*screaming*

*screaming*

Tim Learned On A Simulator Because No One Was There To Teach Him. 

Tim learned on a simulator because no one was there to teach him. 

I have thoughts that he did lots of things on simulators.  Like he simulated conversations with his dad, telling him all about Robin.  He simulated watching movies with Dick.  He simulated playing chess games with Bruce.

Tim used the simulator as a tool for social interaction with people who weren’t there.

And the simulator taught him how to drive.  :-/

More Posts from Fractalflowers and Others

1 month ago

Everything by Suzukiblu and Clockwayswrites but I'm never gonna be brave enough XD

Do y'all ever read a fic so good that it makes you want to elevate your own craft and also befriend the writer? It's almost like, "Hi! You write so well that you've inspired me to embark on a creative training arc. Also, can I yell about the character in your dms because you get it?"


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2 weeks ago

ok sorry I just have to yell about this real quick -

3 panels, each below the next.

Panel 1: 

Tim, in his red One Year Later costume with no mask, falls sideways into Dick-as-Nightwing's chest. Dick gathers him in with one hand on his shoulder and the other reaching around. Both of their eyes are closed.

Tim: "I'm sorry... I'm so sorry..."

Dick: "You have nothing to apologize for. *Nothing*."

Panel 2: 

Dick has tucked a devastated Tim under his chin, arms around him and cradling his head.

Dick: "I let you make the choice for yourself...because I knew you'd make the *right one*." 

Panel 3: 

We zoom out to see Dick kneeling on the cave floor in front of the smoking green Lazarus pit, a sprawled Tim still cradled in his arms. Tim's hand has come up to clutch at Dick's forearm. Dick presses a kiss to Tim's hair.

Nightwing (Vol. 2) #139 - The Resurrection of Ra's al Ghul, part 6 Dick: "I let you make the choice for yourself...because I knew you'd make the right one."

Dick didn't know shit, lmao!! "Because I knew you'd make the right one" my ass lol.

Let's rewind two minutes shall we:

Three panels, left to right.

Panel 1: 

Dick reaches down to a Tim half picking himself up from the ground, looking down with his face shadowed. I Ching stands a distance behind them both, hands in his pockets.

Dick: "Okay, feel free to stop that now. Tim... Listen... There are no easy answers..."

Panel 2: 

Tim's masked face, looking up at Dick, lips parted and eyebrows drawn in conflict. 

Dick's voice: "But you have the right to make the choice for *yourself*."

Panel 3: 

Dick standing, looking down at Tim and reaching a hand out to him in entreaty.
One panel on the left:

Nightwing stands above the Lazarus pit, looking at I Ching who merely stands silent with his hands behind his back. In front of them, down at the edge of the pit, Robin kneels and reaches down to pick up his sample collection tubes. 

Dick, in narration boxes: "No-win. If I stop him, I don't trust him. If he goes through with it, I shouldn't have trusted him."

Three panels on the right, one on top of the other.

Panel 1: 

Tim stands above the pit, looking down, sample tubes fitted into an extender in his hand.

Panel 2: 

Close-up of Dick's tense, concerned face.

Panel 3: 

Tim crouches, reaching and dipping the sample tubes down toward the pit's green surface. 

Dick, in a narration box: "*C'mon*, Tim..."

Dick: "Tim... Listen... There are no easy answers... But you have the right to make the choice for yourself." || Dick (internal narration): "No-win. If I stop him, I don't trust him. If he goes through with it, I shouldn't have trusted him. C'mon, Tim..."

He doesn't know what choice Tim is going to make, whether his grief will overcome him and he'll take the Lazarus water or not, and has in fact been physically fighting Tim this entire issue to stop him by force. But ultimately he knows it's Tim's right to choose for himself, and decides to hope, and have faith in his brother.

And he has that faith rewarded, and reaffirms it afterward, despite the fact that he wasn't sure.

And paralleling that moment of "yes of course I knew you had it":

Two panels, left to right.

Panel 1: 

Dick, in his Batman suit but with no cape or cowl, speaks to Tim, who also has no cowl and no shirt as well as cuts on his shoulder and face.

Tim: "Ra's..."

Dick: "Gone. We swept the place and got nothing. You want to tell me what that was all about?"

Tim: "It's...a little complicated. But I think we're good for a while."

Dick: "How'd you know? How did you know I'd be there to save you?"

Panel 2:

Close-up of Tim's face as he respond to Dick, smiling a little. There are more cuts, on both sides of his face.

Tim: "You're my brother, Dick. You'll always be there for me."

Red Robin (2009) #12 Dick: "How'd you know? How did you know I'd be there to save you?" || Tim: "You're my brother, Dick. You'll always be there for me."

TIM DIDN'T KNOW SHIIIIIIIIT HGKLJDKFLSD

At least not consciously! Being caught by Dick is certainly not something he planned for, as he seems to be trying to imply.

Again, rewind:

Two panels, one horizontally narrow and overlaid at the top of the other.

Panel 1: 

Tim as Red Robin crashes out of a skyscraper window after being kicked by Ra's al Ghul.

Tim, in a narration box: "I did it."

Panel 2: 

We see Tim from above, falling backwards with the street far below him. He's limp, all of his limbs loose and trailing above him. His cowl is partly destroyed, showing half his face and hair. His cape and hair stream upward in the wind, glass shards falling about him. There's a bloody horizontal slash ripping through the stomach of his costume, and there's blood smeared from his mouth.

Tim, in narration boxes: "I did it. I saved the people he loved. I saved everything he worked so hard to build. No compromises."
Three panels, left to right, descending as Tim falls.

Panel 1: 

Tim is smiling through his bloody mouth and bleeding nose, heavy bruising around his exposed eye, which is starting to roll up as he continues to fall.

Tim, in narration boxes: "He won't say anything, he never does. But I know. I know that Bruce will be proud of me." 

Panel 2: 

Close-up on Tim's exposed eye, which is leaking and trailing small tears upward. It's always half rolled back into his head as he starts to pass out.

Tim, in a narration box: "Not a bad day."

Panel 3:

Black.
Full page spread of Dick as Batman in flight as Batman, cape fully flared as he swings in on a line and catches Tim under his arm.

Tim (internal narration): "I did it. I saved the people he loved. I saved everything he worked so hard to build. No compromises. He won't say anything, he never does. But I know. I know that Bruce will be proud of me. Not a bad day." || Tim: (in the midst of pASSING TF OUT) || Dick: (swoops in and catches him)

Tim may not have actually known that Dick would be there. But that catch... A falling Tim being caught by Dick is a motif that occurs over and over and over across the years of their relationship. Why do I feel like there's a part of Tim, faint as he faded out, and much stronger when he woke up, that went, "Oh, it's Dick - of course if it was anyone, I knew it would be Dick"?

After their conflicts and miscommunications in this arc, after Tim sweeping back into town and explaining not a single thing as he races to thwart Ra's, despite Dick's frustrated pleas, after cutting Dick off with a simple, "Batman...trust me," and Dick's responding, "Of course"....

Tim feeling like he knew, even if he didn't know, or plan, or expect. Because that's his brother. And choosing to express that trust, after Dick chose to trust him...

Just. Dick and Tim. Verbally reaffirming their faith in each other, even after in-the-moment doubts. BROTHERS. My emotions.

1 month ago

This was so funny to me, lol

This Was So Funny To Me, Lol
This Was So Funny To Me, Lol
1 month ago
Today’s The Day!!

Today’s the day!!

2 weeks ago

Batfam + References to being family (Part 10)

Part 9

Dick about his family in Nightwing #79: “I’ve always had someone to catch me if fell. My parents. My father. My other father. And my brothers.”

Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)

Jason in Detective Comics #975: “Being here, being one of all of you… It’s important to me. […] Family is family. I can make room on the black sheep side of the table if I need to.”

Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)

Bruce, Kate and Jacob talk about Martha in Detective Comics #978:

Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)
Batfam + References To Being Family (Part 10)

Part 11

4 weeks ago

More thoughts on Clark fantasizing about sweaty Bruce "in a friend way":

The reason this lasts so long is coz every time Clark considers that maybe this behaviour isn't normal, he looks over at Bruce who's doing the exact same thing and thinks "nah, this is how friends act, totally bros"

He's memorising his heartbeat and scent? Bruce has already studied every inch of his body in great detail multiple times

He's interested in learning more about Bruce's parents and childhood? Bruce has been learning to speak kryptonian and studying the culture for years now

He treats the bat kids like his own kids? Bruce literally buys the bank his parents owe money to so they can keep the farm

He stares at the man's scars for a bit too long in the changing rooms? Bruce just full on looks him in the eye while he strips down then continues on like nothing happened

This man has not only matched his freak, he's doubled it and put a batsymbol on it

1 month ago

Me rn. I should be writing Bat...man? or Beyond the walls but i dont wanna. The trans Jason Todd story demands to be written.

fractalflowers - Fractal Flowers

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1 month ago

Hehe I'm writing a fic which is basically this

Dick, drunk: Man, fuck Jason.

Roy, also drunk, near tears: Dude I'm trying.

1 month ago

authors jason todd can talk about who are NOT jane austen or mary shelley

okay SO. a couple of people indicated they would be interested in this which was honestly all the encouragement i needed. my credentials are that 1.) i love jason todd 2.) i love literature 3.) i got my bachelors degree in english like a week ago and am now in that awkward space in-between school and employment and am looking to fill my time with inconsequential geeking out. amen.

incomplete list of authors and works (romantic to modern) you could write about jason todd being invested in under the cut!!:

SOME DISCLAIMERS:

this list is not even a little bit exhaustive and there are authors big and small i elected not to include because i either felt like i didn’t know enough about their work to comment or i felt their work didn’t relate to jason todd, who is ostensibly the subject of this post

there’s also not a whole lot of detail on the history and context behind these authors and their works, because again, this is a silly tumblr post about the hypothetical reading preferences of a comic book character

while i do have a brand spanking new bachelor's degree in english i cannot claim expert knowledge, especially because most of my education was broad strokes in literature survey classes. i just have access to a lot of overpriced lit anthologies and a dream

also i need to say i LOVE jane austen and mary shelley. i’ve written jason referencing them before and will do it again but come on. there’s a whole world of english lit out there and most of this post is a transparent excuse to get people–including myself–to read more cool poems and stories 

NOW LETS FUCKING GOOOOO

william blake: (1757-1827) blake was a weird fucking guy. he was an artist and poet and he was very preoccupied with religious and esoteric imagery. check out his paintings; they’re all bleak and occasionally grotesque but deeply evocative and honestly?? rad as hell. i think jason would really get a kick out of them. blake’s most famous poem is probably "the tyger", but "london" and "holy thursday" from songs of experience do a great job of invoking a really grimy urban feel that would slide right into gotham. 

lord byron: (1788-1824) a guy described as “mad, bad, and dangerous to know;” which he certainly was. this guy got up to so much dark and broody bullshit that they named a whole character type out of him–byronic hero, anyone? he’s mostly on this list because jason could certainly be called byronic and the connection is too good to pass up, but i do think jason would really vibe with the apocalyptic imagery in "darkness."

okay FINE this doesn’t really have anything to do with jason but "ozymandias" is one of my favorite poems ever and well worth reading

john keats (1795-1821) possibly one of the most romantic out of all the romantic poets, right down to dying tragically young of consumption. i mean, just look at "bright star." i am personally of the opinion that jason is secretly a HUGE romantic, so he’d probably dig keats quite a bit. i would also be remiss if i didn’t nod to “ode on a grecian urn.” 

note the biographical links for the victorian authors direct to victorianweb.org, which is kind of an old reference but it is one i got directed to in one of my first lit classes, so i feel comfortable linking it as a jumping-off point. 

elizabeth barrett browning: (1806-1861) i actually already wrote a fic where jason referenced barrett browning but i’ll reiterate here. barrett browning was HUGELY influential within the victorian time period, probably best known for her verse novel, aurora leigh, about a brilliant young woman working to become an artist against the strictures society has placed on her. lots of really fascinating stuff about womanhood, art, and the intersections thereof within the victorian era. sonnets for the portuguese is another big work of hers, written for her future husband robert browning (a very talented and influential poet in his own right) during their courtship. sonnet 43 is probably the most well-known out of these, but i’m personally a big fan of sonnets 14 and 24. sonnets are great for if you need to write about jason being a weird sappy romantic or just if you want to read cool love poetry. 

alfred, lord tennyson: (1809-1892) there’s a LOT i could say about tennyson’s influence and impact on the victorian era and on poetry at whole that can’t fit into a tumblr post about the reading preferences of a semi-niche comic book character. for jason specifically, "in memoriam", written over the course of about three years after the sudden death of tennyson’s close friend, is a deeply moving meditation on grief, loss, and recovery that jason would likely find really impactful. cantos 54 and 56 are particularly impactful. how am i not supposed to resonate with a banger like “nature, red in tooth and claw”??? huh???

charlotte brontë: (1816-1854) charlotte brontë is best known for her 1847 novel jane eyre which, as a personal aside, is one of my absolute favorite books of all time. jane eyre is the one about the governess and the madwoman in the attic. (obviously, it’s more complex but i’m not getting into that in a tumblr post). jane eyre and brontë’s other two novels, shirley and villette deal with emotionality and strong feeling in ways jason would find very compelling, even if he probably spends most of jane wanting to (rightfully) punt edward rochester and st. john into the sun. jane is the most famous out of the three, but i think shirley is very underrated–i’m still thinking about shirley keeldar saying, and i quote, “bon voyage” after she rejects a proposal. shirley keeldar queen of my heart <3<3. i can’t mention charlotte without also mentioning her sisters emily and anne, but i’m less familiar with their work and can’t comment on it (but probably jason would be a big fan of the gothic leanings of wuthering heights). 

gerard manley hopkins: (1844-1889) hopkins does some REALLY fucking fascinating things with language in his poems. he plays around with sound and meter in ways that dip into modernity. "god’s grandeur" and "as kingfishers catch fire" are particularly good examples of this. "carrion comfort" is the kind of poem everybody should read at least once, and it’s also the kind of poem that jason todd would read and then lay down for a really long time about. 

william butler yeats (1865-1939) an extremely influential modernist poet, deeply associated with the modern irish independence movement and identity (for example, see “an irish airman” or “easter 1916”) which i just think is neat. yeats also wrote a lot about cycles of time and history and idk. i think that would really resonate with the guy who died that one time. i especially recommend checking out “the second coming” and  “sailing to byzantium.” 

t.s. eliot (1888-1965) pretty easily one of the defining modernist authors and critics of the era. “the love song of j. alfred prufrock” is another one of those poems everyone should read at least once and another one of those poems that jason todd would read and then lay down for a really long time about. “the waste land” is long but also really worth reading; but if you’re reading for jason todd specifically, you should take a look at sections i and v. 

there are so SO many more but this post is ah. long enough as is!! if you have any comments or thoughts or questions please feel free to reach out to me!! i’m not ever going to claim to be an expert on the subject, but i do love talking about this stuff :))

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fractalflowers - Fractal Flowers
Fractal Flowers

Fanfic writer and sometimes fanartist

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