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William Blake - Blog Posts
Hi, I'm back again!
School has been intense recently, but I've (mostly) caught up with everything, so it should be smooth sailing for a few weeks now!
Speaking of sailing, and boats, and books, of course, I've started annotating my copy of Joseph Conrad's Heart of Darkness for school. Hopefully rereading it won't be so confusing as the initial reading was.
The other photo above are of my notes on William Blake's poem The Little Black Boy, or rather notes on the essay Liberatory Christianity and the Perception of Race in "TLBB".
What I got done today:
Literature notes.
Literature annotating.
Biology revision.
Also, I apologise for my rather bad quality photos. Whenever I write these posts (or think about writing them) I always wish my camera was a little more sharp, or my skills a little more intuitive. It always quietly amazes me how study bloggers can manage to capture such beautiful shots.
But I suppose my own stumbling efforts do have their own unique flair; a sense of personal authenticity to them, that reflects the imperfect and the mundane, mirroring back the glamourless way life (and studying) so often plays out.
Well.
Thanks for reading, and I hope you're productive this week!
new acquisition
Tyger Tyger
A4 Collage - paper and sheep's wool
Segmento traducido de William Blake y sus “Proverbios del infierno” + imagen del grabado original del proverbio, el cual se encuentra en el libro “El matrimonio del Cielo y el Infierno” del cual Blake generó las matrices con el texto e ilustraciones a mano mediante la técnica de aguafuerte en relieve, para luego ser impresas también a mano con la ayuda de su “esposa” (?+ el último tatu que me hizo mi amiga de dos lombrices felices.
ATR - E - Vida // Atrevida
Muchas veces me han dicho atrevida como insulto pero yo creo que es un halago.
Estampa de Aguafuerte en Relieve sobre Hierro
El otro día x causalidad me enteré que a William Blake se le adjudica la invención de esta técnica y me pareció súper increíble.
Gracias x tanto