We have lived and will live again in these moments, precious to every blink and eye that beat as one
some highlights from my writing seminar with honestly one of my favourite authors of all time who shall remain nameless bc i dont want her to know i was spilling her secrets online
The first trick is to detach yourself from your idea. You don’t have just one novel inside you, and it’s not a big deal if you don’t finish this novel.
She was skeptical of the common advice “just write!!1!” - she talked about how long ideas for her most popular novels were marinating inside her before she properly wrote them
As a continuation of that, she was a big believer in knowing what you want to write before you write it. Not what you’re going to write, what you want to write.
The first thing she decides about a novel is what the mood is going to be, and this informs every other decision (e.g. the mood for Shiver was bittersweet)
Ideas should be personal, specific, exciting and they should exclude secondary sources. A personal idea isn’t necessarily autobiographical (which should be avoided), but it speaks to your emotional truth.
She said she had been read Ronsey fanfiction and she couldn’t view her car in the same way since.
Story is the thing that seems most important to reader but is most changeable to the author - story is subservient to your mood and your message. Change what you like in the plot as long as your book retains its sense of self.
Story is conflict, exploration and change. A good story has active tension -the characters want something, instead of just wanting something not to happen (e.g. wanting to kill an enemy instead of simply defending a stronghold against an enemy)
A story needs to have a concrete end, something to be done.
Satisfaction is important - deliver what you promise to the reader. The other shoe has to drop. Ronan Lynch doesn’t ever talk about his feelings, so its rewarding when he does.
Earn your emotional moments (she threw shade at Fantastic Beasts lmao)
Forcing a character to be passive is dissatisfying to the reader.
Characters are products of their environments, consistent/predictable, nuanced and specific, moving the plot, and subservient to other story elements.
She always starts with tropes for ensemble casts like sitcoms. Helpful for building good character dynamics.
Write scenes with characters saying explicitly what they’re thinking and then go back and make them talk like real people in the edit.
An action can also prove what they’re thinking, instead of making them say it or another character guess it (e.g. Ronan punching a wall).
Move the reader’s emotional furniture around without them noticing.
All her books follow the three act structure. Established normal -> inciting incident -> character makes an Active Decision -> fun and games -> escalation -> darkest moment -> climax.
Promise what you’re going to do in the first five pages.
Read your book out loud. Record yourself reading it.
If you have writer’s block, it’s because you’ve stopped writing the book you want to write. She likes to delete everything she’s written until she gets back to a point where she knew she was writing what she wanted to write, and then carrying on from there.
Rain falls on the many and sunshine only a few. In moments of joy, rain sure does feel like sunshine.
Hey there!📚✨
As writers, we all know that feeling when we read a sentence so beautifully crafted that it takes our breath away. We pause, reread it, and marvel at how the author managed to string those words together in such a captivating way. Well, today I'm going to unpack a few secrets to creating that same magic in your own writing. These same tips I use in my writing.
But before I begin, please remember that writing is an art form, and like any art, it's subjective. What sounds beautiful to one person might not resonate with another. The tips I'm about to share are meant to be tools in your writer's toolkit, not rigid rules. Feel free to experiment, play around, and find what works best for your unique voice and style.
One of the most overlooked aspects of beautiful prose is rhythm. Just like music, writing has a flow and cadence that can make it pleasing to the ear (or mind's ear, in this case). Here are some ways to incorporate rhythm into your writing:
a) Vary your sentence length: Mix short, punchy sentences with longer, flowing ones. This creates a natural ebb and flow that keeps your reader engaged.
Example: "The sun set. Darkness crept in, wrapping the world in its velvet embrace. Stars winked to life, one by one, until the sky was a glittering tapestry of light."
b) Use repetition strategically: Repeating words or phrases can create a hypnotic effect and emphasize important points.
Example: "She walked through the forest, through the shadows, through the whispers of ancient trees. Through it all, she walked with purpose."
c) Pay attention to the stressed syllables: In English, we naturally stress certain syllables in words. Try to end important sentences with stressed syllables for a stronger impact.
Example: "Her heart raced as she approached the door." (Stronger ending) vs. "She approached the door as her heart raced." (Weaker ending)
Beautiful prose often creates vivid imagery in the reader's mind. Here are some techniques to help you paint with words:
a) Use specific, concrete details: Instead of general descriptions, zoom in on particular details that bring a scene to life.
Example: Instead of: "The room was messy." Try: "Crumpled papers overflowed from the waste bin, books lay spine-up on every surface, and a half-eaten sandwich peeked out from under a stack of wrinkled clothes."
b) Appeal to all five senses: Don't just describe what things look like. Include smells, sounds, textures, and tastes to create a fully immersive experience.
Example: "The market bustled with life. Colorful fruits glistened in the morning sun, their sweet aroma mingling with the earthy scent of fresh herbs. Vendors called out their wares in sing-song voices, while customers haggled in animated tones. Sarah's fingers brushed against the rough burlap sacks of grain as she passed, and she could almost taste the tang of ripe oranges on her tongue."
c) Use unexpected comparisons: Fresh similes and metaphors can breathe new life into descriptions.
Example: Instead of: "The old man was very thin." Try: "The old man was a whisper of his former self, as if life had slowly erased him, leaving behind only the faintest outline."
Every word in your prose should earn its place. Here are some tips for selecting the right words:
a) Embrace strong verbs: Replace weak verb + adverb combinations with single, powerful verbs.
Example: Instead of: "She walked quickly to the store." Try: "She hurried to the store." or "She dashed to the store."
b) Be specific: Use precise nouns instead of general ones.
Example: Instead of: "She picked up the flower." Try: "She plucked the daisy."
c) Avoid clichés: Clichés can make your writing feel stale. Try to find fresh ways to express common ideas.
Example: Instead of: "It was raining cats and dogs." Try: "The rain fell in sheets, transforming the streets into rushing rivers."
The sound of words can contribute greatly to the beauty of your prose. Here are some techniques to make your writing more musical:
a) Alliteration: Repeating initial consonant sounds can create a pleasing effect.
Example: "She sells seashells by the seashore."
b) Assonance: Repeating vowel sounds can add a subtle musicality to your prose.
Example: "The light of the bright sky might ignite a fight."
c) Onomatopoeia: Using words that sound like what they describe can make your writing more immersive.
Example: "The bees buzzed and hummed as they flitted from flower to flower."
How you structure your sentences can greatly affect the flow and impact of your prose. Here are some tips:
a) Use parallel structure: When listing items or actions, keep the grammatical structure consistent.
Example: "She came, she saw, she conquered."
b) Try periodic sentences: Build suspense by putting the main clause at the end of the sentence.
Example: "Through storm and strife, across oceans and continents, despite all odds and obstacles, they persevered."
c) Experiment with sentence fragments: While not grammatically correct, sentence fragments can be powerful when used intentionally for emphasis or style.
Example: "She stood at the edge of the cliff. Heart racing. Palms sweating. Ready to jump."
Sometimes, what you don't say is just as important as what you do. Use paragraph breaks and short sentences to create pauses and emphasize important moments.
Example: "He opened the letter with trembling hands.
Inside, a single word.
'Yes.'"
One of the best ways to polish your prose is to read it aloud. This helps you catch awkward phrasing, repetitive words, and rhythm issues that you might miss when reading silently.
Beautiful prose often comes from rigorous editing. Don't be afraid to cut words, sentences, or even entire paragraphs if they don't serve the overall beauty and effectiveness of your writing.
Please! Read widely and pay attention to how your favorite authors craft their prose. Analyze sentences you find particularly beautiful and try to understand what makes them work.
Like any skill, writing beautiful prose takes practice. Set aside time to experiment with different techniques and styles. Try writing exercises focused on specific aspects of prose, like describing a scene using only sound words, or rewriting a simple sentence in ten different ways.
Remember, that developing your prose style is a journey, not a destination. It's okay if your first draft isn't perfect – that's what editing is for! The most important thing is to keep writing, keep experimenting, and keep finding joy in the process.
Here are a few more unique tips to help you on your prose-perfecting journey:
Keep a notebook or digital file where you collect beautiful words, phrases, or sentences you come across in your reading. This can be a great resource when you're looking for inspiration or the perfect word to complete a sentence.
There's something inherently satisfying about groups of three. Use this to your advantage in your writing, whether it's in listing items, repeating phrases, or structuring your paragraphs.
Example: "The old house groaned, creaked, and whispered its secrets to the night."
Sometimes, the most powerful prose comes from what's left unsaid. Use implication and subtext to add depth to your writing.
Example: Instead of: "She was heartbroken when he left." Try: "She stared at his empty chair across the breakfast table, the untouched coffee growing cold."
Experiment with different points of view to find the most impactful way to tell your story. Sometimes, an unexpected perspective can make your prose truly memorable.
Example: Instead of describing a bustling city from a human perspective, try describing it from the point of view of a bird soaring overhead, or a coin passed from hand to hand.
While it's important to use punctuation correctly, don't be afraid to bend the rules a little for stylistic effect. Em dashes, ellipses, and even unconventional use of periods can add rhythm and emphasis to your prose.
Example: "She hesitated—heart pounding, palms sweating—then knocked on the door."
Create Contrast 🌓
Juxtapose different elements in your writing to create interest and emphasis. This can be in terms of tone, pacing, or even the literal elements you're describing.
Example: "The delicate butterfly alighted on the rusted barrel of the abandoned tank."
Synesthesia is a condition where one sensory experience triggers another. While not everyone experiences this, using synesthetic descriptions in your writing can create vivid and unique imagery.
Example: "The violin's melody tasted like honey on her tongue."
Remember those sentence diagrams from school? Try diagramming some of your favorite sentences from literature. This can give you insight into how complex sentences are structured and help you craft your own.
When describing a setting, try taking your reader on a sensory tour. Move from one sense to another, creating a full, immersive experience.
Example: "The old bookstore welcomed her with the musty scent of aging paper. Dust motes danced in the shafts of sunlight piercing the high windows. Her fingers trailed over the cracked leather spines as she moved deeper into the stacks, the floorboards creaking a greeting beneath her feet. In the distance, she could hear the soft ticking of an ancient clock and taste the faint bitterness of old coffee in the air."
While passive voice has its place, active voice generally creates more dynamic and engaging prose. Compare these two sentences:
Passive: "The ball was thrown by the boy." Active: "The boy threw the ball."
Sometimes, the most beautiful prose comes from describing everyday occurrences in a new light. Challenge yourself to find beauty and meaning in the mundane.
Example: "The kettle's whistle pierced the quiet morning, a clarion call heralding the day's first cup of possibility."
Experiment with how you present the passage of time in your prose. You can stretch a moment out over several paragraphs or compress years into a single sentence.
Example: "In that heartbeat between his question and her answer, universes were born and died, civilizations rose and fell, and their entire future hung in the balance."
Anaphora is the repetition of a word or phrase at the beginning of successive clauses or sentences. It can create a powerful rhythm and emphasize key points.
Example: "She was the sunrise after the longest night. She was the first bloom of spring after a harsh winter. She was the cool breeze on a sweltering summer day. She was hope personified, walking among us."
Try to create images that linger in the reader's mind long after they've finished reading. These don't have to be elaborate – sometimes a simple, unexpected combination of words can be incredibly powerful.
Example: "Her laughter was a flock of birds taking flight."
Familiarize yourself with rhetorical devices like chiasmus, antithesis, and oxymoron. These can add depth and interest to your prose.
Example of chiasmus: "Ask not what your country can do for you – ask what you can do for your country." - John F. Kennedy
Even the most accomplished authors continue to hone their craft with each new piece they write. Don't be discouraged if your first attempts don't sound exactly like you imagined – keep practicing, keep experimenting, and most importantly, keep writing.
Your unique voice and perspective are what will ultimately make your prose beautiful. These techniques are simply tools to help you express that voice more effectively. Use them, adapt them, or discard them as you see fit. The most important thing is to write in a way that feels authentic to you and brings you joy.
Happy writing, everyone! 🖋️💖📚 - Rin T
Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!
On Existence and the Human Experience.
Joseph Campbell, “Joseph Campbell and the Power of Myth”, Ep. 4, “Sacrifice and Bliss” / Louise Glück, “Snowdrops” / Ellen Bass, “The Thing Is” / @obeliskandmetronome / Fyodor Dostoyevsky, “The Brothers Karamazov” / Maggie Stiefvater, “Blue Lily, Lily Blue” / Eve L. Ewing, “Testify”
Over there, a mountain side
billowing over a timeless pride
a valley, full of wisps and sighs
each flower an ear
each leaf an eye
.
The sun does not set here
forever, the full moon bright and sheer
will expel the living of their fear
the light-filled twins
share a darkened sky
.
I sat down amongst it all
my mind swaying, a graceful fall
settled within this imagined world
my head a blur
my heart a whirl
by gettymuseum
I was diagnosed with dyspraxia. A lot of people know it as the “clumsy disorder” but it’s a lot more and I think it has a lot to do with my speech.
It’s more then just the “clumsy disorder”. I’m more then clumsy. I have weak core muscles, I’m weak, I’m uncoordinated, I’m constantly running into things, I can’t grip a fork right, I spill food and get it all over myself
Yes, I’m clumsy, I drop things, spill things, etc. But it’s more then that. It affects me greatly and I think when people mark it just as “being clumsy” they are undermining a disorder that affects people greatly.
With my speech, I talk in a monotone, which is easier for me. I talk in simplified language and don’t use big words. I slur and stutter my words aswell,
I just realized this when I was talking about dyspraxia and I thought it’d be important to discuss.
Portrait of María Hahn - Raimundo de Madrazo y Garreta
Historian, writer, and poet | proofreader and tarot card lover | Virgo and INTJ | dyspraxic and hypermobile | You'll find my poetry and other creative outlets stored here. Read my Substack newsletter Hidden Within These Walls. Copyright © 2016 Ruth Karan.
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