Portrait Of María Hahn - Raimundo De Madrazo Y Garreta

I would love to see a collection of quotes about the moon/moongazing. Thanks

"We looked at the moon and the moon looked at us."

— Helen Oyeyemi, from ‘White Is for Witching’

"How bright, glaring-bright, the moon […] Shreds of cloud blowing across it like living things."

"A cold-glaring full moon suspended in the sky like the unblinking eye of God."

— Joyce Carol Oates, from ‘We Were the Mulvaneys’

"There is something haunting in the light of the moon; it has all the dispassionateness of a disembodied soul, and something of its inconceivable mystery."

— Joseph Conrad, from 'Lord Jim'

"As the moon’s shadow passes over you—like a rush of gloom, a tornado, a cannonball, a loping god, the heeling over of a boat, a slug of anaesthetic up your arm…"

— Anne Carson, Decreation: Poetry, Essays, Opera; from ‘Totality: The Colour of Eclipse’

"Under the shield of night, / let me unburden the moon."

— Forugh Farrokhzad, Reborn; from ‘Border Walls’, tr. Sholeh Wolpé

"The moon is my mother. She is not sweet like Mary. / Her blue garments unloose small bats and owls."

— Sylvia Plath, Ariel; from 'The Moon and the Yew Tree'

"The brimming moon looked through me and I could not move."

— Ted Hughes, Recklings; from ‘Keats’

"The full moon is out, casting her equivocal corpse-glow over all."

— Margaret Atwood, from ‘The Testaments’

"I never go walking in the moonlight, never, without being met by thoughts of my dead, without the feeling of death and of the future coming over me."

— Johann Wolfgang von Goethe, from ‘The Sorrows of Young Werther’ tr. David Constantine

"And the moon is wilder every minute."

— W. B. Yeats, Michael Robartes and the Dancer; from 'Solomon and the Witch'

"A moon loosened from a stag’s eye,"

— Theodore Roethke, Praise to the End!; from ‘Give Way, Ye Gates’

"Moon full, moon dark,"

— Sylvia Plath, Collected Poems; from ‘Goatsucker’

"Let’s order one last round and kiss in front of god and the rest of the drunks, then pour ourselves out into the night, following the moon anywhere but home."

— William Taylor Jr., from ‘Literary Sexts: Volume 2′

"In the window, the moon is hanging over the earth, / meaningless but full of messages."

— Louise Glück, A Village Life; from ‘A Village Life’

"while from the moon, my lover’s eye / chills me to death"

— Sylvia Plath, Collected Poems: Juvenilia; from ‘To a Jilted Lover’

"The moon has a strange look to-night. Has she not a strange look? She is like a mad woman, a mad woman who is seeking everywhere for lovers."

"Look at the moon! How strange the moon seems! She is like a woman rising from a tomb. She is like a dead woman."

"Oh! How strange the moon looks. You would think it was the hand of a dead woman who is seeking to cover herself with a shroud."

— Oscar Wilde, from 'Salomé'

"The moon has nothing to be sad about, / Staring from her hood of bone. / She is used to this sort of thing. / Her blacks crackle and drag."

— Sylvia Plath, Collected Poems; from ‘Edge’

"Where, indeed does the moon not look well? What is the scene, confined or expansive, which her orb does not hallow?"

— Charlotte Brontë, from 'Villette'

"And the tarnished sliver of moon glows / Like an old serrated knife."

— Anna Akhmatova, Seventh Book: from ‘In a Broken Mirror’, tr. Judith Hemschemeyer

"In the full moon you dream more."

— Margaret Atwood, Morning in the Burned House; from ‘The Ottawa River By Night’

"…the moon appeared momentarily […] her disk was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud.

— Charlotte Brontë, from ‘Jane Eyre’

"It is not so much moonless as the moon is seen nowhere / And always felt."

— Dorothea Lasky, Black Life; from ‘Poets, You Are Eager’

"If the moon smiled, she would resemble you. / You leave the same impression / Of something beautiful, but annihilating."

— Sylvia Plath, Ariel; from ‘The Rival’

16th century flower illustration PNGs.

(source: Book of Flower Studies, ca. 1510–1515)

smoking cigarette & sipping mango, watching the world spin: fighting the urges, my mind is a maze, a cage of contradiction, lost in addiction, losing to my misery, life presents me blessing, good things, in which candid moments of bliss, lie awake & alive, alive as essence, greenery is all I need, nature's naked gifts of life, breathe breath into me, ouroboric wandering idol, cosmic ghost; inward & outward, great thing of wondrous depth, not in death.

Wound from the Mouth of a Wound, ‘Essay Fragment: Preexisting Conditions’ by Torrin A. Greathouse

[ID: Mother Mary, scars on my wrists                 my spine a cracked rosary             eyelids a thin & bloody veil.]   

ocean vuong | richard siken

Writing Notes: The Story Circle

The Story Circle by Dan Harmon is a basic narrative structure that writers can use to structure and test their story ideas.

Telling stories is an inherently human thing, but how we structure the narrative separates a good story from a truly great one.

The Dan Harmon Story Circle describes the structure of a story in 3 acts and with 8 plot points, which are called steps.

When you have a protagonist who will progress through these, you have a basic character arc and the bare minimum of a story.

As a narrative structure, it is descriptive, not prescriptive, meaning it doesn’t tell you what to write, but how to tell the story.

The steps outline when the plot points occur and the order in which your hero completes their character development.

These 8 steps are:

You - A character is in their zone of comfort

Need - But they want something

Go! - So they enter an unfamiliar situation

Struggle - To which they have to adapt

Find - In order to get what they want

Suffer - Yet they have to make a sacrifice

Return - Before they return to their familiar situation

Change - Having changed fundamentally

The hero completes these steps in a circle in a clockwise direction, going from noon to midnight.

The top half of the circle and its two-quarters of the whole make up act one and act three, while the bottom half comprises the longer second act.

In their consecutive order, the Story Circle describes the 3 acts:

Act I: The order you know

Act II: Chaos (the upside-down)

Act III: The new order

Working with the Story Circle enables you to think about your main character and to plot from their emotional state.

The steps will automatically make your hero proactive as you focus on their motivation, their actions and the respective consequences.

Sources: 1 2 3 More On: Character Development, Plot Development

"It is not every one," said Elinor, "who has your passion for dead leaves."

I feel that my entire experience with reading Jane Austen's Sense and Sensibility can be summed up in the sarcasm of that sentence.

something i wish i had realized earlier: you can write poems on the same subject more than once. you can write, paint, draw the same thing over and over if you want to. you can spend your whole life making art about oranges. i think i always felt this pressure to get it right the first time like i couldn’t go back and use that inspiration again. but you can. you can go back and revisit it. you can pick up the conversation again and again if you have more to say.

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and one fine morning, i float away; drifting into that azure emptiness

You storm away without a backward glance

only troubled minds seek paradise

an escape to a better world 

far from circumstance

you whisper to yourself at night

clearing tear-tracked eyes, a haunted sight

I see you now through the mirror glass

cursing what blocks your well-trodden path