Red Dead Redemption Two - Blog Posts

I absolutely love the symbolism of Arthur Morgan as both the deer and the coyote.

When he is high honor he is a prey, he is hunted more than he hunts, he is hurt more than he hurts others. He gives everything in life and even in death, as a deer, he continues to give, being an easy source of food.

When he is low honor he is a coyote, he continues to hunt, he continues to hurt others, but he is also hunted. He isn't all and powerful, he isn't the top of the food chain, people still get to him, he still gets hurt and he whimpers like a wounded dog.

The deer is symbolism of gentleness, of a kind hand and unconditional love, but may also be a sign that your heart has been hurt and needs tending.

A coyote is symbolism for the duality of nature, the good and the evil, a foot in each camp yet never fully either. They can be selfish and cunning, bringing chaos into this world, but it also brings wisdom and inteligence to those around it.

Yall...this is my first post so I'm gonna make just a little short headcanon post of Arthur(don't judge me please 😭🙏l

Arthur Morgan Headcanons(what I think)

Fluff-Arthur morgan

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I think what Arthur would literally fail at braiding his daughters hair,but his daughter don't matter what age they would laugh not at him just laugh of how panicked he looks because of messing it up😭🙏

(Also sorry that this was too short,it's my first one so yeah,I'm sorry🙏)

Das ME

📍Thieves Landing

Red Dead Online

@/_fishbird_ on Instagram

Watercolour from a few years ago and a recent gouache study

Help, it's giving

I am editing and accidently made it look like Pearson had an emotional montage

Hiii! I saw on your pinned that you’re a fan of RDR2, so for your alphabet challenge, would you please write NSFW letter X for Arthur Morgan? Thank you!

ohhhh anon you have TASTE. i’d be DELIGHTED to write this for you.

x is for x-ray | arthur morgan

warnings: explicit sexual content, nudity, detailed anatomical description, language consistent with 1800s setting, voyeuristic focus on male body, light exhibitionism, use of second person pov, erotic fixation on physicality, unprotected sex implication, emotionally intimate context, mild praise kink undertones

tags: @destinedtobegigi, @pittsick, @bambiangels, @talsorchard, @angeldoll1e, @itachisank, @tennisprincess, @lexiiscorect, @esotericgirlwannabe, @lovefaist, @won-every-lottery, @zionna

notes: hey angels just a lil note—i absolutely love writing for challengers and the bear, and i’ll always be down to explore more of that, but if you ever feel like sending in asks for other fandoms too, please do! it really helps me stretch my creativity and explore new voices/vibes. writing for arthur morgan was such a joy, and i’d love to dive into more worlds like that. don’t be shy! okay i’m gonna stop because my hands hurt, i wrote a lot today 😭 enjoy!

The room in Valentine is nothing special—wood-paneled, narrow, scuffed floors and faded wallpaper peeling at the edges—but it doesn’t matter. The second Arthur strips off his coat, it ceases to be a hotel room. It becomes a cathedral. A shrine. A holy place built around the gravity of his body. And for the first time, you get to see him not as he’s dressed for the world—layered in denim and dust and guns—but raw. Bared.

It starts simple: the shrug of that trail-worn coat from his shoulders, the soft thud as it drops over the back of the chair, the flick of fingers undoing buttons down his shirt. But there’s nothing simple about the man himself. Arthur’s frame commands the space like it was built to worship him. Broad. Thick. Weather-hardened and sun-fed. His shoulders stretch the fabric of every shirt he owns, and once he peels it off—slow, like it’s never occurred to him someone might want to watch—it becomes impossible to look away.

He’s built like the frontier. Rugged. Untamed. A map of sweat and sun and scars. His skin is the color of oak bark in summer, golden and burnished with the kind of tan that doesn’t fade—it’s in him. Part of him. A deeper warmth than just skin-deep. His chest is massive, pelted with a coarse dusting of tawny-blond hair that gathers dense across the sternum, softens as it trails down his stomach in a thick line. His pectorals are full, heavy, not sculpted like a statue’s but lived-in—flesh formed from years of labor, from chopping wood, breaking horses, dragging bodies.

The hair down the center of his chest glows golden in the angled light, catching the color of the sunset leaking through the curtains. It creeps over his collarbones, softens the harsh ridge of old scars. One scar slices diagonally across his left pectoral, paler than the rest of him, like a whip cracked hot against the skin long ago. Another curls near the hip, a jagged crescent hidden in the shadow beneath his ribs.

And then the suspenders fall. The belt buckle clicks. He kicks off his boots, and his pants sag low on his hips. Wide hips. Solid hips. Built for carrying weight—saddlebags, corpses, the weight of guilt he doesn’t speak of. When he pushes those pants down, slow and unceremonious, he steps out of them like a man shedding his sins.

He is naked in the truest sense. And it’s devastating.

Arthur Morgan’s cock hangs thick between his thighs, flushed deep red at the head, darker toward the base where the hair thickens into a coarse nest of dirty blond. It’s big even soft. Long enough to demand respect. Heavy, veined, the foreskin resting back just enough to tease the slick pink of the glans beneath. A single bead of precum shines there, like he’s been holding back too long. And you know he has.

As you stare—open, shameless—he twitches. His cock thickens slowly, like it’s waking, like it’s watching you as much as you’re watching it.

Arthur notices. His smile is shy, but crooked, a hint of self-deprecating charm. “Ain’t exactly a prize hog,” he says, scratching the back of his neck, but you can see it—the flush crawling down from his cheeks to his chest. He likes being seen. Even if he doesn’t know how to say it.

His thighs are thick and wide-set, dusted with blond hair, dappled with fading bruises, knotted muscle flexing under skin every time he shifts his weight. There’s a line of scabbing down his shin from a ride through bramble or a botched dismount. His calves are strong, veined, the kind only years of walking, climbing, riding could build. Everything about him is earned.

And that stomach—not flat, not soft, but strong in a way that’s real. A faint curve over the belt-line. Muscles beneath the skin, not gym-trained but carved by work. He’s got a fine dusting of hair there, too, curling tighter below the navel, guiding the eye downward toward the dark root of his cock.

His arms are worth their own chapter. Thick biceps that stretch the seams of his shirts, veins standing prominent, forearms like sculpted stone. His hands? Massive. The kind that wrap around the butt of a rifle like it’s nothing. The kind that grip reins and throats and thighs with the same ease. They’re calloused and dirt-streaked and holy.

And the more you look, the more detail unfolds. His neck is thick, corded with sinew, shadowed by stubble. There’s always a touch of sweat just at his temples, the scent of him musk-heavy—leather and iron and firewood smoke, cut with the faint sweetness of molasses if you get too close to his throat. His beard is full, well-kept but untrimmed, flecked darker around the chin and mouth, soft-looking despite the thickness. And then there’s his hair—messy, sun-lightened, curls catching at the nape like he’s been riding all day with his hat off.

He’s staring now, too. Watching you watch him. That stormy gaze softened around the edges with something quiet. Something almost vulnerable.

“I know I’m rough,” he says low, voice catching like wind in a canyon. “Ain’t got much polish to me. But… well. I clean up all right, don’t I?”

And you want to laugh. Want to cry. Because this man—this towering, muscle-bound, scar-splattered outlaw—is standing bare before you, cock heavy and leaking, chest heaving just a little from the weight of your gaze, and still he wonders if he’s enough. If he’s worth looking at.

He’s more than enough. He’s obscene in his beauty.

You reach for him like gravity pulls you there. Your hands span his hips, your fingers brushing the wiry curls at the base of his cock, and he shivers. That flushed cock jumps against his stomach. The skin there is so hot it burns, a furnace under your palm. You drag a thumb over the slick head and he grits his teeth, groans low and deep, a sound pulled from somewhere in the belly of him.

“Fffffuck, sugar,” he gasps, shoulders flexing like a draft horse under harness. “That’s—s’tender. Been thinkin’ about this too long.”

But you don’t stroke. Don’t tease. You just look.

You memorize the shape of him. The texture of his skin. The way every part of him—from the pink of his nipples to the curl of his toes—is alive with anticipation. And when he leans back on the bed, thighs wide, cock resting against his stomach and glistening, one arm propped behind him to hold his weight—he looks like a goddamn vision. Like something carved out of the dirt and sun and blood of the West itself.

Arthur Morgan, in full.

And nothing’s ever looked better.

part four (rdr2 chapter six and epilogue spoilers)

some photos from rdr2 since I've been playing 10 hours a day everyday now instead of drawing or studying

some photos from rdr2 since I've been playing 10 hours a day everyday now instead of drawing or studying

Hello guys!!!! Here are some red dead redemption stickers I made a while back that are available on my shop if you're interested!! Thanks for viewing and hope you all have a great rest of the month!!!!

https://vampire-kandii.square.site