Young Mahmoud Darwish, (Palestinian Poet And Writer)

Ornitographies by Xavi Bou

ORNITOGRAPHIES ARISES FROM THE AUTHOR’S CONCERN FOR CAPTURING THOSE UNNOTICED MOMENTS AND FROM THE INTEREST IN QUESTIONING THE LIMITS OF HUMAN PERCEPTION.

Xavi Bou focuses on birds, his great passion, in order to capture in a single time frame, the shapes they generate when flying, making visible the invisible.

Unlike other motion analyses which preceded it, Ornitographies moves away from the scientific approach of chronophotography used by photographers like Eadweard Muybridge and Etienne-Jules Marey.

The approach used by Xavi Bou to portray the scene is not invasive; moreover, it rejects the distant study, resulting in organic form images that stimulate the imagination.

TECHNOLOGY, SCIENCE, AND CREATIVITY COMBINE TO CREATE EVOCATIVE IMAGES WHICH SHOW THE SENSUALITY AND BEAUTY OF THE BIRD’S MOVEMENTS AND WHICH ARE, AT THE SAME TIME, CLUES FOR THOSE WISHING TO IDENTIFY OR RECOGNIZE THEM.

In Ornitographies, the skill envied by men, the long-lasting shared yearning of flying, is presented to us, extending our visual perception.

Art and science walk hand in hand to create images, which are no longer a single portrait of reality but become a witness of the instants that, for a moment, were past, present, and future all at once.

ORNITOGRAPHIES IS A BALANCE BETWEEN ART AND SCIENCE; A NATURE-BASED DISSEMINATION PROJECT AND A VISUAL POETRY EXERCISE BUT ABOVE ALL, AN INVITATION TO PERCEIVE THE WORLD WITH THE SAME CURIOUS AND INNOCENT LOOK OF THE CHILD WE ONCE WERE.

( information and pictures from his website

xavibou.com)

KATRIN KORFMANN

homo ludens 22 / de dam / fast forward checkpoint charlie (1,8h) berlin / xiamen / homo ludens 8 / kornati splash / anton de komplein, amsterdam / gravitation (installation) / nickel's eye (27 min), luanda

This poorly-designed too-high-for-kids dumbass garden was my favourite space and now it looks like it's made of play-doh.

Change is constant but so is sunlight.

Deathless by Catherynne M. Valente

Love hides in questions

The moon was so bright and jupiter motu and they all look so nice together

The moon and jupiter (right above it ) in the first two images . Last image - jupiter (above) and saturn ( really dim and top right 2 o' clock.

Twt bakwas

Sending the shit out of me rn

Disney Movie Marathon #5 Bambi (1942)

I LOVE BAMBI!!! (I love Bambi 2 too, but this isn't about that). Out of all of Disney's Golden era films I've seen Bambi the most. I've been looking forward to this one in the movie marathon.

Story: I don't think enough people appreciate or give Bambi credit because they think it's only a movie about cute animals frolicking in a forest. Yes it has these things, but that's barely scratching the surface. This is very much a coming of age story about a young deer and how there is always change with the forest and its inhabitants. It's not a fairy tale or a straight dramatic story where good beats evil. It's the circle of life, growing up, and change of the seasons. With change comes both good and bad. And we see the range of good and bad through Bambi's point of view from his innocent early life to taking his role as protector of the forest.

Characters: I can't stress enough how good it is to have children play children in animated roles because it makes the interactions that much more believable. Bambi is the only one who really gets fleshed out as we see him literally from the day he's born until he's the "Great Prince of the Forest". There are plenty of forest animals but the most notable being Thumper, Flower and Faline. Thumper taking role of mischievous best friend, Flower as a secondary shy friend, and Faline as love interest. Honorable mention to Friend Owl because he is a mood for cranky mornings.

Animation/Art: Like Fantasia being a flex in animation in general Bambi is a flex specifically for animals. This is the movie where Disney shows how hard they studied animal forms. If you compare this to previous movies you see the animals have flesh, muscle, and bone. Bambi has one of my favorite art styles. Every shot has painterly qualities and the way colors change based on mood sometimes more graphic really enhances what you're watching. Each film has a style but this one has one of the most visually distinct in my opinion.

Songs: While not having any bangers (though Little April Shower is my personal banger) the music is constant. Again like Fantasia where the music or lack of goes hand in hand with the imagery. The little things are accentuated with the music and perfectly pair with movements

“I had learned one thing from Kizuki’s death, and I believed that I had made it a part of myself in the form of a philosophy: “Death exists, not as the opposite but as a part of life”. By living our lives, we nurture death. True as this might be, it was only one of the truths we had to learn. What I learned from Naoko’s death was this: no truth can cure the sadness we feel from losing a loved one. No truth, no sincerity, no strength, no kindness, can cure that sorrow. All we can do is see that sadness through to the end and learn something from it, but what we learn will be no help in facing the next sadness that comes to us without warning.”

— Norwegian Woods, Haruki Murakami

frank o’hara, from biotherm (for bill berkson)