Ideas of fatal character flaws? :3
Hi :)
Aristotle calls this ‘Hamartia’ - a tragic flaw or error. It can be anything happening to good or bad characters, even otherwise good character traits and with good intentions that ultimately lead to the character’s demise. They are often traits that don’t neccessarily lead to someone’s downfall, but can if they’re done to an extreme. So think of these otherwise normal ‘flaws’ as extremes.
ignorance - not seeking helpful knowledge
selfishness - not thinking about others
curiosity - getting involved in things they shouldn’t get involved in
impetuousness - being too passionate/ not thinking before acting
pride - not giving in/ not taking help from others
hubris - exaggerated opinion of oneself/ thinking nothing can get to them
lack of self-control - can’t help/stop themself
indecisiveness* - not being able to make decisions
confirmation bias - only taking in information that supports one’s own belief
arrogance - thinking they are superior
Have fun!
- Jana
*Interesting example: Chidi from The Good Place. A morally great character who is so extreme in always trying to make the right choice and therefore not being able to make a decision until it is proven to be right, it basically lands him in hell.
Y’ever read something and have understanding that has eluded you interminably suddenly stop, curl up, and snuggle neatly into a fold in your brain because a new way way opened to it?
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Tulip: Tulip is a symbol of love, passion, and desire. It is also associated with springtime and new beginnings.
Flowers can be used to foreshadow events or themes in a story. For example, a writer might use a white rose to foreshadow a character's death, or a red rose to foreshadow a romantic encounter.
Flowers can be used to represent characters' emotions or motivations. For example, a character who is feeling sad might be described as holding a wilted flower, or a character who is feeling passionate might be described as surrounded by roses.
Flowers can be used to create symbolism that is specific to a particular culture or region. For example, in some cultures, the lotus flower is a symbol of purity and enlightenment, while in other cultures, it is a symbol of death and rebirth.
a couple snippets from a presentation i gave at school this past week on storyboarding!!
‼️DISCLAIMER: I am still a student and have only worked on student and indie projects! This is just stuff that I personally find helpful as an amateur, so feel free to take it with a grain of salt!
Happy boarding, friends! ✍️💕
I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
Nearly every writer understands that a story needs conflict. The protagonist sets off to fulfill a goal, runs into an antagonistic force, and their struggle creates conflict. This should happen in the story as a whole, this should happen in acts, and it should happen in almost every scene--the difference is that the smaller the structural unit, the smaller the antagonist and conflict (simplistically speaking).
Today I want to talk about a sneaky problem I sometimes see when editing manuscripts, one that relates to conflicts.
Sometimes the writer simply “circles” the conflict.
What I mean is that after a given conflict, nothing has actually changed in the story. We just completed a “circle.”
For example, say the protagonist is a favorite target of the schoolyard bully. They get into a verbal fight, but when it's over, nothing's different. The conflict didn't have any consequences.
It may not sound that bad.
And if it only happens once in a while, and there are enough other conflicts going on, it may not be.
But if this happens repeatedly or this is the main conflict, the plot isn't progressing. It just did a circle and the characters ended up in the same situation they were before the encounter. Essentially, no matter how exciting the scene may seem to be, you could still cut it and the story would be the same.
Let's look at an even less obvious example.
The protagonist needs to get Object X from Character B.
The protagonist finds a way to successfully steal it.
But then immediately afterward, Character B steals it back.
The scene ends, and the protagonist is back at square one.
It doesn't sound that bad, does it?
And if it only happens once in a while, and there are enough other conflicts going on, it may not be.
But if this sort of thing happens repeatedly--over and over and over--the plot isn't progressing. You're just going back and forth and back and forth and back and forth. And if we just arc that path a bit, guess what? It creates a circle.
Another example:
The protagonist has a problem.
But she's not taking action to solve the problem.
Yes, she reacts emotionally to the problem.
She may even sometimes come up with a plan for how to try to solve the problem.
But she doesn't execute it. Or, some other problem comes up that keeps her from executing it.
And rather than come up with and execute a new plan to address that problem.
She just reacts emotionally to the problem.
Imagine this going on for multiple scenes.
The plot isn't progressing. She's just ruminating.
It still feels like the text is just circling the conflict.
Please know I'm not saying a story can never do these things. On rare occasions, circling conflicts can be useful, like when the point is to show the audience how some things don't change. My first example may arguably work near the beginning of the story, to show what the protagonist's day-to-day life is like. My second example can sometimes work as a frustrating irony. And my last example, well . . . don't do my last example. Okay, okay, maybe it could work to show off how the protagonist is incapable of or has the flaw of never moving forward (and chances are it'd probably be better to illustrate that through summary, rather than scene).
And some degree of circling can work, when the story needs to end with the characters and world in the same place they started, like in a serial, but note that usually through the installment, there isn't much circling.
And often, even if the external circumstances complete a circle, the journey changed the character internally in some significant way.
BUT if you are repeatedly writing examples like those above, where the situation at the end of a scene or act is essentially the same as it was at the beginning of the scene or act, then you aren't moving the story forward.
Sure, conflict may show up on the page, but the text is just circling it.
Instead, it's much more effective to create a zigzag.
If we wanted to keep this super simple, we might say the scene (or act) needs to move from a positive situation to a negative situation, or a negative situation to a positive situation. Or, a positive situation to a better situation, or a negative situation to a worse situation. Essentially:
+ --> -
- --> +
+ --> ++
- --> --
This is a good starting point, but I admit, it sometimes feels oversimplified to me.
In any case, the situation the character is in, has changed.
The story didn't do a circle. It did a zigzag (or zigzigger or zagzagger).
The protagonist had a goal, encountered an antagonist, had a conflict, and the conflict came to a definitive outcome (if only on the small scale for that scene). It hit a climax or turning point.
And that outcome carries consequences.
The protagonist gets in an argument with the bully and gets suspended for his language. If he's suspended, his parents will ground him, and he won't get to go on an upcoming date with his crush. It's a setback.
Character B steals Object X back and in the process, mortally wounds the protagonist. Now the protagonist needs to get help before they die.
The protagonist takes action to solve the new problem, and not only succeeds, but manages to solve her original problem at the same time.
But often just adding consequences isn't enough. We need to make sure the consequences aren't or can't be undone, at least not easily or coincidentally. We don't have the protagonist's dad have a serendipitous change of heart and simply allow the protagonist to go on the date.
Don't undo what you just did (generally speaking).
If the protagonist ended with a bigger or new problem, make him put in the effort to try to solve it. (See the "No, and . . ." vs. "Yes, but . . . " rule under "Disaster.")
And don't forget my "acid test" for plot progression. At the end of the scene (or act), ask, did the protagonist's current goal and/or plan shift? If the answer is no, chances are you did a circle. (Or you at least left things stagnating). If the answer is yes, something changed.
As I mentioned above, sometimes the change is internal.
Maybe Character B did simply steal Object X back, but maybe that leads to the protagonist realizing he doesn't want Object X as much as he wants revenge on Character B. He hatches a plan to exact that.
While that may not be as strong as the protagonist getting mortally wounded, it's better than nothing changing, and the experience does change the direction of the story.
Personally, I'd still be cautious of writing such a situation, though. In most types of stories, we want consequences to be both internal and external.
But that topic could be another post.
So in closing: zigzagging conflicts is better than circling them.
Adieu.
Hey all, here’s a quick tip about showing the passage of short amounts of time in a scene. I see a lot of beats like this:
She hesitated
He paused
A few seconds later
There was a long silence
He waited for her to answer
She didn’t respond
Instead of telling us there’s a brief moment of silence or pause in your scene, try showing us by creating the feeling that time has passed through action, description, or inner monologue. Here are a few examples.
Before:
“Are you coming or not?”
He waited for her to answer, but she didn’t respond.
“Clare? Did you hear me?”
“Huh?”
After:
“Are you coming or not?”
Clare scrolled through her phone, her face illuminating with a eerie blue glow.
“Clare? Did you hear me?”
“Huh?”
Before:
Jared lingered at the suspect’s front gate. If this guy didn’t answer Jared’s questions, he was screwed.
“Hey you!” a voice shouted. “Get off my property!”
Jared hesitated. Finally, he turned to face the man. “I’m afraid I can’t do that.”
After:
Jared lingered at the suspect’s front gate. If this guy didn’t answer Jared’s questions, he was screwed.
“Hey you!” a voice shouted. “Get off my property!”
Jared patted his holster. He had a gun, but he certainly didn’t want to use it. Taking a deep breath, he turned to face the man. “I’m afraid I can’t do that.”
Not only does creating a pause instead of describing a pause allow your reader to feel the moment more vividly, it gives you a chance to explain what exactly that pause is about. People hesitate, pause, don’t respond, etc. for all kinds of reasons. Give us as much insight as you can into your weird quiet moment.
Of course, you don’t need to do this every single time. Sometimes it’s fine to say “he paused” or “the room was quiet for a moment”—it could be the best choice for that scene. But look back through your draft and see if you’ve used those “telling” descriptions more often than you needed to. If so, try to create the feeling of a pause—perhaps one that gives the reader a bit more information—using these techniques.
Hope this helps!
Hello! Tips on drafting and how much detail is too much?
Let’s see, my main tips would be to treat the first draft as if you’re telling yourself the story, the second draft like you’re organizing and enhancing the story, and the third draft as if you’re preparing for your best friend to read the story. I think this is a pretty good gauge for how much detail you add to the narrative each time you reread and edit. And it’s not about how much detail there is, it’s about how effective it is at making the story clear and immersive.
Here’s some resources that might help. There’s also an entire category in my masterlist dedicated to the drafting process.
Using Vocabulary
Describing Where Your Characters Are
Writing Intense Scenes
Writing The First Chapter
Balancing Detail & Development
When To Use “Felt”
Showing Vs Telling
How To Better Your Vocabulary & Description
Powering Through The Zero-Draft Phase
Getting Words on The Page
Sticking To A Story (Working on Multiple Projects)
Writing Your Way Through The Plot Fog
I hope this advice and these resources are helpful, and if you have any other questions feel free to leave them here :)
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Seems like the silliest question ever but every idea I have seems so unoriginal. Do you tips or exercises to get the creativity going?
I do! I have plenty of pep-talks and resources for this sort of thing, so I’ve organized them here by method (prompts/playlists/advice/inspiration/etc)
Articles
Coming Up With Scene Ideas
Coming Up With “Original” Ideas
How To Turn A Good Idea Into A Good Story
How To Motivate Yourself To Write
Reasons To Improve Your Lifestyle
Tips & Advice for Aspiring Authors, Writers, and Poets
Healthy Forms of Motivation
How To Have A Productive Mindset
How To Fall In Love With Writing
Writing Through Mental Health Struggles
Why “Burnout” Is Oay - The Creative Cycle
How To Actually Get Writing Done
Playlists
Things To Listen To When You’re Working
Classical & Instrumental
Ambient
Sad Scenes
Chase Scenes
Epic Scenes
Fight Scenes
Angst Scenes
Fun Montage Scenes
Climax Scenes
Calm Scenes
Resolution Scenes
Romantic Scenes
Action Scenes
Science Fiction
Our Day Will Come
Contemporary Poetry
MORE
Prompts, Prompt Lists, & Writing Challenges
Dark Quotes & Prompts
Challenges For Different Types of Writers | Part II
Angst Prompts
31 Days of Prompts : January 2018 Writing Challenge
20 Sentence Story Prompt
Dramatic Prompts
Suspenseful Prompts
Sad Prompts
Romantic Prompts
31 Days of Horror : October 2019 Writing Challenge
31 Days of Fantasy - December 2020 Writing Challenge
Fake Relationship Alternate Universe Prompts
Assassin Alternate Universe Prompts
Soulmates Alternate Universe Prompts
Advice & Pep-Talks
Restarting Your Writing Passion
On Hating Your Old Stuff
Depression As An Inhibitor
Dear Writers Who Are Hesitant To Start Writing
“All First Drafts Are Crap” – My Thoughts
Getting Back To Writing After A Long Hiatus
Wanting To Finish A Story You’ve Fallen Out of Love With
Getting Motivated To Write
Getting Burnt Out Near The Finish Line
–
Masterlist | WIP Blog
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There are so many great Tumblr Blog stories here! But things are best when organized! Here you are! I’m going to use Tumblr Blaze in a couple weeks to spread this to everyone, but if all of you can reblog this to everyone you know, we can spread the joys of Tumblr to EVERYONE!
Credit to https://www.tumblr.com/dannnnnnnnnnnnex/700073427344736256/love-how-tumblr-has-its-own-folk-stories-yeah-the
The God of Arepo (graphic novel 1 / 2 / 3) (ebook)
The Monster of Sentan
The Witch’s Cat
Raise Both Children
Stabby the Roomba (honorable mention)
Cinderella Marries the Prince (comic)
My Arch Nemesis Cynthia
Pirates and Mermaid
Eindred and the Witch
The Demon King
The Cornerwitch
Grandmother Beetroot
Apocalypse Daycare Worker
Grandmother Accidentally Summons a Demon
New Year Saga
A Story About Changelings
Ranger in the King’s Forest
The Difference Between a Hare and a Rabbit
Goblin Men (Canines)
Faceblind Prince Charming and Cinderella
The human who died of radiation poisoning after repairing the spaceship
The defeat of the wizard who made people choose how they’d be to be executed
Doctors Without Borders
The Queen with Three Cursed Children
25. Tiny Dragon with one coin hoard
26. Haunted house
27. Shark hero was about to go rogue
28. Grandma lives in the woods comic
29. A Different Aftermath comic
30. Battery (microstory but I love it so much)
31. It’s A Date comic
32. Supervillian kidnaps rival’s kid and they want to stay
33. Narrative Town
34. I have been hired to clean the wizard tower comic
35. Robot Apocalypse
36. The Statues That Do Not Weather
37. Kushiel
38. Tooth Fairy
39. Alien abduction
40. Felonious wish-granting
41. When humans met actual space orcs
42. Space cousins
Well, now they’re categorized.
https://www.tumblr.com/inkvoices/700033965299531776/love-how-tumblr-has-its-own-folk-stories-yeah-the
https://www.tumblr.com/lightningladybug/699931426130444288/love-how-tumblr-has-its-own-folk-stories-yeah-the
https://www.tumblr.com/blitzlowin/699840636252225536/love-how-tumblr-has-its-own-folk-stories-yeah-the
Also, this is a RWBY-positivity BLOG, so please watch RWBY