I Wish I Could Shake Every Aro Person Who's Sad That They'll Never Be The Most Important Person In Anyone's

FEARFUL FACE OFF

I love whenever I get some kills using Mantis and Dr Strange goes "Excellent form, dear Mantis!" And I'm like 😳🥹 blushes

I think it’s perfectly acceptable to headcanon that the rogues such as Scarecrow, Riddler and Catwoman would attend pride. ESPECIALLY, if you’re doing this to cope or feel better about your identity and self.  

If it makes you feel better to draw then wearing pride flags, GO FOR IT.

If it makes you feel better to headcanon them as your gender, SLAY QUEEN.

These ideas don’t hurt anyone and make you happy, and isn’t that the point of a headcanon? Pride headcanons are valid in my book.

Let Scarecrow be ace, let riddler decorate his robots in trans colors, let Catwoman show her bi pride, let Batman be queer.

Be proud of who you are, okay? This blog supports you.

Help a Family in Need

I am reaching out on behalf of my dear friend, Mohamad S., who is facing one of the most challenging times of his life. Mohamad is 37 years old and left his homeland in 2015 in search of a safer and better future. He’s a kind, hardworking man, and his small family has always been his greatest priority.

Living abroad, Mohamad has recently endured unimaginable loss and financial strain. Amidst the ongoing conflict in his homeland, his mother passed away, leaving behind his sister and her five young children—the last remaining members of his immediate family.

As the situation worsened, Mohamad managed to help his sister and her children escape to safety in Egypt, covering their immediate needs and securing a temporary refuge for them. Since then, he has been fully responsible for providing everything they need to survive during this transition.

In his efforts to support his family and cope with this devastating loss, Mohamad has found himself deeply in debt. To make matters even more difficult, he recently underwent knee surgery, which limits his ability to return to work for the foreseeable future. This has made it even harder for him to manage his financial responsibilities and the pressing need to provide his family with a stable future.

Mohamad is now working to bring his sister and her five children to join him in Belgium, where he hopes they can find stability and opportunity after all they’ve endured. This transition, however, requires significant resources that he is currently unable to meet alone.

For privacy reasons, we are not sharing Mohamad’s full name, as he has chosen to keep his identity discreet. While he initially refused the idea of asking for help, I couldn’t stand by and watch him struggle alone. I insisted on doing this for him because he deserves a chance to overcome these challenges.

Your contribution will help Mohamad repay the debt incurred during this difficult time, cover ongoing living expenses for his family, and assist with the costs involved in bringing them safely to Belgium.

Mohamad has been a good friend of mine for years, and I’ve always admired his resilience and generosity. Any support, no matter the size, will make an incredible difference in helping Mohamad and his family rebuild their lives after these painful experiences.

Thank you for reading his story and considering helping a man who has always done everything he can for his loved ones.

Adam

✅ Vetted by Association: @bilal-salah0

Donate & share: Donation Link

gofundme.com

Donate to Help Mohamad reunite his family and clear his debt, organized by Adam Bin Ali

I am reaching out on behalf of my dear friend, Mohamad S., who is faci… Adam Bin Ali needs your support for Help Mohamad reunite his family

my one skill is expertly manipulating the shape of the eggs I’m cooking so that they fit perfectly onto my toast every time

Hi there! 😄 Tysfm for compiling the LO brushes, being able to use them (non-commercially of course lol) makes me so friggin happy. 🙇‍♀️ I have a few questions to ask about them though:

Which brush did RS use for laying down color before shading/effects? In the Rekindled tutorial, you use the Lineart Brush for laying down flats, but I'm not sure if what I said in the previous sentence is the same thing as flats (I've been drawing my whole life, but I didn't start taking digital seriously until very recently lol 🤦‍♀️).

When the Splatter Versa brush was used in S1, there are varying oval shapes as well as several other non-ovular shapes that I don't see when I use the brush. Were there other similar brushes used with different shapes? Or am I just doing something wrong with the brush settings? The other shapes look more wilted than the other petal shapes.

Which brush was used for the usual thick, varying lineart? (It's most noticeable with the lines in hair in mid-S1 esp.) This brush isn't really textured, so I'm a bit confused which one in particular it is.

Sorry for being annoying, I'm just not tech-savvy and very intimidated by all the technical aspects of digital drawing lol ("Wtf are 'blending modes'?" /hj). 🙇‍♀️

Hey there, no problem!! I'm glad people are getting use out of them!

Though I'm not entirely sure as it clearly changed often throughout the course of the first season, the Gouache a Go Go brush and Hard Pastel both have those "crunchier" textures that you can see in some panels. There are also watercolor brushes that she used to blend the edges in some bigger panels.

Could you send me an example of a panel? Just so then I can actually see it and mess around with some things and give you a better answer haha That said, if I had to take a guess, either she messed with the brush control / tilt settings in Photoshop, or she may have used the Warp / Liquify tools to warp them intentionally to achieve that "petal" look. But again, send me a pic of the panels in question if you can and I can take a closer look :>

As mentioned previously, an example would help a lot here, but I do know what you're saying that some panels had very thick, varied lineart. Rachel has gone on record on two separate occasions that she used the Gouache Wet Pencil / Wet Round brush from the Kyle Webster Pack. Though the Hard Square Pastel brush can also achieve similar effects. Note that the Wet Round brush is a dual-sizing brush - if you adjust the brush size, you have to also adjust the particle size in tandem, otherwise you'll get a bigger brush size with more scattered/diluted particles. Though this effect IS very helpful for shading!

As mentioned, Rachel has mentioned some of the brushes she's used, and though it's not necessarily relevant to what you're looking for specifically, she's also mentioned these brushes in old FAQ's, specifically the Wet Round brush for lineart.

Here are some examples I whipped up real quick based on some of the panels that specifically depict thick lineart and textured coloring:

Mind you, these are all my best guesses, based on what Rachel has provided and what I've both dug up and been provided by other contributors who have pointed me in the right direction.

Unfortunately, while LO's art style is unique, it also makes it very difficult to reverse-engineer because throughout the comic (esp in S1 when she was still experimenting) while she did clearly have some "favorites" out of the bunch, she also just kind of went off "vibes" a lot of the time, treating every panel as an individual painting. And while that did lend to some of LO's most beautiful panels throughout S1, it also created a lot of whiplash between stylization because after doing one panel with thick lineart and bold texturing, she'd do another with watercolors and softer edges.

That's also not taking into account the software she was using - many of these brushes were designed exclusively with the Photoshop brush engine in mind, not Clip Studio, so they may not work entirely as intended if you use them in Clip Studio or some other non-Photoshop software. We also have to consider other factors like canvas resolution, texture effects added afterwards (such as that canvas overlay), and other adjustable settings within the brushes themselves that Rachel may have tweaked, including the pressure sensitivity, particle size/density, thickness, etc. All of which we can't really truly know, so we can only settle for our closest guess.

This is half the challenge - and fun - of trying to emulate her art style, because even she clearly didn't follow any strict rules 😅 Unfortunately it leaned more towards worse as time went on as it was clear the assistants themselves were given very little guidance or consistency (or at least, didn't have the time to settle on a happy medium) resulting in panels that are even more distinctly out of place as they were being swapped between different artists with different backgrounds and styles.

All that aside, I hope that helps! I do admittedly have to update that brush pack again, I feel like there are a handful of brushes I've found since then that could also be added, but I'd also like to update the included instructions to better reflect what I've learned since then regarding each brush and how they could be used. Ultimately though, they're yours to experiment with! Mess around, adjust the sizes and density and pressure settings, all of these things can contribute to the overall look.

Good luck! <3

Penelope: Yeah, this shroud is taking me 20 years.

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