could ask what you meant, you took his face in your hands, before pressing a kiss to his lips, making him hum in pleasant surprise. “Now, let’s get you out of all that”.
With a sigh you laid back on the bed, turning your head to watch your boyfriend on the floor, as he tinkered around with his latest action figures. That was what happened when he got his hands on a new collectible. That was just how it was. You knew better than to get in the way of Mikey’s hobbies, but damn, sometimes you would get bored just watching him, when you had hoped that day would have been all about a couple time.
“Mikey”, you said with another sigh, trying to catch the attention of your turtle boyfriend.
“Yes, babe?”, Mikey asked, still not taking his eyes off the figure in his hand as he moved its arms around.
“When will you come and cuddle?”
“Just a moment babe, I just got to look through the rest first”.
You let out another loud exacerbated sigh, spreading your arms out on Mikey’s bed like seastar. Mikey still had several boxes on all new figures to go through, and you were getting impatient. ADHD can’t spread to other people by touch, but by this point you fully believed that you had gotten it from Mikey. Ever since you had gotten together with the orange clad turtle, you had started taking on many of his mannerisms. Such as his tendency to sigh in annoyance when getting impatient. And funnily enough, Mikey never seemed to notice when you did so. Just like right now. No reaction. Not what you wanted. So you had to do something about it. And you knew just how.
You scooted yourself around the bed, until you laid with your head resting down the side of the bed, allowing you to look at Mikey with your head upside down. You pucked your lips, making loud and obscene kissing noises. But… still nothing.
Right! That’s it! And with that you grabbed a hold of Mikey’s head, pulling him towards you as he made a surprised sound. You pressed his lips to yours, kissing him while you were still laying upside down on his bed.
“What was that for?”, Mikey asked with a smile.
“Because I’m getting impatient!”, you whined, trying to hide your smile. “And you’re just sitting there looking like a snack! What do you expect me to do?”
“You know what?”, Mikey said, laying his figure down on the floor before coming to a stand, smiling at you. “You’re right. Cuddle time!”
You did not have time to move before Mikey decided to jump on to the bed, throwing himself on you, letting you scream out in laughter, when he started attacking your face with kisses. You regretted NOTHING.
Aaaa I love this so much and I can totally see the resemblance, it would have been so good if this was explored in the show, especially considering how at times Chris Bradford/Dogpound seemed to be a loose parallel to Leo and Fishface clearly was very similar to Raph and even seemed to have a redemption arc being foreshadowed, especially in Baxter's gambit and him helping the turtle's when TigerClaw starts Shredder's cult.
I would have loved to see that kind of dynamic explored more.
I think it would have been really funny for the main 2012 Shredder villains to have a similar dynamic to the 2012 Turtles- Where they're constantly doing goofy stuff as group or getting in each other's way during missions but in a really dumb way? I don't know how else to explain that- Lmao
(I missed a lot of little details + I was going to color it but I didn't, I'm sorry- I'm super tired and I got my blood drawn today which sucked ass, so I just wasn't feelin it- 😭)
i cant believe ive completely forgotten to post my dontello’s cant vocal tones graphics
ft. my completely accidentally movie vs show split
theyre all not good at both but some are worse at certain aspects over others. except for true neutral 07 who is just The Struggler. true neutral equally shitty at both
and some additional clarifying memes as well
You can't tell me this isn't their dynamic a majority of the show- Donnie / Raph are also 5 seconds away from losing their shit and Mikey / Casey are always the victims of their wrath (While Leo and April either just exist in the back or try to "mediate" the situation-). 💀 LMAO || To be honest, I originally made this video at Mikey and Casey's expense, since it was meant to demonstrate Donnie and Raph's similarites and why I love 2012 Brawn + Brain even though we barely got any real content for them in canon,, 😔 🫶 🧪🔭🔬 / 💪💥🤬
Wow, this video is super old,, I haven't drawn like this in ages- 😭 Lmao
(Old Content)
Summary: After your eccentric uncle, Baxter Stockman, vanishes without a trace, you're the only one who can investigate his sudden disappearance.
Your father doesn't believe you and you're alone in your search for your missing uncle. You decide to take matters into your own hands.
Context: This continues right after Season 1, Episode 11: Mousers Attack!
Content Warnings: Not proofread, mentions of blood, some minor injuries, reader is a certified nerd and a bit dorky, I don't remember if I mentioned but this is going to be a slow burn because I like torturing myself, be warned— terrible dad jokes are present in this chapter
Word Count: Idk some 8k words
----
"Do you have anything to say for yourself?"
Your knee bounced up and down, matching the frantic rhythm of your pulse. Everything had blurred together— swinging katanas, laser flashes, your uncle being dragged away by that... monster, a swarm of metallic figures that seemed to swallow the entire building as you could do nothing but watch.
The thoughts in your head overlapped one another, and you wanted to say a million things, do a million things. You wanted to say 'I'm sorry' and 'I have no idea what just happened' but nothing but air came out.
Your body was shaking as if you were just pulled out from freezing water in the Arctic. Was it the blood loss? The concussion? Or just the shock? Maybe it was everything all at once, you couldn't tell. All you knew was that your dad was standing there, staring at you with those eyes— big, disappointed, and expectant eyes. You just about regretted calling him to pick you up.
You sucked in a breath, fighting back the tears that burned at the back of your throat and threatened to spill at the slighest of sounds. Your hands, slick with sweat, were locked so tightly together they hurt.
You didn't dare answer.
Never did you think silence could be deafening, but in this moment you finally understood what this phrase meant— New York had never felt so quiet, the city’s pulse muted in those seconds that seemed to stretch on, everlasting.
The only thing that broke this illusion of silence were the strangled sniffs and hitches of your breath. Quiet, stifled sobs that wanted to turn into an ugly, uncontrolled cry. Then came something different, a sigh, deep and defeated coming from your father.
You heard his footsteps retreat, the creak of his car door opening, and then it shut suddenly. His boots squeaked against the concrete before he kneeled in front of you, gently lifting your chin, forcing you to look at him.
He grunted when he saw your face—swollen, bloodied, the cut over your eyebrow has painted a good part of your face red.
"What the hell were you thinking?" he asked, his voice flat. "You sneaked out and came out to this abandoned place. What the hell happened here?" When you still didn’t answer, he called your name sternly.
You let out a small laugh but forced your eyes shut and sucked in a breath, your lips trembling. "I needed to know what happened to Uncle Baxter."
God was this deeply, utterly humiliating.
Your dad scoffed, his fingers pinching your face but gently turning it around so he could inspect your injuries. He pressed a cold water bottle to your eye. "Come on, kid."
He leaned back, studying you. "I get it. You two were close. But Baxter—" Your father paused, a quiet sigh escaping his lips. "He’s kind of a loser, honestly."
"Uncle Baxter’s not a loser," you protested, but it came out weaker than you intended.
"He's a loser," your dad repeated, pulling your chin up to inspect your black eye more closely. His fingers pressed the cold bottle with more pressure into your face, drawing a low hiss from your clenched teeth.
He paused, looking at his watch. "And by the way, as of two weeks, three days and 7 hours, he’s also a wanted criminal." He rolled his eyes. You could tell your dad was deeply annoyed and angry at your uncle for his recent shortcomings, but you wished he at least gave him the benefit of the doubt.
However, your dad had a good argument, and the growing evidence was quite hard to dispute. He’d botched his chance at that big tech job. Then, he got fired from his last office gig for breaking the copy machine. And if that wasn’t bad enough, his face had been plastered on the morning news as he terrorized his poor ex-colleagues, not once, but twice.
"He's just... going through a tough time," you added, but even you didn't believe the words.
His brow furrowed in concern. "Did he do this to you?"
"No."
"Then what the hell happened?"
You let out a dry laugh, closing your eyes.
"You wouldn't believe me even if I told you."
"Try me."
You hesitated and drew in a sharp breath, licking your lips as you sought for courage.
"Well, I found out that Uncle Baxter had this secret hideout... like a base or something that he used for his experiments. He told me about it once, and I came here to— argh!" You let out a sharp wince as your dad checked your strained ankle.
"And?" He prompted, putting your foot down on the ground gently.
"And then I found out Uncle Baxter’s got beef with, like, four human-sized turtles who do karate. And then he got kidnapped by some giant dog-man." You stated very matter of factly, as if it was the most natural thing to tell someone, almost as if you were answering what kind of coffee you had this morning, black or an expresso? "And I fell down the stairs, that's how I cut my eyebrow and sprained my ankle."
Your dad’s expression didn’t even flinch.
He raised an eyebrow slowly. "Yeah, hallucinations are a telltale sign of a concussion." He stood with a slap on his thighs and picked you up. "We're going to the hospital."
"Dad!"
-------
You sat stiffly in the passenger seat, arms folded tight across your chest and eyes staring at your faint reflection in the car window. You could see the jagged line of stitches above your left brow— fresh, red, and still itching. You kept your jaw clenched so tightly that you could see some veins jutting out of your neck.
"You want to uncross those arms or what?" Your dad said, eyes still on the road back from the hospital. "Any tighter, and they'll fuse like that forever."
You exhale sharply through your nose. "You don’t believe me, dad."
"Not even a little," he answered, not missing a beat.
He glanced over, and when he saw your expression, he sighed softly. "Look, kid. I know Baxter was into some shady stuff, and you’ve got that wild imagination— probably from your mom’s side—but human-sized turtles? Mutant dogs? You've got to know what you sound like."
Yep, there it is. That quiet judgment of his.
Your head snapped toward him. "Dad, this city’s weird. You know it is. Remember when the streets filled with rats? Like, biblical levels of rats. That’s not normal. Rats don’t coordinate en masse." You turned too fast and smacked your sprained ankle against the door, hissing through your teeth as the pain flared up your leg. "And what about that thing running loose in the sewers scaring the workers? Or those UFO videos—there are hundreds."
He let out a snort. "Have you been watching too much Grody to the Max again? That show’s gonna rot your brain with conspiracy theories. Ninjas, mutants, government cover-ups— it’s entertainment, not evidence."
"I know what I saw!"
Your voice cracked, high with frustration. You swallowed it down.
"Uncle Bax’s been missing for weeks. No calls. His apartment’s a mess—cobwebs, food rotting, mail piling up. And you think that’s fine? I mean, look—"
You search your pocket, finding your phone, and you show him the recording from earlier. He slows down at a red light and takes the opportunity to glance at the screen. You can see his eyes slowly furrowing and then squinting.
"And what am I looking at?"
You look at the screen. The recording is mostly a blur of colors and noise. You sigh in frustration. "Oh c'mon, it's the fight! Here, look!" You pause the video on a particular frame, where one of the turtles you saw from before stood, holding its katanas, ready to strike at one of the robots.
"See? That's evidence!"
"Nice costume, kid." Your dad squinted at the screen and then glanced back at the road. "Look, do me a favor, and don't let fake videos on the internet warp your brain. Okay? That stuff is not real."
"Fake videos?! I recorded this myself!" You threw your arms in the air.
"Right, and I'm the king of England."
"Unbelievable." You put the phone back into your pocket and fold your arms tighter, sinking into the seat with a pout.
"If you’re not gonna do anything to find Uncle Baxter, then— I dunno. I have to. If he’s a criminal—"
"Which he is," your dad cut in, firm and weary.
"Then shouldn’t he be in jail?" You completed.
He sighed, rubbing his jaw and scratching his beard. "Maybe. But that’s not your job. That’s the cops'. And let’s be real—you’re not exactly law enforcement material, kid. Not in that ‘Space Heroes’ t-shirt and with those little chicken arms. Just… leave it alone. Please."
"I know you love him. And I—" He sighs. "Well, he’s still my brother. But he made his choices. Don’t get caught up in his bullshit, okay?"
You stared out the window, the glass suddenly fogging from your breath.
"I’ll… I’ll try, dad."
-----
"Sorry, dad."
Over the past few weeks, whenever your father was out for work, you'd turn your room into a crime board— articles, notes, printed maps, and odd bits of evidence scattered across your desk and your bed. As much as you loved your dad, you couldn’t ignore what your gut—and your heart—told you. Your uncle meant the world to you, even if he was a bit eccentric.
You owe your love for science and robotics to him. The one who helped you build your first hot chocolate-spewing volcano, who stayed up late soldering wires and testing circuits with you. He took you to your first robot fight tournament, and together, you built a champion.
Your gaze drifted to the wall, to the collages of memories and trinkets and memories you had with your family. One photo caught your eye—your younger self, beaming atop your uncle’s shoulders, a gold medal hanging proudly from your neck. The robot you two built gleamed in the background like a loyal knight after a bloody battle. You smiled softly at the memory.
Maybe you should have known there was something odd about your uncle, the way he still held decade old grudges as if he was wronged just a couple of minutes ago, but you knew there was some good inside of him too— in some hidden part he only revealed to you, but it was there.
And that's why you couldn't just forget about him. He was still out there, and you needed to find him. Even if it meant lying to your dad.
You'd buried yourself in research these last two weeks— downloading articles, compiling headlines, and cross-referencing every bizarre incident you could find in New York. Ninjas. Criminals appear tied in alleyways, ready to be taken by the cops. Strange sightings. You didn’t know how it all connected yet, but you had to believe it did.
Two shurikens lay side by side on your desk. One bore a flower emblem, delicate and strange. The other, a crude engraving of a foot. You trailed your finger over the marks and tapped them both thoughtfully, then lay back on your bed with a groan, holding the flower-emblazoned star above your head.
"Okay," you whispered.
You turned the weapon over in your fingers as if some great truth might reveal itself if you just stared hard enough. Maybe, if you focused—just a little more—something would click.
Then your hand slipped, and you grasped it a bit too tightly in the sharp edge.
"Ow!" You hissed, shaking your hand and instinctively sticking your bleeding thumb in your mouth.
You shake your hand and instinctively shove your bleeding finger in your mouth. Welp, at least your tetanus shots were up to date.
You sighed and let your head fall back onto your pillow. "Maybe dad was right. This is way over my head. If the cops can’t figure it out, what am I supposed to do?"
But as you sat up to retrieve the fallen shuriken, your eye caught where it had landed—smack on top of a forgotten article.
You crawled over and snatched it up. The piece of paper interested you. A piece about a little restaurant in Chinatown. Harmless, at first glance. Just some local spot run by a blind man named Mr. Murakami. But it seemed to have something else to it.
The article mentioned how the area had been under the Purple Dragons’ control for years… some local thugs. Nothing new, but interestingly, a neighbor had reported strange noises coming from the restaurant one night. A fight. Some type of loud disturbance. But when questioned about the occurrence, Mr. Murakami only offered one cryptic statement:
He’d been saved.
By four mysterious samaritans.
Your heart gave a thump. Four. Four mysterious samaritans. What else did that remind you of?
You scrambled through your notes until you reached a notebook, and you flipped through the pages until you reached your sketches of the four strange turtle people you saw fighting your uncle weeks ago.
You looked down at the ninja star with the flower again, a slow smile forming on your face.
"Some Chinese food sounds pretty good right now."
----
The bell above the door gave a soft ding as you stepped into Murakami’s restaurant. The warmth hit you first—savory steam, old wood, soft chatter. The place smelled like soy broth, sesame oil, and oddly comforting.
"Welcome," said the old man behind the counter. "Please, sit anywhere you like."
You chose one of the seats farther away, dropping your backpack beside you as casually as you could. From here, you had a clear view of most of the dining area. Perfect.
A few minutes later, he shuffled over. "What can I get for you?"
You leaned in a little and gave him the small wooden token from the ordering machine outside.
Mr. Murakami ran his finger over the small piece of wood, lips curling into the faintest smile. "Ah, pizza gyoza."
"I never heard of it before," you said, voice low. "But it sounds good."
He gave a slow, approving nod. "My invention. Strange, but comforting. Not many request it—but I always remember who does." Then, without another word, he turned and slipped behind the swinging doors, the muffled hum of the kitchen swallowing him up.
The moment the swinging doors closed behind him, you started moving. You popped open your backpack and pulled out a tiny spy cam— something you’d built yourself back when you and Baxter used to sneak them into science fairs for fun. You’d hollowed out a fortune cookie holder and disguised the lens in the plastic.
You slid out of your seat, took a quick glance around, then crouched low by the condiment shelf near the counter. You tucked the fake cookie holder behind a soy sauce bottle, adjusting it slightly so the lens had a wide view of the dining room.
Then you slipped back into your seat just as Murakami returned, a small plate in hand.
"Pizza gyoza," he said with quiet amusement. "Fresh from the pan. Careful—they bite back."
You smiled awkwardly. "Thanks."
----
The glow of the computer screen paints your face in pale blue. Noodles gone cold and abandoned somewhere in a far corner of your desk. Eyes rimmed red from hours of squinting. Your room is dark except for the screen and a small desk lamp.
Click. Fast-forward. Click. Rewind. Pause.
You exhale through your nose, leaning in, you rub your eyes as you watch the pixelated footage from Murakami’s restaurant. The camera has the perfect angle for the dining area of the restaurant, but so far, you haven't seen anything but the ordinary noodle shop customers come and go.
You shove your chair back from the desk and grab your controller, flopping onto the bed while the footage plays on screen. The screen keeps playing as you mash buttons in a half-focused blur. You pause the game occasionally to squint at the screen, chewing your lip.
Later, your controller sits forgotten on the floor, amidst the crumbs of potato chips. You’ve swapped it for an old edition of Space Heroes, propped open on your knee while the footage fast-forwards again. You dog-ear the page, frown at something offscreen, rewind three seconds, but it was only a small glitch in the footage. You huff and hit play again.
You lay on your bed, pizza box open, slice hanging limply in one hand as grease drips down your wrist. Your other hand hovers over the keyboard. You're not even chewing—just watching.
The hours tick by. You curl up in your hoodie, hair messy, computer still running. Occasionally, you mutter to yourself, jot something down on a sticky note stuck to the desk: 'Murakami - hang out spot for the turtles or dead end lead?'
You finally slam the pause button mid-bite—something flickered on screen. You squint, eyes scanning the screen. You rewind slowly. Frame by frame.
The restaurant doors burst open with a clatter and a chorus of laughter, echoing off the walls before the turtles even fully enter. Mr. Murakami barely flinches—he just turns from the kitchen with his usual gentle smile.
"Welcome, my friends," he says warmly, folding his hands in front of his apron. "What can I get for you today?"
"Only pizza gyoza, the two best food groups in one beautiful bite-sized dumpling!" The orange-masked turtle — Mikey, you recall from earlier — executes an unnecessary but impressive backflip, landing with a flamboyant dab. You lift one eyebrow and write 'EXTRA' close to a small doodle on your notebook.
The red-masked turtle shoves past him with a grunt, clearly unfazed.
"Just feed him before he starts breakdancing."
"Thank you so much for your kindness, Mr. Murakami San." The turtle with the katanas and the blue mask steps forward, sitting on a stool close to the balcony.
"I should be thanking you," Mr. Murakami chuckles as he heads back into the kitchen. "My restaurant has never been so popular."
"What? But you’re the best, Mr. Murakami-san!" Mikey says with genuine affection, flopping into a chair like he owns the place.
You lean in closer to the computer screen, the blue glow reflecting in your eyes as you scribble notes in the growing margins of your notebook.
Over the next few weeks, this becomes your ritual for the weekend. Like clockwork, the turtles show up— generally on the saturdays, always full of energy and always hungry.
Mr. Murakami greets them like family. He serves up steaming plates of his strange but irresistible pizza gyoza, the sight of it makes your mouth water every espionage session. The turtles tease. They act like teenagers. They act like brothers— because they are, as you come to find out.
The blue-masked one is Leonardo. Calm, composed, looks like the leader of the group— though he’s not above wrestling over the last dumpling from time to time.
The red-masked one is Raphael. Hotheaded, sharp-tongued, but protective. He’s the type to tease his brothers mercilessly… and deck anyone who tries to do the same.
Donatello, the tallest, wore a purple mark and carried himself with a quiet intensity. He’s clearly the brain of the group, deadpan and sarcastic, his humor bone-dry and dipped in irony. You find yourself rewinding his lines more than once, smirking quietly in your dark room at each particularly funny quip.
And then there’s Michelangelo — Mikey. Loud, lovable, chaotic sunshine in a shell. The heart of the team and the most likely to get distracted mid-sentence by food. You find yourself laughing out loud at his antics more than once— and as weird as it is— and you slowly warm up to these strange mutant teens and become more curious over their lives, where they live, how they came to be. They would discuss bits and pieces here and there, but putting them together was like trying to solve a rubik's cube while colorblind.
Sometimes they talk about someone named April — a mutual friend, from the sound of it. They talk about her school, homework, the brother's tease Donatello for apparently having a crush on her— so you assume she must be a human girl. Probably.
And then—bingo. One of them mentions coming back next weekend, some type of celebration with the April girl.
You pause the footage, rewind it just to hear it again. Confirmed.
You swivel to the second monitor and grab the calendar off your wall, your chair groaning dramatically under your weight. Popping the cap off your marker with your teeth, you circle next Saturday with a bold, aggressive red loop.
----
"Hey, turtle people, you may not know me, but I sorta know you." You gesture with your hands, speaking to no one in particular as you pace nervously in the empty alleyway behind Murakami's noodle shop. You wince. "No, I sound like a stalker." Being a stalker is one thing, but sounding like it? Bad.
You stare at a faded graffiti mural on the wall—some pin-up anime girl on a motorcycle, winking like she knows how ridiculous you sound. "Turtles, we need to talk. It's about Baxter Stockman." You say, firmer this time. You sigh, too intense, it'd be a bad start.
"Hey, turtle-men, I heard you're good guys. Can you help me?" This one was even worse. You groan. "Maybe I should have practiced this earlier."
Your monologue is cut short at the sound of boots scraping pavement.
"Well, well… what do we got here?"
Your stomach drops.
Three figures emerge from the shadows behind you—leather jackets gleaming under flickering streetlights, tattoos curling up their necks like living things. One of them taps a pipe against his palm.
You smile nervously. Right, you were just standing in a random alleyway in Chinatown.
"Hey, I don't want any trouble." You stammer out.
"Who's said anything about any trouble?" One of them smiles. "Just give us your wallet and nobody gets hurt.
Your nervous smile fades as fear coils in your chest. You swallow hard, heart pounding, and slowly reach into your pocket with trembling fingers.
You pull out your wallet and hold it out, your voice barely a whisper. "Here. Just—take it."
One of the men snatches it with a scoff, flipping it open and rifling through the contents. A transit pass. Your library card. The pitiful remnants of your weekly allowance scraped together from your dad's coffee jar.
Then it slips out—your lucky Captain Ryan card.
It flutters to the dirty pavement like a fallen leaf, landing face-up in a puddle of city grime.
You stare at it in quiet horror. That card had survived middle school lunches, bus rides, and an accidental trip through the washing machine. Now it just laid there—soaked and stepped on—like your last shred of control.
"There’s almost nothing in here," the taller thug grumbles, clearly annoyed.
"H-Hey," you say, trying to stand your ground even as your voice cracks, "That’s all I have…"
"Fine. Hand over your phone."
That was your last lifeline. Your only way to call for help. Your only connection to your dad. To anything. You had photos and recordings and backups of all of your research in there.
But the look in their eyes says this isn't a negotiation.
Your fingers twitch toward your jacket pocket. Your mind races for a way out.
Just as your fingertips brush the edge of your phonecase, a heavy thud shakes the alleyway behind the thugs.
A shadow lands hard, crouched low—muscles taut, orange bandana fluttering like a warning flag in the dim glow of a flickering neon sign.
"What the—?" one of the Dragons starts to turn.
A nunchaku whip out in a blur of motion, slamming across the thug’s wrist. The metal pipe he’d been clutching clatters to the concrete. Another thug lunges, but Mikey's already moving— fluid and fast.
One thug groans on the ground, holding his stomach. Another stumbles backward, dazed, before Mikey sweeps his leg out and sends him tumbling into a stack of trash cans.
You stare—stunned—mouth slightly open. It’s him. The one from before.
After thoroughly kicking the thugs' butts with a whirlwind of honed ninja skill and just as much chaotic, childlike silliness, the alley is left scattered with groaning bodies, dented trash cans, and bruised egos.
One Dragon curses under his breath as he scrambles to his feet, clutching a bruised rib. "Freak!" he spits before taking off into the night, the others limping after him in retreat.
As they vanish into the shadows, something clatters against the ground—your phone, knocked loose in the scuffle, spinning to a stop in a small puddle by your feet.
You stare down at it, chest still heaving, pulse in your throat.
Did he just save you?
Michelangelo turns to you, panting lightly, he seemed jumpy, as if he was ready to leave, but upon looking at your face and weighing the fact that you haven't screamed or thrown anything at him so far, he seemed to change his mind. "You okay?" he asks, flashing a crooked, lopsided grin.
Your heart is hammering so fast it feels like it might rip through your ribs. "Y-Yeah," you say, and then glance at your ruined Captain Ryan card. "Well, mostly."
He kneels beside you, picking up your card carefully and giving it a shake like he might dry it out. "Sorry about your... space guy."
"Captain Ryan," you correct instinctively. "First edition. He's my favorite."
"No way! I thought only my bro was into that nerdy show." He gives you a soft smile, despite everything, you laugh. He helps you gather your things. His movements are careful, respectful, but slightly jumpy, ready to run off at any moment.
You sit up, slowly. Still catching up to what just happened. "Thank you for helping me. W-what's your name?"
"Name's Michelangelo, but my friend's call me Mikey."
"It's nice to meet you Mikey." You offer him a smile and tell him your name, he smiles brightly at the situation. "Uhm, listen, I need your help,” you say quickly, standing. "I'm trying to find someone. He disappeared. No one believes me. Not the cops, not my dad—no one. But I think something’s wrong. Something bad.”
"Who's missing?" His brow furrows under the orange bandana, confused at the sudden shift in your mood.
"My uncle." Here it goes. "Baxter Stockman."
Mikey blinks. "Wait, your uncle is Derek Stockboy?"
"Baxter Stockman." You replied firmly, a bit more annoyed than you intended. "But yes, he went missing weeks ago, I'm trying to find out what happened to him. Do you know him? Do you know what happened to him?"
Mikey studies you. Really studies you. His smile’s slowly fading, but not completely gone. There’s caution in his eyes now—but also curiosity.
His attitude was very carefree, he seemed static that a human was talking to him, but you could see the hesitancy, the slight anxiety of getting too close to you, maybe he was suspicious of you in specific? You couldn't fully tell.
"Yeah, sorry. But he's sort of the evil scientist guy type, I don't think he really wants us helping him."
"What do you mean by that?"
"He sort of hates me and my bros 'cause we kicked his butt and threw him in a dumpter once." He was laughing as he retoldthe story, but it slowly died ouy when he noticed your face. "Sorry."
Your brain raced. Evil scientist? Dumpster?! None of that tracked with the man who built you soda-spraying robots and named them after Star Trek ships. Well, maybe some of it tracked considering recent events.
You push past the disbelief. "Do you have any idea where he might be now?"
Mikey’s face softens. "I'm sorry girl, but I—" Before he can finish his sentence his phone buzzes in his belt. He turns around and picks up the phone.
"MIKEY, THE PIZZA!" A voice shouts through the speaker.
"MIKEY, YOU’VE BEEN GONE TWO HOURS!" Another voice yells—this one angrier, gruffer. You wince as it practically shakes the phone. "GET HOME RIGHT NOW OR I SWEAR I’LL KICK YOUR BUTT SO HARD YOU'LL BE STUCK IN YOUR SHELL FOR A WEEK!"
He winces. "Oops. Uh, sorry, gotta go! Nice chatting with ya!"
"Wait—Mikey—!"
Within a few moments Mikey was already jumping and going up the building's wall with incredible ease, even if you wanted to follow him you'd never make it with your chicken legs.
He gives you a smile and wave before he dissapears.
You let your arms fall to your sides in frustration.
"Ugh, c'mon!"
Master splinter be looking kind of different :0 lol can't believe he used to voice 2012 splinter haha
Drawing a character that you are not attracted to in any shape or form is hard work
So it is very late and I should be asleep but I actually finished the second part of the secrets we inherit and I am so excited for how it is turning out but I gotta wait to post it, I need to at least pretend I proofread my shit before forcing it upon the world
Call me Mr. Isopod ♤ I'm just a cave hermit whose life has been consumed by Teenage Mutant Ninja Turtles. ♡ I write, sometimes ◇ He/Him MDNI ♧ 21 《 Requests: Open 》
35 posts