So Like, From Eden Is For The Ineffable Husbands Ofc But Like, What About Unknown? THAT Is Peak End-of-season-2-Aziracrow.

Damn...

Me, who has the books in spanish, having to download it in english just to make a dumb joke ;)

Was just watching the first mirror-verse ep in DS9 and I thought it was interesting how the course of events were changed bc of Kirk + co’s visit in “Mirror, Mirror”.

Mirror Kira says how after Kirk talked with mirror Spock, he became a whole different person and rose in the ranks to create something new for the world, which before he never would have. Mirror Spock was like “I just enjoy working in the science department, I don’t want to be a captain” but Kirk changed all of that!!!?!

In every timeline and universe, Kirk and Spock affect each other. In every way. No matter which Kirk and Spock they are.

I'm convinced that Snow was the one who came up with the "rule change" in THG (idc what the movie did with it--they didn't know TBOSAS and it was less than convincing they way they did it).

Just think about it. We start off the Games with Katniss's courageous action volunteering for her younger sister. Then Peeta did something radical. He decided to follow through on his declaration of love to Katniss and did everything he could in the arena to save her. Getting sponsors, teaming up with the Careers, getting Katniss to leave and fighting Cato for her. Can you imagine what that was doing in the Capitol? In the Districts? How could you watch someone do that and not hope for a happy ending, even as Peeta lay dying in the mud, whispering Katniss's name?

And then Katniss teams up with Rue and is devastated by her death. She stays with her, sings to her, until she dies. Bolstered by Peeta's words about not being a piece in their games and finally getting what he means, she decorates Rue with flowers. She honors her life and her unnecessary death. District 11 recognizes this and even though they have another tribute alive in the Games, send Katniss the bread.

In Snow's mind, everything about the games is starting to crack. Young love being selfless, sisterly affection defying the Capitol, comradery fostering between districts. He simply can't let it go on. He has to remind people in the Capitol and the Districts that this is not human nature. He is going to prove that. So he tells Seneca Crane to announce the rule change.

He expects Cato and Clove to make it to the final two. In their new advantage, they will become a deadly, mostly healthy team. Meanwhile, Snow can see that Katniss doesn't hold the same care for Peeta that he does for her (she had tried to kill him with tracker jackers, after all). Even if she goes to find him, she'll abandon him once it gets too hard, too dangerous. The hope of love triumphing will be met with annoyance at his injuries and agreeing to stay behind and not get his medicine. And even if she does, he'll still be too injured to truly be useful.

But things go awry. Thresh saves Katniss because of her kindness to a little girl he, too, saw as a younger sister. He kills Clove, bringing about Cato's wrath. And Katniss Everdeen turns out to be a better actress than expected.

No matter, though--once the rule change is revoked, the truth of the stripped-down human nature will come out. Oh, Peeta will throw out the ravings of a teenage boy high on hormones, but people will remember how awful they truly are when Katniss puts an arrow through his heart. After all, Snow's made that decision before. His lover or himself. Death in the woods or life with riches in the Capitol. It's easy, really, to make that decision. And people will remember even the best among them, even she who willingly risked her life to get medicine or volunteer for her sister, won't avoid killing in order to survive herself.

But Katniss calls their bluff, and Peeta goes along with it. They've chosen to protest the Hunger Games with their deaths. Seneca makes the call to announce two winners. Really, Snow was going to kill him either way. Someone has to be publicly accountable for the place he's in now, and Snow certainly isn't going to take credit for his idea. After this, he tries and tries to get Peeta and Katniss to have to kill each other. The Quarter Quell. The hijacking. But it never works. And not just because of them, but because a whole nation finally stands up and says Enough. We won't let this go on anymore. In the end, Snow was entirely wrong because he never truly understood love.

i'm watching Star Trek while I am working and I just got to Journey to Babel (s2 e10) and I'm absolutely losing it at the fact that Sarek is beefing with his son cause he chose to join Starfleet instead of the Vulcan Science Academy.

Sir. Maybe if your people hadn't been so shitty to him while he was growing up hw might have had more of an interest in staying there HELLO???????

crying. turns out being a petty parent is NOT unique to humans.

Same vibes

McCoy: Well, that's the second time man's been thrown out of paradise.

Kirk: No, no, Bones. This time we walked out on our own. Maybe we weren't meant for paradise. Maybe we were meant to fight our way through. Struggle, claw our way up, scratch for every inch of the way. Maybe we can't stroll to the music of the lute. We must march to the sound of drums.

Spock: Poetry, Captain. Non-regulation.

Kirk: We haven't heard much from you about Omicron Ceti Three, Mister Spock.

Spock: I have little to say about it, Captain, except that for the first time in my life I was happy.

---

This might legitimately thee most beautiful ending of any episode of Star Trek ever made. The dialogue, as per usual from Dorothy Fontana, is exquisitely written, and it's performed perfectly by all three.

But I find it especially interesting that Ralph Seninsky chose to cut to Spock while Kirk is talking about how "we must march to the sound of drums", because while it's a philosophy that Kirk wholeheartedly agrees with, this episode seems to show that it's one that Spock has taken onto himself - his self-made purgatory. To Kirk, marching to the sound of drums is the only way to find true happiness. To Spock, marching to the sound of drums is the life that he has chosen, and for it he must sacrifice happiness.

But I also find it additionally interesting, as Spock plays a Vulcan harp/lyre/lute. It's almost as if Kirk's poetical philosophizing is speaking directly to various parts of who Spock is as a person. Perhaps he cannot stroll to the music of the lute, but that does not mean he cannot embrace that music all while marching to the beat of the drum.

Like I said earlier, I feel like Spock genuinely did grow after this episode because he does seem to embrace an appreciation for beauty after this more than he had before, and this is the final moment showing that. In his own way, Kirk is telling Spock that he does not have to give up the former in order to achieve the latter. And in his own way, in response, Spock gently denies that.

And it's heartbreaking, and beautiful, and amazing in every way

I am once again thinking about how in The Naked Time, Spock has an emotional breakdown after contracting the virus and cries about the regret he feels for not loving his human mother vs his shame he feels for his ongoing friendship with Kirk, but before he contracts the virus, Spock finds LOVE MANKIND written on the wall. And it's been written and discussed to death about what it means, I know this, but it's telling that Spock not only loves in spite of his Vulcan upbringing and continued adherence to their customs but that he holds regret and shame deep down inside because the love is still there, regardless.

Whereas Kirk likewise has his virus-induced breakdown over the opposite: his self-inflicted pressure to not love an individual, either due to fear of distraction from duty, losing his position as captain due to the ethical conundrum of "How can a captain date one of their crew?" (no, I do not know the details of how Starfleet manages crew relationships, but I'm assuming rank is an issue, especially where captains are concerned), or even the unspoken taboo of the show's production era, his sexual orientation, hence his focusing on the ship as the only safe and constant outlet for his love. But after this, Kirk finds SINNER REPENT written on the wall, as if to say his altruism isn't the full truth, as if what he desires is what he denies even with the virus lowering his inhibitions.

And like my god. What foils to each other! How damned telling the literal writing on the wall is for them! I am going to eat my fucking sweater!

when the fandom is like six people and we’ve all reblogged the same posts from each other a bunch of times already… what else is there to do but kiss on the mouth

How fucking distraught must Pike have been, to see Spock going against everything, risking his life, seeing how thoroughly Spock had this thought out…

The depth of that love Spock has for him.

andreil dead poet society AU fanfic when??

neil as neil obviously and todd as andrew 🙁