People Who Say Bernard Is Boring Are Admitting To Skill Issues. Like, You Really Can't Think Up Anything

Mood.

Actually though, now I kinda want a shawl patterned after Discowing's outfit. That looks kinda comfy.

Relatable

Headcannon that Jason got the headstone from his grave and put it above his bed because it says 'Here lies Jason Todd' (he broke off the good soldier bit ofc) and thinks it's the funniest thing ever, some of the family, of course, are horrified.

Dick, at Jason's before they go out on patrol: Hey Jaybird, make sure to bring a spare respir--WHAT THE HELL?!?

Dick, looking frantically between Jason and the headstone: this is clearly a threat. Somebody knows your identity. I swear to GOD when I find who did this--

Jason, looking up from his phone comepletely unbothered: oh yeah, about that

--------

Bonus:

--------

Tim, climbing through Jasons bedroom window: Hey, its me, dont shoot. Do you have a first aid kit here right?

Jason, getting up from where he was reading in bed: ugh yeah sure, one sec

Jason, proceeds to grab a sticky note saying 'DOES NOT' and jabs it onto the headstone so it reads 'Here DOES NOT lie Jason Todd':

Tim:

Tim: okay that's funny

POKEMON VIETNAMESE CRYSTAL

Don’t mind me, just sharing a thing of glory.

Okay, hear me out. I know it's not canon that Jason drugged the other Titans during the Titans Tower Incident; he electrocuted two of them and then drugged the third.

But we're playing in the au's like bitch whatever, DC retcons and rewrites at the slightest provocation and we are here for stories, right?

And a lot of Titan's Tower au's have Red Hood drugging more people than in canon. And every time it happens there's an absolutely terrible little voice in the back of my head going, "Jason is so lucky that no one he drugged was hiding a substance abuse issue like Roy did. Jason is so lucky that none of these teenagers-to-young-adults who are incredibly physically active and who have so many traumas took some physician-prescribed, completely legal pain medications or anxiety pills or muscle relaxants. He is so lucky that any daily upkeep medication didn't cause a catastrophic drug interaction with the unknown. Heck, Jason is so lucky that whatever drugs he used were perfectly tailored to each individual's body mass and species."

I'm not saying I want a fic where Jason accidentally makes a young hero OD, but I think it would be interesting and darkly funny if Tim made him think he might have.

"You drugged everyone? Wait, even (X)?! What did you use, did you check to see if they took their benzos before you drugged them? (Y) Is allergic to propofol, was that part of the stuff you used?"

"Look, you can have the fight you want, just let me make you none of my friends are choking on their own vomit first."

Damn, I'm gonna hafta stop joking that Batman's a furry because after some thought, that's a disrespectful joke. Batman is clearly not a fursona and I should know better than to kink shame like that anyway.

Hey, shout-out to Marvel who made their (at the time) front runner, most popular and profitable hero into a domestic abuser by accident. And I don't mean "accident" as in a writer made a bad character decision that was signed off on, I mean "accident" as in there was a literal miscommunication between the writer and the artist.

Can you imagine suddenly becoming a wife-beater because two of your gods missed a memo? Wild.

BUT! Instead of retconning this, the team leaned into it, made it lore that Ant-Man's tech was giving him mental problems and emotional instability. He faced consequences and had to struggle with himself as a hero and as a person. It's a fucking great plotline, it's a fantastic story hook!

It's depth and recognition of brain disorders and loving someone and divorcing them anyway because you have to put on your own oxygen mask first. It's realizing that your long-term plans are crashing down around you because of a physical injury no one can fix. It's an identity crisis. It's losing friends because being a caretaker is hard.

It's retiring a character for legit in-world reasons and allowing someone else to take up a symbol. It's about creating a legacy.

Marvel lost a major money-maker during this time, but holy shit did they get to tell a story.

This is the stuff I think about when I get frustrated with DC's restarts and quick retcons; what kind of intense, personal storylines could we have seen play out if they just allowed their characters to make those mistakes? Take those terrible actions?

I don't want to see something awful handwaved into "it didn't actually happen", I want to peel open a character's mindset and motives and understand why it did. Give me the introspection. Give me the reasons. Give me them acknowledging mistakes.

Like a year ago I mentioned to @asknotbug that I was reading all the "Billy Batson gets adopted into the Bat-family" fics and THEY, THEY told me about the Danny Phantom adoption fics. I held out for like six months but guEsS WhAt I'm ReAdInG nOw?!

Worst of all is that so much of it is really good lmao

Danny Phantom is also super easy to consider as an allegory to being a closeted queer teen in a small Midwestern town. And sometimes it's just about a ghost boy.

Anyway, thanks again @asknotbug, I'm having a great time. May any curses against you fall upon your enemies.

The thing my mind keeps going back to is when Steph is at the very start of her Robin training... And Bruce and Pennyworth just give her one of Tim's uniforms to train in.

And it's fucking uncomfortable for her because she is a physically different person. She can't move in the damn thing without something tearing, her getting a wedgie, or her getting winded because her boobs are so compressed! And yet, Bruce and Pennyworth make such a big deal about how they guess they'll have to get her a uniform that fits.

Even getting part of the cave sectioned off so that she can change in private is shown as something she feels she had to earn.

It was so frustrating to read that whole damn arc.

I'm not going to claim Steph was perfect or that every decision she made was right, but it was so clear that she wasn't being supported like she should have been.

Every so often, DC is reminded by Steph fans that War Games is a thing that happened and that its many injustices against her and her fans still need to be addressed and every so often, DC responds with a comic that says "Bruce was right to manipulate and fire her and she deserved to be tortured and killed"

Man, sometimes I read a fic where their version of Superman is so flat he couldn't even cause a papercut and the favored characters are all "Superman is the type of person who always thinks he's doing the right thing" and "Superman doesn't accept criticism" and "Superman is a bumbling farm boy hick stupid head" and "the Justice League is a bunch of elitist hacks and their club is only to hype themselves up because narcissism".

And I gotta. Like. Okay? That's a take, I guess. That's an opinion. It always takes me out of the story though, because it's presented as a known fact of the world of the fic despite little to no indication of those truths being reflected in the rest of the fic. It's a weird whiplash and it always leaves me almost ravenously curious as to what influenced this perception.

Sometimes it's explained as an unreliable narrator, sometimes an author's note will shrug off responsibility with "someone has to be the asshole lol", and sometimes it seems to be really and truly genuine and that is fascinating to me. I want to know the why's. I want to take them for coffee and listen to their perspectives. I want to understand.

One of my favorite Batman and Superman team up comics has a pre-jl storyline where they don't trust each other just yet. And because they don't trust each other, they both leap to save the life of a criminal being thrown out a window - they can't be sure the other won't just let this awful person die "accidentally". And because they were both distracted by that, an innocent hostage ran into the street in a panic and was struck and killed by a truck.

It was such a needless death. It was so bullshit and pointless. Both Superman and Batman recognized the need for trust, the need to let themselves be known enough, vulnerable enough, to not have this happen again.

And can y'all imagine how both their stories might have changed if future writers, canon and fanfic alike, kept that character growth in mind?

The Batman (2022)

Psychoanalyzation of Batman and the Riddler

This movie is about the corrupt officials running the crime ridden city of Gotham. Batman is trying to uncover it all, as the Riddler brings everything into public attention. He wants to show the truth of the lying, murder, and corruption that is behind public officials in their city. He wants them to pay for their sins, as he says. Batman wants to protect the city from crime, be a figure to scare it away–he stands for justice. They both want to stand for justice, unmasking the truth, and bringing vengeance–something good. They do this through secret identities, personas, scare tactics, violence, and in the riddlers case murder. In that way, Batman and the riddler both represent something so similar yet slightly different.

Bruce Wayne – a millionaire's son, parents murdered on the street, and from a young age was forced to take on the responsibility of being a Wayne. Carrying a family legacy, being part of the big public eye, businesses, etc. When he took on the role of being Batman, it was a subconscious comfort for him. Something more therapeutic than realized. It became his main identity, his life. “Two years of nights have turned me into a nocturnal animal,” he says.

Bruce Wayne is secluded, wasn’t seen often. Growing up in such a dark place, no father, no mother, no support other than money–you’re bound to be this depressive figure. It’s an interesting depiction of depression, the loss of motivation to work, to follow those forced schedules that only drain you. Like Alfred tells him, “you have to keep up appearances, you’re still a Wayne.” Depression isn’t noticed in someone like this. Growing up with so much fear, in a city like this, he developed a complex. This conversation he has with Alfred, about the Wayne family legacy and what he’s doing; “I don’t care about that. Any of that,” he says.

“You don’t care about your family’s legacy?”

“What I'm doing is my family's legacy. If I can't change things here, if I can't have an effect, then I don’t care what happens to me.” He’s enraptured in his life as Batman, but he believes it’s what is needed. His family were public officials, trying to change the city for the better–that’s what he wants as well. It’s a cycle; Losing his parents at a young age → becoming an orphan, not having a healthy childhood with key protections → learning to fight fear on his own → protecting other people from danger to feel complete → still afraid, but subconsciously unaware and trying to fight it with public vigilance and inflicting fear. “Fear is a tool.”

The riddler has a better read on Batman then is really noted by Batman’s actual character. Perhaps he did know these things, just suppressed it, or perhaps it was all subconscious. Both the Riddler and Batman grew up as orphans. The difference is one was poor, and one was very privileged. The similarities they carried sparked the Riddlers' interest in him. He said that he was inspired by Batman; “you showed me all it takes is fear and a little focused violence–you inspired me.” Batman tries to avoid the realization his actions of trying to make things better inspired terrorism and the birth of a criminal who destroyed the city, it angers him. But eventually, he realizes what he needed to do differently. It only took the near death of a father-figure, falling in love then losing that love, a demolished city, and a few crazy criminals to make him say, “vengeance won’t change the past.”

Unlike Batman, the Riddler is actually aware of the similarities in their psyche, and believes they are almost the same. “Your mask is amazing. I wish you could of seen me in mine. Ain’t it funny? All everyone wants to do is unmask you, but they’re missing the point. You and I both know I’m looking at the real you right now.” He believes that he can read him, connect to them on a level of their actions and trauma. He sees the similarity between them. Batman, on the other hand, refuses to see it that way. He recognizes that yes, they were both orphans, both grew up in a melancholic, crime ridden city, and developed trauma because they were never properly taken care of. Alongside that, the truth of his fathers death being revealed is also making him come to his own reality. But if he has to face that reality, that everything he has devoted his life, his coping to for the past 2 years was pretty much a huge infringement, he has to reevaluate everything he was afraid of.

Edward Nashton, the Riddler, is a character shaped by systemic neglect and the corruption of Gotham City. Unlike Batman, whose trauma stems from the privileged position of a very wealthy orphan, the riddler represents the unseen stuffing masses of people of Gotham. He verbalates this anger and disparity with his very emotionally charged monologues:

“Do you know what being an orphan is? It's thirty kids to a room, twelve year olds and already a drophead, numbing the pain. You wake up screaming with rats chewing your fingers, and every winter one of the babies dies because it's so cold. But, oh no! Let's talk about the billionaire with the lying, dead daddy because at least money makes it go down easy, doesn't it? Bruce Wayne.”

The Riddler discreetly confronts the hypocrisy of Gotham's social and societal hierarchy. His hatred towards Bruce Wayne is just personal jealousy—it's ideological. He sees Bruce Wanye as a symbol of the privileged elite who willingly remain ignorant to the suffering of those less fortunate than others. Unlike Batman, the Riddler has no moral code to limit his actions. His belief in vengeance is absolute which leads him to enact what he sees as justice through sadistic and almost theatrical murders. The quote, “It can be cruel, poetic, or blind. But when it is denied, it's your violence you may find.” really encapsulates his perspective that justice is an obligation and when it's absent, chaos and discretion are the only recourse.

Despite their big ideological differences, the Riddler and Batman share a lot of disturbing similarities: they are both productions of Gothams’ corruption, both operate in the shadows, and both seek to expose the city's darkest and most corrupt secrets. The Riddler takes Batman's methods to an extreme, demonstrating how close the line between villain and hero can be. One of the most chilling moments in the film is when the Riddler expresses admiration for Batman, claiming he was inspired by him: “You showed me what was possible. You showed me all it takes is fear and a little focused violence. You inspired me!” This statement forces Batman to confront the possible consequences of his actions. His presence in Gotham, meant to be a force of good and a beacon of hope, has bred figures such as the Riddler, who takes his ideology and distorts it into something more sinister.

While Batman is known to only work alone, he does surround himself with allies but he keeps them at arm's length, while the Riddler is defined by his isolation. He is a man who has spent his whole life feeling invisible, his pain is ignored by the very system he tries to dismantle. His belief in his cause is so strong that he assumes Batman will join him in his big plan and mission, further emphasizing his detachment of reality and his furtherment into delusion. In his final monologue he says: “Oh, if only you knew how long I've been waiting for this day, for this moment. I've been inisale my whole life. I guess I Won't be anymore, will I? They remember me now. They'll remember both of us.” This moment really cements the Riddler as a tragic figure. His entire life has been consumed by the needs for recognition, and in his mind, his grand plan has finally achieved that. He doesn't want to be remembered—he wants to be understood.

The Riddler serves as a reminder of gothams failures. Where Batman chooses to fight against corruption while adhering to a strict moral code, the Riddler embraces the city's darkness. He forces both Batman and the audience to confront the uncomfortable truths about systemic inequality. In the end, the Riddler stands alone, not because of his lack of purpose, but because his means of achieving justice are too extreme even for Gothams dark savior.

By the end of the movie Batman won the battle, but the Riddlers message still stands—justice in Gotham is not just about vengeance; it's about understanding who is allowed to suffer and why

Notes - This is our first essay we have written together!! Half was written by me (scout) and half was written by maddie. We love watching these movies and digging deeper into the characters and plot. If you have any recommendations—please share! - S+M