POLITICAL INTRIGUE! Intrigue in general! What is it?
For the purposes of this post (as well as how it's usually used in the writing/reading community), think: scheming. Plotting. Conspiracies in the shadows, bids for power and survival, secret plans, masterful illusions, all of that stuff.
It could be on any scale that you'd like, from a duel of wits (think Light's and L's game of cat and mouse in Death Note)
...to a large-scale plot involving entire countries and their people (like any espionage networks during any major wars, such as the American Revolutionary War to World War II, and so many more)
...or even medium-sized conflicts (families, like in The Godfather, or smaller national disturbances like the Watergate scandal).
Below are 4 core tips on how you can successfully write (political) intrigue plots:
Despite how hard it may sound, it's actually pretty easy to craft a realistic yet thrilling intrigue plot—with so many examples in real life and fiction, you can easily base your plot on an existing one and just change a few things like the characters, setting, and maybe a few plot points.
History and current events are always great places to look to, but here are some books that are chock-full of great politics + intrigue:
Leviathan (Thomas Hobbes): one of the most famous treatises of politics + human nature and their intersection. The book is an in-depth exploration of human nature, government, politics, and all of the root causes of why they exist. While it does take a specific philosophical angle (you might not agree with Hobbes' ideas), they are detailed explanations of how things work + why they are required from one perspective.
48 Laws of Power (Robert Greene): GREAT BOOK for helping you plan out the means by which you want the intrigue to happen. There are lots of simplified rules that tell you why people plan and scheme (e.g. "control the options; get others to play the cards you deal," or "pose as a friend, work as a spy"). There are LOTS of really great small stories of when a rule is applied in real life that are also general plot inspo!
The Godfather (Mario Puzo): very very good, intricate, and more emotional because it deals with the intrigue surrounding families
Joseph Fouché: Portrait of a Politician (Stefan Zweig) (biography): Fouché is absolutely insane. A genius at political intrigue. His life is literally one of the craziest stories of scheming, betrayals, survival, and a general vying for power, especially behind the scenes.
The Prince (Machiavelli): obviously, I can't leave out the original tips + tricks book with explanations of WHY intrigue matters as a means, especially in terms of protecting your power.
Trust Me, I'm Lying (Ryan Holladay): a large part of intrigue plots (you need to cover up the actual game you're playing) is the manipulation of information, creating illusions and spectacles for other people to believe. This book goes in-depth about media manipulation and information wars.
Empire of Pain (Patrick Raden Keefe): takes a rather different angle, through the personal/corporate manipulation of government, as well as how wealth dynasties (especially within families) are established. Remember the opioid crisis? This book explores the generational politics of money and power that led up to that.
Prince of Thorns (Mark Lawrence): Look! Fiction! Anyway, I'm biased because it's one of my favourite works of fiction of all time, but it explores political intrigue not only through an actor participating in it, but through the lens of the common folk. I.e., the consequences all that power play has on the populace due to a lack of actual good governance...
A Song of Ice and Fire (George R. R. Martin): I haven't personally read/watched anything GoT, but it's pretty much obligatory to put this series down in a post about political intrigue. It's famous for doing it well.
First of all, decide what scale you want your intrigue to be on: large-scale government/international affairs type, a corporation thing, something between two people, or even within a family? There are so many possibilities.
Intrigue plots are like mysteries; they must be tightly logical to be satisfying. One of the best ways of ensuring this is through analyzing each involved party—the actors.
Each actor has their own motivations, goals, and psychologies. After you establish what they want OUT of their intrigue, think about how they'd go about achieving it: a naturally hot-headed person might try to intimidate their way into getting what they want, or they might learn through the course of the story to cool down a bit.
A naturally imaginative and analytical person might come up with all sorts of scarily genius plans, and near-flawless execution. Of course, they would also react in different ways, depending on personality. Character consistency alone will make your plot seem that much more logical.
However, cracks in logic will happen because humans are inherently imperfect and not always rational. These cracks must be DELIBERATE and realistic and must seem planned out; they can't seem more like the author forgot a detail, or didn't know how to explain something (e.g. something happened and the writer never included the consequence of it because they forgot). It must be clear that it is a flaw on the character's part.
The incentive of all scheming comes down to mainly two things: gaining power and keeping it. Of course, you could choose to explore more unusual things, such as characters exercising intrigue to satisfy boredom... (think Light and Ryuk from Death Note).
But, the bids for power, security, and survival can be used to highlight things about human nature. Themes to explore include ambition, sacrifice, the pursuit of happiness, the corruption of character, the preservation of innocence in a cruel system, etc.
Most intrigue plots are full of complex motivations, characters, goals, and the means they use to achieve said goals.
You should gradually let your intrigue plot unfold through the POV of a few characters, preferably one or two. An omniscient narrator for this type of story is INCREDIBLY difficult to pull off without confusing the reader.
However, more POVs work if you use all of them to focus on ONE or a few intrigue plots only—it can provide a multi-layered effect, exploring the same line of action and consequence through different perspectives. But, if everyone has their own intrigue plot, it's too easy to create a tangled mess where readers can barely delineate one plot from the next.
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instagram: @ grace_should_write
Sorry for the massive hiatus—I have officially started college!! I've been pre-occupied with settling in, classes starting, a social life, extracurriculars etc. etc...life has been super busy, but great :)
I've started working on my books as well as poetry more recently, and I'm glad I'm getting into a new workflow/lifestyle. It certainly is different, but I'm starting to enjoy it.
Anyway, I'm surprised it took me this long to do a post about this topic, considering the fact that it's basically my writergram niche and my entire personality IRL, but I think it was mainly because I was trying to find a good angle to approach this massive topic. But, stay tuned for (probably) a part 2 because there's SO MUCH MORE to cover.
Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)
Happy writing, and have a great day!
- grace <3
Pacing is one of my favourite things to pay attention to when reading or writing something. The pacing of a scene is literally how ‘fast’ or ‘slow’ a scene appears to be moving. Action scenes that spring the story from one place to another tend to go faster than introspective scenes or scenes that explore character dynamics.
All of this is created through putting space and words between elements of the scene. What I mean by that is that readers interpret a passage of time between ‘things’ (actions, dialogue, gestures, etc.) on the page, and pacing is controlling that interpretation.
For example,
“Georgia sat on the couch, “wow it sure is hot in here,” she said. “It sure is,” Henry agreed, sitting next to her.”
This sentence is just about the actions with some breaking dialogue, but it goes pretty quickly through what’s happening.
Whereas, if we were to intentionally pace this scene, it may look like this:
“Georgia swiped at her brow, wandering over to sink into the couch. “It sure is hot in here,” she said, peering up at Henry through the wisps of her bangs. He nodded weakly, his entire body sagging from the heat. Crossing the room to collapse next to her, he added dryly, “it sure is.”
It’s not perfect, but you can get a sense of the time between things happening. The added detail between the two characters talking conveys maybe a minute between sentences, which might be accurate for two people dogged down by a heat wave.
To speed things up, we want less space between elements:
“Adam slammed open the door with his shoulder, letting it bounce off the concrete wall behind him. “Everyone out!” He shouted. A crack in the roof snapped above them.”
The added (or subtracted) elements of a scene that control your pacing is the sights/sounds/feelings/smells/maybe tastes of a place. When we’re anxiously rushing to get out of the house we may not acknowledge that the kitchen smells like the bread our roommate baked that morning, or that there are smudges on the window from when the dog climbed up on the couch. However, when we have a second to contemplate, we’re going to notice these things, and it would be appropriate to write them in.
Another important element to controlling pacing is your character’s thoughts or acknowledgement of feelings.
For example:
“Adam slammed open the door with his shoulder, it bounced off the concrete wall behind him. He winced, his mother’s high voice ringing in his head, chiding him for damaging the walls even though he knew the building was coming down on top of them. How long would he live with her constantly in his mind? He tried to wave away the memory. “Everyone out!” He shouted.”
That slows down the scene quite a bit, yeah? And maybe that’s what you wanted in that moment. Play around with the details and pacing in your scenes, you might be surprised how much can change.
Good luck!
writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:
- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:
what skills do they lack? what do they struggle with?
can their strengths be turned against them as a weakness?
what makes them react emotionally or impulsively?
are they aware of their flaws? if so, do they want to improve them or change them?
- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:
how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?
what skills do they have that hardly anyone else has?
what obscure thing are they obsessed with?
do they have a unique outlook on life compared to their peers?
- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:
how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?
what, if anything, will change or shatter their values?
are their actual values misaligned with their believed values?
- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:
how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?
why does the overarching stake matter to my character? why do they care?
how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?
- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:
what does connection mean to my character? how do they show how they value their connections or relationships?
how does my character’s behavior change when around different connections?
what connections define my character and their reality? how will these connections influence my character and/or the plot?
how will removing or challenging a connection change, influence, or motivate my character?
a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.
you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.
happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.
1. Set specific goals: Before each writing session, establish clear objectives for what you want to accomplish. This helps you stay focused and motivated throughout the session. Whether it's completing a certain number of pages, reaching a specific word count, or finishing a particular section, having a goal in mind keeps you on track.
2. Create a conducive writing environment: Find a quiet and comfortable space where you can minimize distractions. Eliminate clutter, turn off notifications on your electronic devices, and set up a writing area that inspires creativity. Some people find instrumental music or ambient sounds helpful for concentration, so experiment to find what works best for you.
3. Develop a routine: Establish a regular writing schedule and stick to it. Consistency builds momentum and makes writing sessions feel more like a habit. Whether you prefer to write early in the morning, late at night, or during specific time blocks throughout the day, find a routine that aligns with your energy levels and other commitments.
4. Use productivity techniques: Explore different productivity techniques to enhance your focus and efficiency. One popular method is the Pomodoro Technique, which involves working for a concentrated period (e.g., 25 minutes) followed by a short break (e.g., 5 minutes). Repeat this cycle several times, and then take a longer break (e.g., 15-30 minutes). Other techniques include time blocking, task prioritization, and setting deadlines.
5. Minimize self-editing during the drafting phase: When writing your first draft, try to resist the urge to constantly edit and revise. Instead, focus on getting your ideas down on paper without judgment. This allows for a more continuous flow of thoughts and prevents self-censorship. Save the editing for later drafts, as separating the drafting and editing stages can lead to increased productivity and creativity.
hey do you have any tips on how to write surreal horror (mostly short stories?) it's a genre that i've really been interested in trying to write, but i'm not too sure how to go about it (and thanks for providing such a useful blog :D)
I love surreal horror.
Okay.
Plot twists are your best friend. Do the unexpected. Do a 180 last second, turn everything around on the reader. Obviously it has to be believable with in the context of the story, but keep it a surprise.
False sense of security? Works wonders. Nothing is safe. Let readers think something is good/pure/innocent/calm/safe/helpful/etc when it’s not. Lure them into that trap. Let them believe and then rip it away from them.
Invert things. Similar to the false sense of security. Take things that are usually strongly associated with one thing, and associate it with the opposite. Take something dark and make it the good thing. Take something bright and make it evil. Take something sweet and make it bitter. Take something healthy and make it deadly. If you do it right, you can make the reader curiously uncomfortable.
With surreal horror you want to shock your reader. You want to make them feel strangely uncomfortable. You want to make them question things.
Hope that helps :)
Every culture and society has holidays! They are often one of the most enjoyable parts of societies and bring people together despite all of their differences. For your story, they are a great way to take your worldbuilding to the next level and make everything feel that much more real. But, Ailey, why does my world even need holidays? Well, personally, holidays are so much fun to create. You can pretty much do whatever you want to do! And, holidays can often provide great opportunitiesfor plots and sub-plots in your story. Holidays can give your characters the opportunity to gather with family, remember the family they lost, get a great deal on a super cute maxi dress, go on a blind date, or go to an awesome costume party. We, as people, need holidays, and so do your characters! So here are some tips on creating holidays for your world.
What are the rituals/traditions of your holiday?
How long is the holiday (just a day, or a week, or a month)?
If the holiday is longer than a day, does it build up? Is there a most important day, and how does that look?
How does religion influence how your holiday is celebrated?
What food is traditionally served?
How do people decorate to symbolize the holiday?
Are there gifts exchanged?
Do people traditionally play games?
The best place to get inspiration for the holidays in your world is by looking at the world around you. Maybe your family has a super cool and quirky tradition that you always wished was a holiday, tweak it a little to fit the circumstances of your world, and boom now it is. Those traditions are important to you for a reason, and often times, family traditions can eventually morph into a national holiday. Outside of that, I would look at the holidays of both modern and national holidays. Ancient Rome and Ancient Greek have plenty of holidays for you to get inspiration from, and there are so many cultures out there that have incredible traditions that you can most certainly turn into holidays! Almost every holiday is rooted in one of five things which we’ll get to next religion, a season, war, labor, and the government. Make sure that applies to your own world as well.
Religious Holidays: Your world probably has a primary religion or primary religions. Every religion has holidays that they celebrate to celebrate their god or gods and show their devotion to them. For religious holidays, sacrifice and atonement often play a huge role. Lots of religious holidays include fasting in some part of them. Maybe, there’s a holy person who founded the religion or did something super important and all the people love them. Well then they probably have a holiday or a feast of some kind in their honor. For example, in Catholicism, Saints have Feast Days! I don’t think anyone celebrates every Saint’s Feast Day because that would be like every day of the year. Some people, especially those who live in the Saint’s home town or an area which they are the patron of, have a parade or small festival in their honor on the Feast Day. On the Feast Day of my patron Saint, St. Francis de Sales, I normally will pray a novena which is a prayer you say for nine consecutive days timed so that it ends on his Feast Day, light a candle, say another prayer specific to him on the feast day and maybe bake myself a batch of cookies.
Seasonal Holidays: Seasons are so important to our world, and lots of cultures celebrate them. Lot of important events rotate around the seasons: harvest, planting, fertility, hunting, hibernation. They mark our journey in life, year after year, and allow us to reflect on all of life’s changes. How your people celebrate seasonality is up to you. You could fashion it after holidays like the Summer and Winter Solstice or the Autumn Equinox. A holiday celebrating summer in my world takes some inspiration from May Day celebrations in England. The holiday could literally be as simple as a festival that celebrates the season’s arrival which could be really interesting if your world has different seasons than ours. Or the holidays could be more complex, tying in cultural values with the seasons. I, personally, would love to see a world with different seasons for a world that has more than four seasons because I think that could bring in some really cool holidays and festivals
War/Government Holidays: There was most likely a war or a series of wars in the history of your world. People love freedom. It’s a core value for so many people and so many countries. Therefore, most countries like to have a holiday celebrating the day they won their freedom. Almost every country has some kind of Independence Day celebration. If your country has never had to gain their independence, they’ve probably still fought and won a war before. They may celebrate their victory and take the time to remember those who died during the war like many European countries on Victory in Europe Day to celebrate the End of World War 2. Then you have your government holidays like Presidents Day in the US which isn’t really celebrated, but I do get a day off of school, so that’s always nice. Maybe the ruler of your country has decreed that their birthday is a national holiday in honor of them. Or going along with holiday’s celebrating independence, maybe the country celebrates the birthday of their founder every year in a national holiday!
Labor Holidays: And lastly, we have our labor holidays, which are some of the best holidays in my opinion. Everyone needs a break at times. Labor holidays acknowledge that, and they give you the day off with absolutely zero strings attached. No church, no war to hold remembrance for, just a party with your friends, no school and no work. These holidays are not the best but also probably some of the most important. If the people in your world work five days a week (assuming weekends and a similar calendar schedule) without any long breaks, they are going to get burnt out. Burnt out people are easily irritable, and easily irritable people lead revolutions. Giving your people a holiday where they don’t have to think about anything else other than themselves is a great way to keep the people appeased!
How to Write a Death Scene
So, you want to write a death scene that hits your readers hard, right? Something that sticks with them, makes them feel something real?
First, give the death meaning. You can’t just toss in a death for the shock factor and call it a day. Even if it’s sudden or unexpected, the death has to matter to the story. Think about how it changes things for the characters who survive. Does it mess with their relationships? Their goals? Make sure this moment sends ripples through the rest of your plot. It’s gotta affect everything that happens after, like an emotional earthquake.
Then, think about timing. You don’t want to drop a death scene at the wrong moment and ruin the vibe. If it’s part of a big heroic moment or a heartbreaking loss in the middle of the story, it should feel earned. The timing of the death decides how your readers will react, whether they feel relief, gut-wrenching sorrow, or are totally blindsided. The right moment makes all the difference.
Next up, focus on the characters’ emotions. Here’s the thing, it's not always the actual death that makes a reader cry, it's how everyone feels about it. How do the characters react? Is the person dying scared, or are they at peace? Are the people around them in shock, angry, or just completely destroyed? You need to dive deep into these emotions, because that’s where your reader connects.
Make sure to use sensory details to pull readers into the scene. What does it feel like? The sound of their breathing, the stillness when they’re gone, the way everything feels heavy and wrong. Little details make the death feel real and personal, like the reader is right there with the characters, feeling the weight of the moment.
If your character has the chance, give them some final words or actions. What they say or do in those last seconds can really hit hard. Maybe they share a piece of advice, ask for forgiveness, or try to comfort the people around them. Even a simple gesture, a smile, a touch, a last look can leave a lasting impression. This is your last chance to show who this character was, so make it count.
Finally, don’t just stop when the character dies. The aftermath is just as important. How do the survivors deal with it? Does your main character fall apart, or do they find a new sense of purpose? Are there regrets? Peace? Whatever happens next should be shaped by the death, like a shadow that never quite goes away. Let your characters carry that weight as they move forward.
For questions or feedback on writing materials, please send me an email Luna-azzurra@outlook.com ✍🏻
Dawn do u have any advice for people starting skz writing blogs?
Oh! I definitely do! I’ll put them under the cut uwu <3 These are all tips I wish I knew, ranging from garnering readers to how to deal with other happenings. <3
!!!; this is a fairly long post! also, I am no way qualified enough to be giving advice, these are just things I've learnt in my term of experience.
#1: Write what you want to see on this platform, basically build a niche for yourself.
So this is a pretty obvious and often said point, but write what you want to, and when you want to. If it's domestic AUs that you're the most comfortable with, write that! Of course, you can dabble into new genres to discover what your other interests are, but don't for yourself to write something just because it's a popular topic. When people find a fic of yours that they like, they'll most likely go to your blog expecting the same kind of stuff. <3
#2: Develop your own distinct style, be it in your blog, in your writing in your layout, etc.
Make your blog's aesthetic/layout as distinct as possible, so that it's identifiable. This just gives a sense of uniqueness to your blog, which oft attracts readers. Ofc by this, I don't mean you need to be a master at photoshop/editing to create amazing aesthetics — you can just use simple elements and blend them together in a way that stands out well. Personally, if I'm to be honest, aesthetics, general neatness means a lot to me. I usually wish for a blog to be de-cluttered have a good and efficient way of navigation without having to search through or dig in a lot myself.
#3: Use tags! On all of your posts.
Like I said in the previous section, I wish for a new blog I'm going through to have a good and efficient way of navigation. Use tags, not just on your writing, but all your posts. This can facilitate easier viewing of same posts grouped under one tag, plus if someone prefers to not view something in particular, they can choose not to by blacklisting. Untagged posts are honestly a huge pet peeve of mine dihfuyrharieuhr. That being said, use the correct tags on your post! This post has a good note on how to garner readers as well as tagging.
#5: It takes time for you to gain attention for your work, and it takes time for your writing style to develop into something unique.
This is honestly something I wish I knew when I started writing. I'd see all these blogs get so much interaction and anons and notes on their writing, and while I was happy for them, it made me feel insecure that maybe I wasn't as good enough for them...? fast forward to six months later, I had nearly the same amount of interaction as they did. So it's really all about working towards your way to create a distinct writing style, all whilst improving yourself. Don't be demotivated when you don't get interaction at first, because it takes time for your style to be recognizable and it takes a while to improve, so as and when you write, you'll get better and better! <3
#6: Interact with other writers' writings!
This is also something I wish I knew. interacting with other writers is a way to make new friends, plus give your blog some exposure. of course, that's different from clearly exploiting a blog's status for follows. Make friends with other writers, and reblog their writings (ofc, only if you read them and you liked them, don't force yourself to)! 99% of the time, whenever someone leaves feedback on my writing, I check their blog, and if their writing is something I like, then I follow them! So yeah, this site literally thrives off interactivity, so don't be afraid to interact with writers!
#7: When you're posting your writings, make them clean to look. They should be pleasant to the eye.
What I mean by this is that your layout should not be too compact, hard to read, or straight up painful to look at. Don't use those 𝓈𝓌𝒾𝓇𝓁𝓎 ass fonts, because half the time, they won't render on most devices, and they're often horrible to look at + impossible to read for someone who uses a screen reader. Don't use tinie font on your posts for the same reason.
And! Banners! They're a great addition to a fic, and make it attractive to look. I can't tell you how much a good, well made banner can affect my view on whether I want to read the fic or not. However, i have some negative points about it too. Don't make banners if you don't know how to, only for the sake of making them. This doesn't mean you shouldn't experiment, hell, my first banners were total crap. It of course takes time to learn editing (provided you have an interest in it), but my point is: a banner is used to attract attention to your fic, yet if you have a bad-looking banner, bad layout, bad presentation, (coming from me) I tend to not want to read the fic.
I think a lot of people don't tell new writers that layouts are very important. Most of the stuff is covered in that post I liked, but having a distinct, unique, neat (emphasis on neat — you don't need fancy banners and fonts, just make sure it's not painful to look at) layout really helps. Don't use overly contrasting color combos like this and make sure it is neat, and pleasant to look at. You want to attract attention to your fic, not make it hard to read. While banners and aesthetic photos are not very important, a neat lay!!!!!!out is very essential, to increase your reader count and actually ensure that your fic is readable.
#8: Just know that the number of notes your fic gets is all in your luck.
Just because you get less notes doesn't mean you're any less of a writer! Hell, I know so many phenomenal writers that deserve so many more notes. Your note count can depend on several factors, including (but not limited to) your posts not showing up in the tags, the genre you've written is not a very popular genre (that doesn't mean you shouldn't write it! There will be biases towards genres in the fandom, but write what you want), or the fact that this site is often treated like instagram. So if you get less notes on a fic, don't be demotivated! You have every right to ask for more interaction on your fics from your followers, but don't let it think you're any less of a writer.
That's it! If you have any specific doubts, feel free to send another ask, or a dm! <3
being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that you’re supposed to do warm up sketches every time you’re about to work on serious art when you’re fuckin twenty-five
Please note that this is a guide for complete beginners who have no idea how to get started on making moodboards. Only the very basics will be covered here.
Have you ever wanted to make a moodboard but didn’t know where to start? You have ideas but you have never edited a picture before? Can’t afford photoshop and don’t know how to use it? Look here, this guide is for you!
This guide includes: Free photoshop alternatives, where to find images, and basic tips and tricks to make your moodboard. Click the Read More below :)
Afficher davantage
2024 is about to start. You’re going to venture into another year of writing incredible stories, but what will that practically look like? I feel more in charge of my creativity by planning rough writing schedules. Here’s how you can do the same without locking yourself into a too-strict calendar that leaves your writing spirit depleted.
Twelve months is a lot of time, but anyone can handle a single goal. Make the next year easy on yourself by picking one thing you want to accomplish (and let’s not make it “publish my novel” if you’re just starting the manuscript on January 1, given how it takes roughly 18 months of work after you get an agent) (and that can take a few weeks to a few years, depending on your querying experience!).
Try picking a manageable writing goal like these:
I will write 10 chapters of my novel.
I will make a collection of 5 short stories I write this year.
I will submit a short story to at least 3 contests this year.
I will publish one new work of fanfiction in the next 12 months.
I will write one short story in a new genre.
Publishing a book can be a long-term goal, but your 2024 goal should be easy to break down into manageable steps you can accomplish by yourself. You’ll be more likely to reach the finish line and work toward another goal.
Creativity comes and goes, but your writing will never get done if you don’t form some kind of schedule. Your upcoming year could look something like this:
I’ll write every Wednesday night between 7-7:30 p.m.
I’ll use voice-to-text to get my story-related thoughts on virtual paper for five minutes every morning before school.
I’ll do freestyle writing for five minutes on Mondays and Saturdays to keep my thoughts flowing, even if I don’t find more time to work on my story that week.
Your schedule should be realistic, which means it shouldn’t stress you out. Make it match your weekly and daily routine. When do you naturally feel most energized? When can you carve out ten minutes for your craft?
Remember, you can always (and should!) adjust this set schedule as time goes on. Your non-creative schedule most likely won’t look the same on January 1 as it will on December 31.
You might have a few weeks here or there when you’re juggling life’s responsibilities and can’t get to your WIP. It happens to all of us!
When you’re busy, try answering a writing prompt in three sentences or less. Use your phone, a sticky pad, or whatever’s nearby. You never know if it’ll inspire you later when you’re free to write.
In the meantime, you’ll keep using the creative side of your brain so your writing abilities don’t feel so distant.
Check out these prompt apps if getting online isn’t your thing or takes too much time from your busy schedule!
There are so many ways to build a writing community. Start a tumblr about it (guilty as charged) or join a Facebook group. Find an active Reddit thread about your favorite genre or join a Discord server with writers.
You don’t even need to start talking to others and making friends if it makes you anxious. Read what people are saying to get inspired by everyone. You’ll naturally join in when you get excited about something they’re discussing and keep creative writing at the front of your mind.
I always feel more connected to my writing when I’m actively reading. Artists of any kind need a source of inspiration to keep their creativity flowing. Keep an actively growing To Be Read list with apps like Story Graph (a Goodreads-type app that isn’t owned by Amazon and gives so much more information about your curated reading history!).
Visit your local library if you don’t have the money for new books all the time (who does?). As you get inspired by what you read, you’ll also pick up skills from authors you admire or note things you don’t want to recreate. Study each story’s structure and character development. You’ll return to your WIPs with renewed passion.
Your first draft is your thoughts and dreams poured out on paper. The editing stage is where you refine and re-write your work until it shines. Set aside specific time for editing after completing a first draft of any story. Even if your editing phase doesn’t take very long, working on line edits and developmental edits will make your work so much better.
It’s also a normal form of frustration for writers, but one that happens no matter where your writing goes (on fanfiction websites, short story contests, a literary agent’s desk, etc.).
Writing might feel like a natural hobby, but your brain and body still need to rest after periods of intense focus/work. Schedule rest periods into your daily or weekly calendar. It’s time to recharge in whatever ways best suit your body, like:
Sitting outside
Walking in a park
Reading
Sitting in a hot bath
Going to the movies
Sleeping in
Keep in mind that sometimes you’ll need more rest than others. Extend some self-compassion by checking in with your physical and mental energy frequently during the next year. If you take time to rest, you’ll be less likely to burn out creatively.
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This next year will be full of growth, challenges, and joys in your writing life. Embrace every second by resting and writing in new ways.