This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.
PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level.
“The Frolic” by Thomas Ligotti, 1989
“Button, Button” by Richard Matheson, 1970
“89.1 FM” by Jimmy Juliano, 2015
“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892
“Death at 421 Stockholm Street“ by C.K. Walker, 2016
“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973
“An Empty Prison” by Matt Dymerski, 2018
“A Suspicious Gift” by Algernon Blackwood, 1906
CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.
“How Spoilers Bleed” by Clive Barker, 1991
“A Warning to the Curious” by M.R. James, 1925
“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010
“The Road Virus Heads North” by Stephen King, 1999
“Ring Once for Death” by Robert Arthur, 1954
“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016
“The Monkey’s Paw” by W.W. Jacobs, 1902
MONSTERS: tales of ghouls, creeps, and everything in between.
“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929
“The Oddkids” by S.M. Piper, 2015
“Nightmare at 20,000 Feet” by Richard Matheson
“The Graveyard Rats” by Henry Kuttner, 1936
“Tall Man” by C.K. Walker, 2016
“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967
“The Showers” by Dylan Sindelar, 2012
CLASSICS: terrifying fiction written by innovators of literary horror.
“The Tell-Tale Heart” by Edgar Allan Poe, 1843
“The Interlopers” by Saki, 1919
“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920
“The Damned Thing” by Ambrose Pierce, 1893
“The Legend of Sleepy Hollow” by Washington Irving, 1820
“August Heat” by W.F. Harvey, 1910
“The Black Cat” by Edgar Allan Poe, 1843
SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief.
“Nora’s Visitor” by Russell R. James, 2011
“The Pale Man” by Julius Long, 1934
“A Collapse of Horses” by Brian Evenson, 2013
“The Jigsaw Puzzle” by J.B. Stamper, 1977
“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013
“The Night Wire” by H.F. Arnold, 1926
“Postcards from Natalie” by Carrie Laben, 2016
UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.
“Survivor Type” by Stephen King, 1982
“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018
“In the Hills, the Cities” by Clive Barker, 1984
“The New Fish” by T.W. Grim, 2013
“The Screwfly Solution” by Racoona Sheldon, 1977
“In the Darkness of the Fields” by Ho_Jun, 2015
“The October Game” by Ray Bradbury, 1948
“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967
HAPPY READING, HORROR FANS!
Bras last longer if you let them air dry. Don’t put them in the dryer.
If you have a problem with frizzy hair, don’t dry your hair with a towel. It makes the frizzies worse. (I recently read an article that said to use a t-shirt? I brush mine out and let it air dry.)
Whites wash best in hot water. Everything else can be in cold - save on your electricity bill.
You can kill 99.9% of germs in a sponge by putting it in the dishwasher for a cycle or by microwaving it for 2 min (be sure to make the sponge damp before microwaving and to put a cup half full of water in with it and please DO NOT squeeze the sponge until it has cooled off)
Airing out your room/house and letting sunlight in every so often can decrease the number of household pests like silverfish and ants.
Black underwear is best during your period as stains are less likely to be visible.
To save money, put aside 10% of each paycheck into a savings account. It’ll add up.
Unless your hair has something on/in it (like grease or mud or something), using conditioner first can actually be the better choice. The conditioner holds in the good oils that help you hair look sleek and beautiful, which shampoo would otherwise wash away.
Speaking of shampoo - if you have long hair, washing just the bits that touch your scalp is generally enough. The rest of your hair gets cleaned with just the run off from your scalp.
If you put a tampon in and it’s uncomfortable/you can feel it, you didn’t do it quite right. A properly placed tampon is virtually unnoticeable by the wearer.
Apply deodorant/antiperspirant a couple hours in advance of when you need it. This gives the product the chance to block your sweat glands. Using deodorant just before going somewhere where you’ll sweat (this means walking outside for people in high humidity places) results in your sweat washing the deodorant off and starkly limiting its usefulness.
After running the dryer, use the dryer sheet from that load to brush out the lint catch - it gets everything off in a fraction of the time it’ll take you to get it clean with your bare hands. Paper towels also work well.
Wash your face everyday, or as often as possible. Forget which brand of cleanser is best. Just washing your face everyday will guarantee you clearer skin. And do you best not to pop pimples, as tempting as the urge may be.
Fold laundry asap after taking it from the dryer to avoid wrinkles. This may seem obvious for dress shirts and silly for things like t-shirts, but you’ll notice the difference even then once your shirts stop looking like unfolded paper balls.
The sugar bowl page from Austere Academy brightened up to the best of my ability and transcribed below:
It is a truth universally acknowledged that volunteers prefer their tea as bitter as wormwood and sharp as a two-edged sword, but few think to consider the true meaning behind that phrase. The [untrained or uninitiated] might assume that bitter tea means tea without sugar. But that assumes all sugar is sweet and all tea is bitter. In fact, there are many kinds of tea, that are not bitter at all, but sweet and fruity, usually identifiable by a whimsically [illegable] name and a box with a picture of an adorable animal wearing pajamas. So it stands to reason that, if not all tea is bitter, then not all sugar is sweet. The question we might ask is: why would sugar be bitter How would bitter sugar be created? And what greater purpose might bitter sugar serve? Lousy Lane, pg 678
THE SCHISM
[cutt off]
those hierarchies apart, and therefore instead of fixing one date for the schism, we may as well put a bracket around all of human history, and say: There! Are you happy? However, there is one thing that all sources seem to agree on: there is a vital connection between the VFD schism and the most import part of a tea set. No, not the teapot. (see “Sugar Bowl”, above)
Some people claim that the schism divided VFD cleanly in two, with one side devoted to starting fires, and the other devoted to putting them out. But of course, it is rare for anything to divide so neatly, with the exception of a particular sort of semi-soft cheese (see “Gorgonzola”, pg 401). No, it is far more likely
[cut off]
remain shrouded in mystery, including the circumstances of its creation, we can only speculate at the connection between city’s official organization and its similarly-named counterpart. Some sources claim that the chief of the Offical Fire Department was a close blood relation of a prominent member of VFD, though this fire chief has stubbornly refused to answer to any of our questions, on account of being deceased.
Finally, there is much debate regarding the exact cause of the schism. While most experts agree that it stemmed from what one might politely call “philosophical differences” the truth is that these differences had been churning under the surface of VFD for some time, even going back to the organization’s very name. After all, while might assume that the phrase “fire department” would obviously refer to an organization that puts out fires, thus protecting highly flammable literary materials, the phrase could just as easily refer to an organization that prefers to start fires and burn books (see: Bradbury, Ray pg 451). Still, let’s take a moment to theorize about those philosophical differences. Volunteers claim to be acting for the greater good, but philosophers who speak to the concept of moral relativity would be quick to point out that words such as “good”, “evil”, “delicious” and “sandwich” can be ascribed different meanings, depending on the value system and dietary preferences of the
[cut off]
i’ve said in vfdiscord earlier about how the conclusions in Sub-file B in file under: 13 suspicious incidents that don’t have matching counter parts from Sub-file One might possibly be Jacques’ or Kit’s mission / cases / incidents encountered misfiled because of someone maybe someone confused those with Lemony’s cases because of the same last name.
so after getting home today i reread some and i have. some more thoughts. like the misfilings could be of various reasons and not just last name Snicket, though some of them still might be.
take for example:
museum authorities??? well we all knew one person who was hanging around museum during the atwq times. there’s nothing saying it’s the same museum as the one kit was plotting to steal from (implying it’s in The City), but there’s also nothing directly saying that the mine voices was from the same mine Marguerite worked at (implying it’s at SBTS)
anyway more under cut because this got long
Читать дальше
If she's your girl then why am I named as the sole heir in her will?
Remember this girl? This is her now, feel old yet?
New writing rule: Checkov’s friend
If you introduce a named character with a relationship to a protagonist, their character arc must be resolved in a way that feels reasonable and satisfying
Which is to say: they can’t just dissappear when they’re no longer a convenient plot device
Basic story structure looks like this:
Setup/Exposition - we meet the protagonist in their every day life, possibly meet a few other important characters, and learn important basics about the setting. We also learn about the protagonist’s internal conflict.
Rising Action - The inciting incident turns the character’s life upside down, the character responds by forming a goal. The protagonist pursues this goal while the antagonist/antagonistic force throws obstacles into their path, which they must overcome. Sometimes they succeed, sometimes they fail and have to try again or find a way around it. This struggle builds the conflict and increases the tension as the story races toward the climax.
Climax - this is the “big showdown,” where the protagonist faces the antagonist/antagonistic force head-on, and usually (but not always) succeeds.
Falling Action - this is the aftermath of the big showdown, where the dust settles and all the final pieces come to rest. Most of the story’s loose ends will be tied up here if they weren’t tied up already.
Resolution/Denouement - this is where the story is wrapped up once and for all. We see the protagonist (and other characters) settled back in their old life or getting used to a new normal. If there is a moral to the story, it is revealed here. If the story is leading into a second book, a little bit of set-up for the new story will occur here.
•••••••••••••••••••••••••••••••••
Have a writing question? My inbox is always open!
Visit my FAQ
See my Master List of Top Posts
Go to ko-fi.com/wqa to buy me coffee or see my commissions!