"I wish we met sooner" is such a gentle sentiment. I love you so much I not only want you in my future, but in my past too. I want to have known you when we were small stupid kids, have held hands together as we played outside. I want to have stressed out over exams together, nudging a mug of still steaming hot chocolate against your elbow to get you to focus. I want to have told you I love you before I did anyone else. I want to have held you in my arms when all those sad memories you describe to me were still fresh wounds. I want my past to have been full of you, and full of meaningful memories with you. I want my past lives to have been spent with you, whether as two lovers, or two housecats cuddling by the fireplace on a snowy day, or two flowers that just happened to bloom on the same day, next to each other. I want to have consumed your existence and intertwined it with my own since my birth, never to be separated from you for a moment. I want to have loved you throughout it all, for all time.
I was just musing recently about this, so thought I’d share some bits about how I try to build compelling descriptions of scenes/environments. Normally I just post fan art but eh, diversifying lol.
Having an agenda
I found both reading and writing descriptions that if I don’t have an objective for them they end up feeling aimless and sometimes forgettable. I am always trying to build a narrative. It can be as simple as “this building is old/unused” or as complex as ‘contrasting a bright atmosphere with an underlying coldness as an allegory to a character’s crushing isolation in the face of their personal grief/pain’. What does every line and descriptive word contribute to what you’re trying to do? What emotions or vibes are you trying to evoke? How does every part of it tie together into a cohesive picture instead of a bunch of disparate parts?
2. Utilizing descriptions as a tool
descriptions inherently tend to center a story in a specific setting, or serve as our senses to experience the story alongside the characters — but I try to use it as more than that when possible. How you can use it may vary with what person you’re using, but even third person (what I typically use) descriptions can give you a glimpse into the headspace of your character. This can be really helpful when writing a character who isn’t very emotionally self aware, or a character who is stoic. I typically use this one of two ways.
First one is seeing through the eyes of the character. How do they see this other character? How does their emotions, history, etc affect their impressions about different settings? For example, a characters with religious trauma might have a more negative/emotionally loaded perspective when walking into a church which can manifest at different levels of subtlety within the description of the environment.
second one way is just to get the reader on the same page emotionally as a character. If the character is desperate, incorporate that emotions/vibe into your description of the setting or even of them. If they’re lonely invoke that, etc. Note that this can also be used for plot beats and not just character moments.
Also total side note, but I’d reccomend not taking any writing advice too seriously. Explore how people write their stuff, take little tidbits here and there when it speaks to you and your style, and toss aside anything that doesn’t work for you.
“Boy, I thought you were afraid of the mugger. But we found what you were really afraid of, didn’t we Brucie? You’re afraid you disappointed them. You’re afraid you’ve dishonoured them. And you’re right, Brucie. It’s kinda funny when you think about it. Ever since that night in the alley, you’ve been trying to do right by old mom and dad. To be the justice they never got. But get this: your entire life’s work, all it’s done? Is turn you into something your parents could never love.”
I love whenever I get some kills using Mantis and Dr Strange goes "Excellent form, dear Mantis!" And I'm like 😳🥹 blushes
That nonsexual intimacy of just being in each other's spaces, of gravitating towards each other, always subconsciously reaching out to each other. Finding comfort and satisfaction in being close to each other, breathing each other in, existing together.
I wish I could shake every aro person who's sad that they'll never be the most important person in anyone's life by the shoulders THERE IS HOPE FOR US THERE IS HOPE FOR US THERE IS HOPE FOR US I swear I am living proof that you can absolutely be the human equivalent of fucking sunshine in another person's life with no romance involved but you gotta let them see you first
"I think the reason I don't want a new look is because I'm finally happy with who I see in the mirror right now. So what ever I put on, I just want to be able to see the same me looking back."
reposting the animatic i made for that one contest bc of the quality
Joined 1/12/25 | New to this/still figuring out the website | She/Her please :)
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