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2 months ago

Take my Hand's Wands

Hi, hello, I'm lady_angst, author of Underneath a Sea of Stars and the Take My Hand (Take My Whole World, Too) series. In this post I wanted to rant a little about the symbolism behind the wands Hermione and Bellatrix were offered in chapter 5 of Never Forget What You Are, the first entry of TMH which corresponds to the Philosopher's Stone, as there is more to them than meets the eye. Enjoy!

Hermione's wands:

1st: Sycamore wood & unicorn hair. According to the wandlore found on the HP wiki, sycamore made a questioning wand eager for new experience and losing brilliance if engaged in mundane activities. Thus, the sycamore's ideal owner was curious, vital and adventurous, and when paired with such an owner, it demonstrated a capacity to learn and adapt that earned it a rightful place among the world's most highly-prized wand woods.

Ollivander offered Hermione this wand after realising she had a curious, inquisitive mind. The wand failed to form a bond with her because of how adventurous it was, which Hermione ultimately is not.

2nd: Hazel & phoenix feather. Again, according to the wandlore, hazel wands were sensitive and often reflected their owners emotional state. They worked best for a master who understood and could manage their own feelings.

Ollivander offered Hermione this wand in case she was emotionally intelligent on top of inquisitive. The wand failed to form a bond with her because, as we all know, Hermione is very temperamental and gets often lost in her own feelings and pride (especially Book!Hermione).

3rd: Vine & dragon heartstring: Vine wands were among the less common types; they seemed strongly attracted by personalities with hidden depths, and their ideal owners were nearly always those witches or wizards who sought a greater purpose, who had a vision beyond the ordinary and who frequently astounded those who thought they knew them best. 

Hermione's canonical wand! It suits her beautifully, as there is more to Hermione than meets the eye. She's more than just a bushy-haired, know-it-all Muggle-born. She seeks a greater purpose: rising above others' expectations of her, fighting for what's right, keeping her friends and loved ones alive. And she has a vision beyond the ordinary: seeing Bella for who and what she truly is (after messing up big time every once in a while, but hey, we all love us some drama).

Bellatrix's wands:

1st: Walnut & dragon heartstring. Walnut wands were often found in the hands of magical innovators and inventors; this was a handsome wood possessed of unusual versatility and adaptability. Highly intelligent witches and wizards ought to be offered a walnut wand for trial first, because in nine cases out of ten, the two will find in each other their ideal mate. Once subjugated, perform any task its owner desired, provided that the user was of sufficient brilliance.

Bellatrix's canonical wand! Ollivander offers it to her after analysing her: "Left-handed... Creative... Clearly intelligent... There's something else, though... Something to those eyes..." He sees her intelligence and the sharpness (and perhaps the darkness) that dwells within her, so he offers her her canonical wand. However, it doesn't form a bond with her despite sharing a connection because this Bellatrix and the canonical one are not entirely the same—her upbringing was radically different, which affects her personality and way of viewing the world.

2nd: Cedar & dragon heartstring. The cedar wand found its perfect home where there were perspicacity and perception. Garrick Ollivander believed that whenever he met one who carried a cedar wand, he found strength of character and unusual loyalty. The witch or wizard who was well-matched with cedar carried the potential to be a frightening adversary, especially if harm was done to those they were fond of, which often came as a shock to those who had thoughtlessly challenged them.

Originally, this was going to be her wand. It suits her (and her canon self) just fine. Perceptive, strong of character, and unusually loyal? A frightening adversary, all the more so when those she's fond of? Now that's just Bellatrix 100%. But! I decided against it in favour of the one she gets in the end.

Moreover, Ollivander offered this wand to her because it follows the "clearly intelligent, but perhaps a bit jagged" assessment he made of her at first.

3rd: Dogwood & unicorn hair. Dogwood wands were quirky and mischievous; they had playful natures and insisted upon partners who could provide them with scope for excitement and fun. It would be quite wrong, however, to deduce from this that dogwood wands were not capable of serious magic when called upon to do so; they had been known to perform outstanding spells under difficult conditions, and when paired with a suitably clever and ingenious witch or wizard, could produce dazzling enchantments.

Again, this wand follows the "clearly intelligent" assessment, only without the jagged bit. This wand suits her, too, since Bellatrix grows out of her shell throughout PS-PoA until she becomes self-assured and rather playful in GoF-OotP. It also goes on beautifully well with her Patronus in this story. That said, it'll take her years to get to that point, and even then she'll have a fair bit of trauma and life lessons weighing her down, which skews that playful nature and prevents a bond from forming.

4th: Blackthorn & dragon heartstring. Blackthorn wands, which was a very unusual wand wood, had the reputation, in Garrick Ollivander's well-merited opinion, of being best suited to a warrior. These wands appeared to need to pass through danger or hardship with their owners to become truly bonded. Given this condition, the blackthorn wand would become as loyal and faithful a servant as one could wish.

In Ollivander's own words: “How about a wand best suited to a warrior for a young witch with a warrior’s name?”. He wanted to see if perhaps the "jagged" bit was more important than the "clearly intelligent" one with this wand. It also suits her beautifully, and it comes close to the Bellatrix we see in canon, but Bellatrix is more than this, she is more than just a warrior, as we will learn through the series.

5th, 6th, 7th...14th: Unknown.

15th: Walnut & dragon heartstring. Identical to the first in components, length and flexibility, but radically different in shape and demeanour. The main differences between the original one and this one are: the date of creation (mirroring Bellatrix's own conception) and the state of the wood (mirroring Bellatrix's own personality and morality). The walnut tree from which Ollivander got the wood for these wands turned out to be rotten. It is up to interpretation whether the first wand was affected by the affected rot or not. The same goes for the second one, even if Ollivander claims that he managed to salvage some of the wood that was untouched by it.

This ends up being Bellatrix's wand in this series; one that is so similar yet so different to the original where it matters. Like Bellatrix herself. The foundation is the same, but the end result? That's yet to be seen. Here is a reference of the original one vs the tmh one:

Take My Hand's Wands
Take My Hand's Wands

(I'll be honest with you, though. I just wanted to give Bellatrix a normal-esque wand so that she doesn't get arthritis from holding her canonical one. Yes, I know that UaSoS's Bella has her canonical one, but she'll put its claw-like shape to good use at one point, shhh.)

If you made it all the way down here, hello again and thank you so much for reading this post! Have a cookie🍪.

Love, Lilith xx


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2 months ago

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9 months ago

How to write about someone’s appearance? Their physique, styles, face , clothes,?

How to Describe a Character's Appearance

-> dabblewriter.com

-> link to Character Description Prompts

Avoid Over-Describing

Overloading readers with too much information can be overwhelming and make your characters feel flat and one-dimensional. Focus on the details that are the most important to the story and the characters themselves.

If the character's appearance is not central to the story, then you may only need to give a basic description. If it plays a significant role, you may want to go into more detail. Always keep the purpose of your physical descriptions in mind.

Show Don't Tell

Don't blatantly state every little thing about your character's appearance, but rather show it through their actions and behaviors.

example: If they are tall, show that through their actions. They have to duck to get under a doorway, they help someone reach the top shelf, etc.

Include Personality Traits

A character's personality is what makes them memorable. Consider their motivations, values, beliefs, and quirks and give them a well-defined personality.

Avoid Stereotypes

Create characters that are more than just their cultural, racial, ethnic, or gender identity. Give them unique interests, hobbies, and personalities. Allow them to have flaws, contradictions, and diverse perspectives.

External Features

External features include a character's height, weight, body type, and general appearance. You can describe their skin color, hair color, eye color, and any distinctive features like freckles or scars. This type of description gives the reader a basic understanding of what the character looks like, which is helpful in creating a mental image.

Clothing

Describing the type of clothing they wear, including the colors, patterns, and how they fit, can reveal a lot about a character’s personality and social status.

For example, a character who wears tailored suits and expensive shoes might be a little snobby and concerned with their image, while a character who wears ripped jeans and t-shirts might be casual and relaxed.

Facial Features

Facial features can be used to give the reader a more in-depth understanding of a character's personality and emotions. You can describe their smile, the way they frown, their cheekbones, and their jawline. You can also describe their eyebrows, the shape of their nose, and the size and shape of their eyes, which can give the reader insight into their emotions.

Body Language

Body language can be used to give the reader an understanding of a character's emotions and personality without the need for dialogue. Describing the way a character stands, walks, or gestures can reveal a lot about their confidence level, mood, and attitude.

For example, a character who slouches and avoids eye contact is likely to be shy, while a character who stands up straight and makes direct eye contact is likely to be confident.

Words to Describe Various Features

Head and face

Oval: rounded, elongated, balanced, symmetrical

Round: full, plump, chubby, cherubic

Square: angular, defined, strong, masculine

Heart: pointy, triangular, wider at the temples, narrow at the chin

Diamond: angular, pointed, narrow at the forehead and jaw, wide at the cheekbones

Long: elongated, narrow, oval, rectangular

Triangular: angular, wide at the jaw, narrow at the forehead, inverted heart-shape

Oblong: elongated, rectangular, similar to oval but longer

Pear-shaped: narrow at the forehead, wide at the jaw and cheekbones, downward-pointing triangle

Rectangular: angular, defined, similar to oblong but more squared

Facial features

Cheeks: rosy, plump, gaunt, sunken, dimpled, flushed, pale, chubby, hollow

Chin: pointed, cleft, rounded, prominent, dimpled, double, weak, strong, square

Ear: large, small, delicate, flapped, pointed, rounded, lobeless, pierced

Eyes: deep-set, angled, bright, piercing, hooded, wide-set, close-set, beady, slanted, round, droopy, sleepy, sparkling

Forehead: high, broad, wrinkled, smooth, furrowed, low, narrow, receding

Jaw: strong, square, defined, angular, jutting, soft, weak, chiseled

Lips: full, thin, chapped, cracked, puckered, pursed, smiling, quivering, pouty

Mouth: wide, small, downturned, upturned, smiling, frowning, pouting, grimacing

Nose: hooked, straight, aquiline, button, long, short, broad, narrow, upturned, downturned, hooked, snub

Eyebrows: arched, bushy, thin, unkempt, groomed, straight, curved, knitted, furrowed, raised

Hair

Texture: curly, straight, wavy, frizzy, lank, greasy, voluminous, luxurious, tangled, silky, coarse, kinky

Length: long, short, shoulder-length, waist-length, neck-length, chin-length, buzzed, shaven

Style: styled, unkempt, messy, wild, sleek, smoothed, braided, ponytail, bun, dreadlocks

Color: blonde, brunette, red, black, gray, silver, salt-and-pepper, auburn, chestnut, golden, caramel

Volume: thick, thin, fine, full, limp, voluminous, sparse

Parting: center-parted, side-parted, combed, brushed, gelled, slicked back

Bangs: fringed, side-swept, blunt, wispy, thick, thin

Accessories: headband, scarf, barrettes, clips, pins, extensions, braids, ribbons, beads, feathers

Body

Build: slender, skinny, lean, athletic, toned, muscular, burly, stocky, rotund, plump, hefty, portly

Height: tall, short, petite, lanky, willowy, stocky, rotund

Posture: slouching, upright, hunched, stiff, relaxed, confident, nervous, slumped

Shape: hourglass, pear-shaped, apple-shaped, athletic, bulky, willowy, curvy

Muscles: defined, toned, prominent, ripped, flabby, soft

Fat distribution: chubby, plump, rounded, jiggly, wobbly, flabby, bloated, bloated

Body hair: hairy, smooth, shaven, beard, goatee, mustache, stubble

Weight: light, heavy, average, underweight, overweight, obese, lean, skinny

Body language: confident, nervous, aggressive, submissive, arrogant, timid, confident, relaxed

Body movements: graceful, clunky, fluid, awkward, jerky, smooth, agile, rigid

Build

Muscular: ripped, toned, defined, well-built, buff, brawny, burly, strapping

Athletic: fit, toned, agile, flexible, energetic, muscular, athletic, sporty

Thin: skinny, slender, slim, lanky, bony, gaunt, angular, wiry

Stocky: sturdy, broad-shouldered, compact, muscular, solid, robust, heavy-set

Overweight: plump, chubby, rotund, heavy, portly, corpulent, stout, fleshy

Fat: overweight, overweight, rotund, heavy, bloated, tubby, round, fat

Lean: lanky, slender, skinny, thin, wiry, willowy, spare, underweight

Larger: large, heavy, hefty, substantial, solid, overweight, portly, rotund

Skin

Texture: smooth, soft, silky, rough, bumpy, flaky, scaly, rough

Tone: fair, light, pale, dark, tan, olive, bronze, ruddy, rosy

Complexion: clear, radiant, glowing, dull, blotchy, sallow, ruddy, weathered

Wrinkles: deep, fine, lines, crow's feet, wrinkles, age spots

Marks: freckles, age spots, birthmarks, moles, scars, blemishes, discoloration

Tone: even, uneven, patchy, discolored, mottled, sunburned, windburned

Glow: luminous, radiant, healthy, dull, tired, lifeless

Tautness: taut, firm, loose, saggy, wrinkles, age spots, slack

Condition: healthy, glowing, radiant, dry, oily, acne-prone, sunburned, windburned

Style

Clothing: trendy, stylish, fashionable, outdated, classic, eclectic, casual, formal, conservative, bold, vibrant, plain, ornate

Fabric: silk, cotton, wool, leather, denim, lace, satin, velvet, suede, corduroy

Colors: bright, bold, pastel, neutral, vibrant, muted, monochrome

Accessories: jewelry, hats, glasses, belts, scarves, gloves, watches, necklaces, earrings, bracelets, rings

Shoes: sneakers, boots, sandals, heels, loafers, flats, pumps, oxfords, slippers

Grooming: well-groomed, unkempt, messy, clean-cut, scruffy, neat

Hair: styled, messy, curly, straight, braided, dreadlocks, afro, updo, ponytail

Makeup: natural, bold, minimal, heavy, smokey, colorful, neutral

Personal grooming: clean, fragrant, unkempt, well-groomed, grooming habits

Overall appearance: put-together, disheveled, polished, rough, messy, tidy

If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.

1 year ago

this might be a weirdly specific request, but do you have anything with similar vibes as "i'll love enough for the both of us (even if you can't bring yourself to love yourself)"?

haiiiii omg this is soooo late but I really hope these are what you're looking for. I love this prompt so much though, I can really vibe with that phrase ;_; it's so poetic and definitely romantic!! hope these helped, and thank you for your ask ♡

'I'll love enough for the both of us, even when you can't love yourself' — and other similar phrases

"And I'll always be the keeper of your heart, even when you're ready to hold it yourself,"

"Through every shadow of doubt, until you see the light within yourself — that's how much love I have for you,"

"A safe haven, your rock, your home — that's who I want to be for you,"

"You know that my love for you is unshakable, unwavering... but even more so in the depths of your self-doubt,"

"And till you can see the raw beauty that lies within you, I'll be the reflection of your soul,"

"Let me be the foundation, the bedrock; let me be your anchor, and even when you stand tall on your own two feet, I'll be there,"

— will definitely add more to this list if something comes to mind! feel free to drop any other requests here!

9 months ago

◦˚~ SPACE DIVIDERS ( colourful ) by enchanthings ~˚◦

◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦
◦˚~ SPACE DIVIDERS ( Colourful ) By Enchanthings ~˚◦

Info: these were all drawn & edited by me. please reblog/like if use!

11 months ago

“It’s rare to meet someone with a mind just as beautiful as their face.”

— Unknown

3 months ago

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

1 year ago

A bad day of writing does not make you a bad writer. Nor does an odd piece of dialogue, or an illogical plot line.

Cut yourself some slack. Writing gets tedious sometimes.

11 months ago

“Success is not final, failure is not fatal: it is the courage to continue that counts.”

— Winston S. Churchill

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gunsnlilies-blog - Lilith 🍂
Lilith 🍂

Just a wannabe writer trying to write 💭

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