Zenith-of-gahhh - Zenith-of-stupidity

Light: Do you want some tea?

L: What are the options?

Light: Yes or no

Light: Do you take constructive criticism?

Misa: Yeah

Light: You're fucking trash, misa

Misa:

Misa: *gasp* Oh no light don't talk about yourself like that, you're not trash! You're amazing! I love you!!!

Reading amazing fanfiction, then forgetting to bookmark it

You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.

WRITING EXERCISE: Going macro

Sometimes you’re so concerned with the overarching concept of your story that you forget about the small stuff that makes your writing unique. So let’s use a bit of mindfulness and focus on the teeny tiny miniscule details for a mo, shall we? Let’s go MACRO, kids.

Because as tempting as it is to go for the BIG themes and HUGE life experiences and SIGNIFICANT moments and ALL THE DRAMA ALL THE TIME, good writing is really about the stuff we DON’T notice.

Observing the little things.

Taking note of the seemingly day to day stuff and bringing it into focus.

Highlighting the human.

Being mindful of everything you do, everything that’s going on around you.

And using it as writing-fodder.

So. Today (or not necessarily today – but a day when you’re able to try this exercise out) try keeping a little diary of observations. Keep a notebook to hand, or use a notes app on your phone, or send yourself a bunch of random little emails – whatever works for you.

Really tap into everything you do, no matter how mundane, and see if you can note down as many interesting observations as you can.

Observe all your little routines, tics, habits and foibles:

Do you always brush your teeth in the same way?

Do you have a silly little conversation with your dog when you let them out to pee in the morning?

Do you see the same yellow car pass by every day on your way to work?

Do you get antsy if someone else makes your coffee because they never get it the way you like it?

Pay attention to all those mindless tasks you do without thinking:

Look for patterns in the bubble bath

Listen for a beat in the thump of the washing machine

Catalogue the smells, sights and sounds of your commute

Separate out the steps of cooking your dinner

Map your emotions and physical senses throughout the day:

Did you wake up on the wrong side of the bed with a cracking headache? Can you describe the feeling?

When did you feel most chilled out?

Most stressed?

What made you laugh and what sound does your laugh make?

What was on your to-do list and how did you feel about it?

Remember: we’re not necessarily looking for Big Meaningful Truths here (though they may emerge). We’re simply making a series of mini observations, any of which could be transferred into your writing as little details that will bring an extra dose of realism to your work.

You may find that some sneaky bit of fundamental human truth will come sashaying in to turn the most innocuous observation into a great big metaphor, and that’s all well and good, but there’s no pressure to make connections, or consider the universe and what it is to be human.

Today, we simply observe. Take notes. Be mindful (ugh). Create a list of senses and moments and potential new ideas. Wallow in the bottomless sinkhole of human existence and the multitudinous amazing, mundane, varied, ridiculous, touching, scary, weird things all around us…

Taking a moment to be mindful and harvest little nuggets of life for your writing is a GREAT habit to get into. You don’t have to note EVERYTHING down, obviously – just get used to pausing, observing, and making note of all the little things that other people might skim over.

Because THAT’S what makes fiction so wonderful – seeing something tiny and innocuous but oh so familiar suddenly pop out of the page. It might be a gesture or a tone of voice or an object or a reaction or a sensory detail. It doesn’t matter how commonplace it may be.

The trick is to discover your own unique way of seeing the world and translating that into words. And like all writing, it takes practice. So start today. Keep an observation diary and see what you notice – and just how many details we miss on a regular basis.

Psst. More writing exercises over here...

friendly reminder that Harry didn't know his mother's maiden name until he saw it in Snape's memory :)

on tragedy, fate, and inevitability.

oresteia, robert icke // theatre of the oppressed, augusto boal // song of achilles, madeline miller // the book thief, markus zusak // antigone, jean anouilh // revisiting mockingjay ahead of the hunger games prequel, entertainment weekly // romeo and juliet, shakespeare // h of h playbook, anne carson // war of the foxes, richard siken // the road to hell (reprise), hadestown // planet of love, richard siken // they both die at the end, adam silvera

Everyone loves to talk about how Percy gave up godhood for Annabeth (false, he did it himself and seeing Annabeth reminded him of Luke's last request), but no one likes to talk about how Percy chose the great prophecy so that Nico wouldn't have to bear it? He did that for Nico. And when he hears the actual prophecy and finds out that he's going to die, he doesn't back pedal and try to get out of it - because that would mean Nico would die. He sticks true to his decision to take on the great prophecy and die for Nico. And then when he doesn't die and gets one wish from the gods, he makes them give Nico a cabin at chb so Nico could have somewhere he's welcomed and safe. I-