where: the castle; when: post-shit show that was act V, scene iii, in the wee hours of the morn.; who: @pvlmer
watching act V, scene iii was a surreal experience — one minute he was wrapped up in teddy’s performance as romeo, waiting for that sweet final line before The Death, and the next — “murderer!” ripped into the room and nate felt his heart drop into his ass. he had wanted a lot of things in that moment, but his first thought was to get to jason. between all the commotion and the general consensus amongst his peers to get the fuck out of there no matter what, not long after, nate finds himself outside of jason’s room, knocking as hard as he can. rhythmically, though.
while it hadn’t been very long since they had scrambled off, nate had this feeling that if he didn’t talk to jason soon, it would be too late. too late for what, he didn’t know — but the words “orson is dead because of all of you” kept ringing in his head. while nate doesn’t feel so guilty about the part he played in orson’s death, that doesn’t help him feel any better about everyone else; especially jason. the images replay: orson’s body, the blood, the watch, the red and blue lights — nate was spooked. and if was thinking clearly, he would’ve caught up to jason the second they left instead of losing him in the rush of it all. but with five texts and two calls which each ended in incoherent gibberish on nate’s part, he was sure jason got the hint — things were urgent. so there nate is, knocking even harder. ....wait, did jason even tell him that he was back in his room?
“shit!” nate pulls his phone out of his pocket and pulls up his recent call list. he calls jason again, because the thought of his brother getting cornered by some pissed off liberal arts majors is enough to send nate’s anxiety skyrocketing into the stratosphere. “pick up the phone, dammit. pick up the phone.”
alriiiiiiiight, so! a few ooc notes: nate loves macbeth, but i genuinely don’t think he ever really considered he was the protagonist/hero type, so that’s why he chooses to steer away from those roles. should he have given it an honest shot? i’m not sure ─ i don’t think he’ll know what to do with himself if he even got the title role, macduff, or even malcolm. frankly, i just don’t think he’d be inspired enough by them to put his all into it. anyway. enjoy! // triggers: mentions of drug use. word count: 1400+? google doc for better viewing!
so, here’s the thing: nate didn’t know what the fuck was happening anymore.
ever since heidi made the announcement of their spring play, he had been feeling one step behind everybody else. while most of his classmates jumped on rehearsal spaces, monologue runs, and every other kind of audition prep and/or ritual, nate couldn’t seem to share in their enthusiasm. and it scared him. there was something eerie about it all ─ like some kind of storm had formed over the department and no one seemed to notice, or worse, care. or maybe they were better at hiding their fears than he was. nate had tried his hardest to prepare for this audition properly, but he hadn’t been able to focus long enough to even give it an honest try.
serious talk about what happened that night had pretty much ceased amongst the group, but now it felt like no one had given the winter masque a second thought. did everybody know something he didn’t? either way, he had been so distracted that the auditions came sooner than he realized. nate considered just waltzing in and recycling one of his faves from hamlet, because as much as he wanted to go for the big roles, he felt like this wasn’t the play for him to take that risk. nate already had a lot of other shit to deal with on a daily basis, and he convinced himself he would be a liability if he even considered the thought of going for, say, the title role. and in all honesty, the amount of emotional and psychological lifting he would have to do in order to portray macbeth (lady ‘beth or macduff for that matter) accurately was something he just didn’t have the capacity for at the moment.
so that’s where he was the day of auditions. the waiting was always the easiest part for him ─ being able to send quick texts or share jokes backstage was where nate shined. he didn’t think about the stage, or heidi, or the audition piece, because right now what mattered most was making sure other people felt comfortable and strong going into their auditions. lately nate had grown introspective as fuck, and he didn’t really understand why.
or maybe he did, but he didn’t want to acknowledge the facts as they were: he and teddy were having their drug-induced fun, but it was unsustainable by the way things were going; jason was probably guilty for something, and nate was sad that he was still too afraid to just confront him; discovering orson’s body had done something to nate, and he hadn’t stopped worrying about his own mortality since. he didn’t want to end up like that ─ drugged up, miserable, and alone. nate wanted to be this upstanding, nice guy, but there was this heaviness that had been creeping up on him after all these years of destructive behavior. and of course everyone saw the silly, carefree nate who was so easily relatable and funny all these years that it would be near impossible to believe by almost anyone that he had a personality beyond popping vallies like candy and sharing internet memes in group chats at 3 am. fuck.
he doesn’t hear his name at first, because he’s too busy thinking about a lot of other shit, but then he hears his name called once more, and nate comes back down from the stratosphere for two seconds to remember oh yeah, he has something really important to do right now. like audition. nate walks out on the stage just like every other audition for alderidge, except this time when looks up and sees heidi’s face, a fire ignites under his ass.
“yo. my name is nathaniel palmer and…,” he resists the urge to say, ‘and welcome back to my youtube channel’, “i’ll be auditioning with iago’s soliloquy from act two, scene three of othello.” maybe it’s the look on his face or how he takes a few steps backwards from the edge of stage, but heidi doesn’t verbally respond and nate’s thankful for it. his nerves are already bad enough, so he closes his eyes and counts his deep breaths. he tries to remember something of what he’s learned before. the exhale expels the fear, the inhale centers him in place. by the time he’s opened his eyes, iago takes form.
“And what’s he, then, that says I play the villain?”
at base, iago is written off as one of willy’s cruelest characters; he’s manipulative, cold, and intense as hell. but nate understands a part of iago, though, where who he presents to the world is not always how he feels behind the closed doors. honest iago, just like honest nate, has dark tendencies. but while nate has chosen to run from his (via literal running, drugs, or sex), iago sees no other choice but to embrace it. and here, in a rare moment, nate allows himself to embrace it too. where does that darkness come from? nate’s eyelids are low and he moves slowly, but each step is calculated in a wide S shape towards downstage center. in this moment, there are only two players: nate as the predator, and heidi as his accomplice and his prey. "─His soul is so enfettered to her love / That she may make, unmake, do what she list, / Even as her appetite shall play the god / With his weak function.” his breath is a little shaky, so he takes a beat to collect himself.
if orson could see him now, he’d probably laugh to spite nate’s attempt at pulling out something else besides the humorous, non-threatening fool. but that’s where orson was always wrong. humor was present in everything, especially in moments of high drama and danger ─ like conspiring to see the downfall of one’s appointed general, for example. and as long as humor is there, nate knows how to tap in. so he smiles then laughs, short and dry, before switching tactics and continuing with the piece. that’s the thing: navigating iago was second nature for nate, because he had become an expert at thinking on his feet and blending in wherever seemed necessary. it’s what he had to do to survive, and he wasn’t going to apologize for that. neither did iago.
“─When devils will the blackest sins put on, / They do suggest at first with heavenly shows, / As I do now.”
iago was basically airing out nate’s dirty laundry right there on the stage, because holy shit, how else would devils know how to act, how to behave, how to charm like their heavenly counterparts? maybe they didn’t ─ but fallen angels did. and nate never once felt like he was an angel, even when he was young and his family tried convincing him otherwise. he had a lot to be grateful for of course, but there was an anger that lurked deep below the surface. it manifested in his bad behavior in school. in his drug abuse. in his relationships. and that was no one’s fault, he’s had to realize. even though he wants to blame someone so badly. anyone, really. maybe that would help him hurt less.
the audition comes to a close, and the room is so quiet he can hear his heart beating through his chest. heidi breaks the silence at first, but nate feels a little lightheaded, so he non-verbally motions for her to hold her thought. putting on iago’s jealousy, his speech patterns, and his demeanor takes a little more effort to let go, so nate has to shake him out. literally. exhale to expel, inhale to center.
damn, he misses his therapist.
after another few seconds of obnoxious bouncing around, nate turns on his heel and beams in heidi’s direction. honest, silly nate was back in control. he hears her question for the second time and doesn’t miss a beat, “oh, sorry i didn’t mention it earlier. that was my audition for one of the weird sisters ─ the first witch, if you wanna get more specific.” she looks at him expectantly, but his grin refuses to falter. what else had she been expecting from him? nate thinks about his classmates, especially jason, and doubles down on his decision. it would be better this way. “and no, i’m not interested in other roles.” nate crosses his arms behind his torso and sways from side to side. there’s a lot more he could say, and in fact, a lot has already been left unsaid. but that was always the case, wasn’t it?
nate shrugs, and just like that, his audition is over.
“what can i say? i guess i’ve got a thing for sexy, bearded hags.”
fmk the rest of the fourth years
"am i making this complicated on purpose? nah. but i’ve got opinions.”
fuck: 3some w/ hudson + teddy (texting them both after this, actually); zahra, only because we would tear each other apart if we got married; jonah, because he is tense as fuck; chandler, because i like their vibe + the whole affair with orson was kinda hot, not gonna lie.
marry: hmm, well harry, but then i’d divorce her so she & mads can be endgame; mads, but then she’d divorce me so she & harry can be endgame; lexie, because she kinda scares me and i like that; helen, even though we’d probably be better as besties; julian, because duh, who wouldn’t marry julian?
kill: well grace, but only in self-defense (even though we all know it’s coming); mathias, because no one should be allowed to be that pretty and that self-centered. it’s unfair.
+
k(iss) on the forehead, because he’s my lil’ bean: jason.
bxstvrd:
Of course it was Nate.
Well-meaning, kind-hearted, persistent Nate. Jonah half wished it had been Julian who’d come back to the room solely because at least Julian was used to his moodiness, his snappishness, his cruelty. Nate… still seemed to think there was some shred of good in him, and Jonah, who’d be mean to a rock for sport, somehow couldn’t find it in him to treat the other with the same callousness he presented towards the rest of the world.
Didn’t mean he didn’t hate every second of being aware of his soft, incurable heart.
“I’m awake,” he mumbled, barely above a whisper. He refused to let Nate see him, refused to roll over and get up. And besides, even if he wanted to do either of those things, he couldn’t find the energy. “I’m not hungry.”
But he did have to find the energy. He wouldn’t be left alone if he didn’t at least try to assert himself. And so, it was with enormous effort that he sat up, rubbing tiredness from his eyes, before turning to face Nate. “If it’s alright with you, I don’t feel much like talking. I think– I’m coming down with something.” A total lie, but it was easier than telling the truth.
He couldn’t quite meet Nate’s gaze, knew his eyes always gave too much away, before finishing with, “You should go to class. I’ll be fine.”
nate sighs in relief, because while it seems like jonah’s going through a lot of other shit, at least he’s not dead. but he doesn’t look great, so nate attempts something most people don’t dare to do and bursts jonah’s personal bubble to take his temperature. which is really just the back of nate’s hand against jonah’s forehead, but it’s all nate needs to know that something’s up.
“yeah, you’re comin’ down with something alright,” nate turns towards the food, “it’s pretty common, i think. almost as common as the cold,” he finds two forks and picks up the drink carrier, “and it’s been going around the department these past couple of weeks, so it’s actually not surprising you got it.” nate puts the food on a nearby surface, kicks off his shoes, and sits down on the floor next to jonah. “you know what it is, right?” he pushes one of the warm containers into jonah’s lap and hands him a fork and syrup.
“just a classic case of bullshit, jonah. and while it’s normally contagious, lucky for you, my immune system is already shit so missing class is common for me.” nate opens up his own waffle container and takes no time to bathe it in syrup and butter, before he looks back up at jonah. “look. i don’t know what’s going on, or why it’s happening today, but i do know that obviously something is up with you and while you’re not obligated to talk to me about any of it, i’m not letting you face it alone on an empty stomach. so. we’re going to sit here and eat these Belgian waffles, because letting breakfast food get cold is a crime i don’t think i’m willing to commit. ...oh shit, you’re not on a gluten-free kick, right?”
jason: yeah me too, it would've sucked to have another play where i had a total of two lines for my last year lol
jason: is it bad that i don't feel bad? about josie, that is. i feel kinda bad for mathias because i live with him.
jason: honestly, you're living your best life through this role.
nate: right?! i'm proud of u, kiddo. can't wait to KILL THIS SHIT
nate: pun intended
nate: omg you feel bad for him? jason, my sweet brother, pls do NOT let mathias get to you! he is pretty on the outside, poison on the inside!!!!!
nate: u bet your ass i am. did i tell u i bought a spellbook off of the Internet? 😈😈😈😈 wanna get spooky w/ me tomorrow night?
where: the refectory, the 4th year table; when: post-announcement, before read-through; who: @chandlerrosen.
there are some things nate is going to miss about aldy when they’re all gone from this place, and the refectory’s food was definitely one of them. nate sits at the usual table for their class, his food spread out in front of him like a five-course meal, with his personal copy of macbeth sitting in his lap. he’s doodling a picture of a flaming skull over the title character’s first meeting with the witches when he sees chandler across the way. he grins and waves, “yo, lady ‘beth! chandler! you have a second? i’ve got a tiny favor to ask.” he pushes some of his food out of the way, suddenly aware of how much space he’s taking up.
believe it or not, nate’s got a pretty consistent thing going with twitter. his first love, nate spends a good amount of time retweeting memes, news articles, and hot takes on pop culture. while he isn’t really sure where all his followers came from, people seem to be having a good time and playing nice in the comments. (even if a few thousand of them are bots.) there’s something about spewing dumb shit in one moment and truth in the next that nate really connects with. if his classmates finally agree to that orgy, he realllllllllly hopes they’ll let him live tweet the whole thing. that should definitely get him 100k by graduation.
ofhelens:
Matching his smile with one of her own, Helen laughs gently. “Hell, for sure. I have a feeling that Abigail Williams would have fit snugly in one of Shakespeare’s plays.” Probably played by Zahra. If Orson had his way. If Heidi was casting - who knew? The uncertainty of Alderidge, which had always been such a constant, made her anxious. Nudging gently into him, she nodded in thanks. “I don’t deserve you.” She wasn’t sure any of them deserved Nate. Had she followed that thought through to its completion, she might have felt guilt that they were the one forced to witness her witchcraft…but as it was, she dropped it; distracted by the mention of Jonah. “No?” Puzzled, she knotted her eyebrows. “Did he…did he do something?”
it was one thing to banter with helen about heidi or the play, but then just like that, nate decides to switch up the conversation on her - a part of him wondered if it was the right time. but when would this opportunity come up again? he raises an eyebrow for a moment at helen’s response - did jonah do something? well, damn. it’s not like it’s any of his business, but in nate’s experience, that kind of question only came from someone who, even in the slightest way, had already assumed he was guilty. it was a nicer way of saying ‘what did you do?’ and - shit, now he’s definitely reading too much into it. nate shakes his head, “nah, he didn’t do anything. it’s just the week of auditions he had a really...rough morning, and i might’ve cried and tried stuffing his face with waffles, and i was just curious if you had heard from him. that’s all.” nate shrugs and then tries to offer helen another smile to diffuse any of her worries. “even though we live together, i feel like we’ve been like two ships passing in the night.”
let’s get weird.
jason: for once i'm actually feeling kind of okay about my casting
jason: what about you? are you excited to play a witch?
nate: whew, i'm glad u feel that way!
nate: i was def ready to raise hell if you weren't cool w/ it. it's our last show, y'know? we should get what we DESERVE. but then again, i look at ppl like mathias & josie and i'm like .....yikes
nate: um HELL YEAH i am!! a crone who casts spells & cackles at people's misfortunes is in my top 5 other lives i'd like to live. you know this
everybody says "clown around" but no one ever asks "around, clown?" :(
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