ooh you mentioned buying a folk horror anthology in the tags of that horror post, can i ask which one? i’d love to read more folk horror but i don’t really know where to start (also if you have other folk horror recs i would not be upset)
Yeah of course, happy to help! I bought The Fiends in the Furrows: An Anthology of Folk Horror edited by David T. Neal which features stories by current writers (and there's a second anthology with more).
If you're looking to start with some classic folk horror then there's a few major authors and stories that are worth checking out (many of these should be available to read online for free):
'The White People' by Arthur Machen
'The Lottery' by Shirley Jackson
'The Black Reaper' by Bernard Capes
'The Ash Tree' by M. R. James
'Pallinghurst Barrow' by Grant Allen
'The Willows' by Algernon Blackwood
Ritual by David Pinner (basis for The Wicker Man)
'The Music on the Hill' by Saki
The Great God Pan by Arthur Machen
'The Sin Eater' by Fiona MacLeod
Harvest Home by Thomas Tryon
'The Children of the Corn' by Stephen King
And if you want some recent folk horror then these are worth a go:
The Loney by Andrew Michael Hurley
The Owl Killers by Karen Maitland
The Daylight Gate by Jeanette Winterson
Ghost Wall by Sarah Moss
The Plague Stones by James Brogden
Through the Woods by Emily Carroll (graphic story collection)
The Ritual by Adam Nevill (honestly the film is much better and well worth watching, but the first half of the book is fantastic)
Wakenhyrst by Michelle Paver (gothic horror meets folk horror)
The Hidden People by Alison Littlewood
Dark Harvest by Norman Partridge
The Only Good Indians by Stephen Graham Jones (not a traditional folk horror novel but it explores the role of Native American folklore & culture in the modern day in a really interesting way)
The Reddening by Adam Nevill
Pine by Francine Toon
Salamander’s Eyes compliment can only work once in a lifetime. It just did
*spoilers for crimes of grindelwald
newt looking for tina when jacob and queenie arrived
narrow feet
jacob being a wingman
salamander’s eyes
“tall, dark-” “-beautiful”
tina’s jealousy
newt trying to tell tina the truth
newt and tina’s reunion
mr. scamander
newt’s expression when tina called him her fiance
newt + his appreciation for tina’s eyes
newt showing tina her photo
when newt finally told tina he wasn’t engaged
legit thought he was going to turn and snog her after the ‘I’ll think of something’
newt tracking tina
rescue attempt
they’re in love
and I’m dead
(a list I put together… of lists I did not put together)
For those interested in techniques and genres that are outside of the mainstream market in the West/Americas, here’s a post of resources you can refer to for inspiration, research, or quiet support.
I believe there is no One Right Way to write a novel, and no one right way to present it either. Niche genres do exist, after all, and writing is an art form. Remember that writing “rules” are not a one-size-fits-all deal.
DISCLAIMER !! : Note there will be some overlap and you don’t have to like or agree with anything here. Also, while you may come across books by diverse authors, a lot of the ones listed here are old and probably written by white people, but BIPOC can and should be allowed to experiment with these, too. If content doesn’t interest you then maybe structure will. Form your own opinions.
Meander, Spiral, Explode: Design and Pattern in Narrative by Jane Alison - in this book, the author explores form and pattern through close readings of various (niche/unconventional) novels.
What is Postmodernism in Literature? - a brief Youtube video presented by Dr. Masood Raja (Postcolonialism channel); simple yet informative.
Wikipedia articles - antinovel | verse novel | defamiliarization | metafiction | digression (literary) | fragmentary novel | weird fiction | new weird | slipstream | experimental literature | postmodern literature | interactive novel | hypertext fiction | LitRPG | cybertext | New Sincerity |
I’ll continue to update this post over time or write up more.
No rules, no problems. Take all the tropes and conventions of the typical novel and bastardize them through chaos. Or throw them out and make your own.
Goodreads: list of 100+
Barnes & Noble: flex your reading muscles
Millions article: long live the anti-novel, built from scratch
a review of Subimal Misra’s work This Could Have Become Ramayan Chamar’s Tale: Two Anti-Novels
If you ever wanted to read or write about cat men on Mars, or a bear who talks and plays the saxophone, or people with blue butts… Well, you can.
Book Riot: 100 strange and unusual novels
Bustle: 13 super strange books
Goodreads: Monster/Erotica books
Owlcation: 10 of the weirdest novels ever written
blog post by Z. Burns ft. 7 more weird books
Hard to define but generally more about form than content. Maybe you want half your story told in footnotes. Maybe your paragraphs are separated from the main body of text and dispersed all over the page. Maybe some of it is upside-down.
Goodreads list
Bustle: 10 experimental novels that aren’t hard to read
Standout Books: 5 experimental novels that will inspire any writer
(preview) Experimental Fiction: An Introduction for Readers and Writers Julie Armstrong
Very basically, a plot is a sequence of events affected through cause-and-effect. In the West, audiences often expect there to be a linear series of conflicts that ultimately leads to a big “showdown”. This is not a universal narrative structure, and personally I would love to see more “cozy” fantasy novels that aren’t about saving the world or destroying an oppressive government.
Reddit recommendations - “a book where nothing happens”
Book Riot: in praise of plotless books
(blog) mundane and slice-of-life SFF recommendations
sketch story (wikipedia) | literary sketch (britannica)
“I would like to read a novel that is composed of numerous very interesting facts, but which nonetheless fails to cohere for me as a book.”
● source: (blog): I would like to read a dull plotless novel…
List Challenges: novels with no plot whatsoever
Reddit thread on slice-of-life/mundane speculative fiction
recommended reading
the significance of plot without conflict - an excellent post on the kishotenketsu structure, which is influenced by East Asian values such as unity and harmony over conflict and resolution.
what is iyashikei and why should you care? - often found in anime and manga, the purpose of this genre is to provide healing
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I bet octopuses think bones are horrific. I bet all their cosmic horror stories involve rigid-limbs and hinged joints.
“Beware the autumn people. For some, autumn comes early, stays late, through life, where October follows September and November touches October and then instead of December and Christ’s birth there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring or revivifying summer. For these beings, fall is the only normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No, the night wind. What ticks in their head? The worm. What speaks through their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people.”
— Ray Bradbury, Something Wicked This Way Comes
A photographer’s portrait in a mirror, a hundred years ago, Japan, ca. 1920. Text and image via Old Japanese Photos on Facebook
“When we grab you by the ankles Where our mark is to be made you’ll soon be doing noble work Although you won’t be paid When we drive away in secret You’ll be a volunteer So don’t scream where we take you; The world is quiet here.”
I cannot emphasize enough how much you need to read thoroughly through the terms of any publication before you send your writing to them. It is mandatory that you know and understand what rights you’re giving away when you’re trying to get published.
Just the other day I was emailed by a relatively new indie journal looking for writers. They made it very clear that they did not pay writers for their work, so I figured I’d probably be passing, but I took a look at their Copyright policy out of curiosity and it was a nightmare. They wanted “non-exclusive, irrevocable, royalty-free, perpetual, worldwide license and right to use, display, reproduce, distribute, and publish the Work on the internet and on or in any medium” (that’s copy and pasted btw) and that was the first of 10 sections on their Copyright agreement page. Yikes. That’s exactly the type of publishing nightmare you don’t want to be trapped in.
Most journals will ask for “First North American Rights” or a variation on “First Rights” which operate under the assumption that all right revert back to you and they only have the right to be the first publishers of the work. That is what you need to be looking for because you do want to retain all the rights to your work.
You want all rights to revert back to you upon publication in case you, say, want to publish it again in the future or use it for a bookmark or post it on your blog, or anything else you might want to do with the writing you worked hard on. Any time a publisher wants more than that, be very suspicious. Anyone who wants to own your work forever and be able to do whatever they want with it without your permission is not to be trusted. Anyone who wants all that and wants you to sign away your right to ever be paid for your work is running a scam.
Protect your writing. It’s not just your intellectual property, it’s also your baby. You worked hard on it. You need to do the extra research to protect yourself so that a scammer (or even a well meaning start up) doesn’t steal you work right from under you nose and make money off of it.
My favourite Game Changer quotes in no particular order:
“Take my points, you twee bitch, take my points away!”
“TIMBS! TIMBS, BITCH!”
“I haven't been able to since the HRT.” / “That's so interesting; I have the opposite problem.”
“He wanted to see his son fall, fall from the sky, oh how CLOSE to the SUN he FLEW, but Daedalus our little master craftsman over here had some WAX WINGS OF HIS OWN–”
“The lady said butthole, Sam.”
“Beardsley left this for me.” / “But you voted them out!” / “I am aware of that, yes.”
“Call your dad! Call your dad!” / “Call his... Dad?”
“I'm hungie :(”
“My period started during the break and I am in immense pain right now. This is not a bit.”
“Hey! Timothy! You're not allowed on the street anymore, and you know why?” / “Why?” / “On account of the crimes!”
“Can I solve it? Can I solve the thing?” / “WHAT?” (...) “That was a real Jewel moment right there, to go to so far at the top from so far at the bottom.”
“If Ally Beardsley comes out with a crown on their head I'm going to lose it.”
“Yes, of course I flinched. I'm not gonna stand here and pretend I didn't flinch, that was terrifying.”
“Just give it to me now, we all know I can do this.”
“You're gonna get Josh Ruben in here and not give him a seagull to do? Okay.”
“There is a big difference between walking into an escape room and finding yourself inside one.”
“Zac is running down the street? Jacob is driving home, and Ally is on their way to the airport.”
“Byoooouh.”✋😐✋“Did you factor in the antlers?”
“I am also 31. It's important to know there are three men in their thirties here today.”
“I think... You did this, and you're a bad man.”
“Was it writing Katie's name down and letting everyone think it was the art department?”
“The dungeon master is now my prisoner, it's Brennan Lee Mulligan!”
“There's gonna be a loop-de-loop.”
So I’ll be honest, I’m not the best Jew to be writing this post. I first saw Fiddler on the Roof at age 19, and the first words out of my mouth were, “Wow! This is really Jewish!” (Meanwhile, my mom was commenting on the Yiddish anachronisms of this play about Russian Jews, because she’s a good Jew who actually Knows Jewish Things) But I hadn’t really heard or seen much about just how incredibly Jewish A Series of Unfortunate Events is, which is a shame because Lemony Snicket/Daniel Handler is himself Jewish. So Jewish, in fact, that he helped write the New American Haggadah (including a part about how, just as there are Four [types of] Children who ought to be accommodated during Passover, there are Four Parents who really ought to be ignored.) But seeing as I can’t find anyone better to write about all the cool Jewish culture and symbolism in A Series of Unfortunate Events, I’ll take over until someone else comes along and does a better job.
Spoiler warning, of course. There’s a lot of deep lore that gains new meaning when looked at through a Jewish lens, including the symbolism behind horseradish and the sugar bowl.
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