Dame La Certeza E Iré A Donde Tú Vayas

thinking about tarsus and the mirror universe, and wondering in what ways the events may or may not have differed between the two. how can an already nightmarish situation have been twisted even worse - and what kind of effect would that have on young james?

our jim likely came out of tarsus with an even deeper sense of compassion for his fellow man - kindness forged in fire. he’s been through such hardship and pain that all he wants to do is alleviate that in others - his idea of “let me help” perhaps being even more romantic than “i love you” being cultivated there

and what the mirror image of that must be. any sense of trust or heart mirror!kirk may have possessed as a child completely shattered - kindness quite literally starved away. he’s been through such hardship and pain, so why should everyone else get off easy?

hello dark mode users :)

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🔭

I love that four episodes into production TOS writers decided to reveal that James T. Kirk has an indefensible impulsive immoral evil monster in him, which is a core enough part of his being that it’s actually half of him, and he literally cannot live without it, and that the lesson of the episode was not learning to kill him, but learning to embrace and even comfort him. It makes so much sense that, when he has the choice, he chooses not to kill his enemies. He must look at them sometimes and see his own face.

contrary to popular belief logan loves physical touch. he wants head scratches and chin scratches and just loves the warmth of somebody else beside him. the first time wade notices is when logan sits down on the couch one day and instead of sitting miles away, he sits right beside him and it’s so close that he’s practically sitting ON him and wade looks at him confused and logan states that he’s only sitting that close because he’s cold. the next time wade notices is when he tries to fix logan’s hair. he starts fixing it and then commenting about how soft it is which ends up with his hands in his hair because wade obviously can’t talk about his fluffy hair without having his hands all up in his hair and logan just goes soft and doesn’t have that frustrated facial expression he always has on. wade then calls him a good boy and in return wade gets a “fuck you” and a punch in the face. and as time continues logan’s hard exterior starts disappearing which leads to the inevitable and it’s all sorts of cuddles and hugs and logan constantly around wade because he’s a literal walking heater (and he’s in love with him). and despite them eventually getting together wade will always get a “fuck you” when he stares too long at logan but he always notices the blush on his face and smile he’s trying to hide

when i read the song of achilles i was very surprised at how genuine and equally matched their love for each other was. there wasn’t any such thing as one being more in love than the other. i’ve become so accustomed to that trope, that i kept waiting for it to happen; but it never did. i’m so used to love being a miserable, painful, unrequited thing, i kept expecting the moment when finally their unconditional love reached its limit but it never fucking did.

there was never a moment that patroclus wouldn’t have died, fought, or killed for his lover. and never one moment where achilles wouldn’t do the same. it never mattered that achilles was aristos achaion, because patroclus was the world to him and never stopped being so.

we never had to watch them grow apart, or become bitter towards each other. it was all pure, faultless, unyielding love until the very end. they never had to yearn, they never had to doubt. patroclus agonized over the idea of one day losing his achilles, constantly worrying over him. and achilles completely wrecked with grief over losing his most beloved.

I will never be over Andrew's "You are a pipe dream" because it's so beautifully tragic.

Imagine you're Andrew and one day this suspicious guy who can't hold his tongue shows up. And nothing about him makes sense, but what makes the least sense is the fact that he treats Andrew like he matters.

He treats Andrew, a guy who everyone, including his family, sees as a monster, like he isn't one. Like he deserves to be understood and taken care of.

And the fact is so unbelievable to Andrew that he could only explain it as some elaborate hallucination caused by his happy pills. Neil was just too wonderful to be real. Good things like that just don't happen to Andrew.

In "what are little girls made of", Christine is certain she knows her fiancé, but Spock knows he's not talking to Jim immediately. While his memories are being transferred to the Jim-android, he repeats "mind your own business mr Spock, I'm sick of your half-breed interference, do you hear?" And when the android repeats that, that's all Spock needs to be certain he's not talking to jim.

Who wrote this script? It's too perfect to be an accident. They're in love your honor

So like, From Eden is for the ineffable husbands ofc but like, what about Unknown? THAT is peak end-of-season-2-Aziracrow.

"You know the distance never made a difference to me I swam a lake of fire, I'd have walked across the floor of any sea Ignored the vastness between all that can be seen And all that we believe So I thought you were like an angel to me"

Because Crowley would have done anything to keep Aziraphale safe, he helps and supports him even when he is in need, he loves saving his angel.

"It ain't the being alone (Sha-la-la) It ain't the empty home, baby (Sha-la-la) You know I'm good on my own (Sha-la-la)"

But it's not really a possessive thing, Crowley knows that he and Aziraphale are powerful supernatural beings, they are fine on their own, and they haven't been always together since the beginning of times.

"You called me angel for the first time, my heart leapt from me You smile now, I can see its pieces still stuck in your teeth And what's left of it, I listen to it tick Every tedious beat Going unknown as any angel to me"

But then, the end of season 2 happens and (i think) that for Crowley it is a betrayal, even after everything that has happened, Aziraphale, his angel, his love, still thinks it would be better if they both came back to heaven. So he leaves Aziraphale alone even though the words "i need you" have been said, because it's just not enough, for both of them. And Crowley still loves his angel, but in that moment he's just disgusted because the man he has spend thousand of years pining for suddenly turns into a stranger that doesn't know him at all.

"Do you know I could break beneath the weight? Of the goodness, love, I still carry for you That I'd walk so far just to take The injury of finally knowin' you"

And, of course, the bridge. I kind of picture it as the scene in the car, when the credits are rolling and we can perfectly see just how much disappointment and sadness Crowley is feeling. So he drives his car as fast as he can to try and run away from the love that destroyed him just a few moments ago.

"And there are some people, love, who are better unknown"

Deleted my earlier post cuz upon rewatch I realized Kirk did not leave the room the second Khan called him physically and mentally inferior. Dude has thicker skin than that.

It isn’t until Khan says that “we,” will live great in this new world that Kirk understands/gets confirmation of Khan’s intentions to remove everyone who he sees as lesser/an obstacle and continue conquering and rushes out.

Kirk can live with people thinking he’s inferior.

What he can’t live with is people imposing that belief on others. The tyranny. Which is why he left and tried to lock Khan in that room.

That said the tarsus IV stuff still works to add to Khan and Kirk’s rivalry cuz you have the product of eugenics vs self made captain who was nearly murdered in a genocide for being seen as less valuable.

remember when Jim introduced Spock to his own parents lmao we stan a legend