Comedy Peaked Here

I redid this older comic I made for my storytelling class based on this post. Have some cute wlw love in your day.

It’s hard, if I had more free time I could make it so pretty, this is what I could throw together for the assignment.

Help support a queer artist: Ko fi, Redbubble, Teepublic

I'm rewatching Avatar the last airbender, and it's crazy how maternal Katara is with Aang. He actually called her "Mom" at one point?! OK, that's comedic for the show and supporting Katara acting like a mother when she's too young, but getting Aang to say "mom" specifically? Help... Also, Katara is way more mature than Aang overall. I had forgotten how offbeat they were... And then Mai who doesn't really understand Zuko... Yes, sorry but for me Kataang and Maiko are not relationships that should have ended together. I'm at the episode where Zuko and Sokka broke Suki out of prison. Do I really find it impressive that Mai said to Azula, "I love Zuko more than I'm afraid of you." Uh... I'm sorry, but when was Mai ever afraid of Azula? Whenever she disagreed with Azula, Mai would not obey her. What happened with Zuko is nothing out of the ordinary. I still remember that unlike the other, Azula didn't need to scare Mai so that she agreed to join her group to hunt down Aang. Afraid of Azula? Let me laugh. It's so forced as a statement to make us swallow Maiko down our throats.

Of course Zutara is a self inserting ship. Through Zuko I live my wildest fantasy which is having someone showering Katara with attention and understanding, seeing and accepting her flaws and taking care of her for once instead of her taking care of everyone else.

I got back into ATLA, and I've gotta talk about how Aang may have wanted Katara, but he needed Toph.

Aang needed someone who would challenge him, not someone who would be his "safe haven". While Katara often coddled/mothered Aang, Toph was always his equal. The two of them could have fun together without the mother-son/big sister-little brother undertones Kataang had. Katara always sheltered Aang, which is why he never grew and developed as a character, not even as an adult. If Toph saw Aang emotionally neglect two of their three kids because only one was an Airbender, she would have, 100%, put him back in his place because she never sugar-coated ANYTHING and faced problems head-on.

THIS is who I wanted Aang to end up with. Toph might not have been the one he wanted, but she was the one he needed.

These two were made for each other, just like Zuko and Katara (the two characters with the strongest emotional connection in the entire show, who understood one another like no one else + let's not forget all the romantic coding, thematic significance and symbolism that their dynamic is full of)

We’ve all been there.

april motherfucking stevens went out and said im a lesbian and god loves me for it to her crush over skee ball

truly the wildest thing about all the Bridgerton discourse about "is Nicola Coughlan too FAT to be a convincing love interest???" is that in many ways she actually looks better in the period costumes than her thinner counterparts because she has the figure to really fill them out. those dresses are incredibly flattering on larger bodies because they emphasise the bust and cleavage whilst creating a very elegant silhouette. there's something unintentionally hilarious about hearing pearl-clutching in the distance over "idk is this FAT WOMAN sexy enough to be believable as an object of lust??" whilst Penelope Featherington's majestic heaving bosoms are almost spilling out of her dress in a category 5 titty event. if anything she's too sexy. they had to spend the first two seasons putting her in ugly dresses in a desperate attempt to conceal the fact that she's serving more cunt than the entire itty bitty titty committee combined

i love that moment in sex education s3 where hope just automatically assumes that adam is the head boy and shakes his hand and ignores jackson completely. it so easily shows hope’s casual racism and how much she doesn’t care about what she’s done or what it means. and it very nicely sets up/sows the seeds for how hope treats viv later and when she tells her that of course it’s all about “how it looks”

Ugh I will always love the concept of Katara using blood bending to revive Zuko after the last agni kai, mostly because it makes no sense to me that Zuko was able to bounce back so easily after being struck by lightning, but also because the way the show treats bloodbending is just odd to me. It was a defense mechanism created by a traumatized victim of some of the most devastating parts of colonization, and although I understand that Hama was supposed to symbolize the "bad parts" of waterbending and was important for Katara's growth in realizing that the world isn't entirely black and white, its still disappointing to me that the show never explored the gray areas of blood bending, especially since that episode was, as I stated above, about understanding the gray areas of the war. Katara using blood bending to revive Zuko would add so much to the last agni kai in demonstrating that she has truly realized that "good" and "evil" are relative concepts, and Zuko being saved by both a defense mechanism of a survivor of colonialism and a type of bending used to terrorize his people would have even added to his arc, as the narrative required him to save and subsequently be saved by the physical embodiment of everything his family sought to annihilate.

You know what proves the creators knew nothing about the ATLA fandom? Cause it’s so easy to understand us, truly, if only they tried.

One of the most popular episodes in the fandom, and one of the highest rated, is - Tales of Ba Sing Se. An episode where absolutely nothing happens to progress the story (except Appa’s footprint at the very last second). That episode is nothing but characters. No plot points, no tension, no fight scenes - nothing! Just our favorite characters going about their day.

While the live action is the opposite of that, it’s all plot and no character. So if you really want to make a good adaptation you should listen to your audience, cause it’s not that hard to figure out what we like.