So I believe I may have just solved a major piece of the puzzle and finally figured out WHY the tortured poets have been sending us these anonymous messages to help us solve it. I think this entire rabbit hole is a gift to us true fans which is why we got all of those cryptic present š anon messages. Alllll of these songs are dedicated to us (except for So High School and I will explain why I think this in more detail later). THIS is The Story or Secret of Us. The "secret" is this rabbit hole of connections and this secret language or code of symbols and metaphors we've all learned how to speak (sunshine/daylight/gold/yellow = Karlie/being out of the closet/queer love/happiness, 3 = Speak Now, orange = karma, etc). The "us" is the tortured poets and us true fans who share this secret language.
Another important part of understanding this puzzle is that some of these songs are time sensitive š°ļø and like a prophecy (The Prophecy) waiting to be fulfilled. So after a certain point, some songs can no longer be applied bc that "scene" in the movie has already passed (If This Was A Movie). They want us to essentially play our part in the story they've written. Right now we are playing the part of Paul Revere or Cassandra warning swifties of what's coming (likely on Sept 28). And we're also acting as Taylor's wings/angels catching her when she falls off her pedestal (see this post). They want us to think of these moments when we listen to these songs bc they want them to be personally relatable bc that's part of our gift. I think this is what Taylor meant when she said
"Let me tell you my secret little dream for this evening. These are songs that I have written about my life or things I've felt at one point in time, whether I was a teenager, in my 20s, or a couple yrs ago. But after tonight when you hear these songs out and about in the world, my dream is that you're gonna think about tonight and the memories we made here together" (x)
and what present anon meant when they said
"Reach those lanterns a little bit higher. For you shall receive a metaphor so dire" (x).
"Then the actors (us true fans and the tortured poets) were hitting their marks and the slow dance was alight with the sparks and the tears fell in synchronicity with the score" // "It's a normal thing to fall in love with movie stars when the lights are low and red at all their favorite bars. And the story you want is the story you get. Are you special or was this all scripted in his head?...Don't worry, I know I'll see you again. Uh-huh, you'll make me cry when it comes to an end. You were all that we hoped (The Prophecy), but I can't recommend getting close, I should've known, but I'll see you again" (x). The tortured poets have invited us to "dance" with them by being a part of this movie. If we accept this invitation, then we essentially become the muse of these songs.
I think Gracie playing In Between as a surprise song on 9/19 was an easter egg for Lizzyās song Pushing It Down and Praying that was released 9/20. I think the mv for this song is the visual representation of the š« message about the audience member (us true fans) becoming a part of the magic show and also the teenage love triangle in folklore. In this story, we are playing the character Wendy/Betty while the tortured poets play the character Peter/James. Swifties or the fans who donāt see this metaphorical story are Augusta/Augustine, the girl that James cheats on Betty with in august. So even though the teenage love triangle is technically fictional, there are seeds of truth in it. This is what Taylor was trying to explain during the eras tour betty speeches when she said she created these fictional characters and she was acting as the narrator of their story (x). Role Model, who stars in the Pushing It Down and Praying mv, is also the opening act for Gracie's TSOU tour which is another connection.
And to add even more evidence to this theory, the teenage love triangle also makes an appearance in Gracieās discography. Gracie has a song called Augusta on TIWIFL which just so happens to be the name of one of the characters in the love triangle. It is also the name of a town in Maine which is where Gracieās family is from. There are 3 songs in total on TIWIFL that are named after towns in MaineāCamden, Augusta, and Rockland. If you put the first letters of these songs together, they spell out āCAR.ā āStanding in your CARdigan, kissing in my CAR again,ā āAnd when I felt like I was an old CARdigan under someoneās bed, you put me on and said I was your favorite," 2:46 in betty ("She said 'James, get in, let's drive'") corresponding with 2:46 in august ("Remember when I pulled up and said get in the CAR").
august, betty, cardigan (the 3 sides or perspectives of the love triangle) are āABCā bc the alphabet or capital letters are one of the major keys to solving this puzzle. As I mentioned in this post, I think Audrey has been helping to plant easter eggs. She posted Capital Letters by Hailee Steinfeld on her insta 3 times which is quite interesting and she also included this song in her Summa playlist.
What makes this even more suspicious is that she specifically chose timestamps in the songs (1:11 and 1:23) that have these lyrics ā¬ļø and she posted the 1:11 timestamp TWICE which indicates that she really wanted to emphasize it. "God I'm jumping in the deep end, it's more fun to swim in. Heard the risk is drowning but I'm gonna take it."
Another thing that I think ties in with all of this is the Stephen Colbert interview. In this post below, I explain why I think the pizza on the mood board represents PR/bearding/showmanship/magic. I also explain how the letters that spell out Stephen's name are a huge clue and are related to the Peter Pan metaphor that is a through line in both Gracie's and Taylor's music. This is another example of "capital letters" or the alphabet being the key to solving the puzzle.
Going back to what I said in the first paragraph, this entire rabbit hole of cross-referenceable songs is dedicated to us except for the "pizza" So High School which is the one song she dedicated to š This is why Taylor's mood board had one slice of pizza while every other picture was of Stephen.
"Cooler in theory,
but not if you force it to be"
āUnus pro omnibus, omnes pro unoā is a phrase more commonly known as āall for one and one for allā. It has long been associated with the tale of the three musketeers and is the unofficial motto of Switzerland.
This concept epitomises the sense of solidarity that can be reached when the individual acts in favour of the group and the group acts in favour of the individuals.
While this sounds promising in theory for the majority, in reality it can create a trap of self enforced conformity for the minority.
Most of us in this minority inherently drift apart from the majority due to a deeply rooted feeling that we donāt belong in some way. Often times learning ways to hide the parts of ourselves that are frowned upon by the collective as we float around on the periphery.
And it can take years to discover the correct language to use that accurately describes our experiences. What comes next is often not within our control as weāre forced to coexist with those who disapprove of our truth and lack of conformity.
āMaybe I'm losing my mind, but it feels like the whole world revolves around me somehow.ā -Truman
In the Truman show āunus pro omnibus, omnes pro unoā is proudly displayed as the motto for the town of Seahaven, but itās really just an ever-present subliminal message to reinforce Trumanās contribution to benefit the collective.
The director of the show was clouded by his desire to create something good to share with the world. Yet this inspirational message was never supposed to be used as a threat or an excuse for one person to carry the weight of the collective all alone.
That turns into āone for allā. Full stop. It was the realisation that the pressure to conform by giving more and more of himself to entertain the masses was a never ending cycle that ultimately became Trumanās tipping point and what finally motivated him to leave.
āSo tell me everything is not about me. Butwhat if it is?ā -Taylor
This experience is not unique to Trumanās fictional character. Itās actually a fine line that many of us face in our own ways. And itās this prior experience that allows so many of us to see the same type of pain in Taylor being reflected back at us.
The key to overcoming this imbalance between the āall for one and one for allā is rediscovering community. We often begin with a jumble of stories collected along the way that morph into a label. And itās this label that allows us to find our people, to find where we belong.
The evolution of the internet and social media created online spaces that allowed many of us to coexist in communities where the minority suddenly became the majority. MySpace in particular encouraged everyone to personalise their page to create a reflection of themselves.
With the rise of other platforms, conformity gradually took over and individuality was slowly left behind. Regardless of how big or small a group becomes, uniformity amongst the majority seems to be the goal.
The Taylor Swift fandom isnāt immune to this either. Weāve all centred Taylor in our own versions of āall for one and one for allā but have branched out to create varying subsections that fall under the swiftie or gaylor umbrella.
When all of these variations overlap and mingle together it creates a never ending Venn diagram, and itās that same overlap that feels both communal and isolating all at once. The sweet spot lies with finding a balance between valuing unity and individuality.
I myself fall into the gaylor, idgaflor, performanceartlor and thetrumanshowlor communities. I also view Taylorās story through a female, queer, neurodivergent and chronic illness lens. The combination of these facets is what makes my interpretations unique.
Iād love to invite you to consider where you fit into the community. What makes your point of view unique? The more we can recognise and celebrate the diversity within the gaylor community, the more united we will all feel in preparation for the turbulent times ahead.
When Taylor invited us to go down the rabbit hole with her I never expected to discover, let alone join in with, this amazing community. I love each and every one of you for being here. Wether youāve inspired thoughtful conversations, made me laugh or just liked my posts, thank you š«¶š¼
āUnus pro omnibus, omnes pro unoā
A tortured poet,
Kylie x
Your pfp is so pretty šš
aaah thanks! it's because i like pretty (gay) people LOL !!!
Karlie Kloss. Just a weird tall alien š½
itās giving
Please, I would very much like to be excluded from this narrative. Itās ruining my life š
I canāt listen to ārandomā music anymore without you two koincidencing (yes ā I just decided that itās a verb).
I've had some tricks up my sleeve Takes one to know one You're a cowboy like me
Karlos, the woman you are!
ābirds of a feather we should stick togetherā
i used to skip class in high school to go to concerts
and pinned the tickets on my bedroom door
(which is kind of stupid come to think of it now)
(if you donāt want your parents to find out somehow)
didnāt allow me to go and see placebo
went to muse without telling
2003
i was fifteen
badass š
a note my dad wrote in a book he gave me
jonathan franzen - freedom
ripped the page out
because i had to leave the book behind
somewhere in australia
a backpack aināt a hogwards trunk š«
āāā
ālike a bird on a wireā
Conversation with friend(s) - recycled
....
ā¦.
ā¦
TAYLOR f*cking ALISON SWIFT
š¤Æš¤Æš¤Æš¤Æ
WHAT ARE YOU DOING
iām scared
this is starting to feel like a never ending fever dream
or more like a (girlfriend in) a coma
itās serious i know
but please take us with you when you go
āDonāt believe everything you readā
ā¤ļøš§”šššš
Ah cute - these three 'former' friends... share a similar taste in music.
------------
Who's Afraid of Little Old Me?
I wanna snarl and show you just how disturbed this has made me You wouldn't last an hour in the asylum where they raised me
So all you kids can sneak into my house with all the cobwebs I'm always drunk on my own tears, isn't that what they all said? That I'll sue you if you step on my lawn That I'm fearsome and I'm wretched and I'm wrong
Put narcotics into all of my songs And that's why you're still singing along
Iconic Performance Pop Girlie Of All Time
Swifties start crying because it dawns on them that Taylor is already pushing them in the right direction. Isn't it funny to watch?
Hey! Yes and als no lolll. The YES CAPITAL LETTERS YES is for the 'fans' (hetlors - the name says it all;)) with their keyboard courage - the lowlifes who feel the need to bully/dox/harrass people because they probably have a sadass life themselves. they caged her for years and years. I'm not a violent person but f* off. Go live on a planet far far away from here and don't ever come back.
Then there's the people brainwashed by society to believe that comphet is the way to go. I truly believe that most of these people won't have a problem with taylor finally getting her humanity back.
Look i don't know taylor personally (obviously hahaha) but maybe she'll try to ghost the first group, phase them out (no f* clue how) - she could release an acid rock record for example lmao to refresh the fandom a bit - the real fans will pick up on it being a bit - cause at this point this woman has made so many good records that she has more than enough credit to do something unhinged crazy! But then again... the stupidity of these parasocial delulu's is impressive. Watching the TTPD set on the eras tour made m want to scratch my eyeballs out. so hmm don't know actually.
it's a tough coockie to crack but i do hope she knows how many people will have her back no matter what. And that we're here to stay.
BUT YES THESE ASSHOLES - I'M READY FOR IT!
just don't be an asshole in life and let people live - how difficult is it?ps short answers ain't my thing;)
people who write cute little songs about their animals are my No.3 no matter what Until noticed otherwisemadhouse going all in
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