Pacing is one of my favourite things to pay attention to when reading or writing something. The pacing of a scene is literally how ‘fast’ or ‘slow’ a scene appears to be moving. Action scenes that spring the story from one place to another tend to go faster than introspective scenes or scenes that explore character dynamics.
All of this is created through putting space and words between elements of the scene. What I mean by that is that readers interpret a passage of time between ‘things’ (actions, dialogue, gestures, etc.) on the page, and pacing is controlling that interpretation.
For example,
“Georgia sat on the couch, “wow it sure is hot in here,” she said. “It sure is,” Henry agreed, sitting next to her.”
This sentence is just about the actions with some breaking dialogue, but it goes pretty quickly through what’s happening.
Whereas, if we were to intentionally pace this scene, it may look like this:
“Georgia swiped at her brow, wandering over to sink into the couch. “It sure is hot in here,” she said, peering up at Henry through the wisps of her bangs. He nodded weakly, his entire body sagging from the heat. Crossing the room to collapse next to her, he added dryly, “it sure is.”
It’s not perfect, but you can get a sense of the time between things happening. The added detail between the two characters talking conveys maybe a minute between sentences, which might be accurate for two people dogged down by a heat wave.
To speed things up, we want less space between elements:
“Adam slammed open the door with his shoulder, letting it bounce off the concrete wall behind him. “Everyone out!” He shouted. A crack in the roof snapped above them.”
The added (or subtracted) elements of a scene that control your pacing is the sights/sounds/feelings/smells/maybe tastes of a place. When we’re anxiously rushing to get out of the house we may not acknowledge that the kitchen smells like the bread our roommate baked that morning, or that there are smudges on the window from when the dog climbed up on the couch. However, when we have a second to contemplate, we’re going to notice these things, and it would be appropriate to write them in.
Another important element to controlling pacing is your character’s thoughts or acknowledgement of feelings.
For example:
“Adam slammed open the door with his shoulder, it bounced off the concrete wall behind him. He winced, his mother’s high voice ringing in his head, chiding him for damaging the walls even though he knew the building was coming down on top of them. How long would he live with her constantly in his mind? He tried to wave away the memory. “Everyone out!” He shouted.”
That slows down the scene quite a bit, yeah? And maybe that’s what you wanted in that moment. Play around with the details and pacing in your scenes, you might be surprised how much can change.
Good luck!
Shokugeki no Sanji Chapter 2
opens box that reads "i wanna draw again". inside lies a note. the note says, "mental illness and difficult circumstances have taken years of interest, accessibility, and skill away from me. i want to forgive myself for that. i want to heal my relationship to my hobbies. i want to feel connected to something that once made me feel good, but the cyclic discouragement is difficult to overcome." i turn over the note. on the back it reads "wannta drawe sexy bodies awooga"
create pixel art
Awesome photo editor and art program, all free…!
Totally free transparent textures
make a cute chibi
draw some cool generative art
be a graffiti creator
create a picassohead (you don’t need to be a picasso to do so)
paint online
another awsome site to create pixel art on
and another one
create your own mandala
or color one
create an avatar
or you can try creating your own superhero
here you can interact with organisms in different environments to see how to music changes
here’s a website that translates the time into hexidecimal colours,
Here is a website where you can travel along a 3D line into the infinite unkown
here is a website where you can listen to rain with or without music
Need a model in a certain pose for drawing? here
Want to build your own planet
here is a website where you can create your own galaxies
make your own pattern (very useful if you need a new background)
create next hit comic
make a city which looks like something from 90′s games
draw a mandala like design
jig saw puzzles
more jig saw puzzles to solve
create a stunning HTML5 animation - no coding!
make a movie
create and dress up dolls
play a piano
you can also play a guitar
create sounds
another sound creator
create a logo
design your dream home
sketch rooms
explore fashion trends and create your own sets
build a website
try this app for building a website
Or maybe start learning how to code!
design your own t-shirt or a beanie or sweatpants and order them
design your own phone case
pretend to be a graphic designer with this cool online tool
Make your own Glitch art
Here’s another glitch art maker
And another!
Holy hell, here’s a third!
make an image look like it was created by a commodore 64
freaking cool text generator!
Easy to use word processor
Make up really cool patterns or run your photos through it :)
Write an essay on anything with no hassle
Wanna see how something you write would look like if it was on JacksFilms YGS((Your Grammar Sucks videos on YouTube))?
Make pictures out of text
ASCII word generator
Need an idea for some fanart-here :D
watch a documentary
learn to code
do something yourself
workout with the help of this great youtube channels
learn things
play pokemon or zelda or other awesome old school games
waste your time on miniclip
play games at additing games
or try games at agame
calm your thoughts
the quiet place
it will be okay
vent or listen to someone
pour out your soul
explore the sky
look at art from around the world
virtually visit museum of iraq
explore world with arounder
create a music playlist
list through rare books
scroll useful science website
create sand art
brain games
try out tastekid and discover new favorite band or movie or book
interactive 3D anatomy
random street view
post a secret
create a family tree
find our what’s the difference between x and y
help scientists and become volunteer researcher
create your own font
read a classic short story
In the mood to read, but not sure exactly what book to go for?
scribble on maps
listen to letters
play with acrobots
listen to podcasts
make a bucket list
Ever want to see the most truly useless websites in creation?
Prank a friend with this blue screen of death!
Zone out watching the colors drip down
Maybe none of these peeked your interest-maybe you’ve been wanting to create an o.c, but never really knew how to start-or you just enjoy making O.C’s….
This masterlist is to help you in making your own OCs….it can also apply to developing RP characters i suppose! (´ヮ`)!
How to Write Better OCs:
basic tips on how to make your oc even better
tragic backstory? learn how to write one/make yours great
writing specific characters
a wordier, great guide on how to develop your character
kick out those vague descriptions and make them AWESOME
Character Development:
how to actually make an OC
Q&A (to develop characters)
more Q&As
giving your character a backstory
how to write an attractive character
Need an Appearance idea?
Humanoid generator? check
Here’s another one
and maybe if you didn’t like those this’ll work
Need Monsterpeople?
Well, then here ya’ go
Maybe you need Cats?
Diversity
adding more racial diversity
avoiding tokenism, AKA, how to add diversity to your cast not just because you “need” it
writing sexuality and gender expression (doesnt include non binary, if you have a good ref to that, please add on!)
masterpost on writing more diversity into your story
cultures of the world
guides to drawing different ethnicities (not just a great art reference, but also really helpful in appearance descriptions!)
Mary Sue/Gary Stu
Test to see if your character is a Sue
Explains subdivisions of Sues/Stus
Powerful Characters Don’t Have to Be Sues
Villains
villain generator
need an evil sounding name for your evil character? bam
villain archetypes
what’s your villain’s motive for being a villain?
Relationships
character perceptions (What your character thinks of themselves and what others think of them)
how to write strong relationships between two characters
8 ways to write better characters and develop their relationships with others
OCxLove Interest Handbook
develop your couple with good ol’ Q&A!
how to write realistic relationships
how to write relatives for your characters (this is more OC related to a canon character, but will help in writing family members in general)
ARCHETYPES
12 common archetypes
8 archetypes for male/female characters
female archetypes (goes pretty indepth from two main categories)
a list of archetypes
NAMES
how to name your character
random name generator
most common surnames
surnames by ethnicity
APPEARANCE
tips for better design
basic appearance generator
pinterest board for character design (includes NSFW and images of skeletons/exposed muscle (?) so tread carefully!)
clothing ref masterpost
Clothing generator
Another clothing generator
More clothing generator
Aaaand even more
Steam punk clothing
Char Style preference
Dress Generator
DETAILS
give your character better powers
a list of professions
proactive vs reactive characters
positive and negative traits
interest generator
skills generator
motivation generator
123 ideas for character flaws
list of phobias
Oh shit someone died
Backgrounds and stuff? yep
Quirks
Personality. you need that shit
Need something fandom related?
City generator hell yeah
location? got ya
World-building?
make your own god damn laws
Landscape.
Need Item names?
Fantasy/sci-fi/etc. medicine names
Stuff to make things more interesting.Weapons, clothes, treasures… whatever your characters need.
Item & Artifact Generators
Other stuffs!
Genre, Plot, & Story Prompt Generators
How did your characters meet?
Fanfic plots. you bet your ass.
So I just started my short story writing class! These are dialogue tips from Janet Burroway’s Writing Fiction: A Guide to Narrative Craft
How do you find a balance between “show, don’t tell” and “readers might not catch/understand this subtle concept or showing it would be too convoluted or more open to interpretation than it needs to be”? It doesn’t help that everyone encourages more showing even if it swallowing little details that are supposed to stand out. Basically, I feel like I overthink my showing as being too tell-y even when it already has several layers of meaning and is already too dense for average readers.
I think people often mistake the advice of “show don’t tell” as being in the interest of making one’s writing more literary; more “high art” than candid prose typically is. The advice is intended to help one recognize when their prose is becoming dull or unengaging to the reader. Showing is supposed to promote an organically flowing reading experience, rather than turn the writing into a flowery, pretentious, and unintelligible mess. Finding a satisfying way to deliver information in the text that isn’t “I felt” or “I thought” is important. It should never dilute the information. Clarity comes first, and then one can configure the sentence to add as much richness to the reader’s ability to immerse themselves as possible.
If the desire is to show that the character is sad, writing that “she looked down at the floor and wrapped her arms around her own waist” is not going to be any less indicative of that information than “she felt sad”. That is the point of this advice. It is not a way for one to convert information into a code that the reader must analyze in order to comprehend the basic idea of what the scenes are about. This isn’t 1597, and nobody is asking anyone to be Shakespeare.
Density of a piece of writing does not give it inherent worth. Ease of comprehension doesn’t always have to be the number one priority, but it should be a considerable factor when one accounts for their audience and their subject matter. If one is writing a young adult fantasy trilogy, the density of the writing should be adherent to the demographic’s ability to comprehend certain writing styles. “Show, don’t tell” applies to all writing, but different writers interpret it differently, often based on who they’re writing for. If the concept you’re trying to convey to the reader in a subtle manner is not coming across without blurting it out in the text, perhaps the problem isn’t the way you’re describing it, but the concept is weak in its current state.
Easily misinterpreted meanings or concepts are often not the victim of descriptive style, but being underdeveloped sub textually. No important concept can be described once within a dense text and expected to translate as intended into the reader’s understanding. If it’s important enough to the bones of your story and meaning, it shouldn’t rely on the manner of description to shine through. Sometimes the density of a text is a product of too much intentional symbolism or motif. It’s okay to allow some things to be meaningful purely in interpretation. It’s okay to acknowledge that you allowed something that obviously implies meaning to be prescribed its implications by the readers.
Here are some of my other resources on the topic that you may find helpful:
Resources For Describing Characters
Resources For Describing Emotion
Conveying Emotions
All About Colors
A Writer’s Thesaurus
Showing VS Telling in First Person POV
Using Vocabulary
Balancing Detail & Development
+ When To Use “Felt”
Showing Vs Telling
How To Better Your Vocabulary & Description
Describing emotion through action
Improving Flow In Writing
How To “Show Don’t Tell” More
–
Masterlist | WIP Blog
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1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out
Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on
2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page
RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable
3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it
Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them
4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt
Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else
5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference
Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on
Helloooo! Do you have a particular method or tips for when creating and developing a character?
Hi :)
Sorry this took me some time, but there is so much I could talk about here. So I try to go with some basics.
Make a character sheet
some examples for what I usually try to find out about my characters, regardless which genre I’m writing in
basics
name, age, place of birth, where they live, nationality, ethnicity, education, occupation, religious affiliation, financial status, gender identity, sexual orientation
physical appearance
eye, hair and skin colour
distinguishing features (tattoos, birthmarks, scars, visible disabilities,...)
height and weight (proportions!)
walk (slow, fast, skipping,...)
tics and mannerisms (touching their face, blinking, grinding their teeth,...)
speech patterns and communication style
talk (slow, fast, slurred etc.)
accents and dialects
using slang, sounding educated, trying to hide a dialect/accent etc.
do they talk with their whole body? (gestures?)
extra question for speech and physical appearance: can people tell where the character is coming from and what influences they have from their heritage?
past and present
how did they grow up?
happy memories
academic career
hobbies
past trauma or important turning points that still influence their life
specific lifestyle
social and political ideology
future
dreams and goals
expectations from themself and from outside
Relationship maps
for longer stories it’s even more important to understand your characters relationships to each other
two different approaches:
1. proper list of family, friends, love interests, “enemies”, everyone else
family
who is still alive and where do they live?
who did they grow up with?
what was and what is their relationship?
friends
how long do they know each other?
would they trust them with a secret?
how close are they?
love interests
what is their relationship status?
what do they like about them?
is it reciprocated?
if they are not together why not?
“enemies”
how do they know each other?
what do they not like about each other?
did they always hate each other?
can their relationship become better?
2. love, like, hate categories
make a list of people your character loves (use the different forms of love: romantic, familial, friendly,...)
make a list of acquaintances
make a list of people they dislike and people who dislike them
you could even try to draw their relationships with each other
make sure you include if the relationship changes throughout your story
Those are just some basic things I could think of that I usually like to write down about my characters. Depending on the story there are some variations of this and more information about specific topics.
Pro tip for developing your characters: write short stories or little sequences with your characters that don’t neccessarily have anything to do with your story. I think of it as fanfiction of your own work. Put your characters with their intended roles and relationships in different situations and just write and let it play out. This is a good tool to find out if and how the characters work together. And it can even give you new ideas for their relationships to each other and new skills or habits for your characters. It’s basically a test run for your cast before you go into your bigger story.
And one last important thing: don’t get too stuck on an idea. Characters can sometimes develop a life of their own. You don’t always have a conscious control over them. So don’t be afraid to change it if something is not working out or you find something else that is working even better.
This took me such a long time and I hope it makes sense and helps you with your writing. Good luck!
- Jana
I probably shouldn't admit this about something I wrote, but I accidentally re-read Carnivore all the time. I'll open it to look something up to reference in Gripped Tight and then start reading like "oh shit, this was good. oh dang i did that so true of me. oh wow i'd forgotten that part i love that jeez!" lol
For all you worldbuilders out there, I don't know if you know, but r/worldbuilding on Reddit made this Google Doc with a ton of resources they gathered. Thought that might help some of you.
we always say that writing improves with practice, which is true & good to remind people of, but i think we fail to emphasize that literally every part of your writing will get better with time and effort. sure, your prose will become clearer and more sophisticated, but it’s so much more than that.
you’ll become so much faster, for one thing. if it takes you two weeks to complete a 3k chapter when you start out, you’ll eventually reach a point when you can crank that out in a matter of days. maybe right now your story ideas are like a dripping faucet–slow, random, and occasional. well, the longer you let that faucet run, the more your ideas will start to flow, until suddenly you’re finding inspiration in everything. the length and complexity of your stories will grow too. you might start writing stories in the 2-10k range, but you’ll eventually find that you’re writing 20-30k stories without even really intending to.
of course your style will improve. of course your imagery will become richer. of course your syntax will start to flow better. but there are so many other aspects of the writing process, and literally every single one of them will start getting better too.